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krystalxu

First World War.com - Who's Who - Helmuth von Moltke - 0 views

  • Moltke insisted that once the Schlieffen Plan was set in motion it could not be stopped.
krystalxu

What if Helmuth von Moltke the Younger would have died in 1913 rather than in 1916? - Q... - 0 views

  • The French were never expected to penetrate far into Germany and Schlieffen reasoned that they could be defeated easily in 6 weeks.
  • This terrible decision was further compounded by the fact that the armies were forced by nature of the change to start their operations only hours after the order for full mobilization was given, such military precision was unheard of at the time and its chances of success were small.
krystalxu

Helmuth von Moltke | German military commander [1848-1916] | Britannica.com - 0 views

  • His modification of the German attack plan in the west and his inability to retain control of his rapidly advancing armies significantly contributed to the halt of the German offensive on the Marne in September 1914 and the frustration of German efforts for a rapid, decisive victory.
Javier E

Bismarck's Voice Among Restored Edison Recordings - NYTimes.com - 0 views

  • The cylinders, from 1889 and 1890, include the only known recording of the voice of the powerful chancellor Otto von Bismarck. Two preserve the voice of Helmuth von Moltke, a venerable German military strategist, reciting lines from Shakespeare and from Goethe’s “Faust” into a phonograph horn
  • The unlabeled recordings, all housed in the same wooden box, had been found in 1957. But their contents remained unknown until last year, when Jerry Fabris, the curator at the Edison laboratory, used a playback device called the Archeophone to trace the grooves of 12 of the 17 cylinders in the box and convert the analog electrical signals into broadcast WAV files.
  • Bismarck listened to recordings made in Paris and Berlin, and at his wife’s urging, he made his own. He recited snippets of poetry and songs in English, Latin, French and German. Perhaps surprisingly, given his involvement in the Franco-Prussian War, he chose to recite lines from the French national anthem. “Bismarck was a very, very witty man” and reciting the Marseillaise “would tickle him,
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  • The Wangemann cylinders are just the latest in an explosion of discoveries in early recorded sound over the last five years, said Tim Brooks, a sound historian in Greenwich, Conn. In 2008, Dr. Feaster and his colleagues at FirstSounds.org succeeded in playing a version of the French lullaby “Au Clair de la Lune,” deciphered from a tracing in soot-coated paper dating from 1860 — the earliest sound ever recovered. A trove of cylinders recorded in Russia in the 1890s was also recently uncovered.
  • The ability to digitize old recordings and the use of new imaging techniques to map the grooves of damaged cylinder records without touching them has contributed to the onslaught, Mr. Brooks said, adding, “You can actually hear history as well as read about it.
Javier E

Interview with World War II Historian Andrew Roberts - 0 views

  • You write that Hitler's war aims were impossible—how so? The Germans were trying to win a straightforward conventional war and, at the same time, trying to fight an ideological war: a specifically Nazi war as opposed to a German war. I believe that a true German nationalist—Otto von Bismarck, say, or Helmuth von Moltke—could have won the Second World War, because he wouldn't have made the kind of demands of the German military that Hitler did, which was to win a two-front conventional war while at the same time imposing the policies of the "Aryan master race." Those aims were directly in opposition.
  • Could the Nazis have won, had they done something differently? Absolutely. If they had not invaded the Soviet Union in 1941, and if they had instead thrown at the Allies even a fraction of the 3 million men they eventually unleashed against Russia, they would have chased us out of the Middle East and cut off access to 80 percent of the Allies' oil. We simply would not have been able to continue the struggle.
  • Was Hitler solely responsible for Germany's military blunders? No, there were plenty of people to blame. Luftwaffe chief Hermann Göring is a perfect example: He promised Hitler that no Allied bombs would fall on Germany; he promised to destroy the British Expeditionary Force at Dunkirk solely through airpower; he promised to completely supply the German forces at Stalingrad by air. Yet he could not deliver on any of these promises.
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  • In the end, all of these poor military leaders were appointed or promoted by Hitler, many solely because they were Nazis, and that's no way to fight—or win—a war.
  • Who were the most effective combat generals of the war? The Russian Georgy Zhukov, because he was given every impossible task and succeeded at all of them. For Germany, Erich von Manstein, who came up with the "sickle cut" maneuver that in May 1940 defeated France and was the most effective German general on the Eastern Front.
  • The Germans saw the Japanese as adjuncts to the greater effort they were putting in. The Japanese never trusted the Germans; they didn't even tell Berlin they were going to attack Pearl Harbor. Neither country put in the diplomatic work required to really coordinate their efforts. Essentially, the Second World War was two separate conflicts fought simultaneously.
  • The major problem with the historiography of World War II is the Cold War—it was not in the West's postwar interest to acknowledge that it was the Russians who destroyed the Wehrmacht, at an unbelievable cost to themselves. We are just now beginning to acknowledge the Soviet Union's contribution.
  • Statistically, the Eastern Front was where the war was won—out of every five Germans killed in battlefield combat, four died on the Eastern Front
brookegoodman

How has Bismarck escaped most of the blame for the first world war? | World news | The ... - 0 views

  • Before we leave the centenary year of the outbreak of war in 1914 there’s someone we should talk about. Everyone now knows about the famous Christmas truce and football matches. But this was a war that was meant to have been “over by Christmas” 1914, not dragging on for four blood-soaked years. Plenty share blame for that, but one major culprit who seems to have been conspicuous by his absence in 2014 deserves a name check: Otto von Bismarck.
  • What Germans got instead was a militarised monarchical autocracy sustained by rampant nationalism and supported by intellectuals of all kinds – sociologist Max Weber later repented his enthusiasm – who should have known better. Parliament was marginalised, the parties manipulated against each other, and Bismarck threatened to resign whenever he was seriously challenged. It was outrageous and it ended in the ruins of Berlin of 1945.
  • After its humiliations at the hands of Napoleon, 19th century Prussia’s was – even more than under Frederick the Great – a conscious process of self-aggrandisement. Plenty resisted the trend and Bismarck’s “iron and blood” exposition of his realpolitik ambitions in 1862 nearly got him fired before he started. He was not charismatic, soft-spoken, even hesitant, but utterly dominant over his king and even the powerful military, which privately mocked his weakness for uniforms. Try this interview with his biographer Jonathan Steinberg for a flavour of him. “This man means what he says,” Benjamin Disraeli concluded. Scary.
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  • Why does Bismarck escape blame as the chief architect of 20th-century Germany – and thus the man who created a militarised political machine that only he could handle? He used to get plenty of blame, but historical memory does funny things and the enormity of Hitler’s regime (he was “Vienna’s revenge on Berlin” wrote AJP Taylor) seems to have blotted out the significant past. When I ask Germans now they sometimes say: “Well, Bismarck is remembered mostly for the social security system he set up,” one designed to neutralise the appeal of socialism, still recognisable and admired today.
  • In any case there is a sense in which the first world war was indeed over by Christmas 1914, only Bismarck’s autocratic heirs couldn’t accept it. Unlike in 1870 and again in 1940 the Germans had failed to take Paris in another lightning war that summer. At great cost in lives the armies of the despised French Third Republic – shovelling troops up from the capital in buses and taxis – and Britain’s “contemptible little army” (Kaiser Bill’s phrase) held the line at the first battle of the Marne, just 30 miles north-east of Paris.
  • Moltke was replaced as chief of the German general staff three days later, but the war went on: four Christmases, including one truce, to go. The winners would be the ones with the deepest pockets, not with the biggest Krupp gun or the silliest helmets.
Javier E

Berlin Was a Beacon of Artistic Freedom. Gaza Changed Everything. - The New York Times - 0 views

  • some Jewish Berliners see criticism of Israel as much more than a foreign policy dispute. “I’m an aggressive Zionist for only one reason: because I want to survive,” Maxim Biller, the author of the novel “Mama Odessa” and one of the country’s leading columnists, told me over coffee. “And I can be a German writer with a Jewish project here only because there is a state of Israel.”
  • Naturally there is a German compound noun for that interdependence, endlessly slung around and debated in the last few months. The word is Staatsräson, or “reason of state”: a national interest that is not just nonnegotiable but existential, defining the state as such. Angela Merkel, the former chancellor, described Israel’s security as Germany’s Staatsräson in a historic address to the Knesset in 2008. Her successor, Olaf Scholz, has repeatedly invoked Staatsräson in his defenses of Israeli policy since Oct. 7.
  • “Staatsräson means: The existence of Israel is a condition of possibility for the existence of Germany,” explained Johannes von Moltke, a professor of German cultural history at the University of Michigan, who’s currently in Berlin. “Because if there is no Israel, then Germany’s guilt is all-consuming again. And you can’t countenance that possibility.”
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  • In other words, the cultural crackup of the last few months only appears to be part of an international conflict. It is, in fact, resolutely German. What is really being fought over here is a hazy, transcendent national concept that, since Oct. 7, has overtaken more firmly constitutional principles of free expression and free association.
  • The tensions have been building since at least 2019, when the federal Parliament adopted a resolution designating the movement calling for a boycott of Israel as antisemitic, and urging local governments and “public stakeholders” not to fund organizations or individuals that support it. That makes a big difference here, since so many artists, writers and musicians receive generous government aid. The resolution, though nonbinding, led some cultural institutions to rescind invitations to critics of Israeli policy, and many more to take a hesitant approach.
  • “People in cultural institutions are risk-averse,” said Tobias Haberkorn, who edits the Berlin Review, a new literary publication. “So if they have to decide, ‘Am I going to invite this or that artist with a Middle Eastern background, or not?’ I can very well see them not inviting them. Just to avoid the potential hassle.”
  • Since Oct. 7, accusations of antisemitism have flown much more broadly. Some are merited. Many others are dubious. Quite a number of those accused of antisemitism have been Jewish, such as Gessen.
  • “There are many Jewish perspectives, and that is not being honored here in a country where the history cannot be excused,” said Peaches, who is also Jewish. “For any progressive Jewish person who is thinking about what is going on, and understanding the history of what is going on, to be called antisemitic — by Germans — is ridiculous. Never did I think in 2024 that I would be thinking about that.”
  • Yet it’s worth pointing out how few of these accusations revolve around cultural production. It is rare for Berlin’s theaters or festivals to cancel someone for what they actually sing or paint or film
  • What gets you now are statements, posts, likes, signatures: the imperatives of social media, which are swallowing culture wholesale. Once debates like this would have played out in Germany’s elite press, where intellectuals clashed over the country’s moral responsibility to the past. Today the national papers, and the institutions too, are playing catch-up to Ruhrbarone, a small website from the provincial city of Bochum that took down Anderson and many others.
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