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To put it another way: If God asks mankind to “do justice, and to love kindness, and to walk humbly with your God,” He does not intend that those virtues be confined to church. The fruits of the spirit—“love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, self-control”—are not mere Sunday School values. They should pervade our interactions with the wider world.

Moreover, if and when those seven key institutions become instruments of injustice, Christians should respond. To take some obvious examples, if the “mountain” of government turns against its citizens, Christians have an obligation to stand with the oppressed. If the mountain of popular culture transforms the beauty of art into the perversion of porn, Christians must resist. And if the mountain of education teaches falsehoods, Christians have an obligation to tell the truth. 

But there is an immense and important difference between seeking justice and seeking power. In fact, the quest for power can sideline or derail the quest for justice. And that’s where we get to the real problem—the difference between a Seven Mountain concept and a Seven Mountain mandate or Seven Mountain dominionism.

In 2013, Bethel Church pastor Bill Johnson and author Lance Wallnau co-authored a short book called Invading Babylon: The 7 Mountain Mandate. In that book, here’s how Wallnau described the stakes:

Each of these seven mountains represents an individual sphere of influence that shapes the way people think. These mountains are crowned with high places that modern-day kings occupy as ideological strongholds. These strongholds are, in reality, houses built out of thoughts. These thought structures are fortified with spiritual reinforcement that shapes the culture and establishes the spiritual climate of each nation. I sensed the Lord telling me, “He who can take these mountains can take the harvest of nations.” (Emphasis added.)

Wallnau went on to describe the importance of “mountain kings”—those individuals who have a “position in a high place” and who wield influence over “their own sphere directly and other spheres indirectly.” It is thus of urgent importance for Christians to reach, influence, or even become these “mountain kings.”

At its most extreme edges, Seven Mountain dominionism holds that Christ will not return unless and until the church successfully invades or “occupies” each of the seven key spheres of life.

Astute readers will by now have noticed two things. First, you’ll note the extent to which the heart of this strategy (or mandate) isn’t based on clear scriptural commands but rather on claimed special revelations from God. Second, you’ll note how much it emphasizes the importance of placing people in positions of power and control

The business of shifting culture or transforming nations does not require a majority of conversions.” What does it require? “We need more disciples in the right places, the high places.”

What is the alternative to the pursuit of power? I prefer the wisdom of Martin Luther King Jr. “The church must be reminded that it is not the master or the servant of the state, but rather the conscience of the state. It must be the guide and the critic of the state, and never its tool.”

Christians can never forget that they live in what my pastor once called an “upside-down kingdom.” The last shall be first. If you want to save your life, you’ll lose it, but if you lose your life for Christ, you’ll save it. And don’t forget, the Son of God himself spent his entire life on earth far from the mountaintop.

he climactic chapter, “Snow,” felt as though it were addressed to me. Hans Castorp, lost in a snowstorm, falls asleep and then awakens from a mesmerizing and monstrous dream with an insight toward which the entire story has led him: “For the sake of goodness and love, man shall grant death no dominion over his thoughts.”

Hans Castorp remains on the mountain for seven years—a mystical number. The Magic Mountain is an odyssey confined to one place, a novel of ideas like no other, and a masterpiece of literary modernism.

Mann analyzes the nature of time philosophically and also conveys the feeling of its passage, slowing down his narrative in some spots to take in “the entire world of ideas”—a day can fill 100 pages—and elsewhere omitting years

As I made my way through the novel by kerosene lamplight, I took Mann’s bildungsroman as a guide to my own education among the farmers, teachers, children, and market women who became my closest companions, hoping to find myself on a journey toward enlightenment as rich and meaningful as its hero’s

Mann has something important to tell us as a civilization. The Mann who began writing the novel was an aristocrat of art, hostile to democracy—a reactionary aesthete. Working on The Magic Mountain was a transformative experience, turning him—as it turned his protagonist—into a humanist

What Hans Castorp arrives at, lost and asleep in the snow, “is the idea of the human being,” Mann later wrote, “the conception of a future humanity that has passed through and survived the profoundest knowledge of disease and death.”

In our age of brutal wars, authoritarian politics, cultures of contempt, and technology that promises to replace us with machines, what is left of the idea of the human being? What can it mean to be a humanist?

For Mann, the Great War was more than a contest among rival European powers or a patriotic cause. It was a struggle between “civilization” and “culture”—between the rational, politicized civilization of the West and Germany’s deeper culture of art, soul, and “genius,” which Mann associated with the irrational in human nature: sex, aggression, mythical belief.

The kaiser’s Germany—strong in arms, rich in music and philosophy, politically authoritarian—embodied Mann’s ideal. The Western powers “want to make us happy,” he wrote in the fall of 1914—that is, to turn Germany into a liberal democracy. Mann was more drawn to death’s mystery and profundity than to reason and progress, which he considered facile values

This sympathy wasn’t simply a fascination with human evil—with a death instinct—but an attraction to a deeper freedom, a more intense form of life than parliaments and pamphleteering offered.

Mann scorned the notion of the writer as political activist. The artist should remain apart from politics and society, he believed, free to represent the deep and contradictory truths of reality rather than using art as a means to advance a particular view

Settembrini, like Heinrich, is a “humanist”—but in Mann’s usage, the term has an ironic sound. As he wrote elsewhere, it implies “a repugnant shallowness and castration of the concept of humanity,” pushed by “the politician, the humanitarian revolutionary and radical literary man, who is a demagogue in the grand style, namely a flatterer of mankind.”

As an artist above politics, Mann didn’t want simply to criticize “civilization’s literary man,” but to show him as “equally right and wrong.” He intended to create an intellectual opponent to Settembrini in a conservative Protestant character named Pastor Bunge—but the war intruded.

He published his wartime writings in the genre-defying Reflections of a Nonpolitical Man in October 1918, one month before the armistice. Katia Mann later wrote, “In the course of writing the book, Thomas Mann gradually freed himself from the ideas which had held sway over him … He wrote Reflections in all sincerity and, in doing so, ended by getting over what he had advocated in the book.”

The war that had just ended enlarged the novel’s theme into “a worldwide festival of death”; the devastation, he would go on to write in the book’s last pages, was “the thunderbolt that bursts open the magic mountain and rudely sets its entranced sleeper outside the gates,” soon to become a German soldier. It also confronted Mann himself with a new world to which he had to respond.

Some German conservatives, in their hatred of the Weimar Republic and the Treaty of Versailles, embraced right-wing mass politics. Mann, nearing 50, vacillated, hoping to salvage the old conservatism from the new extremism. In early 1922, he and Heinrich reconciled, and, as Mann later wrote, he began “to accept the European-democratic religion of humanity within my moral horizon, which so far had been bounded solely by late German romanticism, by Schopenhauer, Nietzsche, Wagner.”

in a review of a German translation of Walt Whitman’s selected poetry and prose, he associated the American poet’s mystical notion of democracy with “the same thing that we in our old-fashioned way call ‘humanity’ … I am convinced there is no more urgent task for Germany today than to fill out this word, which has been debased into a hollow shell.”

when ultranationalists in Berlin murdered his friend Walther Rathenau, the Weimar Republic’s Jewish foreign minister. Shocked into taking a political stand, Mann turned a birthday speech in honor of the Nobel Prize–winning author Gerhart Hauptmann into a stirring call for democracy. To the amazement of his audience and the German press, Mann ended with the cry “Long live the republic!”

Abandoning Pastor Bunge as outmoded, he created a new counterpart to Settembrini who casts a sinister shadow over the second half of the novel: an ugly, charismatic, and (of course) tubercular Jesuit of Jewish origin named Leo Naphta. The intellectual combat between him and Settembrini—which ends physically, in a duel—provides some of the most dazzling passages in The Magic Mountain.

Naphta is neither conservative nor liberal. Against capitalist modernity, whose godless greed and moral vacuity he hates with a sulfurous rage, Naphta offers a synthesis of medieval Catholicism and the new ideology of communism. Both place “anonymous and communal” authority over the individual, and both are intent on saving humanity from Settembrini’s soft, rational humanism.

Naphta argues that love of freedom and pleasure is weaker than the desire to obey. “The mystery and precept of our age is not liberation and development of the ego,” he says. “What our age needs, what it demands, what it will create for itself, is—terror.” Mann understood the appeal of totalitarianism early on.

It’s Naphta, a truly demonic figure—not Settembrini, the voice of reason—who precipitates the end of the hero’s romance with death. His jarring arrival allows Hans Castorp to loosen himself from its grip and begin a journey toward—what? Not toward Settembrini’s international republic of letters, and not back toward his simple bourgeois life down in the flatlands

Hans Castorp puts on a new pair of skis and sets out for a few hours of exercise that lead him into the fateful blizzard and “a very enchanting, very dreadful dream.”

In it, he encounters a landscape of human beings in all their kindness and beauty, and all their hideous evil. “I know everything about humankind,” he thinks, still dreaming, and he resolves to reject both Settembrini and Naphta—or rather, to reject the stark choice between life and death, illness and health, recognizing that “man is the master of contradictions, they occur through him, and so he is more noble than they.”

e’s become one of death’s intimates, and his initiation into its mysteries has immeasurably deepened his understanding of life—but he won’t let death rule his thoughts. He won’t let reason either, which seems weak and paltry before the power of destruction. “Love stands opposed to death,” he dreams; “it alone, and not reason, is stronger than death.”

We succumb to the impulse to escape our humanness. That urge, ubiquitous today, thrives in the utopian schemes of technologists who want to upload our minds into computers; in the pessimism of radical environmentalists who want us to disappear from the Earth in order to save it; in the longing of apocalyptic believers for godly retribution and cleansing; in the daily sense of inadequacy, of shame and sin, that makes us disappear into our devices.

the vision of “love” that Hans Castorp embraces just before waking up is “brotherly love”—the bond that unites all human beings.

he emerged as the preeminent German spokesman against Hitler who, in lectures across the United States in 1938, warned Americans of the rising threat to democracy, which for him was inseparable from humanism: “We must define democracy as that form of government and of society which is inspired above every other with the feeling and consciousness of the dignity of man.”

Mann urged his audiences to resist the temptation to deride humanity. “Despite so much ridiculous depravity, we cannot forget the great and the honorable in man,” he said, “which manifest themselves as art and science, as passion for truth, creation of beauty, and the idea of justice.”

Could anyone utter these lofty words today without courting a chorus of snickers, a social-media immolation? We live in an age of human self-contempt. We’re hardly surprised when our leaders debase themselves with vile behavior and lies, when combatants desecrate the bodies of their enemies, when free people humiliate themselves under the spell of a megalomaniacal fraud

In driving our democracy into hatred, chaos, and violence we, too, grant death dominion over our thoughts.

Mann now recognized political freedom as necessary to ensure the freedom of art, and he became a sworn enemy of the Nazis.

The need for political reconstruction, in this country and around the world, is as obvious as it was in Thomas Mann’s time.

Mann also knew that, to withstand our attraction to death, a decent society has to be built on a foundation deeper than politics: the belief that, somewhere between matter and divinity, we human beings, made of water, protein, and love, share a common destiny.

In the past 500 years, Russia has been invaded several times from the west. The Poles came across the European Plain in 1605, followed by the Swedes under Charles XII in 1707, the French under Napoleon in 1812, and the Germans—twice, in both world wars, in 1914 and 1941.

In Poland, the plain is only 300 miles wide—from the Baltic Sea in the north to the Carpathian Mountains in the south—but after that point it stretches to a width of about 2,000 miles near the Russian border, and from there, it offers a flat route straight to Moscow. Thus Russia’s repeated attempts to occupy Poland throughout history; the country represents a relatively narrow corridor into which Russia could drive its armed forces to block an enemy advance toward its own border, which, being wider, is much harder to defend.

On the other hand, Russia’s vastness has also protected it; by the time an army approaches Moscow, it already has unsustainably long supply lines, which become increasingly difficult to protect as they extend across Russian territory. Napoleon made this mistake in 1812, and Hitler repeated it in 1941.

Just as strategically important—and just as significant to the calculations of Russia’s leaders throughout history—has been the country’s historical lack of its own warm-water port with direct access to the oceans.

Many of the country’s ports on the Arctic freeze for several months each year. Vladivostok, the largest Russian port on the Pacific Ocean, is enclosed by the Sea of Japan, which is dominated by the Japanese

it prevents the Russian fleet from operating as a global power, as it does not have year-round access to the world’s most important sea-lanes.

when protests in Ukraine brought down the pro-Russia government of Viktor Yanukovych and a new, more pro-Western government came to power, Putin had a choice. He could have respected the territorial integrity of Ukraine, or he could have done what Russian leaders have done for centuries with the bad geographic cards they we

Enter Ivan the Terrible, the first tsar. He put into practice the concept of attack as defense—consolidating one’s position at home and then moving outward

He extended his territory east to the Ural Mountains, south to the Caspian Sea, and north toward the Arctic Circle. Russia gained access to the Caspian, and later the Black Sea, thus taking advantage of the Caucasus Mountains as a partial barrier between itself and the Mongols.

Now the Russians had a partial buffer zone and a hinterland—somewhere to fall back to in the case of invasion. No one was going to attack them in force from the Arctic Sea, nor fight their way over the Urals to get to them

to invade it from the south or southeast you would have to have a huge army and a very long supply line, and you would have to fight your way past defensive positions.

In the 18th century, Russia, under Peter the Great—who founded the Russian Empire in 1721—and then Empress Catherine the Great, expanded the empire westward, occupying Ukraine and reaching the Carpathian Mountains.

Now there was a huge ring around Moscow; starting at the Arctic, it came down through the Baltic region, across Ukraine, to the Carpathians, the Black Sea, the Caucasus, and the Caspian, swinging back around to the Urals, which stretched up to the Arctic Circle.

Two of Russia’s chief preoccupations—its vulnerability on land and its lack of access to warm-water ports—came together in Ukraine in 2014

early Russia, known as the Grand Principality of Moscow, was indefensible. There were no mountains, no deserts, and few rivers.

He chose his own kind of attack as defense, annexing Crimea to ensure Russia’s access to its only proper warm-water port, and moving to prevent NATO from creeping even closer to Russia’s border.

From the Grand Principality of Moscow, through Peter the Great, Stalin, and now Putin, each Russian leader has been confronted by the same problems. It doesn’t matter if the ideology of those in control is czarist, communist, or crony capitalist—the ports still freeze, and the European Plain is still flat.

The mountain visibly shifted during the last nuclear test, an enormous detonation that was recorded as a 6.3 magnitude earthquake in North Korea’s northeast.

Chinese scientists have already warned that further nuclear tests could cause the mountain to collapse and release the radiation from the blast.

North Korea has conducted six nuclear tests since 2006

After the latest nuclear test, on Sept. 3, Kim Jong Un’s regime claimed that it had set off a hydrogen bomb and that it had been a “perfect success.”

The regime is known for brazen exaggeration, but analysts and many government officials said the size of the earthquake the test generated suggested that North Korea had detonated a thermonuclear device at least 17 times the size of the American bomb dropped on Hiroshima in 1945.

Since that day, there have been three much smaller quakes at the site, in the 2 to 3 magnitude range, each of them setting fears that North Korea had conducted another nuclear test that had perhaps gone wrong. But they all turned out to be natural.

But a society that protects some people through a safety net of schools, government-backed home loans, and ancestral wealth but can only protect you with the club of criminal justice has either failed at enforcing its good intentions or has succeeded at something much darker.

There is nothing uniquely evil in these destroyers or even in this moment. The destroyers are merely men enforcing the whims of our country, correctly interpreting its heritage and legacy. This legacy aspires to the shackling of black bodies

It is hard to face this. But all our phrasing—race relations, racial chasm, racial justice, racial profiling, white privilege, even white supremacy—serves to obscure that racism is a visceral experience, that it dislodges brains, blocks airways, rips muscle, extracts organs, cracks bones, breaks teeth

ou must never look away from this. You must always remember that the sociology, the history, the economics, the graphs, the charts, the regressions all land, with great violence, upon the body.

And should one live in such a body? What should be our aim beyond meager survival of constant, generational, ongoing battery and assault? I have asked this question all my life.

The question is unanswerable, which is not to say futile. The greatest reward of this constant interrogation, of confrontation with the brutality of my country, is that it has freed me from ghosts and myths.

I was afraid long before you, and in this I was unoriginal. When I was your age the only people I knew were black, and all of them were powerfully, adamantly, dangerously afraid. It was always right in front of me. The fear was there in the extravagant boys of my West Baltimore neighborhood

The fear lived on in their practiced bop, their slouching denim, their big T- shirts, the calculated angle of their baseball caps, a catalog of behaviors and garments enlisted to inspire the belief that these boys were in firm possession of everything they desired.

To be black in the Baltimore of my youth was to be naked before the elements of the world, before all the guns, fists, knives, crack, rape, and disease. The law did not protect us. And now, in your time, the law has become an excuse for stopping and frisking you, which is to say, for furthering the assault on your body

still and all I knew that we were something, that we were a tribe—on one hand, invented, and on the other, no less real. The reality was out there on the Yard, on the first warm day of spring when it seemed that every sector, borough, affiliation, county, and corner of the broad diaspora had sent a delegate to the great world party

I remember being amazed that death could so easily rise up from the nothing of a boyish afternoon, billow up like fog. I knew that West Baltimore, where I lived; that the north side of Philadelphia, where my cousins lived; that the South Side of Chicago, where friends of my father lived, comprised a world apart. Somewhere out there beyond the firmament, past the asteroid belt, there were other worlds where children did not regularly fear for their bodies

I came to understand that my country was a galaxy, and this galaxy stretched from the pandemonium of West Baltimore to the happy hunting grounds of Mr. Belvedere. I obsessed over the distance between that other sector of space and my own. I knew that my portion of the American galaxy, where bodies were enslaved by a tenacious gravity, was black and that the other, liberated portion was not. I knew that some inscrutable energy preserved the breach. I felt, but did not yet understand, the relation between that other world and me. And I felt in this a cosmic injustice, a profound cruelty, which infused an abiding, irrepressible desire to unshackle my body and achieve the velocity of escape.

Before I could escape, I had to survive, and this could only mean a clash with the streets, by which I mean not just physical blocks, nor simply the people packed into them, but the array of lethal puzzles and strange perils which seem to rise up from the asphalt itself. The streets transform every ordinary day into a series of trick questions, and every incorrect answer risks a beat-down, a shooting, or a pregnancy. No one survives unscathed

When I was your age, fully one-third of my brain was concerned with who I was walking to school with, our precise number, the manner of our walk, the number of times I smiled, who or what I smiled at, who offered a pound and who did not—all of which is to say that I practiced the culture of the streets, a culture concerned chiefly with securing the body.

Why were only our heroes nonviolent? Back then all I could do was measure these freedom-lovers by what I knew. Which is to say, I measured them against children pulling out in the 7-Eleven parking lot, against parents wielding extension cords, and the threatening intonations of armed black gangs saying, “Yeah, nigger, what’s up now?” I judged them against the country I knew, which had acquired the land through murder and tamed it under slavery, against the country whose armies fanned out across the world to extend their dominion. The world, the real one, was civilization secured and ruled by savage means. How could the schools valorize men and women whose values society actively scorned? How could they send us out into the streets of Baltimore, knowing all that they were, and then speak of nonviolence?

the beauty of the black body was never celebrated in movies, in television, or in the textbooks I’d seen as a child. Everyone of any import, from Jesus to George Washington, was white. This was why your grandparents banned Tarzan and the Lone Ranger and toys with white faces from the house. They were rebelling against the history books that spoke of black people only as sentimental “firsts”—first black four-star general, first black congressman, first black mayor—always presented in the bemused manner of a category of Trivial Pursuit.

erious history was the West, and the West was white. This was all distilled for me in a quote I once read, from the novelist Saul Bellow. I can’t remember where I read it, or when—only that I was already at Howard. “Who is the Tolstoy of the Zulus?,” Bellow quipped

this view of things was connected to the fear that passed through the generations, to the sense of dispossession. We were black, beyond the visible spectrum, beyond civilization. Our history was inferior because we were inferior, which is to say our bodies were inferior. And our inferior bodies could not possibly be accorded the same respect as those that built the West. Would it not be better, then, if our bodies were civilized, improved, and put to some legitimate Christian use?

now I looked back on my need for a trophy case, on the desire to live by the standards of Saul Bellow, and I felt that this need was not an escape but fear again—fear that “they,” the alleged authors and heirs of the universe, were right. And this fear ran so deep that we accepted their standards of civilization and humanity.

The destroyers will rarely be held accountable. Mostly they will receive pensions.

“Tolstoy is the Tolstoy of the Zulus,” wrote Wiley. “Unless you find a profit in fencing off universal properties of mankind into exclusive tribal ownership.” And there it was. I had accepted Bellow’s premise. In fact, Bellow was no closer to Tolstoy than I was to Nzinga. And if I were closer it would be because I chose to be, not because of destiny written in DNA. My great error was not that I had accepted someone else’s dream but that I had accepted the fact of dreams, the need for escape, and the invention of racecraft.

I could see now that that world was more than a photonegative of that of the people who believe they are white. “White America” is a syndicate arrayed to protect its exclusive power to dominate and control our bodies. Sometimes this power is direct (lynching), and sometimes it is insidious (redlining). But however it appears, the power of domination and exclusion is central to the belief in being white, and without it, “white people” would cease to exist for want of reasons

here will surely always be people with straight hair and blue eyes, as there have been for all history. But some of these straight-haired people with blue eyes have been “black,” and this points to the great difference between their world and ours. We did not choose our fences. They were imposed on us by Virginia planters obsessed with enslaving as many Americans as possible. Now I saw that we had made something down here, in slavery, in Jim Crow, in ghettoes. At The Mecca I saw how we had taken their one-drop rule and flipped it. They made us into a race. We made ourselves into a people.

Think of all the embraces, all the private jokes, customs, greetings, names, dreams, all the shared knowledge and capacity of a black family injected into that vessel of flesh and bone. And think of how that vessel was taken, shattered on the concrete, and all its holy contents, all that had gone into each of them, was sent flowing back to the earth. It is terrible to truly see our particular beauty, Samori, because then you see the scope of the loss. But you must push even further. You must see that this loss is mandated by the history of your country, by the Dream of living white.

I don’t know if you remember how the film we saw at the Petersburg Battlefield ended as though the fall of the Confederacy were the onset of a tragedy, not jubilee. I doubt you remember the man on our tour dressed in the gray wool of the Confederacy, or how every visitor seemed most interested in flanking maneuvers, hardtack, smoothbore rifles, grapeshot, and ironclads, but virtually no one was interested in what all of this engineering, invention, and design had been marshaled to achieve. You were only 10 years old. But even then I knew that I must trouble you, and this meant taking you into rooms where people would insult your intelligence, where thieves would try to enlist you in your own robbery and disguise their burning and looting as Christian charity. But robbery is what this is, what it always was.

American reunion was built on a comfortable narrative that made enslavement into benevolence, white knights of body snatchers, and the mass slaughter of the war into a kind of sport in which one could conclude that both sides conducted their affairs with courage, honor, and élan. This lie of the Civil War is the lie of innocence, is the Dream.

I, like every kid I knew, loved The Dukes of Hazzard. But I would have done well to think more about why two outlaws, driving a car named the General Lee, must necessarily be portrayed as “just some good ole boys, never meanin’ no harm”—a mantra for the Dreamers if there ever was one. But what one “means” is neither important nor relevant. It is not necessary that you believe that the officer who choked Eric Garner set out that day to destroy a body. All you need to understand is that the officer carries with him the power of the American state and the weight of an American legacy, and they necessitate that of the bodies destroyed every year, some wild and disproportionate number of them will be black.

Here is what I would like for you to know: In America, it is traditional to destroy the black body—it is heritage. Enslavement was not merely the antiseptic borrowing of labor—it is not so easy to get a human being to commit their body against its own elemental interest. And so enslavement must be casual wrath and random manglings, the gashing of heads and brains blown out over the river as the body seeks to escape. It must be rape so regular as to be industrial. There is no uplifting way to say this.

It had to be blood. It had to be the thrashing of kitchen hands for the crime of churning butter at a leisurely clip. It had to be some woman “chear’d ... with thirty lashes a Saturday last and as many more a Tuesday again.” It could only be the employment of carriage whips, tongs, iron pokers, handsaws, stones, paperweights, or whatever might be handy to break the black body, the black family, the black community, the black nation. The bodies were pulverized into stock and marked with insurance. And the bodies were an aspiration, lucrative as Indian land, a veranda, a beautiful wife, or a summer home in the mountains. For the men who needed to believe themselves white, the bodies were the key to a social club, and the right to break the bodies was the mark of civilization.

“The two great divisions of society are not the rich and poor, but white and black,” said the great South Carolina senator John C. Calhoun. “And all the former, the poor as well as the rich, belong to the upper class, and are respected and treated as equals.” And there it is—the right to break the black body as the meaning of their sacred equality. And that right has always given them meaning, has always meant that there was someone down in the valley because a mountain is not a mountain if there is nothing below.

There is no them without you, and without the right to break you they must necessarily fall from the mountain, lose their divinity, and tumble out of the Dream. And then they would have to determine how to build their suburbs on something other than human bones, how to angle their jails toward something other than a human stockyard, how to erect a democracy independent of cannibalism. I would like to tell you that such a day approaches when the people who believe themselves to be white renounce this demon religion and begin to think of themselves as human. But I can see no real promise of such a day. We are captured, brother, surrounded by the majoritarian bandits of America. And this has happened here, in our only home, and the terrible truth is that we cannot will ourselves to an escape on our own.

I think now of the old rule that held that should a boy be set upon in someone else’s chancy hood, his friends must stand with him, and they must all take their beating together. I now know that within this edict lay the key to all living. None of us were promised to end the fight on our feet, fists raised to the sky. We could not control our enemies’ number, strength, or weaponry. Sometimes you just caught a bad one. But whether you fought or ran, you did it together, because that is the part that was in our control. What we must never do is willingly hand over our own bodies or the bodies of our friends. That was the wisdom: We knew we did not lay down the direction of the street, but despite that, we could—and must—fashion the way of our walk. And that is the deeper meaning of your name—that the struggle, in and of itself, has meaning.

I have raised you to respect every human being as singular, and you must extend that same respect into the past. Slavery is not an indefinable mass of flesh. It is a particular, specific enslaved woman, whose mind is as active as your own, whose range of feeling is as vast as your own; who prefers the way the light falls in one particular spot in the woods, who enjoys fishing where the water eddies in a nearby stream, who loves her mother in her own complicated way, thinks her sister talks too loud, has a favorite cousin, a favorite season, who excels at dressmaking and knows, inside herself, that she is as intelligent and capable as anyone. “Slavery” is this same woman born in a world that loudly proclaims its love of freedom and inscribes this love in its essential texts, a world in which these same professors hold this woman a slave, hold her mother a slave, her father a slave, her daughter a slave, and when this woman peers back into the generations all she sees is the enslaved. She can hope for more. She can imagine some future for her grandchildren. But when she dies, the world—which is really the only world she can ever know—ends. For this woman, enslavement is not a parable. It is damnation. It is the never-ending night. And the length of that night is most of our history. Never forget that we were enslaved in this country longer than we have been free. Never forget that for 250 years black people were born into chains—whole generations followed by more generations who knew nothing but chains.

You must resist the common urge toward the comforting narrative of divine law, toward fairy tales that imply some irrepressible justice. The enslaved were not bricks in your road, and their lives were not chapters in your redemptive history. They were people turned to fuel for the American machine. Enslavement was not destined to end, and it is wrong to claim our present circumstance—no matter how improved—as the redemption for the lives of people who never asked for the posthumous, untouchable glory of dying for their children. Our triumphs can never redeem this. Perhaps our triumphs are not even the point. Perhaps struggle is all we have

I am not a cynic. I love you, and I love the world, and I love it more with every new inch I discover. But you are a black boy, and you must be responsible for your body in a way that other boys cannot know. Indeed, you must be responsible for the worst actions of other black bodies, which, somehow, will always be assigned to you. And you must be responsible for the bodies of the powerful—the policeman who cracks you with a nightstick will quickly find his excuse in your furtive movements. You have to make your peace with the chaos, but you cannot lie.

“I could have you arrested,” he said. Which is to say: “One of your son’s earliest memories will be watching the men who sodomized Abner Louima and choked Anthony Baez cuff, club, tase, and break you.” I had forgotten the rules, an error as dangerous on the Upper West Side of Manhattan as on the West Side of Baltimore. One must be without error out here. Walk in single file. Work quietly. Pack an extra No. 2 pencil. Make no mistakes.

the price of error is higher for you than it is for your countrymen, and so that America might justify itself, the story of a black body’s destruction must always begin with his or her error, real or imagined—with Eric Garner’s anger, with Trayvon Martin’s mythical words (“You are gonna die tonight”), with Sean Bell’s mistake of running with the wrong crowd, with me standing too close to the small-eyed boy pulling out.

You are called to struggle, not because it assures you victory but because it assures you an honorable and sane life

I am sorry that I cannot save you—but not that sorry. Part of me thinks that your very vulnerability brings you closer to the meaning of life, just as for others, the quest to believe oneself white divides them from it. The fact is that despite their dreams, their lives are also not inviolable. When their own vulnerability becomes real—when the police decide that tactics intended for the ghetto should enjoy wider usage, when their armed society shoots down their children, when nature sends hurricanes against their cities—they are shocked by the rages of logic and the natural world in a way that those of us who were born and bred to understand cause and effect can never be.

I would not have you live like them. You have been cast into a race in which the wind is always at your face and the hounds are always at your heels. And to varying degrees this is true of all life. The difference is that you do not have the privilege of living in ignorance of this essential fact.

I never wanted you to be twice as good as them, so much as I have always wanted you to attack every day of your brief bright life determined to struggle. The people who must believe they are white can never be your measuring stick. I would not have you descend into your own dream. I would have you be a conscious citizen of this terrible and beautiful world.

Thousands of earthquakes took place in the weeks leading up to the eruption,

Earlier this week, swarms of earthquakes rattled the peninsula, with over 3,000 quakes on Sunday alone. The strongest tremors took place around Fagradalsfjall Mountain.

Scientists attributed the earthquakes to magma intrusions, molten rock movement about a kilometer below the earth's crust. Meteorological officials first mentioned the possibility of an eruption on March 3,

The chances of an eruption escalated in recent days as magma flows concentrated around the southern portion of Mt. Fagradalsfjall

Scientists declared the mountain the most likely point should an eruption take place. Seismic activity on the peninsula decreased Friday before the mountain ultimately erupted.

It is not expected to cause havoc in air travel as did ash from the Eyjafjallajökull eruption in 2010.

“It is really the doubling of the speed of glacier melt that is most concerning.” The new understanding of past melting means forecasts can now be made with far more confidence but the outlook is dire, he said. “It looks devastating and there is no doubt in my mind, not a single grain of doubt, that [the impact of the climate crisis] is what we are seeing.

Temperature data from the region also shows an average rise of 1C from 2000-16 compared with 1975-2000. Calculations show this rise is consistent with the amount of ice being lost. “Even glaciers in the highest mountains of the world are responding to global air temperature increases driven by the combustion of fossil fuels,”

“Increasingly uncertain and irregular water supplies will impact the 1 billion people living downstream from the Himalaya mountains in south Asia.”

The scientists used this data to track the changes in 650 Himalayan glaciers. On average, the glacier surfaces sank by 22cm (8.6 inches) a year from 1975 to 2000. But the melting has accelerated, with an average loss of 43cm a year from 2000 to 2016.

at least a third of the ice in the Hindu Kush-Himalaya ranges was already doomed to melt by the end of the century, even if drastic action to cut emissions was taken immediately. Without action, two-thirds would go.

“For the wellbeing of the people there, our results are of course the worst possible. But it is what it is, and now we have to prepare for that scenario. We have to worry a lot, because so many people are affected

“To stop the temperature rises, we have to cool the planet,” he said. “We have to not only slow down greenhouse gas emissions, we have to reverse them. That is the challenge for the next 20 years.”

But the more cataclysmic "explosive" eruptions are still likely, Jati said, with the potential for erupting volcanic material up to about 2 miles from the summit. Lava avalanches and hot clouds could reach more than 3 miles to the southwest.

Based on observations of the volcano begun in early November, "it is concluded that the volcanic activity of Mount Merapi is still quite high in the form of effusive eruptions," said Raditya Jati of the Indonesian National Board for Disaster Management. "Effusive" eruptions are those in which lava steadily flows onto the ground.

Mining companies have been advised to temporarily suspend work in the river that originates at Mount Merapi, and tourism companies have been asked to temporarily stay away from "areas of potential danger and crater openings" up to 3 miles away.

Nepali officials on Monday said the cause of the crash was not immediately clear. The most likely possibility, they said, was that the plane crashed into a mountain after it lost contact with air traffic controllers while navigating in particularly bad weather.

To reach remote mountainous places like Jomsom, residents and visitors rely on small twin-engine planes. The route from Pokhara to Jomsom is considered one of the riskiest in Nepal because planes have to fly through narrow valleys, where visibility is often a challenge. Crashes are more common than usual because of frequent bad weather, rocky terrain and aging plane fleets.

Among these were a horse skull and hiking staffs from the Viking Age. An arrow shaft found by the archaeologists is from the Stone Age.

“We often find things associated with hunting. There are also ordinary objects such as mittens and shoes and the skeletons of horses that died on the trek across the mountains. This makes it a real thrill,” says Pilø.

ISIS had killed or displaced nearly all the inhabitants, most of whom belonged to Iraq’s Yazidi religious minority.

A lone man with a rifle seemed to know where he was going. We hurried to catch up with him.

hat June, ISIS captured Mosul—the second-largest city in the country, eighty miles to the east—yet most residents still felt safe. But when ISIS moved into Sinjar the peshmerga withdrew. Hundreds of civilians were killed.

living in tents with little food or water, waiting for the day when they could return to their

A crowd had assembled around the entrance to the house.

a group of Iraqi police officers appeared. The mayor hailed them.

That night, we camped in the mountains. Early the next morning, as we navigated the ninety-three hairpin turns that led down to the town, it was easy to appreciate Sinjar’s strategic importance:

There were villages out there, too: vague compounds, water tanks, radio towers.

“What will you do now?” I asked. Azad looked around. It was getting dark. “Go back up the mountain,” he said. He turned and walked away.

“He still has a gun!” someone yelled. “He’s still alive!” “Get out of there! He might blow himself up!”

An explosion erupted nearby, and then gunfire. Soldiers grabbed weapons and ran into a dense collection of buildings behind us.

“Still alive.”

No one seemed to hear.

But Iraq’s northern front has remained relatively static. Tens of thousands of Kurdish troops man fixed positions along six hundred miles of trenches connecting Syria to Iran

When I visited the peshmerga unit on the ridge, its operations officer told me that they could easily take the town below, Bashiqa. But Mosul lies only ten miles farther, and there are numerous villages in between.

U.S. disbanded the Iraqi Army and eradicated the Baath Party, it became famous for producing skilled insurgents. Iraq’s Prime Minister at the time of the American withdrawal, in 2011

Atheel al-Nujaifi, a former governor of Nineveh Province, which includes Mosul and Sinjar, told me last spring.

A few weeks later, Abu Bakr al-Baghdadi, the leader of ISIS, emerged for the first time in years and delivered a speech—videotaped and published online—from the Great Mosque of al-Nuri. ISIS had proclaimed the establishment of a caliphate

n, Barzani’s chief of staff. “There is one thing that everybody knows,” he told me.

When Thaddeus Stevens (Tommy Lee Jones) asks the president how he can reconcile so noble an aim with such malodorous methods, Lincoln recalls what his youthful years as a surveyor taught him: [A] compass . . . [will] point you true north from where you’re standing, but it’s got no advice about the swamps and deserts and chasms

Whether we approach reality from the top down or the bottom up, Tolstoy seems to be saying, an infinite number of possibilities exist at an indeterminate number of levels, all simultaneously. Some are predictable, most aren’t, and only dramatization—free from the scholar’s enslavement to theory and archives—can begin to represent them.

what is “training,” as Clausewitz understands it? It’s being able to draw upon principles extending across time and space, so that you’ll have a sense of what’s worked before and what hasn’t. You then apply these to the situation at hand: that’s the role of scale. The result is a plan, informed by the past, linked to the present, for achieving some future goal.

It’s worth remembering also that Lincoln—and Shakespeare—had a lifetime to become who they were. Young people today don’t, because society so sharply segregates general education, professional training, ascent within an organization, responsibility for it, and then retirement.

This worsens a problem Henry Kissinger identified long ago: that the “intellectual capital” leaders accumulate prior to reaching the top is all they’ll be able to draw on while at the top.37 There’s less time now than Lincoln had to learn anything new.

A gap has opened between the study of history and the construction of theory, both of which are needed if ends are to be aligned with means. Historians, knowing that their field rewards specialized research, tend to avoid the generalizations

Theorists, keen to be seen as social “scientists,” seek “reproducibility” in results: that replaces complexity with simplicity in the pursuit of predictability. Both communities neglect relationships between the general and the particular—between universal and local knowledge—that nurture strategic thinking.

Collaboration, in theory, could have secured the sea and the land from all future dangers. That would have required, though, the extension of trust, a quality with strikingly shallow roots in the character of all Greeks.

The only solution then is to improvise, but this is not just making it up as you go along. Maybe you’ll stick to the plan, maybe you’ll modify it, maybe you’ll scrap it altogether. Like Lincoln, though, you’ll know your compass heading, whatever the unknowns that lie between you and your destination. You’ll have in your mind a range of options for dealing with these, based—as if from Machiavelli—upon hard-won lessons from those who’ve gone before.

The past and future are no more equivalent, in Thucydides, than are capabilities and aspirations in strategy—they are, however, connected.

The past we can know only from imperfect sources, including our own memories. The future we can’t know, other than that it will originate in the past but then depart from it. Thucydides’ distinction between resemblance and reflection—between patterns surviving across time and repetitions degraded by time—aligns the asymmetry, for it suggests that the past prepares us for the future only when, however imperfectly, it transfers. Just as capabilities restrict aspirations to what circumstances will allow.

Insufficiency demands indirection, and that, Sun Tzu insists, requires maneuver: [W]hen capable, feign incapacity; when active, inactivity. When near, make it appear that you are far; when far away, that you are near. Offer an enemy a bait to lure him; feign disorder and strike him. . . . When he concentrates, prepare against him; where he is strong, avoid him. . . . Pretend inferiority and encourage his arrogance. . . . Keep him under a strain and wear him down. Opposites held in mind simultaneously, thus, are “the strategist’s keys to victory.”

it was Pericles who, more than anyone else, unleashed the Peloponnesian War—the unintended result of constructing a culture to support a strategy.

By the mid-450s Pericles, who agreed, had finished the walls around Athens and Piraeus, allowing total reliance on the sea in any future war. The new strategy made sense, but it made the Athenians, as Thucydides saw, a different people. Farmers, traditionally, had sustained Athens: their fields and vineyards supplied the city in peacetime, and their bodies filled the ranks of its infantry and cavalry when wars came. Now, though, their properties were expendable and their influence diminished.

If Athens were to rely upon the ardor of individuals, then it would have to inspire classes within the city and peoples throughout the empire—even as it retained the cohesiveness of its rival Sparta, still in many ways a small town.

Pericles used his “funeral oration,” delivered in Athens at the end of the Peloponnesian War’s first year, to explain what he hoped for. The dead had given their lives, he told the mourners, for the universality of Athenian distinctiveness: Athens imitated no one, but was a pattern for everyone. How, though, to reconcile these apparent opposites? Pericles’ solution was to connect scale, space, and time: Athenian culture would appeal to the city, the empire, and the ages.

The city had acquired its “friends,” Pericles acknowledged, by granting favors, “in order by continued kindness to keep the recipient in [its] debt; while the debtor [knows] that the return he makes will be a payment, not a free gift.” Nevertheless, the Athenians had provided these benefits “not from calculations of expediency, but in the confidence of liberality.” What he meant was that Athens would make its empire at once more powerful and more reassuring than that of any rival.

It could in this way project democracy across cultures because insecure states, fearing worse, would freely align with Athens.22 Self-interest would become comfort and then affinity.

The Athenians’ strategy of walling their cities, however, had reshaped their character, obliging them restlessly to roam the world. Because they had changed, they would have to change others—that’s what having an empire means—but how many, to what extent, and by what means? No one, not even Pericles, could easily say.

Equality, then, was the loop in Pericles’ logic. He saw both it and empire as admirable, but was slow to sense that encouraging one would diminish the other.

Like Lincoln, Pericles looked ahead to the ages. He even left them monuments and sent them messages. But he didn’t leave behind a functional state: it would take well over two millennia for democracy again to become a model with mass appeal.

as Thucydides grimly observes, war “brings most men’s character to a level with their fortunes.”

“Island” strategies require steady nerves. You have to be able to watch smoke rise on horizons you once controlled without losing your own self-confidence, or shaking that of allies, or strengthening that of adversaries.

For the abstractions of strategy and the emotions of strategists can never be separated: they can only be balanced. The weight attached to each, however, will vary with circumstances. And the heat of emotions requires only an instant to melt abstractions drawn from years of cool reflection.

if credibility is always in doubt, then capabilities must become infinite or bluffs must become routine. Neither approach is sustainable: that’s why walls exist in the first place.

he encouraged his readers to seek “knowledge of the past as an aid to the understanding of the future, which in the course of human things must resemble if it does not reflect it.” For without some sense of the past the future can be only loneliness: amnesia is a solitary affliction.

But to know the past only in static terms—as moments frozen in time and space—would be almost as disabling, because we’re the progeny of progressions across time and space that shift from small scales to big ones and back again. We know these through narratives, whether historical or fictional or a combination of both.

No one can anticipate everything that might happen. Sensing possibilities, though, is better than having no sense at all of what to expect. Sun Tzu seeks sense—even common sense—by tethering principles, which are few, to practices, which are many.

Clausewitz’s concept of training, however, retains its relevance. It’s the best protection we have against strategies getting stupider as they become grander, a recurring problem in peace as well as war. It’s the only way to combine the apparent opposites of planning and improvisation: to teach the common sense that comes from knowing when to be a hedgehog and when a fox.

Victories must connect: otherwise they won’t lead anywhere. They can’t be foreseen, though, because they arise from unforeseen opportunities. Maneuvering, thus, requires planning, but also improvisation. Small triumphs in a single arena set up larger ones elsewhere, allowing weaker contenders to become stronger.

The actions of man, Kennan concluded, “are governed not so much by what he intellectually believes as by what he vividly realizes.”

Nor is it clear, even now, whether Christianity caused Rome’s “fall”—as Gibbon believed—or—as the legacies of Augustus suggest—secured Rome’s institutional immortalities. These opposites have shaped “western” civilization ever since. Not least by giving rise to two truly grand strategies, parallel in their purposes but devised a thousand years apart

Augustine shows that reality always falls short of the ideal: one can strive toward it, but never expect to achieve it. Seeking, therefore, is the best man can manage in a fallen world, and what he seeks is his choice. Nevertheless, not all ends are legitimate; not all means are appropriate. Augustine seeks, therefore, to guide choice by respecting choice. He does this through an appeal to reason: one might even say to common sense.

A peaceful faith—the only source of justice for Christians—can’t flourish without protection, whether through toleration, as in pre-Constantine Rome, or by formal edict, as afterward.20 The City of God is a fragile structure within the sinful City of Man. It’s this that leads Christians to entrust authority to selected sinners—we call it “politics”—and Augustine, for all his piety, is a political philosopher.

Augustine concluded that war, if necessary to save the state, could be a lesser evil than peace—and that the procedural prerequisites for necessity could be stated. Had provocation occurred? Had competent authority exhausted peaceful alternatives? Would the resort to violence be a means chosen, not an end in itself? Was the expenditure of force proportionate to its purposes, so that it wouldn’t destroy what it was meant to defend?

No one before Augustine, however, had set standards to be met by states in choosing war. This could be done only within an inclusionary monotheism, for only a God claiming universal authority could judge the souls of earthly rulers. And only Augustine, in his era, spoke so self-confidently for Him. The

Augustine’s great uncertainty was the status of souls in the City of Man, for only the fittest could hope to enter the City of God. Pre-Christian deities had rarely made such distinctions: the pagan afterlife was equally grim for heroes, scoundrels, and all in between.25 Not so, though, with the Christian God: behavior in life would make a huge difference in death. It was vital, then, to fight wars within rules. The stakes could hardly be higher.

Alignment, in turn, implies interdependence. Justice is unattainable in the absence of order, peace may require the fighting of wars, Caesar must be propitiated—perhaps even, like Constantine, converted—if man is to reach God. Each capability brings an aspiration within reach, much as Sun Tzu’s practices tether his principles, but what’s the nature of the tether? I think it’s proportionality: the means employed must be appropriate to—or at least not corrupt—the end envisaged. This, then, is Augustine’s tilt: toward a logic of strategy transcending time, place, culture, circumstance, and the differences between saints and sinners.

a more revealing distinction may lie in temperament: to borrow from Milan Kundera,37 Machiavelli found “lightness of being” bearable. For Augustine—perhaps because traumatized as a youth by a pear tree—it was unendurable.

“I judge that it might be true that fortune is arbiter of half our actions, but also that she leaves the other half, or close to it, for us to govern.” Fifty percent fortune, fifty percent man—but zero percent God. Man is, however precariously, on his own.

States, Machiavelli suggests, operate similarly. If governed badly, men’s rapacity will soon overwhelm them, whether through internal rebellion or external war. But if run with virtù—his untranslatable term for planning without praying40—states can constrain, if not in all ways control, the workings of fortune, or chance. The skills needed are those of imitation, adaptation, and approximation.

Machiavelli commends the study of history, “for since men almost always walk on paths beaten by others and proceed in their actions by imitation . . . , a prudent man should always enter upon the paths beaten by great men, and imitate those who have been most excellent, so that if his own virtue does not reach that far, it is at least in the odor of it.”

What, then, to do? It helped that Machiavelli and Berlin had lightness of being, for their answer is the same: don’t sweat it. Learn to live with the contradictions. Machiavelli shows “no trace of agony,” Berlin points out, and he doesn’t either:

Eternal truths have little to do with any of this, beyond the assurance that circumstances will change. Machiavelli knows, as did Augustine, that what makes sense in one situation may not in the next. They differ, though, in that Machiavelli, expecting to go to Hell, doesn’t attempt to resolve such disparities. Augustine, hoping for Heaven, feels personally responsible for them. Despite his afflictions, Machiavelli often sees comedy.42 Despite his privileges, Augustine carries a tragic burden of guilt. Machiavelli sweats, but not all the time. Augustine never stops.

“Lightness of being,” then, is the ability, if not to find the good in bad things, then at least to remain afloat among them, perhaps to swim or to sail through them, possibly even to take precautions that can keep you dry. It’s not to locate logic in misfortunes, or to show that they’re for the best because they reflect God’s will.

Augustine and Machiavelli agree that wars should be fought—indeed that states should be run—by pre-specifiable procedures. Both know that aspirations aren’t capabilities. Both prefer to connect them through checklists, not commandments.43

Augustine admits, which is why good men may have to seek peace by shedding blood. The greater privilege, however, is to avert “that calamity which others are under the necessity of producing.” Machiavelli agrees, but notes that a prince so infrequently has this privilege that if he wishes to remain in power he must “learn to be able not to be good,” and to use this proficiency or not use it “according to necessity.”51 As fits man’s fallen state, Augustine sighs. As befits man, Machiavelli simplifies.

As Machiavelli’s finest translator has put it: “[J]ustice is no more reasonable than what a person’s prudence tells him he must acquire for himself, or must submit to, because men cannot afford justice in any sense that transcends their own preservation.”53

princes need advisers. The adviser can’t tell the prince what to do, but he can suggest what the prince should know. For Machiavelli this means seeking patterns—across time, space, and status—by shifting perspectives. “[J]ust as those who sketch landscapes place themselves down in the plain to consider the nature of mountains . . . and to consider the nature of low places place themselves high atop mountains,

Machiavelli embraces, then, a utilitarian morality: you proportion your actions to your objective, not to progress from one nebulous city to another, but because some things have been shown to work and others haven’t.60

Who, then, will oversee them? They’ll do it themselves, Machiavelli replies, by balancing power. First, there’ll be a balance among states, unlike older Roman and Catholic traditions of universality. Machiavelli anticipates the statecraft of Richelieu, Metternich, Bismarck,

But Machiavelli understands balancing in a second and subtler sense, conveyed more explicitly in The Discourses than in The Prince: [I]t is only in republics that the common good is looked to properly in that all that promotes it is carried out; and, however much this or that private person may be the loser on this account, there are so many who benefit thereby that the common good can be realized in spite of those few who suffer in consequence.64 This idea of an internal equilibrium within which competition strengthens community wouldn’t appear again until Adam Smith unveiled an “invisible hand” in The Wealth of Nations (1776), until the American Founding Fathers drafted and in The Federalist justified constitutional checks and balances (1787–88), and until Immanuel Kant linked republics, however distantly, with Perpetual Peace (1795).

Machiavelli’s great transgression, Berlin concluded, was to confirm what everyone knows but no one will admit: that ideals “cannot be attained.” Statecraft, therefore, can never balance realism against idealism: there are only competing realisms. There is no contest, in governing, between politics and morality: there is only politics. And no state respects Christian teaching on saving souls. The incompatibilities are irreconcilable. To deny this is, in Berlin’s words but in Machiavelli’s mind, to “vacillate, fall between two stools, and end in weakness and failure.”

And approximation? “[P]rudent archers,” Machiavelli points out, knowing the strength of their bow, “set their aim much higher than the place intended, not to reach such height with their arrow, but to be able with the aid of so high an aim to achieve their plan.”41 For there will be deflection—certainly from gravity, perhaps from wind, who knows from what else? And the target itself will probably be moving.

Augustine’s City of God no longer exists on earth. The City of Man, which survives, has no single path to salvation. “[T]he belief that the correct, objectively valid solution to the question of how men should live can in principle be discovered,” Berlin finds, “is itself in principle not true.” Machiavelli thus split open the rock “upon which Western beliefs and lives had been founded.” It was he “who lit the fatal fuse.”

Machiavelli’s blood ran colder than was ordinary: he praised Cesare Borgia, for example, and he refused to condemn torture despite having suffered it (Augustine, never tortured, took a similar position).75 Machiavelli was careful, however, to apportion enormities: they should only forestall greater horrors—violent revolution, defeat in war, descent into anarchy, mass killing, or what we would today call “genocide.”

Berlin sees in this an “economy of violence,” by which he means holding a “reserve of force always in the background to keep things going in such a way that the virtues admired by [Machiavelli] and by the classical thinkers to whom he appeals can be protected and allowed to flower.”76 It’s no accident that Berlin uses the plural. For it comes closer than the singular, in English, to Machiavelli’s virtù, implying no single standard by which men must live.

“[T]here are many different ends that men may seek and still be fully rational,” Berlin insists, “capable of understanding . . . and deriving light from each other.” Otherwise, civilizations would exist in “impenetrable bubble[s],” incomprehensible to anyone on the outside. “Intercommunication between cultures in time and space is possible only because what makes men human is common to them, and acts as a bridge between them. But our values are ours, and theirs are theirs.”

Perhaps there are other worlds in which all principles are harmonized, but “it is on earth that we live, and it is here that we must believe and act.”77 By shattering certainty, Machiavelli showed how. “[T]he dilemma has never given men peace since it came to light,” Berlin lightly concludes, “but we have learnt to live with it.”

Posterity has long regarded Augustine and Machiavelli as pivots in the history of “western” thought because each, with enduring effects, shifted long-standing relationships between souls and states.

Philip promises obedience to God, not his subjects. Elizabeth serves her subjects, fitting God to their interests. The king, looking to Heaven, venerates. The queen, feet on earth, calculates. The differences test the ideas of Augustine and Machiavelli against the demands of statecraft at the dawn of the modern age.

Relishing opposites, the queen was constant only in her patriotism, her insistence on keeping ends within means, and her determination—a requirement for pivoting—never to be pinned down.

Pivoting requires gyroscopes, and Elizabeth’s were the best of her era. She balanced purposefulness with imagination, guile, humor, timing, and an economy in movement that, however extravagant her display, kept her steady on the tightrope she walked.

Machiavelli, thinking gyroscopically, advised his prince to be a lion and a fox, the former to frighten wolves, the latter to detect snares. Elizabeth went him one better by being lion, fox, and female, a combination the crafty Italian might have learned to appreciate. Philip was a grand lion, but he was only a lion.

princes can through conscientiousness, Machiavelli warned, become trapped. For a wise ruler “cannot observe faith, nor should he, when such observance turns against him, and the causes that made him promise have been eliminated. . . . Nor does a prince ever lack legitimate causes to color his failure to observe faith.”46

What we like to recall as the Elizabethan “golden age” survived only through surveillance and terror: that was another of its contradictions, maintained regretfully with resignation.

The queen’s instincts were more humane than those of her predecessors, but too many contemporaries were trying to kill her. “Unlike her sister, Elizabeth never burned men for their faith,” her recent biographer Lisa Hilton has written. “She tortured and hanged them for treason.”60 Toleration, Machiavelli might have said, had turned against Elizabeth. She wanted to be loved—who wouldn’t? It was definitely safer for princes, though, to be feared.

“The failure of the Spanish Armada,” Geoffrey Parker has argued, “laid the American continent open to invasion and colonization by northern Europeans, and thus made possible the creation of the United States.” If that’s right, then the future pivoted on a single evening—August 7, 1588—owing to a favorable wind, a clever lord admiral, and a few fiery ships. Had he succeeded, Philip would have required Elizabeth to end all English voyages to America.4

In contrast to Spain’s “new world” colonies—and to the territories that France, more recently, had claimed (but barely settled) along the banks of the St. Lawrence, the Great Lakes, and the Ohio and Mississippi rivers—British America “was a society whose political and administrative institutions were more likely to evolve from below than to be imposed from above.”10 That made it a hodgepodge, but also a complex adaptive system.

The principles seem at odds—how can supremacies share?—but within that puzzle, the modern historian Robert Tombs has suggested, lay the foundations of England’s post-Stuart political culture: [S]uspicion of Utopias and zealots; trust in common sense and experience; respect for tradition; preference for gradual change; and the view that “compromise” is victory, not betrayal. These things stem from the failure of both royal absolutism and of godly republicanism: costly failures, and fruitful ones.

“Nothing in the West can compare with the role which aesthetics has played in Japanese life and history since the Heian period”; and “the miyabi spirit of refined sensibility is still very much in evidence” in modern aesthetic criticism.9

there has run through history the idea that the Japanese are, in terms of their original nature (that is, their nature before the introduction from the outside of such systems of thought and religion as Confucianism and Buddhism), essentially an emotional people. And in stressing the emotional side of human nature, the Japanese have always assigned high value to sincerity (makoto) as the ethic of the emotions.

If the life of the emotions thus had an ethic in makoto, the evolution of mono no aware in the Heian period provided it also with an aesthetic.

Tsurayuki said, in effect, that people are emotional entities and will intuitively and spontaneously respond in song and verse when they perceive things and are moved. The most basic sense of mono no aware is the capacity to be moved by things, whether they are the beauties of nature or the feelings of people,

One of the finest artistic achievements of the middle and late Heian period was the evolution of a native style of essentially secular painting that reached its apex in the narrative picture scrolls of the twelfth century. The products of this style of painting are called “Yamato [that is, Japanese] pictures” to distinguish them from works categorized as “Chinese pictures.”

The Fujiwara epoch, in literature as well as the visual arts, was soft, approachable, and “feminine.” By contrast, the earlier Jōgan epoch had been forbidding, secretive (esoteric), and “masculine.”

Despite the apparent lust of the samurai for armed combat and martial renown, much romanticized in later centuries, the underlying tone of the medieval age in Japan was from the beginning somber, pessimistic, and despairing. In The Tale of Genji the mood shifted from satisfaction with the perfections of Heian courtier society to uncertainty about this life and a craving for salvation in the next.

Despite political woes and territorial losses, the Sung was a time of great advancement in Chinese civilization. Some scholars, impressed by the extensive growth in cities, commerce, maritime trade, and governmental bureaucratization in the late T’ang and Sung, have even asserted that this was the age when China entered its “early modern” phase. The Sung was also a brilliant period culturally.

the fortuitous combination of desire on the part of the Sung to increase its foreign trade with Japan and the vigorous initiative taken in maritime activity by the Taira greatly speeded the process of transmission.

The Sung period in China, on the other hand, was an exceptional age for scholarship, most notably perhaps in history and in the compilation of encyclopedias and catalogs of art works. This scholarly activity was greatly facilitated by the development of printing, invented by the Chinese several centuries earlier.

In addition to reviving interest in Japanese poetry, the use of kana also made possible the evolution of a native prose literature.

peasantry, who formed the nucleus of what came to be known as the True Sect of Pure Land Buddhism. Through the centuries, this sect has attracted one of the largest followings among the Japanese, and its founder, Shinran, has been canonized as one of his country’s most original religious thinkers.

True genre art, picturing all classes at work and play, did not appear in Japan until the sixteenth century. The oldest extant genre painting of the sixteenth century is a work, dating from about 1525, called “Views Inside and Outside Kyoto” (rakuchū-rakugai zu).

the aesthetic principles that were largely to dictate the tastes of the medieval era. We have just remarked the use of sabi. Another major term of the new medieval aesthetics was yūgen, which can be translated as “mystery and depth.” Let

One of the basic values in the Japanese aesthetic tradition—along with such things as perishability, naturalness, and simplicity—is suggestion. The Japanese have from earliest times shown a distinct preference for the subtleties of suggestion, intimation, and nuance, and have characteristically sought to achieve artistic effect by means of “resonances” (yojō).

Amidism was not established as a separate sect until the time of the evangelist Hōnen (1133–1212).

But even in Chōmei we can observe a tendency to transform what is supposed to be a mean hovel into something of beauty based on an aesthetic taste for “deprivation” (to be discussed later in this chapter) that evolved during medieval times.

Apart from the proponents of Pure Land Buddhism, the person who most forcefully propagated the idea of universal salvation through faith was Nichiren (1222–82).

Nichiren held that ultimate religious truth lay solely in the Lotus Sutra, the basic text of the Greater Vehicle of Buddhism in which Gautama had revealed that all beings possess the potentiality for buddhahood.

At the time of its founding in Japan by Saichō in the early ninth century, the Tendai sect had been based primarily on the Lotus Sutra; but, in the intervening centuries, Tendai had deviated from the Sutra’s teachings and had even spawned new sects, like those of Pure Land Buddhism, that encouraged practices entirely at variance with these teachings.

Declaring himself “the pillar of Japan, the eye of the nation, and the vessel of the country,”14 Nichiren seems even to have equated himself with Japan and its fate.

The kōan is especially favored by what the Japanese call the Rinzai sect of Zen, which is also known as the school of “sudden enlightenment” because of its belief that satori, if it is attained, will come to the individual in an instantaneous flash of insight or awareness. The other major sect of Zen, Sōtō, rejects this idea of sudden enlightenment and instead holds that satori is a gradual process to be attained primarily through seated meditation.

Fought largely in Kyoto and its environs, the Ōnin War dragged on for more than ten years, and after the last armies withdrew in 1477 the once lovely capital lay in ruins. There was no clear-cut victor in the Ōnin War. The daimyos had simply fought themselves into exhaustion,

Yoshimasa was perhaps even more noteworthy as a patron of the arts than his grandfather, Yoshimitsu. In any case, his name is just as inseparably linked with the flourishing of culture in the Higashiyama epoch (usually taken to mean approximately the last half of the fifteenth century) as Yoshimitsu’s is with that of Kitayama.

The tea room, as a variant of the shoin room, evolved primarily in the sixteenth century.

Shukō’s admonition about taking care to “harmonize Japanese and Chinese tastes” has traditionally been taken to mean that he stood, in the late fifteenth century, at a point of transition from the elegant and “aristocratic” kind of Higashiyama chanoyu just described, which featured imported Chinese articles, to a new, Japanese form of the ceremony that used native ceramics,

the new kind of tea ceremony originated by Shukō is called wabicha, or “tea based on wabi.” Developed primarily by Shukō’s successors during the sixteenth century, wabicha is a subject for the next chapter.

The Japanese, on the other hand, have never dealt with nature in their art in the universalistic sense of trying to discern any grand order or structure; much less have they tried to associate the ideal of order in human society with the harmonies of nature. Rather,

The Chinese Sung-style master may have admired a mountain, for example, for its enduring, fixed quality, but the typical Japanese artist (of the fifteenth century or any other age) has been more interested in a mountain for its changing aspects:

Zen culture of Muromachi Japan was essentially a secular culture. This seems to be strong evidence, in fact, of the degree to which medieval Zen had become secularized: its view of nature was pantheistic and its concern with man was largely psychological.

Nobunaga’s castle at Azuchi and Hideyoshi’s at Momoyama have given their names to the cultural epoch of the age of unification. The designation of this epoch as Azuchi-Momoyama (or, for the sake of convenience, simply Momoyama) is quite appropriate in view of the significance of castles—as represented by these two historically famous structures—in the general progress, cultural and otherwise, of these exciting years.

Along with architecture, painting was the art that most fully captured the vigorous and expansive spirit of the Momoyama epoch of domestic culture during the age of unification. It was a time when many styles of painting and groups of painters flourished. Of the latter, by far the best known and most successful were the Kanō,

Motonobu also made free use of the colorful Yamato style of native art that had evolved during the Heian period and had reached its pinnacle in the great narrative picture scrolls of the twelfth and thirteenth centuries.

what screen painting really called for was color, and it was this that the Kanō artists, drawing on the native Yamato tradition, added to their work with great gusto during the Momoyama epoch. The color that these artists particularly favored was gold, and compositions done in ink and rich pigments on gold-leaf backgrounds became the most characteristic works of Momoyama art.

there could hardly be a more striking contrast between the spirits of two ages than the one reflected in the transition from the subdued monochromatic art of Japan’s medieval era to the blazing use of color by Momoyama artists, who stood on the threshold of early modern times.

aware, which, as we saw in Chapter 3, connotes the capacity to be moved by things. In the period of the Shinkokinshū, when Saigyō lived, this sentiment was particularly linked with the aesthetic of sabi or “loneliness” (and, by association, sadness). The human condition was essentially one of loneliness;

During the sixteenth century the ceremony was further developed as wabicha, or tea (cha) based on the aesthetic of wabi. Haga Kōshirō defines wabi as comprising three kinds of beauty: a simple, unpretentious beauty; an imperfect, irregular beauty; and an austere, stark beauty.

The alternate attendance system also had important consequences in the cultural realm, contributing to the development for the first time of a truly national culture. Thus, for example, the daimyos and their followers from throughout the country who regularly visited Edo were the disseminators of what became a national dialect or “lingua franca” and, ultimately, the standard language of modern Japan.

They also fostered the spread of customs, rules of etiquette, standards of taste, fashions, and the like that gave to Japanese everywhere a common lifestyle.

“[Tokugawa-period] statesmen thought highly of agriculture, but not of agriculturalists.”6 The life of the average peasant was one of much toil and little joy. Organized into villages that were largely self-governing, the peasants were obliged to render a substantial portion of their farming yields—on average, perhaps 50 percent or more—to the samurai, who provided few services in return. The resentment of peasants toward samurai grew steadily throughout the Tokugawa period and was manifested in countless peasant rebellions

Although in the long run the seclusion policy undeniably limited the economic growth of Tokugawa Japan by its severe restrictions both on foreign trade and on the inflow of technology from overseas, it also ensured a lasting peace that made possible a great upsurge in the domestic economy, especially during the first century of shogunate rule.

Both samurai and peasants were dependent almost solely on income from agriculture and constantly suffered declines in real income as the result of endemic inflation; only the townsmen, who as commercialists could adjust to price fluctuations, were in a position to profit significantly from the economic growth of the age.

We should not be surprised, therefore, to find this class giving rise to a lively and exuberant culture that reached its finest flowering in the Genroku epoch at the end of the seventeenth and the beginning of the eighteenth centuries. The mainstays of Genroku culture were the theatre, painting (chiefly in the form of the woodblock print), and prose fiction,

The Japanese had, of course, absorbed Confucian thinking from the earliest centuries of contact with China, but for more than a millennium Buddhism had drawn most of their intellectual attention. Not until the Tokugawa period did they come to study Confucianism with any great zeal.

One of the most conspicuous features of the transition from medieval to early modern times in Japan was the precipitous decline in the vigor of Buddhism and the rise of a secular spirit.

The military potential and much of the remaining landed wealth of the medieval Buddhist sects had been destroyed during the advance toward unification in the late sixteenth century. And although Buddhism remained very much part of the daily lives of the people, it not only ceased to hold appeal for many Japanese intellectuals but indeed even drew the outright scorn and enmity of some.

it was the Buddhist church—and especially the Zen sect—that paved the way for the upsurge in Confucian studies during Tokugawa times. Japanese Zen priests had from at least the fourteenth century on assiduously investigated the tenets of Sung Neo-Confucianism, and in ensuing centuries had produced a corpus of research upon which the Neo-Confucian scholarship of the Tokugawa period was ultimately built.

Yamaga Sokō is generally credited as the formulator of the code of bushidō, or the “way of the warrior.”4 Certainly he was a pioneer in analyzing the role of the samurai as a member of a true ruling elite and not simply as a rough, and frequently illiterate, participant in the endless civil struggles of the medieval age.

The fundamental purpose of Neo-Confucian practice is to calm one’s turbid ki to allow one’s nature (ri) to shine forth. The person who achieves this purpose becomes a sage, his ri seen as one with the universal principle, known as the “supreme ultimate” (taikyoku), that governs all things.

Neo-Confucianism proposed two main courses to clarify ri, one objective and the other subjective.7 The objective course was through the acquisition of knowledge by means of the “investigation of things,” a phrase taken by Chu Hsi from the Chinese classic The Great Learning (Ta hsüeh). At the heart of things to investigate was history,

Quite apart from any practical guidance to good rulership it may have provided, this Neo-Confucian stress on historical research proved to be a tremendous spur to scholarship and learning in general during the Tokugawa period;8 and, as we will see in the next chapter, it also facilitated the development of other, heterodox lines of intellectual inquiry.

the subjective course appeared to have been taken almost directly from Buddhism, and in particular Zen. It was the course of “preserving one’s heart by holding fast to seriousness,” which called for the clarification of ri by means remarkably similar to Zen meditation.

The calendrical era of Genro ku lasted from 1688 until 1703, but the Genroku cultural epoch is usually taken to mean the span of approximately a half-century from, say, 1675 until 1725. Setting the stage for this rise of a townsman-oriented culture was nearly a century of peace and steady commercial growth.

places of diversion and assignation, these quarters were the famous “floating worlds” (ukiyo) of Tokugawa fact and legend. Ukiyo, although used specifically from about this time to designate such demimondes, meant in the broadest sense the insubstantial and ever-changing existence in which man is enmeshed.

ukiyo15 always carried the connotation that life is fundamentally sad; but, in Genroku times, the term was more commonly taken to mean a world that was pleasurable precisely because it was constantly changing, exciting, and up-to-date.

the Tokugawa period was not at all like the humanism that emerged in the West from the Renaissance on. Whereas modern Western humanism became absorbed with people as individuals, with all their personal peculiarities, feelings, and ways, Japanese humanism of the Tokugawa period scarcely conceived of the existence of true individuals at all; rather, it focused on “the people” and regarded them as comprising essentially types, such as samurai, farmers, and courtesans.

there is little in the literature as a whole of that quality—character development—that is probably the single most important feature of the modern Western novel.

Although shogunate authorities and Tokugawa-period intellectuals in general had relatively little interest in the purely metaphysical side of Chu Hsi’s teachings, they found his philosophy to be enormously useful in justifying or ideologically legitimizing the feudal structure of state and society that had emerged in Japan by the seventeenth century.

With its radical advocacy of violent irrationality—to the point of psychosis—Hagakure has shocked many people. But during Japan’s militarist years of the 1930s and World War II, soldiers and others hailed it as something of a bible of samurai behavior, and the postwar nationalist writer Mishima Yukio was even inspired to write a book in praise of its values.

It is significant that many of the leading prose writers, poets, and critics of the most prominent journal of Japanese romanticism, Bungakukai (The Literary World, published from 1893 until 1898), were either converts to or strongly influenced by Protestant Christianity, the only creed in late Meiji Japan that gave primacy to the freedom and spiritual independence of the individual. The absolutism embodied in the Meiji Constitution demanded strict subordination of the interests of the individual to those of the state;

The feeling of frustration engendered by a society that placed such preponderant stress upon obedience to the group, especially in the form of filial piety toward one’s parents and loyalty to the state, no doubt accounts for much of the sense of alienation observable in the works of so many modern Japanese writers.

These writers have been absorbed to an unusual degree with the individual, the world of his personal psychology, and his essential loneliness. In line with this preoccupation, novelists have perennially turned to the diary-like, confessional tale—the so-called I-novel—as their preferred medium of expression.

In intellectual and emotional terms, the military came increasingly to be viewed as the highest repository of the traditional Japanese spirit that was the sole hope for unifying the nation to act in a time of dire emergency.

The enemy that had led the people astray was identified as those sociopolitical doctrines and ideologies that had been introduced to Japan from the West during the preceding half-century or so along with the material tools of modernization.

If there is a central theme to this book, it is that the Japanese, within the context of a history of abundant cultural borrowing from China in premodern times and the West in the modern age, have nevertheless retained a hard core of native social, ethical, and cultural values by means of which they have almost invariably molded and adapted foreign borrowing to suit their own tastes and purposes.

He had the build of a warrior – sturdy and broad-shouldered – but his wrinkled face was warm and relaxed.

Oikonomeas grew up in the village of Neochori on the Mani Peninsula’s north-west coast and never left.

Oikonomeas explained that I was savouring a snack that was likely eaten thousands of years ago by Greece’s infamous soldiers.

“Lelegas, the first king of Sparta, was probably the first one to manufacture it,”

n 371BC, the Spartans were defeated by soldiers from the city-state of Thebes, sparking the downfall of Sparta.

But the Spartans living on the Mani peninsula, sheltered from the rest of the Peloponnese by the Taygetos mountains, held strong, defending their territory for centuries from the Thebans, and later Ottoman, Egyptian and Franc forces, among others

Oikonomeas still remembers his mother spooning hardboiled eggs into his mouth to make him stronger, insisting that as the only boy it was up to him to continue the family legacy.

until the 1970s, when construction of new roads opened the peninsula to the rest of the Peloponnese, that the Maniots began to embrace newcomers.

During its time as an autonomous region, the peninsula was governed by different families, or clans;

e clans struggled for power, violent vendettas erupted that could last for years.

“The punishment was inflicted on the whole clan and not just the perpetrator

Such was the Maniot sense of pride.” He noted that until recently Maniots would refer to their sons as ‘guns’ and their daughters as ‘barrels with gunpowder at the foundations of their house’.

That’s not the only reminder. Almost anyone who was born and raised on the Mani peninsula will tell you they have Spartan blood in their veins.

The region remained self-governing until the mid- to late 19th Century, when the Greek government reduced the peninsula’s autonomy.

ral to recite mourning songs at h

Any trace of authentic Spartan DNA long ago disappeared; all that’s left of the warriors are their legends. Some historians and anthropologists say similarities between ancient and modern rituals – like the mourning songs – are strong indicators of a relationship between Ancient Spartans and modern Maniots,

The last American to be freed before the most recent three was Otto Warmbier, who had been detained in North Korea for 17 months, and died a week after returning home. North Korea said he had been in a coma for a year after contracting botulism, but his family say he was subjected to "awful torturous mistreatment".

The captured individuals were intended to help train North Korean spies in Japanese language and customs.

During the Enlightenment, however, Europeans developed new standards and tools for mapping, and since they weren’t sure precisely where the lakes, mountains, and cities of Africa were, they began erasing them from popular maps. Many scholarly maps still had more details, but due to the new standards, the European explorers who went to Africa were credited with discovering the mountains, rivers, and kingdoms to which African people guided them.

Once the British Empire abolished slavery in 1833, however, abolitionists turned their efforts against slavery within Africa. In the colonies, the British were also frustrated that former slaves didn’t want to keep working on plantations for very low wages. Soon the British were portraying African men not as brothers, but as lazy idlers or evil slave traders.

At the same time, missionaries began traveling to Africa to bring the word of God. They expected to have their work cut out for them, but when decades later they still had few converts in many areas, they began saying that African people’s hearts were locked in darkness. They were closed off from the saving light of Christianity.

guns gave these men significant power in Africa.

When they abused that power – especially in the Congo -  Europeans blamed the Dark Continent, rather than themselves. Africa, they said, was the that supposedly brought out the savagery in man. 

Race does lie at the heart of this myth, but it not about skin color. The myth of the Dark Continent referred to the savagery Europeans said was endemic to Africa, and even the idea that its lands were unknown came from erasing centuries of pre-colonial history, contact, and travel acro

It was the rare silver lining of a troubled time: About 20 or 30 newcomers to a dwindling town of 140 souls, where even the tiny school on the town plaza got a second chance after parents started enrolling their children there.

“If it weren’t for Covid, the school would have closed,” said Josep Tomás Puig, 67, a retired mail carrier in Gósol who spent his life watching the younger generation depart to Spain’s cities.

Rafael López, a former renewable energy entrepreneur whose business collapsed in Spain’s 2008 financial crisis, was interested. “My mom said she saw this on TV,” said Mr. López. “And I said, ‘Well, what do you say if we take the car and go have a look, see what’s there?’”

For decades in Spain, a landscape of walled cities, stone bridges and ancient winding roads has become mostly abandoned as generations of young people left for cities. La España Vacía, or “the Empty Spain,” is the phrase that was coined to describe the blight.

Yet tiny Gósol had fared better than many others, residents say.It sits in the wealthy autonomous region of Catalonia, in a majestic valley in the Pyrenees Mountains that brought tourists and part-time residents in the summer months.

By 2015, the situation had gotten critical. The number of permanent residents was 120 and falling. The mayor went on television warning, among other things, that the school was about to close because it was down to five students.

“And if the school closed, the town might as well have closed too.”

Over the next months, hundreds of people came to Gósol to kick the tires. They said they were impressed by the quaint homes and the ruined castle atop the hill.

As the coronavirus began to spread last year, Spain entered another economic crisis, this one on a scale even greater than the collapse that had brought Mr. López in 2008.

In Castelldefels, a seaside town southwest of Barcelona, life was starting to look upside-down for Ms. Calvar, the bar owner who came to Gósol in September.

The path seemed clear when, passing through Gósol one day, Ms. Calvar learned that the owner of the grocery store on the plaza was at looking to sell the business.

The schoolhouse sits along the plaza, a place of kid-sized chairs and tables, paper planets hanging from the ceiling and an incubator warming eggs.

Classes ended at 5 p.m. and Ms. Otero, the telecommuting web designer who had moved to Gósol from Barcelona last June, was waiting for two of her children, 6 and 7.

There was a note of regret in her voice when she thought about the end of the pandemic, and the pressure that she knew would inevitably build to return to Barcelona. She didn’t want Gósol to disappear yet, she said.

They note that prior research has shown that up to two-thirds of Himalayan glaciers are going to disappear in the next decade, indicating that a lot of water buildup in lakes is going to pose a serious threat to those living downstream.

Mr. Sarwari said hundreds of houses had been destroyed in impoverished areas in the Qadis District, in the southern part of the province. Men, women and children were killed, many of whom had been inside the buildings.

the death toll would most likely rise significantly, because many families were still buried under the rubble.

The first quake struck just after 2 p.m. local time, east of the city of Qala-e-Naw, the capital of a province that the Taliban swept through in July on the way to capturing Kabul in August. It registered a magnitude of 4.9, according to the United States Geological Survey. The second struck about two hours later six miles away, registering a magnitude of 5.3.

For civilians in Afghanistan, earthquakes have added to the misery of living through a war that has gone on for years. There have been several earthquakes in recent weeks along Afghanistan’s eastern borders with Pakistan and Tajikistan, data from the U.S. Geological Survey show. Most were magnitude 5 or less.