The age of perpetual crisis: how the 2010s disrupted everything but resolved nothing | ... - 0 views
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2010s decade review history politics culture crisis uk
shared by Javier E on 28 Dec 19
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How will we remember the last 10 years? Above all, as a time of crises. During the 2010s, there have been crises of democracy and the economy; of the climate and poverty; of international relations and national identity; of privacy and technology
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The world of the 2000s, she concluded, “has been swept away”. In place of centrist politicians and steady economic growth, the 2010s have brought shocks, revolts and extremists. Hung parliaments; rightwing populists in power; physical attacks on politicians; Russian influence on western elections; elderly leftists galvanising young Britons and Americans; rich, rightwing leaders in both countries captivating working-class voters – scenarios close to unimaginable a decade ago have become familiar, almost expected.
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In the 2010s, it has often felt as if everything is up for grabs – from the future of capitalism to the future of the planet – and yet nothing has been decided. Between the decade’s sense of stasis and sense of possibility, an enormous tension has built up
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Perhaps the most frightening of this year’s many apocalyptic books is The Uninhabitable Earth by David Wallace-Wells. Its chapter titles read: Heat Death. Hunger. Drowning. Dying Oceans. Unbreathable Air. Wildfire. Plagues. Economic Collapse. Climate Conflict. It’s intended to be a forecast of the planet’s near future that will shock readers out of their complacency. But during the 2010s almost all the disasters that the book names have already started to happen.
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As one of the New Optimists’ favourite sources, the website Our World in Data, had to admit this year: “In some aspects the data suggests the world is getting worse.”
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the awareness that much of modern life – air travel, car travel, eating meat, shopping, using plastics – has malign consequences has grown from a minority preoccupation in the 1970s into an everyday topic.
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Sometimes in the 2010s, it has felt as if the whole world we have made, from the tiniest exhaust particle to the most sprawling conurbation, is toxic.
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Nowadays, the fear is almost universal. The creation of social media networks over the last decade and a half, starting with Twitter in 2006, and the conversion of traditional media into non-stop news services, have made awful events seem relentless and impossible to ignore. We have become perpetually anxious.
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In a working world that requires quick switches between inactivity and activity, that values powers of endurance, caffeine is a vital drug. In many British town and city centres during the 2010s, otherwise emptied out by online commerce, cafes proliferated, replacing shops and pubs as the busiest indoor spaces.
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When people say “It is what it is”, they are rarely challenged. Instead, they are usually heard in respectful silence. In a difficult world, fatalism and stoicism are useful qualities.
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Another coping mechanism is escape. Possibly the most revealing leisure activity of the 2010s is shutting yourself away with a TV series: typically a drama set in another country or another era, with an addictive, slowly resolved plot, many characters, elaborate settings, and enough episodes to allow for watching in binges. In an age of squeezed incomes, TV dramas are worlds you can explore on the cheap.
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During the decade, it became cooler than usual in Britain to eat comforting things: bread, cakes, pies, even grilled cheese sandwiches. The Great British Bake Off, first broadcast in 2010, made cooking with lots of carbs and sugar respectable again
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Clothes have become more cocooning: enormous puffer jackets, scarves the size of small blankets, fleeces and woolly hats. In the 2000s, clothes and silhouettes were leaner and more formal – tight suits, skinny trousers – as if people expected to seize exciting new opportunities, or at least to work in offices. In the 2010s, social mobility has stalled, and many of the jobs being created – and often taken by middle-class graduates – involve zero-hours contracts and outdoor work
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“It is what it is.” Usually, it means: “I’m learning to live with something negative” – a personal setback, a wider injustice, difficult circumstances. It’s a mantra for an age of diminishing expectations, when many people no longer assume – unlike their postwar predecessors – that they will become richer than their parents, and live in an ever more sophisticated or just society, on an ever more hospitable planet
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Another way to cope with the 2010s has been to work obsessively on yourself. From the 1950s to the 1990s, being young in the west was often associated with lounging around, or rebelling, or living for the moment. But in the 2010s being young often means relentlessly working and studying, polishing your public persona, and keeping fit
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Yoga, marathons, triathlons – it’s not hard to see their renewed popularity over the last decade as an effort by people, conscious or otherwise, to hone themselves for a tougher world.
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this self-optimisation can be measured, and compared with the efforts of others, as never before. This process has created a new hierarchy, particularly within the American middle class, but increasingly in its European counterpart, too, which privileges the leanest people, the most punishing exercise classes, the most body-conscious brands of workout clothes.
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finally, the harsher world of the 2010s has also prompted many people to undergo a more private, less visible toughenin
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They have got used to walking past the decade’s casualties in the street, and not giving them much thought. In the 2010s, as in Victorian times, if you want an untroubled mind, it doesn’t pay to look at the world around you too hard.
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the difficulties since 2010 of so many previously dominant value systems – capitalism, centrism, traditional conservatism, white male supremacy – have opened up space for new political movements, at a rate not seen since the 1960s.
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the 2010s have reacquainted voters with the idea that politics can be about big promises and fundamental choices.
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the 2010s have also brought a renewed realisation that culture is political – after decades when most creative people and cultural critics avoided that conclusion. Literary and art prizes now regularly go to people whose work is overtly political, such as Margaret Atwood
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Although prizes are inherently elitist, they are now also increasingly expected to promote greater equality in society as a whole. It is a contradiction characteristic of the decade’s politics, where a greater awareness of the injustices suffered by many social groups, and sometimes a greater willingness to redress them, co-exists with an intensifying individualism – with a growing preference for letting people self-identify and respecting each person’s particular life experience
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In 2012, Mark Fisher said that Britain was suffering from “depression economics and boomtime politics”: the disengagement prompted by the relatively comfortable 1990s and 2000s was lingering on, despite the reopening of so many economic issues by the financial crisis. Seven years later, apathy remains a habit for many Britons
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digital technology, far from enabling more creativity, had actually made it both harder and less essential for artists. Instead of coming up with new ideas, they could now roam the internet’s infinite archives, and build careers out of clever hybrids and pastiches of previous forms.
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Pop culture from the 1990s, in particular, such as the cosy TV series Friends, has become hugely popular again. In our often backward-looking society, “Time itself seem[s] to become sluggish,” wrote Reynolds, “like a river that starts to meander”