The second comes from the end of “Brave New World,” when a so-called “Savage” raised outside the dystopia confronts its presiding “Controller,” Mustapha Mond. The Savage lists everything that’s been purged in the name of pleasure and order — historical memory, art and literature, religion and philosophy, the tragic sense. And Mond responds that “these things are symptoms of political inefficiency,” and that the comforts of modern civilization depend on excluding them.
“But I don’t want comfort,” the Savage says. “I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin.”