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Studies show that musicians are better at identifying emotion. "Looking for a mate who in everyday conversation can pick up even your most subtle emotional cues? Find a musician, Northwestern University researchers suggest. In a study in the latest issue of European Journal of Neuroscience, an interdisciplinary Northwestern research team for the first time provides biological evidence that musical training enhances an individual's ability to recognize emotion in sound."

The brains of jazz musicians who are engaged with other musicians in spontaneous improvisation show robust activation in the same brain areas traditionally associated with spoken language and syntax. In other words, improvisational jazz conversations "take root in the brain as a language"

Scientists are reporting in the journal Science that they have identified specialized brain cells that help us understand what a speaker really means. These cells do this by keeping track of changes in the pitch of the voice. "We found that there were groups of neurons that were specialized and dedicated just for the processing of pitch," says Dr. Eddie Chang, a professor of neurological surgery at the University of California, San Francisco. Chang says these neurons allow the brain to detect "the melody of speech," or intonation, while other specialized brain cells identify vowels and consonants. "Intonation is about how we say things," Chang says. "It's important because we can change the meaning, even - without actually changing the words themselves." The identification of specialized cells that track intonation shows just how much importance the human brain assigns to hearing, says Nina Kraus, a neurobiologist who runs the Auditory Neuroscience Laboratory at Northwestern University. "Processing sound is one of the most complex jobs that we ask our brain to do," Kraus says. And it's a skill that some brains learn better than others, she says. Apparently, musicians, according to a study conducted by Kraus, are better than non-musicians at recognizing the subtle tonal changes found in Mandarin Chinese. On the other hand, recognizing intonation is a skill that's often impaired in people with autism, Kraus says. "A typically developing child will process those pitch contours very precisely," Kraus says. "But some kids on the autism spectrum don't. They understand the words you are saying, but they are not understanding how you mean it." The new study suggests that may be because the brain cells that usually keep track of pitch aren't working the way they should.

Today's economic environment demands that our children become the very best they can be. A lot of demands are placed upon us as parents, and whether we like it or not, we need to help our children navigate their way in today's fast-paced world and build their skills for the future.

Article reports on the research of Dr. Charles Limb, of Johns Hopkins. Through fMRI, Limb found the brains of jazz musicians engaged with other musicians in spontaneous improvisation show robust activation in the same brain areas traditionally associated with spoken language and syntax. In other words, improvisational jazz conversations "take root in the brain as a language," Limb said. However, the areas of the brain associated with meaning are not activated.

When children start studying music before the age of seven, they develop bigger vocabularies, a better sense of grammar and a higher verbal IQ. These advantages benefit both the development of their mother tongue and the learning of foreign languages. During these crucial years, the brain is at its sensitive development phase, with 95% of the brain's growth occurring now. Music training started during this period also boosts the brain's ability to process subtle differences between sounds and assist in the pronunciation of languages - and this gift lasts for life, as it has been found that adults who had musical training in childhood still retain this ability to learn foreign languages quicker and more efficiently than adults who did not have early childhood music training. Humans first started creating music 500,000 years ago, yet speech and language was only developed 200,000 years ago. Evolutionary evidence, as interpreted by leading researchers such as Robin Dunbar from Oxford University, indicates that speech as a form of communication has evolved from our original development and use of music. This explains why our music and language neural networks have significant overlap, and why children who learn music become better at learning the grammar, vocabulary and pronounciation of any language.

This Scientific American blog article provides a handy run-down of research findings re: music's effect on the brain, including 1. Musicians are better able to process foreign languages because of their ability to hear differences in pitch, and have incredible abilities to detect speech in noise. Even those w/ a few years of music training showed more robust neural processing of sounds. Music "tones auditory fitness", critical for perceiving speech and distinguishing, recognizing and processing conversation in noisy environments. 2. Musical training and education may confer linguistic, mathematical, and spatial benefits, and promote social development/"team player" capacities.

Brain-imaging studies have shown that music activates many diverse parts of the brain, including an overlap in where the brain processes music and language. Brains of people exposed to even casual musical training have an enhanced ability to generate the brain wave patterns associated with specific sounds, be they musical or spoken, said study leader Nina Kraus, director of the Auditory Neuroscience Laboratory at Northwestern University in Illinois. Musicians have subconsciously trained their brains to better recognize selective sound patterns, even as background noise goes up. In contrast, people with certain developmental disorders, such as dyslexia, have a harder time hearing sounds amid the din. Musical experience could therefore be a key therapy for children with dyslexia and similar language-related disorders. Harvard Medical School neuroscientist Gottfried Schlaug has found that stroke patients who have lost the ability to speak can be trained to say hundreds of phrases by singing them first. Schlaug demonstrated the results of intensive musical therapy on patients with lesions on the left sides of their brains, those areas most associated with language. Before the therapy, these stroke patients responded to questions with largely incoherent sounds and phrases. But after just a few minutes with therapists, who asked them to sing phrases and tap their hands to the rhythm, the patients could sing "Happy Birthday," recite their addresses, and communicate if they were thirsty. "The underdeveloped systems on the right side of the brain that respond to music became enhanced and changed structures," Schlaug said at the press briefing.

includes a section about song lyrics and a good introduction to the cognitive aspects of memory Excerpt: "The experimental data corroborate our intuition that the memory representation for lyrics seems to be tied into the memory representation for melody (Serafine, Crowder, and Repp 1984). Further evidence of this comes from a case report of a musician who suffered a stroke caused by blockage of the right cerebral artery. After the stroke, he was able to recognize songs played on the piano if they were associated with words (even though the words weren't being presented to him), but he was unable to recognize songs that were purely instrumentals (Steinke, Cuddy, and Jacobson 1995)."

Research about the association between music and speech. Tonal languages, such as Mandarin, support theories of language developing out of a "protolanguage" comprised of sounds that were more similar to tones than words.

While this article primarily addresses the phenomenon of dysmusia, difficulty in reading music, it also talks about the cognitive underpinnings of music reading. In the brain, reading music is a widespread, multi-modal activity, meaning that many different areas of the brain are involved at the same time. It includes motor, visual, auditory, audiovisual, somatosensory, parietal and frontal areas in both hemispheres and the cerebellum - making music reading truly a whole brain activity. With training, the neural network strengthens. Even reading a single pitch activates this widespread network in musicians. The article also reiterates a pattern that researchers are finding: while text and music reading share some networks, they are largely independent. The pattern of activation for reading musical symbols and letters is different across the brain. Scientists have determined this via studies of patients with limited brain damage, as brain injury impaired reading of one coding system but spared the other.

For centuries, Central America's Afro-Indigenous Garifuna people have kept the culture's oral history alive through their ancestors' native language. But decades of modernization, haphazard native-language training in Garifuna schools, intermarriage between cultures, and the ridicule of young people who speak the language, collectively led to Garifuna being listed on the UNESCO Atlas of Endangered Languages in 2001. Today, linguists estimate that about 100,000 speakers remain. The threat of language extinction isn't new. Some linguists estimate a language dies every two weeks, as some languages become dominant tools for social and economic exchange, while others are pushed to the margins. But there are ways to save at-risk languages, as well. The key is that the language needs to be thought of less as preserved, "but indeed part of their present and their future," says Liliana Sánchez, a linguist and professor at the University of Illinois at Chicago. That's exactly what the Garinagu (Garifuna people) are doing. For the past two decades, Garifuna artists have used a cultural cornerstone-spirited dance music-to inspire young Garinagu to learn and share their native language. Now, with a new Garifuna Tourism Trail project in Belize, travelers can experience and support the cultural renaissance, too. Elements of the Garifuna culture-including music, dance, and language-were listed as a UNESCO Masterpiece of Oral and Intangible Heritage of Humanity in 2001. Around that same time, Garifuna musicians and cultural activists hatched a plan: Create irresistible melodies, sung entirely in Garifuna, to rally young Garinagu to embrace the culture and learn the language. Will music save the Garifuna language? Time will tell. Garifuna remains on UNESCO's endangered-language list, last updated in 2010. And, as the Hawaiians learned from revitalizing their own language post colonization, this kind of revival is a long, multi-generational road.