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suggests that different languages have different rhythms, and that those rhythms are also reflected in the music of that culture

Perhaps this has to do with the babies crying study also? "...not only are human neonates capable of producing different cry melodies, but they prefer to produce those melody patterns that are typical for the ambient language they have heard during their foetal life."

Some adults learn a second language better than others, and their secret may involve the rhythms of activity in their brains. New findings by scientists at the University of Washington demonstrate that a five-minute measurement of resting-state brain activity predicted how quickly adults learned a second language.

It was especially interesting that this effect held not only for those who had been adopted after the age of 17 months, when they would have been saying some words, but also for those adopted at under 6 months.

Researchers looked at international adoptees (babies that were adopted at a couple months old and grew up hearing a different language than they heard while in the womb) and were able to see what babies hear in the womb and soon after birth has an affect on how they perceive sounds. Newborn babies can actually recognize the voices they've been hearing for the last three months in the womb, especially the sounds that come from their mothers. When born, babies prefer these familiar voices to strangers voices. Babies can also detect rhythm and prefer other languages with similar rhythms, rather than languages with different rhythms.

Northwestern University researchers, led by Dr Nina Kraus, found that poor readers had reduced neural response (auditory brainstem activity) to rhythmic rather than random sounds compared to good readers. In fact the level of neural enhancement to acoustic regularities correlated with reading ability as well as musical aptitude. The musical ability test, specifically the rhythm aspect, was also related to reading ability. Similarly a good score on the auditory working memory related to better reading and to the rhythm aspect of musical ability. Dr Kraus explained, "Both musical ability and literacy correlated with enhanced electrical signals within the auditory brainstem. Structural equation modeling of the data revealed that music skill, together with how the nervous system responds to regularities in auditory input and auditory memory/attention accounts for about 40% of the difference in reading ability between children. These results add weight to the argument that music and reading are related via common neural and cognitive mechanisms and suggests a mechanism for the improvements in literacy seen with musical training."

Brain-imaging studies have shown that music activates many diverse parts of the brain, including an overlap in where the brain processes music and language. Brains of people exposed to even casual musical training have an enhanced ability to generate the brain wave patterns associated with specific sounds, be they musical or spoken, said study leader Nina Kraus, director of the Auditory Neuroscience Laboratory at Northwestern University in Illinois. Musicians have subconsciously trained their brains to better recognize selective sound patterns, even as background noise goes up. In contrast, people with certain developmental disorders, such as dyslexia, have a harder time hearing sounds amid the din. Musical experience could therefore be a key therapy for children with dyslexia and similar language-related disorders. Harvard Medical School neuroscientist Gottfried Schlaug has found that stroke patients who have lost the ability to speak can be trained to say hundreds of phrases by singing them first. Schlaug demonstrated the results of intensive musical therapy on patients with lesions on the left sides of their brains, those areas most associated with language. Before the therapy, these stroke patients responded to questions with largely incoherent sounds and phrases. But after just a few minutes with therapists, who asked them to sing phrases and tap their hands to the rhythm, the patients could sing "Happy Birthday," recite their addresses, and communicate if they were thirsty. "The underdeveloped systems on the right side of the brain that respond to music became enhanced and changed structures," Schlaug said at the press briefing.

Babies who engage in musical play may have an easier time picking up language skills, a recent study says. U.S. researchers compared 9-month-old babies who played with toys and trucks to those who practiced banging out a rhythm during a series of play sessions.

Its amazing how similar language and music are to each other. Language and music both require rhythm; otherwise they don't make any sense. This article explores whether early exposure to music can help babies acquire their first language.

"...scientists found that different toddler sounds - or "vocalizations" - emerge and fade in a definite rhythm in the course of a tantrum. "We have the most quantitative theory of tantrums that has ever been developed in the history of humankind" ... where one age-old theory of tantrums might suggest that meltdowns begin in anger (yells and screams) and end in sadness (cries and whimpers), Potegal found that the two emotions were more deeply intertwined. ... The trick in getting a tantrum to end as soon as possible, Potegal said, was to get the child past the peaks of anger. Once the child was past being angry, what was left was sadness, and sad children reach out for comfort. The quickest way past the anger, the scientists said, was to do nothing."

Researchers at Harvard University have found that humans aren't the only ones who can groove to a beat - some other species can dance, too. The capability was previously believed to be specific to humans. The research team found that only species with the capacity for vocal mimicry, that is, copying sound, seem capable of beat induction, the ability to discern the beat in music. Beat induction also enables such actions as clapping, making music together and dancing to a rhythm. The data suggests that some of the brain mechanisms needed for human dance may have originally evolved to allow us to imitate sound.

Elise Piazza, lead author and a postdoctoral research associate with the Princeton Neuroscience Institute, said, "Motherese contains exaggerated pitch contours and repetitive rhythms that help babies segment the complex noises around them into building blocks of language." She added that the speaking style also helps parents capture the attention of their babies and engage them emotionally.

Talks about how rhythmic characteristics of language and accents are reflected in the rhythms of songs.

In a 2011 published study (https://mp.ucpress.edu/content/29/1/51.full.pdf+html), Nicholas Temperley and David Temperley, 2 musicologists, did a musical corpus analysis showing that the Scotch snap, a sixteenth-note on the beat followed by a dotted eighth-note, is common in both Scottish and English songs, but virtually nonexistent in German and Italian songs, and explored possible linguistic correlates for this phenomenon. British English shows a much higher proportion of very short stressed syllables (less than 100 ms) than the other two languages. Four vowels account for a large proportion of very short stressed syllables in British English, and also constitute a large proportion of SS tokens in our English musical corpus. A Scotch snap, as Adam Neely notes in the above video, is the musical, rhythmical counterpart to a trochee in poetry. Say the phrase "Teenage Mutant Ninja Turtles" to hear a series of Scotch snaps.

Babies are already learning their mother's language in the womb from the sound of their voice. By the time the baby is born they are able to distinguish between their own mother's native tongue and another mother's native tongue. A baby's first language comes from hearing different speech patterns and rhythms inside the womb.

New research suggests that babies perceive sound differently depending on what language they hear growing up compared to what language they hear during the third trimester of birth. Babies prefer to listen to voices that they have heard in the womb, their mothers in particular, and enjoy listening to languages that have similar rhythms. This cancels the previous thinking that babies didn't learn phonemes until the second six months of life.

A study done with monolingual babies and bilingual babies under a year old showed that in the earlier months, both sets of babies had discrimination abilities to separate languages, but by eight months only the bilinguals had this ability. The study was done by only showing visual clips of people speaking different languages. This means that the babies could differentiate languages by looking at facial movements and the rhythm and shape of the person's mouth.

A spoken language is more than just words and sounds. Speakers use changes in pitch and rhythm, known as prosody, to provide emphasis, show emotion, and otherwise add meaning to what they say. But a language does not need to be spoken to have prosody: sign languages, such as American Sign Language (ASL), use movements, pauses and facial expressions to achieve the same goals. In a study appearing in the September 2015 issue of Language, three linguists look at intonation (a key part of prosody) in ASL and find that native ASL signers learn intonation in much the same way that users of spoken languages do. Children learning ASL acquired prosodic features in three stages of "appearance, reorganization, and mastery": accurately replicating their use in simpler contexts, attempting unsuccessfully at first to use them in more challenging contexts, then using them accurately in all contexts as they fully learn the rules of prosody. Previous research has shown that native learners of spoken languages acquire intonation following a similar pattern.

Babies first start learning language by listening to the rhythm and intonations of speech. They specifically listen to high pitches versus low ones and the loudness of syllables in speech. Before a baby is even born they already begin developing language. When in the womb, the intonation patterns of the mother are heard in the womb. "Baby talk" used by people to infants is a crucial part of an infants learning.Parents often exaggerate these aspects of language, which helps a baby to acquire it. Research shows babies prefer listening to this exaggerated, singsong way of talking compared to regular adult talk.

If you're looking for the species that most closely matches our linguistic prowess, surprisingly, you won't find it in the apes, the primates, or even in the mammals. You have to travel to a far more distant relative, all the way to a family of birds known as the songbirds. The vocal life of a songbird is similar to ours in many ways. They learn songs by imitating their elders. Like human speech, these songs are passed down from one generation to the next. Songbirds are also best equipped to learn songs in their youth, and they have to practice to develop their ability. They can improvise and string together riffs into new songs, and over generations these modified songs can turn into new dialects. And like us, they come hard-wired with 'speech-centers' in their brain that are dedicated to language processing. An experiment from 2009 by Fehér and colleagues took newly hatched songbirds of the zebra finch species and raised them in sound proof chambers. They did this during their critical period of language development. Surprisingly, this culturally isolated generation of birds began to develop their own songs. These songs were less musical than your typical songbird song - they had irregular rhythms, they would stutter their notes, and the notes would sound more noisy. But the researchers were curious where this would lead. They listened to the songs of the next few generations of pupils, the offspring of these children of silence. What they found was quite amazing. In just two generations, the songs started to change in unexpected ways - they were becoming more musical. In fact, they started to converge upon the song of the wild songbirds, even though none of these birds had ever heard the wild songs. The Feher study suggests, but does not prove, that songbirds must have an innate understanding of the structures of their language. In other words, they seem to have a built-in intuition about grammar. Over time, they may be using these intuitions to develo

This article discusses the correlation between listening to music and cognition. They mainly used pop music and distinguished their test subjects between extraverts and introverts.

Some studies show that listening to music improves cognitive performance and focus. Certain rhythms and beats can cause shifts in emotion, which can ultimately affect the way that we comprehend things we read. In one of their studies, a controlled group of students studied with music that caused them to feel anxiety while another listened to music that evoked concentration. They also allowed a certain controlled group to listen to their favorite song and actually performed worse on their tests.

Listening to music for relaxation is common among students to counter the effects of stress or anxiety while completing difficult academic tasks. Some studies supporting this technique have shown that background music promotes cognitive performance while other studies have shown that listening to music while engaged in complex cognitive tasks can impair performance.

While we may be punctuating less as a whole (a recent study found that only 39 percent of college students punctuate the end of texts and 45 percent the end of instant messages), the punctuation we do use is more likely to be scrutinized. "Digital punctuation can carry more weight than traditional writing because it ends up conveying tone, rhythm and attitude rather than grammatical structure," said Ben Zimmer, a linguist and the executive editor of Vocabulary.com. "It can make even a lowly period become freighted with special significance."

The correct use of punctuation can really improve someone's opinion of you. The author of this piece decided to go out with someone based on their use of punctuation in a text message. The author also discusses how we have been conditioned to read certain punctuation marks and how they correlate to tone of voice in the text message. Punctuation marks are an important aspect of language that can help convey a meaning in a text.