Broadcasting 'the Shock, the Horror, the Outrage' Live, Again and Again - The New York ... - 0 views
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This time, it was 10 people dead at a grocery store in Boulder, Colo. Only a few days before, she had interviewed a survivor of the rampage at Atlanta-area massage parlors. In 2019, Ms. Keilar reported on the back-to-back shootings in El Paso, Texas, and Dayton, Ohio. In 2018, she spoke with relatives of students killed in the shooting in Parkland, Fla.
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“I just was having this awful feeling of déjà vu,” Ms. Keilar said in an interview, as she recalled the emotional broadcast, which was widely shared on social media. “If you’re covering this all the time, it’s possible to become numb. Because it becomes somehow unremarkable. This thing that is completely unacceptable, and should be extraordinary, becomes unremarkable.”
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Journalists who have reported on multiple mass shootings say these moments are borne of sadness, frustration, and, for some, a feeling of futility in the face of a bleak kind of repetition. There is now a well-developed playbook that network correspondents and newspaper writers, including many New York Times reporters, turn to as they travel to yet another afflicted town. Talk to those who knew the victims and the gunman; attend vigils and funerals; gather information from the police and the courts. Balance necessary reporting on the attack with the potential that too much attention could be seen as glorifying the attacker.
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