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julia rhodes

Michael S. Malone: How to Avoid a Bonfire of the Humanities - WSJ.com - 1 views

online.wsj.com/...4799904578048230286503390.html

humanities History education economics english college jobs technology

shared by julia rhodes on 12 Feb 13 - No Cached
  • A half-century ago in his famous "Two Cultures" speech, C.P. Snow defined the growing rift between the world of scientists (including, increasingly, the commercial world) and that of literary intellectuals (including, increasingly, the humanities).
  • Today, the "two cultures" not only rarely speak to one another, but also increasingly, as their languages and world views diverge, are unable to do so.
  • Science merely nods and says, "I see your Jane Austen monographs and deconstructions of 'The Tempest' and raise you stem-cell research and the iPhone"
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  • hey expect an industry evolution; they fail to recognize that they are facing a revolution—and if they don't utterly transform themselves, right now, it will destroy them. But of course, they never do.
  • I asked him: How bad is it? "It's pretty bad," he said. "And this economy is only making it worse. There are parents now who tell their kids they will only pay tuition for a business, engineering or science degree."
  • Santosh said, "Are you kidding? English majors are exactly the people I'm looking for."
  • Almost anything you can imagine you can now build, said Santosh, so the battleground in business has shifted from engineering, which everybody can do, to storytelling, for which many fewer people have real talent. "That's why I want to meet your English majors," he said.
  • "It's in Apple's DNA that technology alone is not enough—it's technology married with liberal arts, married with the humanities, that yields us the result that makes our heart sing."
  • But if the competition in tech moves to this new battlefield, the edge will go to those institutions that can effectively employ imagination, metaphor, and most of all, storytelling.
  • Twenty-first-century storytelling: multimedia, mass customizable, portable and scalable, drawing upon the myths and archetypes of the ancient world, on ethics, and upon a deep understanding of human nature and even religious faith.
Javier E

Why Kids Aren't Falling in Love With Reading - The Atlantic - 0 views

www.theatlantic.com/...673457

reading learning school teaching testing trends history crisis culture

shared by Javier E on 25 Mar 23 - No Cached
  • what parents today are picking up on is that a shrinking number of kids are reading widely and voraciously for fun.
  • The ubiquity and allure of screens surely play a large part in this—most American children have smartphones by the age of 11—as does learning loss during the pandemic. But this isn’t the whole story.
  • A survey just before the pandemic by the National Assessment of Educational Progress showed that the percentages of 9- and 13-year-olds who said they read daily for fun had dropped by double digits since 1984
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  • they gave many explanations, but one of the most compelling—and depressing—is rooted in how our education system teaches kids to relate to books.
  • where I was in public elementary school in the early ’80s, we did have state assessments that tested reading level and comprehension, but the focus was on reading as many books as possible and engaging emotionally with them as a way to develop the requisite skills.
  • the focus on reading analytically seems to be squashing that organic enjoyment
  • By middle school, not only is there even less time for activities such as class read-alouds, but instruction also continues to center heavily on passage analysis
  • here’s how one educator experienced in writing Common Core–aligned curricula proposes this be taught: First, teachers introduce the concepts of nonliteral and figurative language. Then, kids read a single paragraph from Amelia Bedelia and answer written questions.
  • this hyperfocus on analysis comes at a steep price: The love of books and storytelling is being lost.
  • the advent of accountability laws and policies, starting with No Child Left Behind in 2001, and accompanying high-stakes assessments based on standards, be they Common Core or similar state alternatives, has put enormous pressure on instructors to teach to these tests at the expense of best practices.
  • “There’s a whole generation of kids who associate reading with assessment now,”
  • Jumping into a paragraph in the middle of a book is about as appealing for most kids as cleaning their room.
  • the idea that reading all kinds of books is enjoyable is not the one kids seem to be receiving.
  • Longer books, for example, are considered less “fun”; in addition, some librarians, teachers, and parents are noticing a decline in kids’ reading stamina after the disruption of the pandemic.
  • we need to get to the root of the problem, which is not about book lengths but the larger educational system. We can’t let tests control how teachers teach: Close reading may be easy to measure, but it’s not the way to get kids to fall in love with storytelling
  • Teachers need to be given the freedom to teach in developmentally appropriate ways, using books they know will excite and challenge kids.
  • Kids should be required to read more books, and instead of just analyzing passages, they should be encouraged to engage with these books the way they connect with “fun” series, video games, and TV shows.
Javier E

The secret to Barack Obama's survival - The Plum Line - The Washington Post - 1 views

www.washingtonpost.com/...e2-89d4-040c9330702a_blog.html

story politics Obama campaign election narrative crisis

shared by Javier E on 12 Nov 12 - No Cached
  • the Obama team also consciously built his reelection on a narrative designed to be as inspiring as the one that lifted him to victory in 2008, albeit in a different way. This year’s narrative turned on the sheer range and scale of obstacles Obama faced — the story of a leader who perseveres relentlessly in the face of extraordinary conditions to improve the future of the middle class.
  • Obama’s original victory was improbable enough. But consider the extraordinary hurdles he overcame to win reelection.
  • Obama guru David Axelrod is a believer in the centrality of storytelling to politics — he has been described as “the keeper of Obama’s narrative.” Faced with terrible economic conditions and an implacable opposition, Obama’s brain trust knew Obama would only survive if he ran a scorched earth campaign designed to tear apart his opponent. But the Obama team also married this to an uplifting narrative about Obama that appropriated the very economic and political obstacles he faced.
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  • The chosen storyline was dominant throughout. The Obama camp ran spots showing dramatic stills of him grappling early on with just how dire the economic crisis had become. It ran ads painting his willingness to battle GOP opposition as a sign of strength and character. It ran spots portraying his embrace of the unpopular auto-bailout to help struggling workers as an act of political heroism. The contrast with Romney “turning his back” on the auto industry was pure cinema.
  • The Obama team long believed that Republicans themselves were contributing to this storyline. By putting up unprecedented roadblocks at a time of national crisis, they may have only reinforced voters’ sense that whatever their disappointment with the recovery, Obama is the one who can ultimately be trusted to fight relentlessly on behalf of their interests.
marleymorton

Trump Moves to Become Master of His Own Messages - 0 views

www.nytimes.com/...trump-news-media.html

politics us

shared by marleymorton on 02 Mar 17 - No Cached
  • marleymorton on 02 Mar 17
     
    A master media manipulator and storyteller, Mr. Trump went without a traditional press secretary during the presidential campaign, preferring to field queries on his own. Now he is increasingly taking command of his administration's message making, and privately expressing frustration with a White House press office under siege amid leaks and infighting.
Javier E

Guernica / The Storytellers of Empire - 1 views

www.guernicamag.com/...shamsie_02_01_2012

US fiction empire stories writing literature

shared by Javier E on 09 Feb 12 - Cached
  • Hiroshima is a book about what happened in Japan, to Japan, in August 1945. It is a book about five Japanese and one German hibakusha, or bomb survivors. It is not a book which concerns itself with what the bombing meant for America in military terms, but rather what it meant for the people of Hiroshima in the most human terms.
  • Inevitably, it also contains within it two Americas. One is the America which develops and uses—not once, but twice—a weapon of a destructive capability which far outstrips anything that has come before, the America which decides what price some other country’s civilian population must pay for its victory. There is nothing particular to America in this—all nations in war behave in much the same way. But in the years between the bombing of Hiroshima and now, no nation has intervened militarily with as many different countries as America, and always on the other country’s soil; which is to say, no nation has treated as many other civilian populations as collateral damage as America while its own civilians stay well out of the arena of war. So that’s one of the Americas in Hiroshima—the America of brutal military power.
  • But there’s another America in the book, that of John Hersey. The America of looking at the destruction your nation has inflicted and telling it like it is. The America of stepping back and allowing someone else to tell their story through you because they have borne the tragedy and you have the power to bear witness to it. It is the America of The New Yorker of William Shawn, which, for the only time in its history, gave over an entire edition to a single article and kept its pages clear of its famed cartoons. It is the America which honored Hersey for his truth telling.
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  • How to reconcile these two Americas? I didn’t even try. It was a country I always looked at with one eye shut. With my left eye I saw the America of John Hersey; with my right eye I saw the America of the two atom bombs. This one-eyed seeing was easy enough from a distance. But then I came to America as an undergraduate and realized that with a few honorable exceptions, all of America looked at America with one eye shut.
  • I had grown up in a country with military rule; I had grown up, that is to say, with the understanding that the government of a nation is a vastly different thing than its people. The government of America was a ruthless and morally bankrupt entity; but the people of America, well, they were different, they were better. They didn’t think it was okay for America to talk democracy from one side of its mouth while heaping praise on totalitarian nightmares from the other side. They just didn’t know it was happening, not really, not in any way that made it real to them. For a while this sufficed. I grumbled a little about American insularity. But it was an affectionate grumble. All nations have their failings. As a Pakistani, who was I to cast stones from my brittle, blood-tipped glass house?
  • Then came September 11, and for a few seconds, it brought this question: why do they hate us?
  • It was asked not only about the men on the planes but also about those people in the world who didn’t fall over with weeping but instead were seen to remark that now America, too, knew what it felt like to be attacked. It was asked, and very quickly it was answered: they hate our freedoms. And just like that a door was closed and a large sign pasted onto it saying, “You’re Either With Us or Against Us.” Anyone who hammered on the door with mention of the words “foreign policy” was accused of justifying the murder of more than three thousand people.
  • I found myself looking to writers. Where were the novels that could be proffered to people who asked, “Why do they hate us?”, which is actually the question “Who are these people and what do they have to do with us?” No such novel, as far as I knew, had come from the post-Cold War generation of writers who started writing after the 1980s when Islam replaced Communism as the terrifying Other. But that would change, I told myself.
  • The writers would write. The novels would come. They didn’t. They haven’t.
  • So where are they, the American fiction writers—and I mean literary fiction—whose works are interested in the question “What do these people have to do with us?” and “What are we doing out there in the world?”
  • I grew up in Pakistan in the 1980s, aware that thinking about my country’s history and politics meant thinking about America’s history and politics. This is not an unusual position. Many countries of the world from Asia to South America exist, or have existed, as American client states, have seen U.S.-backed coups, faced American missiles or sanctions, seen their government’s policies on various matters dictated in Washington. America may not be an empire in the nineteenth century way which involved direct colonization. But the neo-imperialism of America was evident to me by the time I was an adolescent and able to understand these things.
  • why is it that the fiction writers of my generation are so little concerned with the history of their own nation once that history exits the fifty states. It’s not because of a lack of dramatic potential in those stories of America in the World; that much is clear.
  • The stories of America in the World rather than the World in America stubbornly remain the domain of nonfiction. Your soldiers will come to our lands, but your novelists won’t. The unmanned drone hovering over Pakistan, controlled by someone in Langley, is an apt metaphor for America’s imaginative engagement with my nation.
  • Where is the American writer who looks on his or her country with two eyes, one shaped by the experience of living here, the other filled with the sad knowledge of what this country looks like when it’s not at home. Where is the American writer who can tell you about the places your nation invades or manipulates, brings you into those stories and lets you draw breath with its characters?
  • why, when there are astonishing stories out in the world about America, to do with America, going straight to the heart of the question: who are these people and what do they have to do with us?—why are the fiction writers staying away from the stories? The answer, I think, comes from John Hersey. He said of novelists, “A writer is bound to have varying degrees of success, and I think that that is partly an issue of how central the burden of the story is to the author’s psyche.” And that’s the answer. Even now, you just don’t care very much about us. One eye remains closed. The pen, writing its deliberate sentences, is icy cold.
  • Javier E on 09 Feb 12
     
    Asks why American fiction writers don't write stories about America's effect on countries where it has intervened.
Javier E

The Great Disconnect - NYTimes.com - 0 views

www.nytimes.com/...the-great-disconnect.html

conservativism Obama Wilsonian progressive historical

shared by Javier E on 28 Sep 12 - No Cached
  • A sense of proportion, once the conservative virtue, is considered treasonous on the right today
  • how large a stake conservatives have in convincing themselves and voters that Reagan failed. Think about it: if they conceded ideological victory they would have to confront the more prosaic reasons that entitlements, deficits and regulations continue to grow in Republican and Democratic administrations alike. They would be forced to devise a new, forward-looking agenda to benefit even their own constituencies, like ensuring that American business can draw on an educated, healthy work force; can rely on modern public infrastructure; and can count on stable, transparent financial markets. And they would have to articulate a conservative vision for those welfare state programs that are likely to remain with us, like disability insurance, food stamps and Head Start.
  • Conservatives have always been great storytellers; it is their fatal weakness. They love casting their eyes back to the past to avoid seeing what lies right under their noses. The story always involves some expulsion from Eden, whether by the hippies of the 1960s, or the suffragists, or the wretched refuse of the shtetls, or the French Revolution, or the Enlightenment, or Luther, or Machiavelli or the sack of Rome.
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  • For some years now the Claremont Institute has been promoting the idea that Wilson was a kind of double agent, whipping the Huns in World War I while surreptitiously introducing the Hegelian bacillus into the American water supply and turning us into zombie-slaves of an elite-run progressivist State.
  • Yes, the hydra-headed Progressive movement, resisting varied but real economic threats to democratic self-­government, did extend the jurisprudential limits of government activity in ways that were wise and sometimes not so wise. Yes, the New Deal did convince Americans that citizens are not road kill and that government can legitimately protect public welfare and basic human dignity. And yes, the Great Society’s liberal architects vastly overreached and overpromised, destroying the public’s confidence in active government and threatening the solid achievements of the New Deal and the Progressive Era.
  • Reagan did in fact restore (then overinflate) America’s self-confidence, and he did bequeath to Republicans a clear ideological alternative to Progressivism. But he also transformed American liberalism. As an author named Barack Obama once wrote, Reagan “put us on a fundamentally different path because the country was ready for it.” By delegitimizing Great Society liberalism and emphasizing growth, he forced the Democratic Party back toward the center, making the more moderate presidencies of Bill Clinton and Barack Obama possible. Reagan won the war of ideas, as everyone knows. Except conservatives.
  • Conservatives need a psychological specialist, someone at the level of the great Jewish sage and sometime physician Maimonides. In the late 12th century Maimonides received a letter from a group of rabbis in Marseille who had worked themselves into a frenzy over astrological predictions of the End Times. His prescription — I translate loosely from the Hebrew — was, Get a grip!
  • By now conservative intellectuals and media hacks have realized that it’s much easier to run a permanent counterrevolution out of their plush think-tank offices and television studios than to reflect seriously, do homework and cut a deal. All they have to do is spook their troops into believing that the Progressive Idea is still on the march and that they are setting out to meet it at Armageddon.
  • the conservatives have also spooked themselves. They now really believe the apocalyptic tale they’ve spun, and have placed mild-mannered Barack Obama at the center of it.
  • Kesler admits that “Obama is at pains to be, and to be seen as, a strong family man, a responsible husband and father urging responsibility on others, a patriot, a model of pre-’60s, subliminally anti-’60s, sobriety.” But that’s just a disguise. In fact, he’s the “latest embodiment of the visionary prophet-statesman” of the Progressives, someone who “sees himself engaged in an epic struggle” whose success will mean “the Swedenization of America.”
  • what is Kesler’s evidence for these extravagant claims? He hasn’t any. Early in the book he writes that Obama came to office planning “bold, systemic changes to energy policy, environmental regulation, taxation, foreign policy” — though he never describes these plans and in fact never mentions them again. He carefully avoids Obama’s moderate record
  • the right’s rage against Obama, which has seeped out into the general public, has very little to do with anything the president has or hasn’t done. It’s really directed against the historical process they believe has made America what it is today. The conservative mind, a repository of fresh ideas just two decades ago, is now little more than a click-click slide projector holding a tray of apocalyptic images of modern life that keeps spinning around, raising the viewer’s fever with every rotation.
  • more than a few of our fellow citizens are loathing themselves blind over Barack Obama. Why?
  • Whenever conservatives talk to me about Barack Obama, I always feel quite certain that they mean something else. But what exactly? The anger, the suspicion, the freestyle fantasizing have no perceptible object in the space-time continuum that centrist Democrats like me inhabit. What are we missing? Seen from our perspective, the country elected a moderate and cautious straight shooter committed to getting things right and giving the United States its self-­respect back after the Bush-Cheney years.
  • Kesler’s history of Progressivism doesn’t involve real public figures making real choices about real policies under real constraints in real time. It follows the determined historical journey of the Progressive Idea in words, from the New Freedom platform of Wilson’s first campaign, down through the New Deal speeches of Franklin Roosevelt (who spoke German as a child), then to Lyndon Johnson’s announcements of the War on Poverty and the Great Society. Once that rhetorical lineage is established, he then tries to show how the Idea spread out into American culture at large, bringing with it existentialist self-absorption, moral relativism and passivity in the face of the new administrative state, so that by the midcentury we nearly became Europeans (only fatter)
Javier E

The World Is Yours, the World Is Mine - NYTimes.com - 0 views

www.nytimes.com/...s-yours-the-world-is-mine.html

art tradition culture vocabulary popular history

shared by Javier E on 04 Dec 14 - No Cached
  • History is often held hostage by the highest bidder — whoever gets to tell the story ends up defining what happened. What happened in 2014? What mattered in 2014? It depends whom you ask.
  • Historical narratives recount political, economic or social events, but rarely tell stories of the everyday. The mundane nuances of life are often ignored precisely because they are so personal. But private stories are usually the ones that we connect with most
  • Modes of storytelling like painting and rap allow us to engage with those personal stories, becoming the vehicles through which history passes.
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  • My interest in juxtaposing hip-hop and Indo-Persian miniature painting, the primary medium through which I have told stories, is in taking these two disparate narrative forms and letting the dissonance find a detour.
  • My work over the past 20 years has both borrowed and departed from traditional modes of miniature painting. One of these elements, the hair of Gopis — the female consorts of the Hindu god Krishna — appears in this painting, circling around the central axis. Over the past 15 years, I have been experimenting by divorcing their signature hairstyles from the rest of their bodies as a means of identifying them. The Gopi hair, in its many transformed and recontextualized iterations, takes on the appearance of bats, particles or elements of a moving mass. In this painting, the Gopis swirl around Africa and move outward. In their clusters around the central glowing orb of Africa, the Gopis coalesce and overlap, suggesting a symbol that became ubiquitous in 2014: the biohazard sign.
  • For years, the form had been ignored by many Pakistani artists. I found it ripe with potential — to change its status and its narrative and to deconstruct its stereotypes. What others saw as enslavement to tradition, I recognized as a path to expanding the medium from within, embracing the complexities of craft and rigor in order to open up possibilities for dialogue.
  • Much in the way that hip-hop’s place in popular culture was diminishing by the time Nas took it up in the early 1990s, Indo-Persian miniature painting fell from relevance in Pakistani culture. The practice shifted so dramatically after the fall of the Mughal Empire and the rise of colonial rule in South Asia during the 19th century that when I began engaging with the miniature in my work in the late 1980s and early ’90s at the National College of Arts in Lahore, it was regarded as tourist kitsch and derided as a craft technique.
  • My process is driven by my interest in exploring and rediscovering cultural and political boundaries, and using that space to create new frameworks for dialogue and visual narrative. Contemporaneity is about remaining relevant by challenging the status quo, not by clinging to past successes. This is at odds with the standards set up in the worlds of commercial art and music, which are more interested in branding and often hold an artist hostage to one idea or form.
Javier E

Jeffrey Katzenberg Raises $1 Billion for Short-Form Video Venture - The New York Times - 0 views

www.nytimes.com/...atzenberg-streaming-video.html

video narrative culture short-form

shared by Javier E on 08 Aug 18 - No Cached
  • The streaming company will enter a crowded marketplace. Each passing year sets a record for the number of scripted shows, which will be around 500 this year, and tech giants are aggressively entering the fray, with Apple having earmarked well over $1 billion to create its own original programming for a planned 2019 rollout.
  • All that content may create overload. John Landgraf, the chief executive of the critically favored cable channel FX, spoke last week of the “narrative exhaustion” experienced by viewers who were inundated with too much to watch.
  • Writers, producers and directors have been able to please their audiences, he added, but not so much in the area of shorter content.
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  • “We keep coming up with new ways to exceed the expectation of our customers,” Mr. Katzenberg said, referring to the rise of cable, DVDs and streaming. “Except now, for the first time in history, we have a whole generation of customers that have a new consumption habit, with this thing called short-form content. And the professional enterprise of storytellers in Hollywood is nowhere near it.
Javier E

'The OA' Season 2: TV's Oddest Show Is Back - The Atlantic - 0 views

www.theatlantic.com/...585208

video effect social impact creativity sincerity irony culture

shared by Javier E on 20 Mar 19 - No Cached
  • When The OA debuted in a surprise drop at the end of 2016, it quickly became one of Netflix’s coveted word-of-mouth hits, as viewers furiously debated its meaning, its mythology, its magniloquence
  • The OA’s metaphysical elements, its ideas about parallel universes and supernatural dreams, cast the show into a new wave of speculative storytelling on television. It followed Netflix’s Stranger Things, an ’80s-steeped sci-fi series about psychokinesis and monsters from other dimensions, and NBC’s The Good Place, an office comedy of sorts about life after death and the meaning of morality. More recently, Russian Doll on Netflix presented a scenario in which a woman dies over and over again, using it to explore the question of what people can mean to one another in this complicated, heartbreaking plane of existence.
  • This trend, Batmanglij theorized, is part of a reaction to the fact that reality feels more and more fractured, with its online portals to different worlds, and its varying versions of the truth
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  • they’re also wondering what it means to try to tell empathic, sincere stories to audiences much more accustomed to cynicism and irony. Because, when it comes down to it, which side is more likely to give first?
  • The movie cost $130,000 to make, and took three months to film. Last minute, they submitted it to the Sundance Film Festival, and it happened to be accepted, as was Another Earth. Almost instantly, Marling went from being a total unknown to someone who had two films debuting at arguably the most prestigious film festival in the world at the same time.
  • Netflix wasn’t only changing the way television was commissioned and produced. It was also upending the whole system for how shows were consumed.
  • Previously, when debuting their work, Batmanglij and Marling had been at film festivals, buffeted by small audiences of professional critics and cinephiles. The OA was different. Overnight, it landed on a platform where it was accessible to hundreds of millions of people. There was no soft opening, no way to ease their series into the world. The OA dropped, and people began to watch it, and to respond to watching it in real time, broadcasting their thoughts to their social-media feeds, and there was no way back.
  • If there was one factor that seemed to unnerve some people about The OA, it was its sincerity
  • When everything seems so terrible, irony is a protective shroud, offering a way to acknowledge reality without being affected by it
  • Irony, Edward St. Aubyn writes in the last of his Patrick Melrose novels, about an Englishman processing horrendous childhood abuse, “is the hardest addiction of all … Forget heroin. Just try giving up irony, that deep-down need to mean two things at once, to be in two places at once, not to be there for the catastrophe of a fixed meaning.
  • he and Marling felt adamant that their sincerity was one of their most significant qualities as writers. They made a pact that they weren’t going to let anything or anyone drum their sincerity out of them. “If you do, you’re sort of dead in the water as an artist,” Marling said. “Then it’s like you’ve decided that what matters most is everybody getting it.
  • One of the most dysfunctional qualities about the world right now, she thinks, is that people aren’t able to just sit with complicated emotions, or truly listen, or be open about what they’re feeling. “Those things are out of fashion, and the fact that they’ve fallen out of fashion is why we’re living in the world we’re living in.”
  • In the end, though, as Marling said, it’s okay if not everyone gets it. Something she thinks about a lot is the paradox of trying to make something original these days, something that’s informed by the truth of the human condition but unfettered by criticism or praise. “You have to somehow have the heart of a baby and the hide of a rhinoceros. And that is a crazy juxtaposition. How do you maintain it?”
  • You do it, maybe, by being sincere, by keeping the hope, always, that the work you make might not be able to change the whole world, but it might reach a tiny part of it
  • Marling describes one of the responses to The OA that moved her the most, a video that a young man sent her. “Can I set it up for a second?” Batmanglij asked. “He’s visiting his grandma for the weekend, and he goes and he finds her to say goodbye.” Marling picked up the story. “She’s standing in the backyard, she’s 80 years old, and she’s standing in the sun, the late sun coming at the end of the day, and she’s doing this. [She mimics the movements from the show.] And he’s like, ‘Grandma, grandma, what are you doing?’ And she’s like, ‘I’m going somewhere.’” Marling smiles. Things like that can daze you, she said. When you think about it, it’s miraculous. “You can touch strangers, and they can touch you back.”
Javier E

James Comey: Take down the Confederate statues now - The Washington Post - 0 views

www.washingtonpost.com/...9-984d-9b8fba003e81_story.html

statues confederacy white supremacy history culture racism

shared by Javier E on 08 Feb 19 - No Cached
  • White people designed blackface to keep black people down, to intimidate, mock and stereotype. It began during the 19th century and wasn’t about white people honoring the talent of black people by dressing up to look like them. It was about mocking them and depicting them as lazy, stupid and less than fully human. It was a tool of oppression. As a college kid in Virginia during the 1980s, I knew that and so did my classmates. But a whole lot of white people seem to not know that history or understand why blackface is so offensive, whether it’s practiced by a college student or a new doctor
  • The turmoil in Virginia — where I have lived most of my adult life, including nine years in Richmond — may do some good if it reminds white people that a river of oppression runs through U.S. history, deep and wide, down to today.
  • There is no doubt that Virginia’s leaders need to be held accountable for their personal history, but every Virginia leader is responsible for the racist symbols that still loom over our lives.
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  • The towering likenesses of Robert E. Lee, Jefferson Davis and Stonewall Jackson weren’t put up to celebrate history or heritage; they were put up as a message: The 13th, 14th and 15th amendments to the Constitution aren’t going to help you black folks because the South has risen from that humiliation. Jim Crow — a name rooted in blackface mockery — is king.
  • No, the statues were put up by white people, beginning in the 1890s, to remind black people that, despite all that nonsense of Presidents Abraham Lincoln and Ulysses S. Grant, as well as the so-called Reconstruction, we are back, and you are back down.
  • The Confederate statues of Richmond’s Monument Avenue weren’t erected to honor the service of brave warriors. Those soldiers had been dead for decades before the statues went up
  • If you doubt that well-documented history — if you are tempted to buy the “heritage, not hate” rhetoric — ask yourself this question: “Where are the statues of James Longstreet?
  • Longstreet committed two unforgivable sins in the eyes of white supremacists: He criticized Lee’s war leadership, and he led an African American militia to put down an 1874 white rebellion in Louisiana. That’s why this central figure in Civil War history is not depicted among the other Confederate statues in Richmond.
  • The statues were about only a certain kind of heritage, just as blackface was about a certain kind of storytelling. It was about hate, not history or art.
  • If Virginia’s leaders want to atone for a troubling legacy, changing state law so Richmond’s statues no longer taunt the progress of our country would be a good place to start
Javier E

These Influencers Aren't Flesh and Blood, Yet Millions Follow Them - The New York Times - 0 views

www.nytimes.com/...iquela-virtual-influencer.html

avatar influencer virtual automation

shared by Javier E on 18 Jun 19 - No Cached
  • Everything about Ms. Sousa, better known as Lil Miquela, is manufactured: the straight-cut bangs, the Brazilian-Spanish heritage, the bevy of beautiful friends
  • Lil Miquela, who has 1.6 million Instagram followers, is a computer-generated character. Introduced in 2016 by a Los Angeles company backed by Silicon Valley money, she belongs to a growing cadre of social media marketers known as virtual influencers
  • Each month, more than 80,000 people stream Lil Miquela’s songs on Spotify. She has worked with the Italian fashion label Prada, given interviews from Coachella and flaunted a tattoo designed by an artist who inked Miley Cyrus.
  • ...15 more annotations...
  • Until last year, when her creators orchestrated a publicity stunt to reveal her provenance, many of her fans assumed she was a flesh-and-blood 19-year-old. But Lil Miquela is made of pixels, and she was designed to attract follows and likes.
  • Why hire a celebrity, a supermodel or even a social media influencer to market your product when you can create the ideal brand ambassador from scratch
  • Xinhua, the Chinese government’s media outlet, introduced a virtual news anchor last year, saying it “can work 24 hours a day.
  • Soul Machines, a company founded by the Oscar-winning digital animator Mark Sagar, produced computer-generated teachers that respond to human students.
  • “Social media, to date, has largely been the domain of real humans being fake,” Mr. Ohanian added. “But avatars are a future of storytelling.
  • Edward Saatchi, who started Fable, predicted that virtual beings would someday supplant digital home assistants and computer operating systems from companies like Amazon and Google.
  • YouPorn got in on the trend with Jedy Vales, an avatar who promotes the site and interacts with its users.
  • when a brand ambassador’s very existence is questionable — especially in an environment studded with deceptive deepfakes, bots and fraud — what happens to the old virtue of truth in advertising?
  • the concerns faced by human influencers — maintaining a camera-ready appearance and dealing with online trolls while keeping sponsors happy — do not apply to beings who never have an off day.
  • “That’s why brands like working with avatars — they don’t have to do 100 takes,”
  • Many of the characters advance stereotypes and impossible body-image standards. Shudu, a “digital fabrication” that Mr. Wilson modeled on the Princess of South Africa Barbie, was called “a white man’s digital projection of real-life black womanhood
  • “It’s an interesting and dangerous time, seeing the potency of A.I. and its ability to fake anything,
  • Last summer, Lil Miquela’s Instagram account appeared to be hacked by a woman named Bermuda, a Trump supporter who accused Lil Miquela of “running from the truth.” A wild narrative emerged on social media: Lil Miquela was a robot built to serve a “literal genius” named Daniel Cain before Brud reprogrammed her. “My identity was a choice Brud made in order to sell me to brands, to appear ‘woke,’” she wrote in one post. The character vowed never to forgive Brud. A few months later, she forgave.
  • While virtual influencers are becoming more common, fans have engaged less with them than with the average fashion tastemaker online
  • “An avatar is basically a mannequin in a shop window,” said Nick Cooke, a co-founder of the Goat Agency, a marketing firm. “A genuine influencer can offer peer-to-peer recommendations.”
Javier E

'Doomsday' Math Says Humanity May Have Just 760 Years Left - WSJ - 0 views

www.wsj.com/...ust-760-years-left-11561655839

math prediction probability humanity future survival

shared by Javier E on 28 Jun 19 - No Cached
  • Bayes’ theorem is the foundation of the digital economy. It is what enables applications such as Google, Facebook and Instagram to use people’s personal data to predict what they will click on or buy, who they’ll swipe right on and who they’ll vote for
  • Predictions using Bayes’ theorem are probabilities, not certainties, yet they are worth billions to advertisers, because they are generally accurate.
  • In a 1993 article in the journal Nature, Princeton astrophysicist J. Richard Gott III invoked math and population data to predict that the end is likely to come in under a thousand years
  • ...8 more annotations...
  • The core of Dr. Gott’s reasoning (independently advanced by two other physicists, Brandon Carter and Holger Bech Nielsen) is known to statisticians as the “German tank problem.”
  • After the war, captured German records revealed that the statisticians’ estimates were almost exactly right.
  • Dr. Gott recognized that demographers have already roughly estimated the number of humans so far. They put the total number of people who ever lived, from the beginnings of Homo sapiens to the present day, at about 100 billion.
  • Since it is equally likely that those of us living today are in the first or second half of all past and future human births, let’s say that we are in the second half—which would mean that there are no more than 100 billion births yet to come
  • There is a 50% chance that is true, which at the current global birthrate (about 131 million a year) translates to a 50% chance that we have at most 760 more years of births. A changing birthrate would modify that estimate, but the calculation is that simple.
  • Using more precise variables, the Carter-Leslie predictions are just as grim as Dr. Gott’s or more so.
  • Dr. Gott has put the chance that humans will one day settle throughout our galaxy’s star systems at 1 in a billion. This claim has struck a nerve—and not just with Trekkies. The doomsday argument all but rules out the final frontier to which many technophiles aspire.
  • He’s an engaging storyteller who has illustrated his predictive method by applying it in simple form to the staying power of marriages and Broadway plays, based on how long they have lasted already. When he predicted a range of closing dates for 44 Broadway and off-Broadway shows and checked back four years later, all 36 that had closed had done so within his predicted window
Javier E

Digital Tribes: The Search For Identity In The Global Village - 0 views

www.diygenius.com/digital-tribes

tribalism tribe identity village technology language psychology social media Politics history crisis Culture McLuhan

shared by Javier E on 13 May 21 - No Cached
  • Re-Tribalization In The Global Village:
  • What I find most interesting about McLuhan’s work and media analysis is he actually thought most of these changes were bad
  • His argument was that Western civilization had become progressively de-tribalized since the invention of the printing press and the rise of mass literacy but that electronic media would lead to a re-tribalization that would have disastrous consequences for social cohesion.
  • ...16 more annotations...
  • In his work, he contrasted the two most dominant modes of social culture found in human societies:
  • 1. Tribal
  • Pre-literate cultures are tribal.
  • Tribal people inhabit a sensual, dynamic and non-linear world. Reality is taken in through all the five senses, words are seen as a kind of magic, and the emphasis is on communicating knowledge through oral storytelling.
  • the instant nature of electric-information movement is decentralizing——rather than enlarging——the family of man into a new state of multitudinous tribal existences.
  • 2. Literate
  • Modern cultures are literate.
  • They evolved from the development of the printing press and mass literacy, which imposes linear thought and reliance on sight at the expense of other more interactive senses. Literate cultures place an emphasis on communicating knowledge through written language and abstract ideas.
  • Literate cultures are outward-looking, individualist, and generally less hostile to other cultures.
  • While the individualism and literacy of what he called “Western man” lead to the rise of the modern world based around logic and order, he argued the age of electronic media would have a re-tribalizing effect on Western culture that would alter sensory patterns and return literate people to a tribal, emotionally volatile state.
  • Tribal cultures are inward-looking, collectivist and often hostile to other cultures.
  • Particularly in countries where literate values are deeply institutionalized, this is a highly traumatic process, since the clash of the old segmented visual culture and the new integral electronic culture creates a crisis of identity, a vacuum of the self, which generates tremendous violence——violence that is simply an identity quest, private or corporate, social or commercial….”
  • Incredibly, McLuhan was saying this decades before the invention of the World Wide Web and the mobile revolution that massively accelerated this process.
  • What we’re seeing today is a re-tribalization of literate Western people but much of it is happening beyond the traditional boundaries of human culture: race, ethnicity, family, religion, and gender.
  • In fact, many of the more radical communities forming among the dispossessed and underemployed are openly hostile to traditional human cultures and Western values like freedom of speech and association. People’s frustrated identity quest can lead them to the violence of nihilism and self-destruction.
  • To make matters worse, we are increasingly stuck in Internet filter bubbles and safe spaces without exposure to different ideas and perspectives. We are seeing the rise of many new interest and identity groups that are re-tribalizing and losing compassion and tolerance for those who think, believe and act differently.
Javier E

Opinion | How to Destroy Truth - The New York Times - 0 views

www.nytimes.com/...patriotism-misinformation.html

narrative US culture American idea history story

shared by Javier E on 02 Jul 21 - No Cached
  • Great nations thrive by constantly refreshing two great reservoirs of knowledge
  • The first contains the knowledge from the stories we tell about ourselves.
  • This is the knowledge of who we are as a people, how we got here, what long conflicts bind us together, what we find admirable and dishonorable, what kind of world we hope to build together.
  • ...20 more annotations...
  • This kind of knowledge isn’t merely factual knowledge. It is a moral framework from which to see the world. Homer taught the ancient Greeks how to perceive their reality. Exodus teaches the Jews how to interpret their struggles and their journey.
  • This emotional and moral knowledge should give us a sense of identity, a sense of ideals to live up to and an appreciation of the values that matter most to us — equality or prosperity or freedom.
  • these are shared stories; this shared knowledge should help us discover a shared destiny and our shared affection for one another.
  • The second reservoir of knowledge is propositional knowledge.
  • This is the kind of knowledge we acquire through reason, logical proof and tight analysis. Some of this knowledge is empirical knowledge that can be established by carefully using evidence.
  • Some of this knowledge is contained in powerful ideas that can be debated: “The history of all hitherto existing society is the history of class struggles.”
  • the acquisition of this kind of knowledge is also a collective process.
  • It’s not just a group of people commenting on each other’s internet posts. It’s a network of institutions — universities, courts, publishers, professional societies, media outlets — that have set up an interlocking set of procedures to hunt for error, weigh evidence and determine which propositions pass muster.
  • An individual may be dumb, Rauch notes, but the whole network is brilliant, so long as everybody in it adheres to certain rules: No one gets the final say (every proposition might be wrong). No claim to personal authority (who you are doesn’t determine the truth of what you say, the evidence does). No retreat to safety (you can’t ban an idea just because it makes you feel unsafe).
  • These are the same principles as those of the scientific method
  • The collapse of trust, the rise of animosity — these are emotional, not intellectual problems
  • The real problem is in our system of producing shared stories. If a country can’t tell narratives in which everybody finds an honorable place, then righteous rage will drive people toward tribal narratives that tear it apart.
  • But the core problem is our failure to understand what education is
  • Once you realize that people are primarily desiring creatures, not rational creatures, you realize that one of the great projects of schooling and culture is to educate the passions.
  • It is to help people learn to feel the proper kind of outrage at injustice, the proper form of reverence before sacrifice, the proper swelling of civic pride, the proper affection for our fellows.
  • This knowledge is conveyed not through facts but through emotional experiences — stories.
  • Over the past decades, we cut education in half. We focused on reason and critical thinking skills — the core of the second reservoir of knowledge.
  • The ability to tell complex stories about ourselves has atrophied. This is the ability to tell stories in which opposing characters can each possess pieces of the truth,
  • stories in which all characters are embedded in time, at one point in their process of growth, stories rooted in the complexity of real life and not the dogma of ideological abstraction.
  • Now as we watch state legislatures try to enforce what history gets taught and not taught, as we watch partisans introduce ideological curriculums, we see how debauched and brutalized our historical storytelling skills have become.
nrashkind

Kim Kardashian West gives a face to America's mass incarceration problem in trailer for... - 0 views

www.cnn.com/...index.html

shared by nrashkind on 20 Jan 20 - No Cached
  • Kim Kardashian West is hoping to give a second chance to those impacted by America's mass-incarceration problem. On April 5, viewers will be able to witness some of her efforts.
  • "There are a lot of people making bad choices after a life of trauma," Kardashian West says in the trailer, adding that she's been receiving letters from people who are incarcerated. "People deserve a second chance."
  • "There are millions impacted by this broken justice system, and I wanted to put faces to these numbers and statistics,"
  • ...5 more annotations...
  • The trailer features a face that has made headlines with Kardashian West before
  • In 2018, Johnson, a first-time nonviolent drug offender who'd been serving a life sentence since 1996, was freed from prison after President Trump commuted her sentence. Her freedom came just days after Kardashian West pleaded Johnson's case to Trump.
  • "[Kardashian West's] energy and influence have made an immediate impact that has stretched all the way to the White House,"
  • "Her story is entirely unique, and this documentary is the kind of immersive, exclusive storytelling that our viewers have com
  • The documentary will premiere Sunday, April 5, on Oxygen at 7 pm ET/PT.
Javier E

What Women Want - The Bulwark - 0 views

thebulwark.com/what-women-want

trump women voters survey

shared by Javier E on 10 Jul 20 - No Cached
  • From the beginning of his presidency these women gave Trump low marks for his tweeting and divisiveness—but they also gave him credit for the strong economy and relative prosperity of the last few years.
  • women were willing to take a flyer on him in the first place. Never forget that for many Americans, their impressions of Trump were formed less by his presidential campaign than by his role on The Apprentice where he was, through the wonders of editing and reality TV storytelling, presented as a decisive, successful businessman.
  • It cannot be overstated how much better of a candidate Joe Biden is for attracting disaffected Republican voters—especially women—than any of the other Democrats who ran this cycle.
  • ...2 more annotations...
  • Average voters weren’t moved by Trump’s obstruction of justice in the Mueller investigation, or his quid-pro-quo with Ukraine, or his many personal scandals. But when people are unemployed, or dying, and the streets are on fire, they want a president who isn’t winging it.
  • Donald Trump and his campaign think they can stop the bleeding with women by leaning into the culture wars and highlighting looters, rioters, and vandals pulling down statues. But this is a fundamental misunderstanding of these voters. They don’t see Trump as someone who can protect them from the chaos—they think he’s the source of it.
Javier E

Book review of The Square and the Tower: Networks and Power, from the Freemasons to Fac... - 0 views

www.washingtonpost.com/...8-8b08-027a6ccb38eb_story.html

networks hierarchy history WORLD

shared by Javier E on 27 Jul 23 - No Cached
  • Ferguson maintains that historians have paid too much attention to hierarchies (monarchies, empires, nation-states, governments, armies, corporations) and too little to the loose social networks that often end up disrupting them.
  • “traditional historical research relied heavily for its source material on the documents produced by hierarchical institutions such as states. Networks do keep records, but they are not so easy to find.”
  • The author argues that dismissing the role of social networks is a grave mistake because these loose organizational arrangements have been far more important in shaping history than most historians know or are prepared to accept
  • ...7 more annotations...
  • the power of networks has varied over time and that the relative importance of the tower and the square has ebbed and flowed. Nonetheless, Ferguson sees two specific periods as standing out as intensely “networked eras.” The first started in the late 15th century, after the introduction in Europe of the printing press, and lasted until the late 18th century. The second, “our own time,” began in the 1970s and is still going on.
  • from the late 1790s until the late 1960s, was terrible for networks. Ferguson writes that “hierarchical institutions re-established their control and successfully shut down or co-opted networks. The zenith of hierarchically organized power was in fact the mid-twentieth century — the era of totalitarian regimes and total war.”
  • “The Square and the Tower” will not disappoint readers who have come to expect from Ferguson ambition, erudition, originality and expansive historical panoramas. These often come mixed with telling anecdotes, illuminating minutiae, fun facts and even some facile one-liners that, while entertaining, don’t add much to the argument.
  • it is too much, and not all of it is illuminated by the “theoretical insights from myriad disciplines.” In fact, it is surprising how little Ferguson relies on the initial chapters on network theory to make his case.
  • In the remaining eight parts of the book, this network theory mostly disappears and the story is told in standard historical narrative.
  • its main unit of analysis, the social network, is too imprecise a concept to provide a solid foundation from which to launch the book’s epic theorizing. Most networks have some hierarchical features, and, as Ferguson notes, “a hierarchy is just a special kind of network
  • Nonetheless, the networks-and-hierarchies dichotomy does work as a narrative device that allows a gifted storyteller to take his readers on a fascinating tour of world history.
Javier E

AI is about to completely change how you use computers | Bill Gates - 0 views

www.gatesnotes.com/AI-agents

ai gates applications opportunities

shared by Javier E on 10 Nov 23 - No Cached
  • Health care
  • before the sophisticated agents I’m describing become a reality, we need to confront a number of questions about the technology and how we’ll use it.
  • Today, AI’s main role in healthcare is to help with administrative tasks. Abridge, Nuance DAX, and Nabla Copilot, for example, can capture audio during an appointment and then write up notes for the doctor to review.
  • ...38 more annotations...
  • agents will open up many more learning opportunities.
  • Already, AI can help you pick out a new TV and recommend movies, books, shows, and podcasts. Likewise, a company I’ve invested in, recently launched Pix, which lets you ask questions (“Which Robert Redford movies would I like and where can I watch them?”) and then makes recommendations based on what you’ve liked in the past
  • Productivity
  • copilots can do a lot—such as turn a written document into a slide deck, answer questions about a spreadsheet using natural language, and summarize email threads while representing each person’s point of view.
  • I don’t think any single company will dominate the agents business--there will be many different AI engines available.
  • Helping patients and healthcare workers will be especially beneficial for people in poor countries, where many never get to see a doctor at all.
  • To create a new app or service, you won’t need to know how to write code or do graphic design. You’ll just tell your agent what you want. It will be able to write the code, design the look and feel of the app, create a logo, and publish the app to an online store
  • Agents will do even more. Having one will be like having a person dedicated to helping you with various tasks and doing them independently if you want. If you have an idea for a business, an agent will help you write up a business plan, create a presentation for it, and even generate images of what your product might look like
  • For decades, I’ve been excited about all the ways that software would make teachers’ jobs easier and help students learn. It won’t replace teachers, but it will supplement their work—personalizing the work for students and liberating teachers from paperwork and other tasks so they can spend more time on the most important parts of the job.
  • Mental health care is another example of a service that agents will make available to virtually everyone. Today, weekly therapy sessions seem like a luxury. But there is a lot of unmet need, and many people who could benefit from therapy don’t have access to it.
  • Entertainment and shopping
  • The real shift will come when agents can help patients do basic triage, get advice about how to deal with health problems, and decide whether they need to seek treatment.
  • They’ll replace word processors, spreadsheets, and other productivity apps.
  • Education
  • For example, few families can pay for a tutor who works one-on-one with a student to supplement their classroom work. If agents can capture what makes a tutor effective, they’ll unlock this supplemental instruction for everyone who wants it. If a tutoring agent knows that a kid likes Minecraft and Taylor Swift, it will use Minecraft to teach them about calculating the volume and area of shapes, and Taylor’s lyrics to teach them about storytelling and rhyme schemes. The experience will be far richer—with graphics and sound, for example—and more personalized than today’s text-based tutors.
  • your agent will be able to help you in the same way that personal assistants support executives today. If your friend just had surgery, your agent will offer to send flowers and be able to order them for you. If you tell it you’d like to catch up with your old college roommate, it will work with their agent to find a time to get together, and just before you arrive, it will remind you that their oldest child just started college at the local university.
  • To see the dramatic change that agents will bring, let’s compare them to the AI tools available today. Most of these are bots. They’re limited to one app and generally only step in when you write a particular word or ask for help. Because they don’t remember how you use them from one time to the next, they don’t get better or learn any of your preferences.
  • The current state of the art is Khanmigo, a text-based bot created by Khan Academy. It can tutor students in math, science, and the humanities—for example, it can explain the quadratic formula and create math problems to practice on. It can also help teachers do things like write lesson plans.
  • Businesses that are separate today—search advertising, social networking with advertising, shopping, productivity software—will become one business.
  • other issues won’t be decided by companies and governments. For example, agents could affect how we interact with friends and family. Today, you can show someone that you care about them by remembering details about their life—say, their birthday. But when they know your agent likely reminded you about it and took care of sending flowers, will it be as meaningful for them?
  • In the computing industry, we talk about platforms—the technologies that apps and services are built on. Android, iOS, and Windows are all platforms. Agents will be the next platform.
  • A shock wave in the tech industry
  • Agents won’t simply make recommendations; they’ll help you act on them. If you want to buy a camera, you’ll have your agent read all the reviews for you, summarize them, make a recommendation, and place an order for it once you’ve made a decision.
  • Agents will affect how we use software as well as how it’s written. They’ll replace search sites because they’ll be better at finding information and summarizing it for you
  • they’ll be dramatically better. You’ll be able to have nuanced conversations with them. They will be much more personalized, and they won’t be limited to relatively simple tasks like writing a letter.
  • Companies will be able to make agents available for their employees to consult directly and be part of every meeting so they can answer questions.
  • AI agents that are well trained in mental health will make therapy much more affordable and easier to get. Wysa and Youper are two of the early chatbots here. But agents will go much deeper. If you choose to share enough information with a mental health agent, it will understand your life history and your relationships. It’ll be available when you need it, and it will never get impatient. It could even, with your permission, monitor your physical responses to therapy through your smart watch—like if your heart starts to race when you’re talking about a problem with your boss—and suggest when you should see a human therapist.
  • If the number of companies that have started working on AI just this year is any indication, there will be an exceptional amount of competition, which will make agents very inexpensive.
  • Agents are smarter. They’re proactive—capable of making suggestions before you ask for them. They accomplish tasks across applications. They improve over time because they remember your activities and recognize intent and patterns in your behavior. Based on this information, they offer to provide what they think you need, although you will always make the final decisions.
  • Agents are not only going to change how everyone interacts with computers. They’re also going to upend the software industry, bringing about the biggest revolution in computing since we went from typing commands to tapping on icons.
  • In the distant future, agents may even force humans to face profound questions about purpose. Imagine that agents become so good that everyone can have a high quality of life without working nearly as much. In a future like that, what would people do with their time? Would anyone still want to get an education when an agent has all the answers? Can you have a safe and thriving society when most people have a lot of free time on their hands?
  • The ramifications for the software business and for society will be profound.
  • In the next five years, this will change completely. You won’t have to use different apps for different tasks. You’ll simply tell your device, in everyday language, what you want to do. And depending on how much information you choose to share with it, the software will be able to respond personally because it will have a rich understanding of your life. In the near future, anyone who’s online will be able to have a personal assistant powered by artificial intelligence that’s far beyond today’s technology.
  • You’ll also be able to get news and entertainment that’s been tailored to your interests. CurioAI, which creates a custom podcast on any subject you ask about, is a glimpse of what’s coming.
  • An agent will be able to help you with all your activities if you want it to. With permission to follow your online interactions and real-world locations, it will develop a powerful understanding of the people, places, and activities you engage in. It will get your personal and work relationships, hobbies, preferences, and schedule. You’ll choose how and when it steps in to help with something or ask you to make a decision.
  • even the best sites have an incomplete understanding of your work, personal life, interests, and relationships and a limited ability to use this information to do things for you. That’s the kind of thing that is only possible today with another human being, like a close friend or personal assistant.
  • The most exciting impact of AI agents is the way they will democratize services that today are too expensive for most people
  • They’ll have an especially big influence in four areas: health care, education, productivity, and entertainment and shopping.
Javier E

Elon Musk, Sam Altman illustrate a Silicon Valley truth: icons are fallible - The Washi... - 0 views

www.washingtonpost.com/...x-musk-openai-altman-big-tech

silicon valley elite tech power

shared by Javier E on 23 Nov 23 - No Cached
  • The mutiny inside OpenAI over the firing and un-firing of chief executive Sam Altman, and the implosion of X under owner Elon Musk, are not just Silicon Valley soap operas. They’re reminders: A select few make the decisions inside these society-shaping platforms, and money drives it all.
  • The two companies built devoted followings by promising to build populist technology for a changing world: X, formerly known as Twitter, with its global village of conversations, and OpenAI, the research lab behind ChatGPT, with its super-intelligent companions for human thought.
  • But under Musk and Altman, the firms largely consolidated power within a small cadre of fellow believers and loyalists who deliberate in secrecy and answer to no one.
  • ...12 more annotations...
  • “These are technologies that are supposed to be so democratized and universal, but they’re so heavily influenced by one person,”
  • “Everything they do is [framed as] a step toward much larger greatness and the transformation of society. But these are just cults of personality. They sell a product.”
  • during
  • “These are private-sector people making money off something that serves a public function. And when they take a turn because of very personal, very individual decisions, where a handful of people are shaping the trajectory of these companies, maybe even the existence of these companies, that’s something new we all have to deal with.”
  • where the other firms sold phones and search engines, Musk and Altman championed their work as a public mission for protecting mankind, with a for-profit business attached. It is notable that as private companies, they don’t have to report to federal regulators or to shareholders, who can vote down proposals or push back against their work.
  • The corporate storytelling that pushes technology as a force for public harmony has proved to be one of Silicon Valley’s great marketing tools, said Margaret O’Mara, a professor at the University of Washington who studies the history of technology. But it’s also obscured the dangers of centralizing power and subjecting it to leaders’ personal whim
  • “Silicon Valley has for years adopted this messaging and mood that it’s all about radical transparency and openness — remember Google’s ‘Don’t be evil’ motto? — and this idea of a kinder, gentle capitalism that’s going to change the world for the better,” she said.
  • “Then you have these moments of reckoning and remember: It’s capitalism. Some tech billionaires lost, and some other ones are winning,”
  • Jeff Hauser, the head of the left-leaning advocacy group Revolving Door Project, said in a statement Wednesday that Summers’s role on the board was a sign OpenAI was “unserious” about its oversight, and that it “should accelerate concerns that AI will be bad for all but the richest and most opportunistic amongst us.”
  • Ro Khanna, who represents parts of Silicon Valley, said in an interview that the OpenAI turmoil underscores concerns that “a few people, no matter how talented, no matter how knowledgeable, can’t be making the rules for a society on a technology that is going to have such profound consequences.”
  • “We’ve seen a parade of these big tech leaders come to D.C.,” Khanna said. “I think highly of them, but they’re not the ones who should be leading the conversation on the regulatory framework, what safeguards we need.”
  • Musk on Tuesday posted a message, under a picture of him holding a katana, saying, “There is a large graveyard filled with my enemies. I do not wish to add to it, but will if given no choice.”
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