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Javier E

Tech C.E.O.s Are in Love With Their Principal Doomsayer - The New York Times - 0 views

www.nytimes.com/...oah-harari-silicon-valley.html

Harari culture futuristic

shared by Javier E on 10 Nov 18 - No Cached
  • The futurist philosopher Yuval Noah Harari worries about a lot.
  • He worries that Silicon Valley is undermining democracy and ushering in a dystopian hellscape in which voting is obsolete.
  • He worries that by creating powerful influence machines to control billions of minds, the big tech companies are destroying the idea of a sovereign individual with free will.
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  • He worries that because the technological revolution’s work requires so few laborers, Silicon Valley is creating a tiny ruling class and a teeming, furious “useless class.”
  • If this is his harrowing warning, then why do Silicon Valley C.E.O.s love him so
  • When Mr. Harari toured the Bay Area this fall to promote his latest book, the reception was incongruously joyful. Reed Hastings, the chief executive of Netflix, threw him a dinner party. The leaders of X, Alphabet’s secretive research division, invited Mr. Harari over. Bill Gates reviewed the book (“Fascinating” and “such a stimulating writer”) in The New York Times.
  • it’s insane he’s so popular, they’re all inviting him to campus — yet what Yuval is saying undermines the premise of the advertising- and engagement-based model of their products,
  • Part of the reason might be that Silicon Valley, at a certain level, is not optimistic on the future of democracy. The more of a mess Washington becomes, the more interested the tech world is in creating something else
  • he brought up Aldous Huxley. Generations have been horrified by his novel “Brave New World,” which depicts a regime of emotion control and painless consumption. Readers who encounter the book today, Mr. Harari said, often think it sounds great. “Everything is so nice, and in that way it is an intellectually disturbing book because you’re really hard-pressed to explain what’s wrong with it,” he said. “And you do get today a vision coming out of some people in Silicon Valley which goes in that direction.”
  • The story of his current fame begins in 2011, when he published a book of notable ambition: to survey the whole of human existence. “Sapiens: A Brief History of Humankind,” first released in Hebrew, did not break new ground in terms of historical research. Nor did its premise — that humans are animals and our dominance is an accident — seem a likely commercial hit. But the casual tone and smooth way Mr. Harari tied together existing knowledge across fields made it a deeply pleasing read, even as the tome ended on the notion that the process of human evolution might be over.
  • He followed up with “Homo Deus: A Brief History of Tomorrow,” which outlined his vision of what comes after human evolution. In it, he describes Dataism, a new faith based around the power of algorithms. Mr. Harari’s future is one in which big data is worshiped, artificial intelligence surpasses human intelligence, and some humans develop Godlike abilities.
  • Now, he has written a book about the present and how it could lead to that future: “21 Lessons for the 21st Century.” It is meant to be read as a series of warnings. His recent TED Talk was called “Why fascism is so tempting — and how your data could power it.”
  • At the Alphabet talk, Mr. Harari had been accompanied by his publisher. They said that the younger employees had expressed concern about whether their work was contributing to a less free society, while the executives generally thought their impact was positive
  • Some workers had tried to predict how well humans would adapt to large technological change based on how they have responded to small shifts, like a new version of Gmail. Mr. Harari told them to think more starkly: If there isn’t a major policy intervention, most humans probably will not adapt at all.
  • It made him sad, he told me, to see people build things that destroy their own societies, but he works every day to maintain an academic distance and remind himself that humans are just animals. “Part of it is really coming from seeing humans as apes, that this is how they behave,” he said, adding, “They’re chimpanzees. They’re sapiens. This is what they do.”
  • this summer, Mark Zuckerberg, who has recommended Mr. Harari to his book club, acknowledged a fixation with the autocrat Caesar Augustus. “Basically,” Mr. Zuckerberg told The New Yorker, “through a really harsh approach, he established 200 years of world peace.”
  • He said he had resigned himself to tech executives’ global reign, pointing out how much worse the politicians are. “I’ve met a number of these high-tech giants, and generally they’re good people,” he said. “They’re not Attila the Hun. In the lottery of human leaders, you could get far worse.”
  • Some of his tech fans, he thinks, come to him out of anxiety. “Some may be very frightened of the impact of what they are doing,” Mr. Harari said
  • as he spoke about meditation — Mr. Harari spends two hours each day and two months each year in silence — he became commanding. In a region where self-optimization is paramount and meditation is a competitive sport, Mr. Harari’s devotion confers hero status.
  • He told the audience that free will is an illusion, and that human rights are just a story we tell ourselves. Political parties, he said, might not make sense anymore. He went on to argue that the liberal world order has relied on fictions like “the customer is always right” and “follow your heart,” and that these ideas no longer work in the age of artificial intelligence, when hearts can be manipulated at scale.
  • Everyone in Silicon Valley is focused on building the future, Mr. Harari continued, while most of the world’s people are not even needed enough to be exploited. “Now you increasingly feel that there are all these elites that just don’t need me,” he said. “And it’s much worse to be irrelevant than to be exploited.”
  • The useless class he describes is uniquely vulnerable. “If a century ago you mounted a revolution against exploitation, you knew that when bad comes to worse, they can’t shoot all of us because they need us,” he said, citing army service and factory work.
  • Now it is becoming less clear why the ruling elite would not just kill the new useless class. “You’re totally expendable,” he told the audience.
  • This, Mr. Harari told me later, is why Silicon Valley is so excited about the concept of universal basic income, or stipends paid to people regardless of whether they work. The message is: “We don’t need you. But we are nice, so we’ll take care of you.”
  • On Sept. 14, he published an essay in The Guardian assailing another old trope — that “the voter knows best.”
  • “If humans are hackable animals, and if our choices and opinions don’t reflect our free will, what should the point of politics be?” he wrote. “How do you live when you realize … that your heart might be a government agent, that your amygdala might be working for Putin, and that the next thought that emerges in your mind might well be the result of some algorithm that knows you better than you know yourself? These are the most interesting questions humanity now faces.”
  • Today, they have a team of eight based in Tel Aviv working on Mr. Harari’s projects. The director Ridley Scott and documentarian Asif Kapadia are adapting “Sapiens” into a TV show, and Mr. Harari is working on children’s books to reach a broader audience.
  • Being gay, Mr. Harari said, has helped his work — it set him apart to study culture more clearly because it made him question the dominant stories of his own conservative Jewish society. “If society got this thing wrong, who guarantees it didn’t get everything else wrong as well?” he said
  • “If I was a superhuman, my superpower would be detachment,” Mr. Harari added. “O.K., so maybe humankind is going to disappear — O.K., let’s just observe.”
  • They just finished “Dear White People,” and they loved the Australian series “Please Like Me.” That night, they had plans to either meet Facebook executives at company headquarters or watch the YouTube show “Cobra Kai.”
Javier E

What Happened to Amazon's Bookstore? - The New York Times - 0 views

www.nytimes.com/...amazon-bookstore.html

amazon book publishing market history policy monopoly

shared by Javier E on 06 Dec 21 - No Cached
  • “Should we care as a society that a single firm controls half of our most precious cultural commodity and its automation isn’t working right?” asked Christopher Sagers, the author of “Antitrust: Examples & Explanations.”
  • “People think Amazon’s algorithms are better than they actually are,” Mr. Sagers explained.
  • Amazon declined to say what percentage of its book sales are done through third parties. (For the entire marketplace it is over half.)
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  • “In some ways Amazon doesn’t really want to be a retailer,” said Juozas Kaziukenas of Marketplace Pulse, an e-commerce consultant. “It doesn’t want to do curation or offer human interaction,” two of the essential qualities of retail for centuries.
  • Offering tens of millions of items to hundreds of millions of customers prevents any human touch — but opens up a lot of space for advertising, and for confusion and duplicity.
  • It’s the paradox of plenty: The more things there are to buy, the more difficult it is to find the right thing among the plethora of ads and competition, new material and secondhand, quality and garbage.
  • “Amazon knows what I buy, how often I buy, what I search for,” Mr. Kaziukenas said. “But decades after it launched, it can’t answer a simple question — what would Juozas like to buy? Instead it shows me thousands of deals, with some basic filters like category and price, and hopes I will find what I like. Amazon is so much work.”
  • Once upon a time, when the dot-coms roamed the earth, the Amazon bookstore was a simple place. It had knowledgeable human editors, bountiful discounts and delivery that was speedy for the era. For the book-obsessed, it offered every publisher’s backlist, obscure but irresistible titles that had previously been difficult to discover and acquire.
  • Amazon “doesn’t care if this third-party stuff is a chaotic free-for-all,” she added. “In fact, it’s better for Amazon if legitimate businesses don’t stand a chance. In the same way Amazon wants to turn all work into gig jobs, it wants to turn running a business into a gig job. That way it can walk off with all the spoils.”
  • Third-party sellers were an Amazon innovation in the late 1990s. Before that, stores either entirely controlled the shopping experience or, if they had a lot of sellers under one roof, were called flea markets and were not quite reputable.
  • Amazon in theory offered the brisk competition of the latter while exercising the oversight of the former. Bringing in third-party sellers was also a way for Amazon to champion how it was helping small businesses, which helped defuse controversies about its size and behavior.
  • A new report from the Institute for Local Self-Reliance, a research and advocacy group often critical of Amazon, details the most direct benefit of third-party sellers to the retailer: profits. A third-party seller pays Amazon $34 out of every $100 in sales, the nonprofit institute calculates, up from $19 in 2014.
  • The money comes from fees, ads and premium logistics that make the merchandise more visible to potential buyers. Amazon called the report “intentionally misleading” because the site does not force sellers to advertise or use its logistics system.
  • The combination of all those things in one place was a sensation. Amazon quickly took market share from independent stores and chains.
  • “Best sellers and other books that you might find at a local bookstore are almost all sold by Amazon itself at prices that keep those competitors at bay,” Ms. Mitchell said. “Then Amazon lets third-party sellers do the rest of the books, taking a huge cut of their sales.”
  • Bookselling at Amazon is a two-tier system, said Stacy Mitchell, a co-director of the institute and the author of the report, “Amazon’s Toll Road: How the Tech Giant Funds Its Monopoly Empire by Exploiting Small Businesses.”
  • Extraordinary prices for ordinary books have been an Amazon mystery for years, but the backdating of titles to gain a commercial edge appears to be a new phenomenon. A listing with a fake date gets a different Amazon page from a listing with the correct date. In essence, those Boland books were in another virtual aisle of the bookstore. That could power sales.
  • Mark Lemley, the director of the Stanford Program in Law, Science and Technology, said the company was probably right. “I don’t think Amazon will be liable for misstatements posted by others, and certainly not if it wasn’t aware of them,” he said.
  • In 2019, Mr. Bezos celebrated the fact that Amazon’s two million independent sellers were doing so well. “To put it bluntly: Third-party sellers are kicking our first party butt,” he wrote. They were pulling in $90,000 a year on average, the company said.
  • The U.S. attorney’s office in the Western District of Michigan recently announced arrests in a case involving Amazon’s textbook rental program. Geoffrey Mark Hays Talsma was charged with selling his rentals of “Using Econometrics: A Practical Guide,” “Chemistry: Atoms First” and other volumes instead of returning them.
  • At Amazon, the customer is king. According to the indictment, Mr. Talsma profited by repeatedly saying he had received the wrong products. He said, for instance, he had mistakenly been shipped flammable products that could not be returned, like a bottle of Tiki Torch Fuel that was leaking. Amazon would then credit his account.
  • What’s remarkable is the scale, length and profitability of this alleged activity. Amazon allows customers to rent up to 15 textbooks at a time. With the help of three confederates, Mr. Talsma rented more than 14,000 textbooks from Amazon over five years, making $3.4 million, prosecutors say. His lawyer declined to comment.
  • It’s the same story over and over again, Mr. Boland said: “Amazon has done a great job of expanding the marketplace for books. It’s too bad they’ve decided not to police their own platform, because it’s leading to all sorts of trouble.”
  • Amazon has resisted requiring its sellers to share more information about themselves. It has opposed lawmakers’ efforts to demand more transparency, saying it would violate sellers’ privacy. Recently it signaled guarded approval of a weaker bill but noted that there were a few parts of it “that could be refined.”
  • “It doesn’t seem like anyone at Amazon is saying: ‘We’re junking the store up. We have to decide what’s best for the customer,’” said Ms. Friedman, the publishing consultant.
  • Small presses say it’s hard to get Amazon to acknowledge a mistake, because it’s hard to get hold of a human being who could fix it. Valancourt Books, a publisher in Richmond, Va., that has won acclaim for its reissues of horror and gay interest titles, frequently runs afoul of the site.
Javier E

'The Fourth Turning' Enters Pop Culture - The New York Times - 0 views

www.nytimes.com/...ourth-turning-pop-culture.html

turning point history crisis culture book trend framework

shared by Javier E on 08 Jul 23 - No Cached
  • According to “fourth turning” proponents, American history goes through recurring cycles. Each one, which lasts about 80 to 100 years, consists of four generation-long seasons, or “turnings.” The winter season is a time of upheaval and reconstruction — a fourth turning.
  • The theory first appeared in “The Fourth Turning,” a work of pop political science that has had a cult following more or less since it was published in 1997. In the last few years of political turmoil, the book and its ideas have bubbled into the mainstream.
  • According to “The Fourth Turning,” previous crisis periods include the American Revolution, the Civil War and World War II. America entered its latest fourth turning in the mid-2000s. It will culminate in a crisis sometime in the 2020s — i.e., now.
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  • One of the book’s authors, Neil Howe, 71, has become a frequent podcast guest. A follow-up, “The Fourth Turning Is Here,” comes out this month.
  • The book’s outlook on the near future has made it appealing to macro traders and crypto enthusiasts, and it is frequently cited on the podcasts “Macro Voices,” “Wealthion” and “On the Margin.”
  • He described it as “this almost fun theory about history,” but added: “And yet there’s something deeply menacing about it.”
  • Mr. Arbery, who said he does not subscribe to the theory, sees parallels between the fourth turning and other nonscientific beliefs. “I modeled the way that Teresa talks about the fourth turning on the way that young liberals talk about astrology,” he said.
  • The play’s author, Will Arbery, 33, said he heard about “The Fourth Turning” while researching Stephen K. Bannon, the right-wing firebrand and former adviser to President Donald J. Trump, who is a longtime fan of the book and directed a 2010 documentary based on its ideas.
  • “I’ve read ‘The Fourth Turning,’ and indeed found it useful from a macroeconomic investing perspective,” Lyn Alden, 35, an investment analyst, wrote in an email. “History doesn’t repeat, but it kind of gives us a loose framework to work with.”
  • “The Fourth Turning” captured a mood of decline in recent American life. “I remember feeling safe in the ’90s, and then as soon as 9/11 hit, the world went topsy-turvy,” he said. “Every time my cohort got to the point where we were optimistic, another crisis happened. When I read the book, I was like, ‘That makes sense.’”
  • “The Fourth Turning” was conceived during a period of relative calm. In the late 1980s, Mr. Howe, a Washington, D.C., policy analyst, teamed with William Strauss, a founder of the political satire troupe the Capitol Steps.
  • Their first book, “Generations,” told a story of American history through generational profiles going back to the 1600s. The book was said to have influenced Bill Clinton to choose a fellow baby boomer, Al Gore, as his running mate
  • when the 2008 financial crisis hit at almost exactly the point when the start of the fourth turning was predicted, it seemed to many that the authors might have been onto something. Recent events — the pandemic, the storming of the Capitol — have seemingly provided more evidence for the book’s fans.
  • Historically, a fourth turning crisis has always translated into a civil war, a war of great nations, or both, according to the book. Either is possible over the next decade, Mr. Howe said. But he is a doomsayer with an optimistic streak: Each fourth turning, in his telling, kicks off a renaissance in civic life.
  • In the new book, he describes what a coming civil war or geopolitical conflict might look like — though he shies away from casting himself as a modern-day Nostradamus.
  • “This big tidal shift is arriving,” Mr. Howe said. “But if you’re asking me which wave is going to knock down the lighthouse, I can’t do that. I can just tell you that this is the time period. It gives you a good idea of what to watch for.”
Javier E

New Statesman | How the west embraced Chairman Mao's Little Red Book - 0 views

www.newstatesman.com/...chairman-mao-s-little-red-book

mao china cultural revolution book

shared by Javier E on 24 May 14 - No Cached
  • Mao’s Little Red Book had been published in numbers sufficient to supply a copy to every Chinese citizen in a population of more than 740 million. At the peak of its popularity from the mid-1960s to the mid-1970s, it was the most printed book in the world. In the years between 1966 and 1971, well over a billion copies of the official version were published and translations were issued in three dozen languages.
  • After a period of “anarchic quotation wars”, when it was deployed as a weapon in a variety of political conflicts, Mao put the lid on the book’s uncontrolled use. Beginning in late 1967, military rule was imposed and the PLA was designated “the great school” for Chinese society.
  • Ritual citation from the book became common as a way of displaying ideological conformity; customers in shops interspersed their orders with citations as they made their purchases. Long terms of imprisonment were handed out to anyone convicted of damaging or destroying a copy of what had become a sacred text.
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  • if today we know the scale of Mao’s crimes, it is not as a result of decades of academic work on the subject. The first detailed examination of the famine, Hungry Ghosts (1996), was written by the Hong Kong-based journalist Jasper Becker. It was only in 2010 that the historian Frank Dikötter’s Mao’s Great Famine appeared, a pioneering study based on years of research in recently opened Chinese archives
  • Apart from accounts given in the memoirs of those who survived, the human costs of the Cultural Revolution were best captured by Simon Leys (the pen-name of the Belgian sinologist and literary critic Pierre Ryckmans) in his books Chinese Shadows (1974) and The Burning Forest (1987). The authoritative and revelatory Mao: the Unknown Story (2005) is the work of Jung Chang and her husband, Jon Halliday. Aside from Dikötter’s, none of the books that captured the human experience of life under Mao was written by a professional academic.
  • the prestige of the Mao regime in the west was at its height when the leadership was believed to be at its most despotic and murderous. For some of its western admirers, the regime’s violence had a compelling charm in its own right.
  • During the Cultural Revolution study sessions were an unavoidable part of everyday life for people in China. Involving “ritualistic confessions of one’s errant thoughts and nightly diary-writing aimed at self-criticism”, these sessions, he writes, “may be seen as a form of text-based indoctrination that resembles religious hermeneutics and catechism” – a “quasi-religious practice of canonical texts”.
  • Condemned as distorting Mao’s ideas and exerting a “widespread and pernicious influence”, the book was withdrawn from circulation in February 1979 and a hundred million copies pulped.
Javier E

Chartbook #95: Is "Ukraine the West's fault"? On great powers and realism - 0 views

adamtooze.substack.com/...rtbook-95-is-ukraine-the-wests

realism foreign policy offensive ukraine great power politics

shared by Javier E on 09 Mar 22 - No Cached
  • Mearsheimer’s analysis also falls short at the level of explanation. Famously “free choices” resist causal explanation. But we cannot simply waive our hands. Indeed, if we merely waive our hands, or assume an automaticity from structural conditions to action, as Mearsheimer seems to do, we void the domain in which the responsibility of statecraft is actually enacted. We void too the domain in which a sophisticated understanding of realism would have to prove its worth.
  • Actual realism is not a simple thing. It is not some schema, no more in international relations than in any other dimension of life. It is a challenge.
  • what I do in the New Statesman essay is to locate Mearsheimer in relation to the history of realism. And my prompt here is Matthew Specter’s excellent new history, The Atlantic Realists.
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  • What matters for Mearsheimer is not so much the imperialist competition of the 1890s and 1900s, but the great train-wreck that resulted, in 1914. What concerns him above all is how great power rivalry leads to war.
  • what Specter’s book allows us to do is to squarely locate Mearsheimer’s brand of “offensive” or “great power realism” within a history that goes back to the moment of high imperialism in the 1890s.
  • Specter focuses on the tradition of imperialist geopolitics that goes back to geographers like Friedrich Ratzel and naval theorists like Alfred Mahan, and descends from them to Karl Haushofer and Carl Schmitt in the 1930s and 1940s
  • It is important to emphasize, I think, that Mearsheimer is less a theorist or apologist for great power policy as such, than an analyst of why great power clashes lead to wars.
  • What Mearsheimer sees himself as doing, as far as I can tell, is to speak truth to power and to the public with a view to dialing back excessive ambition and avoiding ruinous competition.
  • I take issue with him in the New Statesman. Not principally on moral or ethical grounds, though I do find the naturalization of war abhorrent, but above all because I think Mearsheimer’s reified view of international politics effectively evacuates any subtle understanding of what statecraft actually consists of.
  • The theory we need here is not the logic of great power self-assertion, so much as the logic of great power self-destruction.
  • abstraction is a risky business and you have to get your abstraction “right”, otherwise you risk missing what is essential and engaging in a kind of callous and at times ludicrous reductionism.
  • Taking Mearsheimer’s account of great power politics for the real thing is, to my mind, a bit like confusing the anatomy of sex ed, with actual eroticism, or romance. It isn’t exactly wrong, but it entirely misses the point
  • the alarming thing is not so much the possibility that Mearsheimer offers justifications for what Putin has done, but, rather, the degree to which, in his reification of power relations, Mearsheimer’s thought seems to mirror Putin’s actions.
  • To call that kind of description an explanation begs the question. It is more like an analogue model. And that ought to be deeply alarming.
  • If for Putin as for Mearsheimer war really is just the extension of policy by other means, and if he was capable of taking this first step, where does this end?
Javier E

Interview: Brandon Taylor Loves to Read Romances and European History - The New York Times - 0 views

www.nytimes.com/...brandon-taylor-interview.html

history writing reading best good evil

shared by Javier E on 28 May 23 - No Cached
  • What’s the last great book you read?C.V. Wedgwood’s “The Thirty Years War.” It’s sprawling and masterly and has the feel of a great novel
  • What’s your favorite book no one else has heard of?Rebecca West’s “The Court and the Castle.” It’s this fascinating book of lectures she gave at Yale in the 1950s about the relationship between the individual and authority as read through literature from “Hamlet” up through Kafka
  • Leslie Fiedler’s sublime cycle of books “Love and Death in the American Novel,” “What Was Literature?” and “Waiting for the End
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  • I wish more people would write about evil people. I understand why many Americans don’t. Toni Morrison said that great thing about how goodness is more interesting and that evil is boring, and I respect her tremendously, but on that score, we diverge sharply.
  • when I read contemporary fiction, I don’t feel that it’s taking place in a moral universe where evil is even remotely possible, and that makes the books boring. In the absence of evil, goodness means nothing.
  • What moves you most in a work of literature?Moral depth.
  • Do you prefer books that reach you emotionally, or intellectually?I don’t know that I can separate the two or want to separate the two. Brilliantly argued work excites me. Brilliantly evocative work makes me think. The two are coupled, always coupled.
  • avoid?My two first loves are big books on European history and romance novels
Javier E

Review: 'The Free World' by Louis Menand - The Atlantic - 0 views

www.theatlantic.com/...618713

free world intellectual artistic cultural history US european book review

shared by Javier E on 07 May 24 - No Cached
  • ouis Menand’s big new book on art, literature, music, and thought from 1945 to 1965 instills the conviction that the 20th century is well and truly over
  • For those of us who lived through any portion of this period and its immediate aftermath, the book is a rather amazing compendium of the scholarly research, revision, and demythologizing that have been accomplished in recent decades.
  • Interweaving post-1945 art history, literary history, and intellectual history, Menand provides a familiar outline; the picture he presents is one of cultural triumph backed by American wealth and aggressive foreign policy.
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  • guided by a fascination with the wayward paths to fame, he half-unwittingly sows doubt about the justice of the American rise to artistic leadership in the postwar era. In his erudite account, artistic success owes little to vision and purpose, more to self-promotion, but most to unanticipated adoption by bigger systems with other aims, principally oriented toward money, political advantage, or commercial churn
  • For the greatness and inevitability of artistic consecration, Menand substitutes the arbitrary confluences of forces at any given moment.
  • The curriculum runs chapter by chapter through George Kennan, George Orwell, Jean-Paul Sartre, Hannah Arendt, Jackson Pollock, Lionel Trilling, Allen Ginsberg, Claude Lévi-Strauss, Robert Rauschenberg and John Cage, Elvis and the Beatles, Isaiah Berlin, James Baldwin, Jack Kerouac, Andy Warhol, Susan Sontag, and Pauline Kael. Each biography opens a door to a school or trend of work
  • Menand’s is not a “great man” view of history, because no one seems particularly great. One gets a feeling for Sartre as a person, a limited knowledge of how Sartre made Being and Nothingness, and a vivid sense of how the book made Sartre a celebrity. Then one learns how a troupe of others came along and rode his success like a sled.
  • Menand zooms in and out between individual egomaniacs and the milieus that facilitated their ascent and profited from their publicity.
  • group biographies, in miniature, of the existentialists, the Beats, the action painters, the Black Mountain School, the British Invasion, the pop artists, and many coteries more—are enchanting singly but demoralizing as they pile up
  • All of these enterprises look like hives of social insects, not selfless quests for truth or beauty. Menand is a world-class entomologist: He can name every indistinguishable drone, knows who had an oversize mandible, who lost a leg, who carried the best crumbs.
  • From this vantage, the monuments really are just anthills.
  • Menand is truly one of the great explainers. He quotes approvingly a lesson taken by Lionel Trilling from his editor Elliot Cohen: “No idea was so difficult and complex but that it could be expressed in a way that would make it understood by anyone to whom it might conceivably be of interest.”
  • Menand’s account of each is an abbreviated tour de force. His explanations work at all levels: interpretation for scholars, review for general readers, introductions for neophytes. Where another writer would take 20 pages to tell us why someone or something mattered historically, Menand does it in two.
  • He is accurate, he is insightful, and he is not a dumber-downer
  • The underlying theory of the book rests on a picture of what makes for “cultural winners,” works and ideas that Menand defines as
  • Menand’s recountings are less concerned with the changing meanings of individual works than with their successive adoptions and co-optations, in defiance of depth and meaning. It is a process of “winning” often based on cults of personality, indifference to complex origins, and the fortune or misfortune of timing
  • goods or styles that maintain market share through “generational” taste shifts—that is, through all the “the king is dead; long live the king” moments that mark the phases of cultural history for people living through it.
  • Menand is notably excellent on how commercial, regulatory, and technological changes determined which kinds of artwork made it to the public. His analysis helps demystify trends in commercial forms like film and pop music, especially when they otherwise seemed to run against the grain of pure profit
  • Often Menand’s point seems to be that the culture’s reigning talkers and salespeople and debaters need to conjure figures to venerate and attack (in ceaseless alternation) for short-range purposes of attention and competition. Any given work—1984, say, or Bonnie and Clyde—isn’t much of anything until it becomes a counter in other people’s games.
  • The central question of this period in culture might be whether U.S. artists lived up to expectations
  • In 1945, Europe was in ruins. America was rich and productive and dictated the terms of the postwar economic and political order. Certainly the U.S. had the power to pretend to cultural glory, too. But was it a pretense, or did Americans really continue and exceed the prewar triumphs of European modernism?
  • Most histories of the arts after 1945 assume that the greatest American successes deserved their fame.
  • The thrust of many of Menand’s retellings is that “in the business of cultural exchange, misprision is often the key to transmission.” Fame comes through misreadings, fantasies, unintended resonances, charisma, and publicity.
  • Menand’s book bequeaths the sense that the last laugh may truly have been on the self-seriousness of a whole historical period, one that treated its most publicized and successful arts figures far too generously, giving them too much credit for depth and vision, while missing the cynical forces by which they’d been buoyed up and marketed
  • Where did rock ’n’ roll come from?” Menand wonders. He answers that it was “the by-product of a number of unrelated developments in the American music business” that redirected sales to teenagers, and also the result of new radio-station competition, the partial racial desegregation of the music charts, and the arrival of 200-disc jukeboxes
  • The idea of a “culture industry”
  • is used unironically by Menand to name the vastly scaled-up production and consumption of all artistic experience. “The culture industries, as they expanded, absorbed and commercialized independent and offbeat culture-makers, and the university, as it expanded, swallowed up the worlds of creative writing and dissident political opinion.”
  • With his eye on this process, we miss out on artists and thinkers who dug deep and stayed home, who produced as hermits or eccentrics or introverted students of their art
  • “Foreign film” in America in the ’50s and ’60s—when independent art cinemas emerged, showing imports such as work by Ingmar Bergman and the French New Wave—proves to have been energized by a successful federal-government antitrust action against the monopolistic Hollywood studios
  • I can imagine The Free World leaving my hypothetical college senior, denizen of the bleak attention economy of the 21st century, feeling liberated to discover that culture was no better—no more committed to a quest for what is true, noble, lasting, and beautiful—in the world of the Baby Boomers and beaming grandparents.
  • The book is so masterful, and exhibits such brilliant writing and exhaustive research, that I wonder whether Menand could truly have intended where his history of the postwar era landed me. I learned so much, and ended up caring so much les
Javier E

Opinion | Get to Know the Influential Conservative Intellectuals Who Help Explain G.O.P... - 0 views

www.nytimes.com/...intellectuals-republicans.html

far right intellectual thinker conservative

shared by Javier E on 05 Nov 23 - No Cached
  • The efforts to overturn the 2020 election failed. We’re told that’s because the institutions held. But it’s more accurate to say that most of the individuals holding powerful positions within those institutions — the White House, the Pentagon, the courts, election officials in Georgia and other states — sided with the Constitution over Mr. Trump’s desire to remain in power.
  • But what if key individuals decide differently the next time they are faced with this kind of choice? What if they have come to believe that the country is in such dire straits — has reached a state of apocalyptic decadence — that democracy is a luxury we can no longer afford?
  • A coalition of intellectual catastrophists on the American right is trying to convince people of just that
  • ...39 more annotations...
  • — giving the next generation of Republican officeholders, senior advisers, judges and appointees explicit permission and encouragement to believe that the country is on the verge of collapse.
  • The list of people making these arguments includes former officials in the Trump administration, some of whom are likely to be considered for top jobs in the event of a Trump restoration in 2024.
  • The ideas about the threat of an all-powerful totalitarian left and the dismal state of the country — even the most outlandish of them — are taken seriously by conservative politicians as well as prominent influencers on the right.
  • If Mr. Trump manages to win the presidency again in 2024, many of these intellectual catastrophists could be ready and willing to justify deeds that could well bring American liberal democracy to its knees.
  • Mr. Anton’s “Flight 93” essay originally appeared on a website with modest traffic, but two days later Rush Limbaugh was reading it aloud in its entirety on his radio show. The essay set the tone of life-or-death struggle (and related imagery) that is common among catastrophists.
  • Mr. Anton updated and amplified the argument in a 2021 book, “The Stakes: America at the Point of No Return.”
  • The prospect of Mr. Biden’s becoming president constituted an “existential threat,” Mr. Eastman said, to the survivability of the country. Would we “completely repudiate every one of our founding principles” and allow ourselves to be “eradicated”? Those were the stakes, as he viewed them.
  • Once a thinker begins to conceive of politics as a pitched battle between the righteous and those who seek the country’s outright annihilation, extraordinary possibilities open up.
  • in May 2021, Mr. Anton came to conduct a two-hour podcast with a far-right Silicon Valley tech guru and self-described “monarchist,” Curtis Yarvin, in which the two agreed that the American “regime” is today most accurately described as a “theocratic oligarchy.” In that arrangement, an elite class of progressive “priests” ensconced in executive branch agencies, the universities, elite media and other leading institutions of civil society promulgate and enforce a distorted and self-serving version of reality that illegitimately justifies their rule.
  • It culminated in Mr. Yarvin sketching a scenario in which a would-be dictator he alternatively describes as “Caesar” and “Trump” defies the laws and norms of democratic transition and uses a “Trump app” to direct throngs of his supporters on the streets of the nation’s capital to do his bidding, insulating the would-be dictator from harm and the consequences of his democracy-defying acts.
  • Mr. Anton described Caesarism as one-man rule that emerges “after the decay of a republican order, when it can no longer function.”
  • he would prefer the country to embrace the principles of “1787 forever.” But if that is no longer possible, he said, the rule of a Caesar can be a necessary method to restore order.)
  • Those on the right primarily concerned about the fate of traditionalist Christian morals and worship in the United States insist that we already live in a regime that oppresses and brutalizes religious believers and conservatives. And they make those charges in a theologically inflected idiom that’s meant to address and amplify the right’s intense worries about persecution by progressives.
  • Among the most extreme catastrophists writing in this vein is Stephen Wolfe, whose book “The Case for Christian Nationalism” calls for a “just revolution” against America’s “gynocracy” (rule by women) that emasculates men, persuading them to affirm “feminine virtues, such as empathy, fairness and equality.” In its place, Mr. Wolfe proposes the installation of a “Christian prince,” or a form of “theocratic Caesarism.”
  • Other authors aspire to greater nuance by calling the dictatorship weighing down on religious believers soft totalitarianism, usually under the rule of social-justice progressivism. These writers often draw direct parallels between the fate of devout Christians in the contemporary United States and the struggles of Eastern Europeans who sought to practice their faith but were harshly persecuted by Soviet tyranny
  • the most recent book by the writer Rod Dreher, “Live Not by Lies: A Manual for Christian Dissidents.”
  • Patrick Deneen of the University of Notre Dame offers the most elaborate and intellectually sophisticated response in his recent book, “Regime Change: Toward a Postliberal Future.”
  • “Regime Change” is a much darker book that goes well beyond diagnosing America’s ills to propose what sounds, in certain passages, like a radical cure.
  • The source of these maladies, Mr. Deneen claims, is liberalism, which until recently has dominated both political parties in the United States, imposing an ideology of individual rights and historical progress on the country from above. This ideology, he says, denigrates tradition, faith, authority and community.
  • Growing numbers of Americans supposedly reject this outlook, demanding a postliberal government and social, cultural and economic order — basically, hard-right policies on religious and moral issues and hard left on economics. But the forces of liberalism are entrenched on the center left and center right, using every power at their disposal to prevent regime change.
  • In some passages, he advocates a “peaceful but vigorous overthrow of a corrupt and corrupting liberal ruling class” and proposes modest reforms to replace i
  • in other passages, Mr. Deneen goes much further, describing the separation of church and state as a “totalitarian undertaking” that must be reversed so that American public life can be fully integrated with conservative forms of Christianit
  • He even affirmatively quotes a passage from Machiavelli in which he talks of the need to use “extralegal and almost bestial” forms of resistance, including “mobs running through the streets,” in order to topple the powers that be.
  • Mr. Deneen and other discontented intellectuals of the religious right can perhaps be most accurately described as political reactionaries looking to undertake a revolutionary act in reverse.
  • Costin Alamariu, the person generally understood to be writing under the pseudonym Bronze Age Pervert.
  • He self-published a book in 2018, “Bronze Age Mindset,” which follows Friedrich Nietzsche and other authors beloved by the European far right in proclaiming that Western civilization itself is on the verge of collapse, its greatest achievements far in the past, its present a “garbage world” in an advanced state of decay.
  • All around us, Mr. Alamariu declares, greatness and beauty are under assault. Who are its enemies? Women, for one. (“It took 100 years of women in public life for them to almost totally destroy a civilization.”) Then there’s belief in democratic equality. (“I believe that democracy is the final cause of all the political problems I describe.”)
  • But blame must most of all be laid at the feet of the creature Mr. Alamariu calls the “bugman,” a term he uses to describe a majority of human beings alive today. This insectlike infestation venerates mediocrity and is “motivated by a titanic hatred of the well-turned-out and beautiful.”
  • Mr. Alamariu proposes breeding great men of strength who model themselves on pirates, disregarding laws and norms, plundering and taking anything they want and ultimately installing themselves as absolute rulers over the rest of us.
  • “Now imagine a man of Trump’s charisma, but who is not merely beholden to the generals, but one of them, and able to rule and intimidate them as well as seduce the many. … Caesars and Napoleons are sure to follow.”
  • In a recent essay, Mr. Alamariu wrote: “I believe in fascism or ‘something worse’ …. I believe in rule by a military caste of men who would be able to guide society toward a morality of eugenics.”
  • Mr. Alamariu’s recently self-published doctoral dissertation reached No. 23 on Amazon sitewide in mid-September. Among those on the right treating the author as a friend, ally or interlocutor worthy of respectful engagement are the prominent activist Christopher Rufo, the author Richard Hanania and the economist-blogger Tyler Cowen.
  • These writers are giving Republican elites permission and encouragement to do things that just a few years ago would have been considered unthinkable.
  • In a second term, Mr. Trump’s ambition is to fire tens of thousands of career civil servants throughout the federal bureaucracy and replace them with loyalists. He also reportedly plans to staff the executive branch with more aggressive right-wing lawyers. These would surely be people unwaveringly devoted to the president and his agenda as well as the danger the Democratic Party supposedly poses to the survival of the United States.
  • These writers also exercise a powerful influence on media personalities with large audiences. Tucker Carlson has interviewed Curtis Yarvin and declared that with regard to the 2024 election, “everything is at stake. What wouldn’t they do? What haven’t they done? How will you prepare yourself?”
  • Other right-wing influencers with large followings assert more bluntly that if conservatives lose in 2024, they will be hunted down and murdered by the regime.
  • It’s important that we respond to such statements by pointing out there is literally no evidence to support them. Other intellectual catastrophists are likewise wrong to suggest the country is ruled by a progressive tyranny, and we can know this because people on the right increasingly say such things while facing no legal consequences at all.
  • The question, then, is why the intellectual catastrophists have gotten to this point — and why others on the right are listening to them. The answer, I think, is an intense dislike of what America has become, combined with panic about the right’s ability to win sufficient power in the democratic arena to force a decisive change.
  • In refusing to accept that deal, many of the right’s most prominent writers are ceasing to behave like citizens, who must be willing to share rule with others, in favor of thinking and acting like commissars eager to serve a strongman.
Javier E

A Teenager Was Bullied. His Ancestors Saved Him. - The New York Times - 0 views

www.nytimes.com/...alogy-connecticut-merritt.html

history African-American geneology research teen learning

shared by Javier E on 27 Feb 21 - No Cached
  • In March 2008, Dennis Richmond Jr. watched “Roots” with his father, and it changed his life. It was a Sunday, the Richmonds’ day for leafing through family photographs in their apartment in Yonkers, N.Y., looking at relatives going back about a century. “Roots,” Alex Haley’s semifictional account of his family’s journey from West Africa, posed a challenge: How far back could young Dennis trace his own ancestors?
  • When he thought about his grandmother having parents, who in turn had parents, he was floored. “It blew my mind,” he said. “The seed was planted. And I’ve been steadfast ever since.”
  • For Dennis, finding his ancestors became a refuge from his school life, where classmates bullied him both physically and verbally for his studiousness and the way he carried himself.
  • ...16 more annotations...
  • “I knew, wow, I have slaves in my family, and I would like to know who they are,” he said. “It was an amazing pastime for me. It kept my mind off the fact that I knew that Monday morning I would have to go back to school and get bullied again.”
  • Dennis’s great-uncle, John Sherman Merritt, said it had been very difficult to get information from his elders, especially the great-grandmother who had been born before Emancipation and grew up during Reconstruction.
  • Through his searches he came across the work of a fifth cousin, Teresa Vega, a generation older, who was already engaged in a rigorous study of their ancestors from her apartment in Upper Manhattan.
  • His father, Dennis Sr., knew that there were family mysteries to be unraveled, though he had not tried to unlock them himself. Many of his relatives“don’t look like they’re of African descent,” he said. “Just visualizing our family, you can see that there’s a relation to different ethnic groups.”
  • Hangroot was a community once vibrant, but largely lost to history; its Black and Indigenous residents were mostly gone by 1910 — “gentrified out,” said Ms. Vega, by the twofold pressure of white immigrants and the arrival nearby of the Rockefellers. When a relative gave Dennis a photograph from around 1899 showing his great-great-grandfather as a boy in Hangroot, it put a face on an ancestor and a community Dennis knew only from documents.
  • Dennis learned about the great-great-grandfather in the photograph, how he worked himself to death at 31, and about his mother, born in 1871 in Virginia, the daughter of enslaved parents, who wrote poems that were published in newspapers.
  • Against his difficulties in school, his ancestors became role models. “Because grandpa John died of exhaustion, if I’m not dying from working hard, then why wouldn’t I continue to work hard?” Dennis said. “If I know that one of my ancestors couldn’t read and write for a few years because of the circumstances they were born into, but taught themselves how to do it, why wouldn’t I go online and look up a word that I didn’t know? So I’m learning from these stories. I’m not just finding these things out. They’re empowering me.”
  • Further searches revealed relatives of Mohawk descent.
  • Finally, an archivist at the Rye Historical Society found a bill of sale that Dennis realized referred to his sixth great-grandmother, Margaret Lyon, known as Peg, dated July 7, 1790. For the sum of “Fifty Pounds of New York Money,” she became the legal property of Nathan Merritt Jr., after whose family the Merritt Parkway in Connecticut is named.
  • Through DNA testing on numerous branches of the family, Mr. Richmond and his cousin Ms. Vega said they were able to determine that Peg bore at least one child — Mr. Richmond’s fifth great-grandfather, who was born into slavery — with a member of the white Merritt family that enslaved her.
  • Ms. Vega took the genealogy back a generation further. Peg Lyon, she found, was herself fathered by a man from the family that sold her to the Merritts, the Lyons, a comparably prominent family whose name is given to a park in nearby Port Chester, N.Y. Again, DNA testing confirmed her research.
  • She followed a family trail to Christine Varner, a Lyon descendant still living in Connecticut. Ms. Varner, who is white, said she always believed she might have relatives of African descent. Then Ms. Vega called.
  • In her childhood, her mother had taken her to the old African-American and Native American cemetery to place flowers on the graves. Now she understood why.
  • In the meantime, he said, his genealogy had given him a view of Black history far different from the one he’d learned in school — one that included Northern families like the Lyons and Merritts, Black and white, living in the same community for generations. During the pandemic, he wrote and self-published a book that included his adventures in genealogy, “He Spoke at My School.”
  • “To know that I have Indigenous DNA, on my dad’s side, just makes for a true American story,” he said. “You had slave owners who had slaves, and who had children with the people that they enslaved. You have people who came to this country from Europe and who had children with Indigenous people. And Indigenous people who had children with stolen Africans.
  • “And then you speed up hundreds of years,” he said, “and you have Dennis.”
Javier E

What Makes a True Conservative - The Atlantic - 1 views

www.theatlantic.com/...594889

conservative columnist culture politics

shared by Javier E on 29 Jul 19 - No Cached
  • The Conservative Sensibility, a thoughtful, elegant reflection on American conservatism and the Founders’ political thought.
  • By “sensibility,” Will has in mind less than an agenda but more than an attitude. A sensibility is, he argues, a way of seeing.
  • how to think through complex social problems.
  • ...45 more annotations...
  • Will’s 1983 book, Statecraft as Soulcraft, had a significant intellectual impact on me. He questioned the Founders’ faith that moral balance and national cohesiveness will be supplied by the government’s doing little more than encouraging the free operation of “opposite and rival interests.”
  • when a political regime establishes, through laws and courts and customs and other matters, a particular political economy, it is establishing, it is choosing the kind of people that would live under that regime,”
  • The Conservative Sensibility suggests something else: that we should be attending more to the machinery of government and that government should be far less concerned about inculcating virtue in the citizenr
  • “It turns out that Madison was smarter than I am.” When he argued that America was ill-founded because insufficient attention was given to soulcraft, he explained, he hadn’t fully appreciated that the Founders were indeed arguing about statecraft as soulcraft—that a government really can inculcate virtue.
  • America was “ill-founded,” he wrote, because there was not enough attention to what he termed “the sociology of virtue.” Government needed to take a greater role in shaping the moral character of its citizens
  • Will argues that Trump’s agenda, to the degree it pleases conservatives, is what any Republican president would have done. “So the question is what does Trump bring that's distinctive?” Will said. “And it's all vulgarity, coarsening, semi-criminality.
  • long story short: I did not appreciate the extent to which Madisonian liberty with Hamiltonian energy is soulcraft.”
  • Will has claimed that Trump has done more lasting damage than Richard Nixon did during the Watergate scandal because, in Will’s words, “you can't un-ring the bell. You can't unsay what he has now said is acceptable discourse in the United States.
  • he hoped Trump supporters are right—but he’s pretty sure they are wrong when they say that what Trump is doing to our culture, our politics and our civic discourse is ephemeral.
  • He argues in The Conservative Sensibility that capitalism doesn't just make us better off; it makes us better by enforcing such virtues as thrift, industriousness, and the deferral of gratification.
  • asking about the concrete, tangible harm of Trump’s conduct.“The answer is in the terms themselves,” Will replied. “The norms, that is, what are normal and what are normative, cease to be normal. And cease to be normative.
  • “It’s amazing to me how fast, and we saw this in the 20th century in a number of ways, how fast something could go from unthinkable to thinkable to action,”
  • “And it doesn’t seem to me it’s going to be easy to just snap back as if this didn’t happen. It happened. And he got away with it. And he became president. And there will be emulators.”
  • Those who may have forgotten are now being reminded that government has a vital role in the cultivation and sustenance—or in the degradation and destruction—of political cultures. Which brings us back to Statecraft as Soulcraft.
  • “mankind is not just matter, not just a machine with an appetitive ghost in it. We are not what we eat. We are, to some extent, what we and our leaders—the emblematic figures of our polity—say we are.”
  • “What I’d like progressives to take away from the book is a reconsideration of their dilemma,
  • in 1964, when I cast my first presidential vote for Barry Goldwater, to whose memory the book is dedicated, 77 percent of the American people said they trusted the government to do the right thing all the time or almost all the time. Today it's 17 percent—and that 60-point evaporation of government prestige has accompanied a 60-fold increase in government pretensions.
  • their entire agenda depends on strong government and strong government depends on public confidence in the government.”
  • “What I'd like conservatives to take away from this book,” Will added, “is the sense of the enormous intellectual pedigree behind conservatism from Madison to Lincoln to Hayek and the rest.” Will said conservatives need to answer the question: What does conservatism want to conservative?
  • The most important of all revolutions, Edmund Burke said, is a “revolution in sentiment, manners and moral opinion.”
  • what we think Trump supporters either don’t understand or deny, is the destructive revolution in manners and mores that Donald Trump is ushering in, the enormous cultural and social blast radius of his presidency. Through his promiscuous lying and assault on demonstrable truths, his cruelty and crudity, his coarseness, bullying and dehumanization of his opponents, and his lawlessness and conspiracy-mongering—the whole corrupt, packaged deal—he has brought us into dark new realms.
  • Will, who earned his Ph.D. in politics at Princeton and later taught political philosophy
  • hen I probed Will on what has gone wrong with the American right, he mentioned the anti-intellectualism that inevitably comes with populism, which he called “the obverse of conservatism.”
  • “Populism is a direct translation of popular passions into governments through a strong executive. Someone who might say something like, ‘Only I can fix it.
  • Will argued that James Madison understood the need to “filter and refine and deflect and slow public opinion through institutions. To make it more refined, to produce what Madison called, in one of his phrases that I’m particularly fond of, ‘mitigated democracy.’
  • what would most concern the Founders about contemporary politics. “Political leaders today seem to feel that their vocation is to arouse passions,” he told me, “not to temper and deflect and moderate them.
  • Will has claimed that Trump has done more lasting damage than Richard Nixon did during the Watergate scandal because, in Will’s words, “you can’t un-ring the bell. You can’t unsay what he has now said is acceptable discourse in the United States.”
  • Will replied that he hoped Trump supporters are right—but he’s pretty sure they are wrong when they say that what Trump is doing to our culture, our politics, and our civic discourse is ephemeral.
  • Will argues that Trump’s agenda, to the degree it pleases conservatives, is what any Republican president would have done. “So the question is, What does Trump bring that’s distinctive?” Will said. “And it’s all vulgarity, coarsening, semi-criminality.”
  • Trump’s supporters on the right “misunderstand the importance of culture, the viscosity of culture, and I think they are not conservatives, because they don’t understand this,”
  • Donald Trump promised when he ran for president that he would overturn our norms, Will has said, and that’s one promise he’s kept.
  • All of us, including Will, have to deal with the fact that we are now confronted with a head of government who is systematically assaulting our ideals and virtues
  • “To revitalize politics and strengthen government, we need to talk about talk. We need a new, respectful rhetoric—respectful, that is, of the better angels of mankind’s nature.
  • And their dilemma is this: In 1964, when I cast my first presidential vote for Barry Goldwater, to whose memory the book is dedicated, 77 percent of the American people said they trusted the government to do the right thing all the time or almost all the time. Today, it’s 17 percent—and that 60-point evaporation of government prestige has accompanied a 60-fold increase in government pretensions.
  • I would think my progressive friends would be alarmed by this, because their entire agenda depends on strong government, and strong government depends on public confidence in the government.”
  • Will said conservatives need to answer the question, What does conservatism want to conserve?
  • For Will, the answer is the American founding, by which he has in mind three things: the doctrine of natural rights, understood as rights essential to the flourishing of creatures with our natures; a belief in human nature, meaning we are more than creatures who absorb whatever culture we’re situated in; and a government architecture, principally the separation of powers, that is essential to making good on what he refers to as the most crucial verb in the Declaration of Independence.
  • What conservatives like Will and me believe, and what we think Trump supporters either don’t understand or deny, is the destructive revolution in manners and mores that Donald Trump is ushering in
  • Through his promiscuous lying and assault on demonstrable truths, his cruelty and crudity, his coarseness, bullying ,and dehumanization of his opponents, and his lawlessness and conspiracy-mongering—the whole corrupt, packaged deal—he has brought us into dark new realms.
  • There was a time when Republicans and conservatives more generally insisted that culture was upstream of politics and in many respects more important than politics; that leaders needed to take great care in cultivating and validating standards of decency, honor, and integrity; and that a president who destroyed rather than defended cultural norms and high standards would do grave injury to America.
  • now Republicans are willing to sacrifice soul and culture for the sake of promised policy victories.
  • “If the great columnists got a single sentence in the history books,” I asked Will, “what would you want to say about your contribution?”
  • “It would be to convince people that politics is both fun and dignifies—that it has a great and stately jurisdiction, because and to the extent that it is a politics of ideas. Period.
  • “The American nation’s finest political career derived from Lincoln’s refusal to allow his country to be seduced into thinking of itself in an unworthy way,”
  • the civic virtues that Madison and the other Founders believed were essential for a free republic to survive “must be willed. It is folly to will an end but neglect to will the means to the end. The presuppositions of our polity must be supplied, politically.”
woodlu

What Happens When Everyone Is Writing the Same Book You Are? - The New York Times - 0 views

www.nytimes.com/...of-the-covenant-jerusalem.html

social Culture history

shared by woodlu on 01 Nov 21 - No Cached
  • It was as if the story were floating in the air, waiting to be rediscovered. And by coincidence, a handful of writers came across it at the same time.
  • Montagu Brownlow Parker. Known as “Monty,” he was my great-great-uncle.
  • That was nearly everything I knew of him. All my family had left of his adventure in Jerusalem was a black box of papers telling a captivating tale.
  • ...13 more annotations...
  • an encounter between Monty and an eccentric Finnish scholar, Valter Juvelius, who claimed he had identified ciphers in the Old Testament that showed where the ark was hidden in Jerusalem. He wanted to go and find it;
  • Monty, a veteran of the Boer War and a son of a wealthy politician, had the connections and credibility to make it happen.
  • Monty gathered investors, permissions and a team, and in 1909 the “Parker expedition” started digging in Jerusalem for the ark, a holy relic whose value — immeasurable — Monty promised to split with the Ottoman government.
  • A mosque attendant, appalled, caught the diggers in action and rumors began to fly, scandalizing members of the city’s various faiths.
  • I started to research the story, not knowing that my explorations made me a member of a curious, modern-day venture that paralleled its historical counterpart: the Parker expedition writers.
  • the events of the expedition’s aftermath — including the revelation, shocking to Jerusalem’s Muslim residents, that corrupt Ottoman officials were aiding the British explorers — add depth to our understanding of the factors influencing the emergence of Palestinian nationalism.
  • My grandfather gave her a few photos and documents, and in 1996 she staged an exhibition on the Parker expedition, her paper on it making her a key contact for everyone who came to the story later, looking for sources.
  • She welcomed each of us who wrote to her as though she were our party host, passing on news of our fellow expedition explorers and enjoying the coincidence that these books were all happening at once.
  • I felt my loose connection to Great-Great-Uncle Monty shift into possessiveness:
  • Nirit emailed with a smiling emoji about “the new guy in town”: Brad Ricca, an author in Cleveland who writes books that blend fact and fiction. And four months after that, my dad was sitting down for dinner one evening when Nirit rang to introduce him to Lior Hanani, a young Israeli software developer who chose the expedition as the basis for his debut novel.
  • Graham shared a scoop he’d found in the British archives: Monty had a diagnosis of neurasthenia, what we’d now call PTSD.
  • In 1995, Nirit, then early in her career but with characteristic resolve, tracked down a box of glass negatives from the expedition, enlisted a student to locate the great-grandson of Valter Juvelius in Finland and reached out to my grandfather in England.
  • The expedition may have had an impact on British foreign policy in the region, Andrew said when we talked, and it helped spawn the world’s ongoing fascination with the ark of the covenant (and Indiana Jones). It illustrates how people at the time viewed the Bible, science and chronology, Timo explained over Zoom, and why secret ciphers might have made sense to them.
Javier E

Japanese Culture: 4th Edition (Updated and Expanded) (Kindle version) (Studies of the W... - 0 views

DIIGO_FILE_HOME/7ui9/4fa89d2520bc3c91838bed27d06f1829

japan culture language values book notes

shared by Javier E on 18 Dec 18 - No Cached
  • It is fitting that Japan’s earliest remaining works, composed at a time when the country was so strongly under the civilizing influence of China, should be of a historical character. In the Confucian tradition, the writing of history has always been held in the highest esteem, since Confucianists believe that the lessons of the past provide the best guide for ethical rule in the present and future. In contrast to the Indians, who have always been absorbed with metaphysical and religious speculation and scarcely at all with history, the Chinese are among the world’s greatest record-keepers.
  • he wrote that it is precisely because life and nature are changeable and uncertain that things have the power to move us.
  • The turbulent centuries of the medieval age produced many new cultural pursuits that catered to the tastes of various classes of society, including warriors, merchants, and even peasants. Yet, coloring nearly all these pursuits was miyabi, reflected in a fundamental preference on the part of the Japanese for the elegant, the restrained, and the subtly suggestive.
  • ...65 more annotations...
  • “Nothing in the West can compare with the role which aesthetics has played in Japanese life and history since the Heian period”; and “the miyabi spirit of refined sensibility is still very much in evidence” in modern aesthetic criticism.9
  • there has run through history the idea that the Japanese are, in terms of their original nature (that is, their nature before the introduction from the outside of such systems of thought and religion as Confucianism and Buddhism), essentially an emotional people. And in stressing the emotional side of human nature, the Japanese have always assigned high value to sincerity (makoto) as the ethic of the emotions.
  • If the life of the emotions thus had an ethic in makoto, the evolution of mono no aware in the Heian period provided it also with an aesthetic.
  • Tsurayuki said, in effect, that people are emotional entities and will intuitively and spontaneously respond in song and verse when they perceive things and are moved. The most basic sense of mono no aware is the capacity to be moved by things, whether they are the beauties of nature or the feelings of people,
  • One of the finest artistic achievements of the middle and late Heian period was the evolution of a native style of essentially secular painting that reached its apex in the narrative picture scrolls of the twelfth century. The products of this style of painting are called “Yamato [that is, Japanese] pictures” to distinguish them from works categorized as “Chinese pictures.”
  • The Fujiwara epoch, in literature as well as the visual arts, was soft, approachable, and “feminine.” By contrast, the earlier Jōgan epoch had been forbidding, secretive (esoteric), and “masculine.”
  • Despite the apparent lust of the samurai for armed combat and martial renown, much romanticized in later centuries, the underlying tone of the medieval age in Japan was from the beginning somber, pessimistic, and despairing. In The Tale of Genji the mood shifted from satisfaction with the perfections of Heian courtier society to uncertainty about this life and a craving for salvation in the next.
  • Despite political woes and territorial losses, the Sung was a time of great advancement in Chinese civilization. Some scholars, impressed by the extensive growth in cities, commerce, maritime trade, and governmental bureaucratization in the late T’ang and Sung, have even asserted that this was the age when China entered its “early modern” phase. The Sung was also a brilliant period culturally.
  • the fortuitous combination of desire on the part of the Sung to increase its foreign trade with Japan and the vigorous initiative taken in maritime activity by the Taira greatly speeded the process of transmission.
  • The Sung period in China, on the other hand, was an exceptional age for scholarship, most notably perhaps in history and in the compilation of encyclopedias and catalogs of art works. This scholarly activity was greatly facilitated by the development of printing, invented by the Chinese several centuries earlier.
  • In addition to reviving interest in Japanese poetry, the use of kana also made possible the evolution of a native prose literature.
  • peasantry, who formed the nucleus of what came to be known as the True Sect of Pure Land Buddhism. Through the centuries, this sect has attracted one of the largest followings among the Japanese, and its founder, Shinran, has been canonized as one of his country’s most original religious thinkers.
  • True genre art, picturing all classes at work and play, did not appear in Japan until the sixteenth century. The oldest extant genre painting of the sixteenth century is a work, dating from about 1525, called “Views Inside and Outside Kyoto” (rakuchū-rakugai zu).
  • the aesthetic principles that were largely to dictate the tastes of the medieval era. We have just remarked the use of sabi. Another major term of the new medieval aesthetics was yūgen, which can be translated as “mystery and depth.” Let
  • One of the basic values in the Japanese aesthetic tradition—along with such things as perishability, naturalness, and simplicity—is suggestion. The Japanese have from earliest times shown a distinct preference for the subtleties of suggestion, intimation, and nuance, and have characteristically sought to achieve artistic effect by means of “resonances” (yojō).
  • Amidism was not established as a separate sect until the time of the evangelist Hōnen (1133–1212).
  • But even in Chōmei we can observe a tendency to transform what is supposed to be a mean hovel into something of beauty based on an aesthetic taste for “deprivation” (to be discussed later in this chapter) that evolved during medieval times.
  • Apart from the proponents of Pure Land Buddhism, the person who most forcefully propagated the idea of universal salvation through faith was Nichiren (1222–82).
  • Nichiren held that ultimate religious truth lay solely in the Lotus Sutra, the basic text of the Greater Vehicle of Buddhism in which Gautama had revealed that all beings possess the potentiality for buddhahood.
  • At the time of its founding in Japan by Saichō in the early ninth century, the Tendai sect had been based primarily on the Lotus Sutra; but, in the intervening centuries, Tendai had deviated from the Sutra’s teachings and had even spawned new sects, like those of Pure Land Buddhism, that encouraged practices entirely at variance with these teachings.
  • Declaring himself “the pillar of Japan, the eye of the nation, and the vessel of the country,”14 Nichiren seems even to have equated himself with Japan and its fate.
  • The kōan is especially favored by what the Japanese call the Rinzai sect of Zen, which is also known as the school of “sudden enlightenment” because of its belief that satori, if it is attained, will come to the individual in an instantaneous flash of insight or awareness. The other major sect of Zen, Sōtō, rejects this idea of sudden enlightenment and instead holds that satori is a gradual process to be attained primarily through seated meditation.
  • Fought largely in Kyoto and its environs, the Ōnin War dragged on for more than ten years, and after the last armies withdrew in 1477 the once lovely capital lay in ruins. There was no clear-cut victor in the Ōnin War. The daimyos had simply fought themselves into exhaustion,
  • Yoshimasa was perhaps even more noteworthy as a patron of the arts than his grandfather, Yoshimitsu. In any case, his name is just as inseparably linked with the flourishing of culture in the Higashiyama epoch (usually taken to mean approximately the last half of the fifteenth century) as Yoshimitsu’s is with that of Kitayama.
  • The tea room, as a variant of the shoin room, evolved primarily in the sixteenth century.
  • Shukō’s admonition about taking care to “harmonize Japanese and Chinese tastes” has traditionally been taken to mean that he stood, in the late fifteenth century, at a point of transition from the elegant and “aristocratic” kind of Higashiyama chanoyu just described, which featured imported Chinese articles, to a new, Japanese form of the ceremony that used native ceramics,
  • the new kind of tea ceremony originated by Shukō is called wabicha, or “tea based on wabi.” Developed primarily by Shukō’s successors during the sixteenth century, wabicha is a subject for the next chapter.
  • The Japanese, on the other hand, have never dealt with nature in their art in the universalistic sense of trying to discern any grand order or structure; much less have they tried to associate the ideal of order in human society with the harmonies of nature. Rather,
  • The Chinese Sung-style master may have admired a mountain, for example, for its enduring, fixed quality, but the typical Japanese artist (of the fifteenth century or any other age) has been more interested in a mountain for its changing aspects:
  • Zen culture of Muromachi Japan was essentially a secular culture. This seems to be strong evidence, in fact, of the degree to which medieval Zen had become secularized: its view of nature was pantheistic and its concern with man was largely psychological.
  • Nobunaga’s castle at Azuchi and Hideyoshi’s at Momoyama have given their names to the cultural epoch of the age of unification. The designation of this epoch as Azuchi-Momoyama (or, for the sake of convenience, simply Momoyama) is quite appropriate in view of the significance of castles—as represented by these two historically famous structures—in the general progress, cultural and otherwise, of these exciting years.
  • Along with architecture, painting was the art that most fully captured the vigorous and expansive spirit of the Momoyama epoch of domestic culture during the age of unification. It was a time when many styles of painting and groups of painters flourished. Of the latter, by far the best known and most successful were the Kanō,
  • Motonobu also made free use of the colorful Yamato style of native art that had evolved during the Heian period and had reached its pinnacle in the great narrative picture scrolls of the twelfth and thirteenth centuries.
  • what screen painting really called for was color, and it was this that the Kanō artists, drawing on the native Yamato tradition, added to their work with great gusto during the Momoyama epoch. The color that these artists particularly favored was gold, and compositions done in ink and rich pigments on gold-leaf backgrounds became the most characteristic works of Momoyama art.
  • there could hardly be a more striking contrast between the spirits of two ages than the one reflected in the transition from the subdued monochromatic art of Japan’s medieval era to the blazing use of color by Momoyama artists, who stood on the threshold of early modern times.
  • aware, which, as we saw in Chapter 3, connotes the capacity to be moved by things. In the period of the Shinkokinshū, when Saigyō lived, this sentiment was particularly linked with the aesthetic of sabi or “loneliness” (and, by association, sadness). The human condition was essentially one of loneliness;
  • During the sixteenth century the ceremony was further developed as wabicha, or tea (cha) based on the aesthetic of wabi. Haga Kōshirō defines wabi as comprising three kinds of beauty: a simple, unpretentious beauty; an imperfect, irregular beauty; and an austere, stark beauty.
  • The alternate attendance system also had important consequences in the cultural realm, contributing to the development for the first time of a truly national culture. Thus, for example, the daimyos and their followers from throughout the country who regularly visited Edo were the disseminators of what became a national dialect or “lingua franca” and, ultimately, the standard language of modern Japan.
  • They also fostered the spread of customs, rules of etiquette, standards of taste, fashions, and the like that gave to Japanese everywhere a common lifestyle.
  • “[Tokugawa-period] statesmen thought highly of agriculture, but not of agriculturalists.”6 The life of the average peasant was one of much toil and little joy. Organized into villages that were largely self-governing, the peasants were obliged to render a substantial portion of their farming yields—on average, perhaps 50 percent or more—to the samurai, who provided few services in return. The resentment of peasants toward samurai grew steadily throughout the Tokugawa period and was manifested in countless peasant rebellions
  • Although in the long run the seclusion policy undeniably limited the economic growth of Tokugawa Japan by its severe restrictions both on foreign trade and on the inflow of technology from overseas, it also ensured a lasting peace that made possible a great upsurge in the domestic economy, especially during the first century of shogunate rule.
  • Both samurai and peasants were dependent almost solely on income from agriculture and constantly suffered declines in real income as the result of endemic inflation; only the townsmen, who as commercialists could adjust to price fluctuations, were in a position to profit significantly from the economic growth of the age.
  • We should not be surprised, therefore, to find this class giving rise to a lively and exuberant culture that reached its finest flowering in the Genroku epoch at the end of the seventeenth and the beginning of the eighteenth centuries. The mainstays of Genroku culture were the theatre, painting (chiefly in the form of the woodblock print), and prose fiction,
  • The Japanese had, of course, absorbed Confucian thinking from the earliest centuries of contact with China, but for more than a millennium Buddhism had drawn most of their intellectual attention. Not until the Tokugawa period did they come to study Confucianism with any great zeal.
  • One of the most conspicuous features of the transition from medieval to early modern times in Japan was the precipitous decline in the vigor of Buddhism and the rise of a secular spirit.
  • The military potential and much of the remaining landed wealth of the medieval Buddhist sects had been destroyed during the advance toward unification in the late sixteenth century. And although Buddhism remained very much part of the daily lives of the people, it not only ceased to hold appeal for many Japanese intellectuals but indeed even drew the outright scorn and enmity of some.
  • it was the Buddhist church—and especially the Zen sect—that paved the way for the upsurge in Confucian studies during Tokugawa times. Japanese Zen priests had from at least the fourteenth century on assiduously investigated the tenets of Sung Neo-Confucianism, and in ensuing centuries had produced a corpus of research upon which the Neo-Confucian scholarship of the Tokugawa period was ultimately built.
  • Yamaga Sokō is generally credited as the formulator of the code of bushidō, or the “way of the warrior.”4 Certainly he was a pioneer in analyzing the role of the samurai as a member of a true ruling elite and not simply as a rough, and frequently illiterate, participant in the endless civil struggles of the medieval age.
  • The fundamental purpose of Neo-Confucian practice is to calm one’s turbid ki to allow one’s nature (ri) to shine forth. The person who achieves this purpose becomes a sage, his ri seen as one with the universal principle, known as the “supreme ultimate” (taikyoku), that governs all things.
  • Neo-Confucianism proposed two main courses to clarify ri, one objective and the other subjective.7 The objective course was through the acquisition of knowledge by means of the “investigation of things,” a phrase taken by Chu Hsi from the Chinese classic The Great Learning (Ta hsüeh). At the heart of things to investigate was history,
  • Quite apart from any practical guidance to good rulership it may have provided, this Neo-Confucian stress on historical research proved to be a tremendous spur to scholarship and learning in general during the Tokugawa period;8 and, as we will see in the next chapter, it also facilitated the development of other, heterodox lines of intellectual inquiry.
  • the subjective course appeared to have been taken almost directly from Buddhism, and in particular Zen. It was the course of “preserving one’s heart by holding fast to seriousness,” which called for the clarification of ri by means remarkably similar to Zen meditation.
  • The calendrical era of Genro ku lasted from 1688 until 1703, but the Genroku cultural epoch is usually taken to mean the span of approximately a half-century from, say, 1675 until 1725. Setting the stage for this rise of a townsman-oriented culture was nearly a century of peace and steady commercial growth.
  • places of diversion and assignation, these quarters were the famous “floating worlds” (ukiyo) of Tokugawa fact and legend. Ukiyo, although used specifically from about this time to designate such demimondes, meant in the broadest sense the insubstantial and ever-changing existence in which man is enmeshed.
  • ukiyo15 always carried the connotation that life is fundamentally sad; but, in Genroku times, the term was more commonly taken to mean a world that was pleasurable precisely because it was constantly changing, exciting, and up-to-date.
  • the Tokugawa period was not at all like the humanism that emerged in the West from the Renaissance on. Whereas modern Western humanism became absorbed with people as individuals, with all their personal peculiarities, feelings, and ways, Japanese humanism of the Tokugawa period scarcely conceived of the existence of true individuals at all; rather, it focused on “the people” and regarded them as comprising essentially types, such as samurai, farmers, and courtesans.
  • there is little in the literature as a whole of that quality—character development—that is probably the single most important feature of the modern Western novel.
  • Although shogunate authorities and Tokugawa-period intellectuals in general had relatively little interest in the purely metaphysical side of Chu Hsi’s teachings, they found his philosophy to be enormously useful in justifying or ideologically legitimizing the feudal structure of state and society that had emerged in Japan by the seventeenth century.
  • With its radical advocacy of violent irrationality—to the point of psychosis—Hagakure has shocked many people. But during Japan’s militarist years of the 1930s and World War II, soldiers and others hailed it as something of a bible of samurai behavior, and the postwar nationalist writer Mishima Yukio was even inspired to write a book in praise of its values.
  • It is significant that many of the leading prose writers, poets, and critics of the most prominent journal of Japanese romanticism, Bungakukai (The Literary World, published from 1893 until 1898), were either converts to or strongly influenced by Protestant Christianity, the only creed in late Meiji Japan that gave primacy to the freedom and spiritual independence of the individual. The absolutism embodied in the Meiji Constitution demanded strict subordination of the interests of the individual to those of the state;
  • The feeling of frustration engendered by a society that placed such preponderant stress upon obedience to the group, especially in the form of filial piety toward one’s parents and loyalty to the state, no doubt accounts for much of the sense of alienation observable in the works of so many modern Japanese writers.
  • These writers have been absorbed to an unusual degree with the individual, the world of his personal psychology, and his essential loneliness. In line with this preoccupation, novelists have perennially turned to the diary-like, confessional tale—the so-called I-novel—as their preferred medium of expression.
  • In intellectual and emotional terms, the military came increasingly to be viewed as the highest repository of the traditional Japanese spirit that was the sole hope for unifying the nation to act in a time of dire emergency.
  • The enemy that had led the people astray was identified as those sociopolitical doctrines and ideologies that had been introduced to Japan from the West during the preceding half-century or so along with the material tools of modernization.
  • If there is a central theme to this book, it is that the Japanese, within the context of a history of abundant cultural borrowing from China in premodern times and the West in the modern age, have nevertheless retained a hard core of native social, ethical, and cultural values by means of which they have almost invariably molded and adapted foreign borrowing to suit their own tastes and purposes.
Javier E

The Dying Art of Disagreement - The New York Times - 0 views

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disagreement liberal arts conversation civics journalism identity

shared by Javier E on 24 Sep 17 - No Cached
  • Disagreement is dear to me, too, because it is the most vital ingredient of any decent society.
  • To say the words, “I agree” — whether it’s agreeing to join an organization, or submit to a political authority, or subscribe to a religious faith — may be the basis of every community.
  • But to say, I disagree; I refuse; you’re wrong; etiam si omnes — ego non — these are the words that define our individuality, give us our freedom, enjoin our tolerance, enlarge our perspectives, seize our attention, energize our progress, make our democracies real, and give hope and courage to oppressed people everywhere
  • ...37 more annotations...
  • Extensive survey data show that Republicans are much more right-leaning than they were twenty years ago, Democrats much more left-leaning, and both sides much more likely to see the other as a mortal threat to the nation’s welfare.
  • The polarization is personal: Fully 50 percent of Republicans would not want their child to marry a Democrat, and nearly a third of Democrats return the sentiment. Interparty marriage has taken the place of interracial marriage as a family taboo.
  • Finally the polarization is electronic and digital, as Americans increasingly inhabit the filter bubbles of news and social media that correspond to their ideological affinities. We no longer just have our own opinions. We also have our separate “facts,” often the result of what different media outlets consider newsworthy
  • the more we do it, the worse we’re at it. Our disagreements may frequently hoarsen our voices, but they rarely sharpen our thinking, much less change our minds.
  • “The Closing of the American Mind.” Advertisement Continue reading the main story
  • Most importantly, they are never based on a misunderstanding. On the contrary, the disagreements arise from perfect comprehension; from having chewed over the ideas of your intellectual opponent so thoroughly that you can properly spit them out.
  • What was it that one learned through a great books curriculum?
  • As I think about it, I’m not sure we were taught anything at all. What we did was read books that raised serious questions about the human condition, and which invited us to attempt to ask serious questions of our own. Education, in this sense, wasn’t a “teaching” with any fixed lesson. It was an exercise in interrogation.
  • To listen and understand; to question and disagree; to treat no proposition as sacred and no objection as impious; to be willing to entertain unpopular ideas and cultivate the habits of an open mind — this is what I was encouraged to do by my teachers at the University of Chicago.
  • It’s what used to be called a liberal education.
  • The University of Chicago showed us something else: that every great idea is really just a spectacular disagreement with some other great idea.
  • These quarrels are never personal. Nor are they particularly political, at least in the ordinary sense of politics. Sometimes they take place over the distance of decades, even centuries.
  • I got the gist — and the gist was that I’d better enroll in the University of Chicago and read the great books. That is what I did.
  • In other words, to disagree well you must first understand well. You have to read deeply, listen carefully, watch closely. You need to grant your adversary moral respect; give him the intellectual benefit of doubt; have sympathy for his motives and participate empathically with his line of reasoning. And you need to allow for the possibility that you might yet be persuaded of what he has to say.
  • Since the 1960s it had been the vogue in American universities to treat the so-called “Dead White European Males” of the Western canon as agents of social and political oppression. Allan Bloom insisted that, to the contrary, they were the best possible instruments of spiritual liberation.
  • He also insisted that to sustain liberal democracy you needed liberally educated people.
  • According to a new survey from the Brookings Institution, a plurality of college students today — fully 44 percent — do not believe the First Amendment to the U.S. Constitution protects so-called “hate speech,” when of course it absolutely does.
  • What’s clear is that the mis-education begins early. I was raised on the old-fashioned view that sticks and stones could break my bones but words would never hurt me. But today there’s a belief that since words can cause stress, and stress can have physiological effects, stressful words are tantamount to a form of violence. This is the age of protected feelings purchased at the cost of permanent infantilization.
  • Then we get to college, where the dominant mode of politics is identity politics, and in which the primary test of an argument isn’t the quality of the thinking but the cultural, racial, or sexual standing of the person making it.
  • In recent years, identity politics have become the moated castles from which we safeguard our feelings from hurt and our opinions from challenge. It is our “safe space.” But it is a safe space of a uniquely pernicious kind — a safe space from thought, rather than a safe space for thought, to borrow a line I recently heard from Salman Rushdie.
  • Another consequence of identity politics is that it has made the distance between making an argument and causing offense terrifyingly short. Any argument that can be cast as insensitive or offensive to a given group of people isn’t treated as being merely wrong. Instead it is seen as immoral, and therefore unworthy of discussion or rebuttal.
  • The result is that the disagreements we need to have — and to have vigorously — are banished from the public square before they’re settled.
  • One final point about identity politics: It’s a game at which two can play.
  • One of the more dismaying features of last year’s election was the extent to which “white working class” became a catchall identity for people whose travails we were supposed to pity but whose habits or beliefs we were not supposed to criticize. The result was to give the Trump base a moral pass it did little to earn.
  • So here’s where we stand: Intelligent disagreement is the lifeblood of any thriving society. Yet we in the United States are raising a younger generation who have never been taught either the how or the why of disagreement, and who seem to think that free speech is a one-way right: Namely, their right to disinvite, shout down or abuse anyone they dislike, lest they run the risk of listening to that person — or even allowing someone else to listen. The results are evident in the parlous state of our universities, and the frayed edges of our democracies.
  • Yes, we disagree constantly. But what makes our disagreements so toxic is that we refuse to make eye contact with our opponents, or try to see things as they might, or find some middle ground.
  • Instead, we fight each other from the safe distance of our separate islands of ideology and identity and listen intently to echoes of ourselves
  • The crucial prerequisite of intelligent disagreement — namely: shut up; listen up; pause and reconsider; and only then speak — is absent.
  • Perhaps the reason for this is that we have few obvious models for disagreeing well, and those we do have — such as the Intelligence Squared debates in New York and London or Fareed Zakaria’s show on CNN — cater to a sliver of elite tastes, like classical music.
  • Fox News and other partisan networks have demonstrated that the quickest route to huge profitability is to serve up a steady diet of high-carb, low-protein populist pap. Reasoned disagreement of the kind that could serve democracy well fails the market test
  • I do think there’s such a thing as private ownership in the public interest, and of fiduciary duties not only to shareholders but also to citizens
  • Journalism is not just any other business, like trucking or food services. Nations can have lousy food and exemplary government, as Great Britain demonstrated for most of the last century. They can also have great food and lousy government, as France has always demonstrated.
  • But no country can have good government, or a healthy public square, without high-quality journalism — journalism that can distinguish a fact from a belief and again from an opinion; that understands that the purpose of opinion isn’t to depart from facts but to use them as a bridge to a larger idea called “truth”; and that appreciates that truth is a large enough destination that, like Manhattan, it can be reached by many bridges of radically different designs.
  • In other words, journalism that is grounded in facts while abounding in disagreements.
  • that requires proprietors and publishers who understand that their role ought not to be to push a party line, or be a slave to Google hits and Facebook ads, or provide a titillating kind of news entertainment, or help out a president or prime minister who they favor or who’s in trouble.
  • Their role is to clarify the terms of debate by championing aggressive and objective news reporting, and improve the quality of debate with commentary that opens minds and challenges assumptions rather than merely confirming them.
  • This is journalism in defense of liberalism
Javier E

The Great Disconnect - NYTimes.com - 0 views

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conservativism Obama Wilsonian progressive historical

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  • A sense of proportion, once the conservative virtue, is considered treasonous on the right today
  • how large a stake conservatives have in convincing themselves and voters that Reagan failed. Think about it: if they conceded ideological victory they would have to confront the more prosaic reasons that entitlements, deficits and regulations continue to grow in Republican and Democratic administrations alike. They would be forced to devise a new, forward-looking agenda to benefit even their own constituencies, like ensuring that American business can draw on an educated, healthy work force; can rely on modern public infrastructure; and can count on stable, transparent financial markets. And they would have to articulate a conservative vision for those welfare state programs that are likely to remain with us, like disability insurance, food stamps and Head Start.
  • Conservatives have always been great storytellers; it is their fatal weakness. They love casting their eyes back to the past to avoid seeing what lies right under their noses. The story always involves some expulsion from Eden, whether by the hippies of the 1960s, or the suffragists, or the wretched refuse of the shtetls, or the French Revolution, or the Enlightenment, or Luther, or Machiavelli or the sack of Rome.
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  • For some years now the Claremont Institute has been promoting the idea that Wilson was a kind of double agent, whipping the Huns in World War I while surreptitiously introducing the Hegelian bacillus into the American water supply and turning us into zombie-slaves of an elite-run progressivist State.
  • Yes, the hydra-headed Progressive movement, resisting varied but real economic threats to democratic self-­government, did extend the jurisprudential limits of government activity in ways that were wise and sometimes not so wise. Yes, the New Deal did convince Americans that citizens are not road kill and that government can legitimately protect public welfare and basic human dignity. And yes, the Great Society’s liberal architects vastly overreached and overpromised, destroying the public’s confidence in active government and threatening the solid achievements of the New Deal and the Progressive Era.
  • Reagan did in fact restore (then overinflate) America’s self-confidence, and he did bequeath to Republicans a clear ideological alternative to Progressivism. But he also transformed American liberalism. As an author named Barack Obama once wrote, Reagan “put us on a fundamentally different path because the country was ready for it.” By delegitimizing Great Society liberalism and emphasizing growth, he forced the Democratic Party back toward the center, making the more moderate presidencies of Bill Clinton and Barack Obama possible. Reagan won the war of ideas, as everyone knows. Except conservatives.
  • Conservatives need a psychological specialist, someone at the level of the great Jewish sage and sometime physician Maimonides. In the late 12th century Maimonides received a letter from a group of rabbis in Marseille who had worked themselves into a frenzy over astrological predictions of the End Times. His prescription — I translate loosely from the Hebrew — was, Get a grip!
  • By now conservative intellectuals and media hacks have realized that it’s much easier to run a permanent counterrevolution out of their plush think-tank offices and television studios than to reflect seriously, do homework and cut a deal. All they have to do is spook their troops into believing that the Progressive Idea is still on the march and that they are setting out to meet it at Armageddon.
  • the conservatives have also spooked themselves. They now really believe the apocalyptic tale they’ve spun, and have placed mild-mannered Barack Obama at the center of it.
  • Kesler admits that “Obama is at pains to be, and to be seen as, a strong family man, a responsible husband and father urging responsibility on others, a patriot, a model of pre-’60s, subliminally anti-’60s, sobriety.” But that’s just a disguise. In fact, he’s the “latest embodiment of the visionary prophet-statesman” of the Progressives, someone who “sees himself engaged in an epic struggle” whose success will mean “the Swedenization of America.”
  • what is Kesler’s evidence for these extravagant claims? He hasn’t any. Early in the book he writes that Obama came to office planning “bold, systemic changes to energy policy, environmental regulation, taxation, foreign policy” — though he never describes these plans and in fact never mentions them again. He carefully avoids Obama’s moderate record
  • the right’s rage against Obama, which has seeped out into the general public, has very little to do with anything the president has or hasn’t done. It’s really directed against the historical process they believe has made America what it is today. The conservative mind, a repository of fresh ideas just two decades ago, is now little more than a click-click slide projector holding a tray of apocalyptic images of modern life that keeps spinning around, raising the viewer’s fever with every rotation.
  • more than a few of our fellow citizens are loathing themselves blind over Barack Obama. Why?
  • Whenever conservatives talk to me about Barack Obama, I always feel quite certain that they mean something else. But what exactly? The anger, the suspicion, the freestyle fantasizing have no perceptible object in the space-time continuum that centrist Democrats like me inhabit. What are we missing? Seen from our perspective, the country elected a moderate and cautious straight shooter committed to getting things right and giving the United States its self-­respect back after the Bush-Cheney years.
  • Kesler’s history of Progressivism doesn’t involve real public figures making real choices about real policies under real constraints in real time. It follows the determined historical journey of the Progressive Idea in words, from the New Freedom platform of Wilson’s first campaign, down through the New Deal speeches of Franklin Roosevelt (who spoke German as a child), then to Lyndon Johnson’s announcements of the War on Poverty and the Great Society. Once that rhetorical lineage is established, he then tries to show how the Idea spread out into American culture at large, bringing with it existentialist self-absorption, moral relativism and passivity in the face of the new administrative state, so that by the midcentury we nearly became Europeans (only fatter)
g-dragon

The Egyptian Book of the Dead - 0 views

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egyptian book dead

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  • The Egyptian Book of the Dead is not, in fact, a single book, but a collection of scrolls and other documents which include rituals, spells, and prayers found in the ancient Egyptian religion.
  • The scrolls which survive today were written by a variety of authors over the course of several hundred years, and include the Coffin Texts and the earlier Pyramid Texts.
  • it’s a practical guide to the next world, with spells that would help you on your journey.
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  • The ‘book’ is usually a roll of papyrus with lots and lots of spells written on it in hieroglyphic script. They usually have beautiful coloured illustrations as well
  • They would have been quite expensive so only wealthy, high-status people would have had them. Depending on how rich you were, you could either go along and buy a ready-made papyrus which would have blank spaces for your name to be written in, or you could spend a bit more and probably choose which spells you wanted."
  • Interestingly, there is some discussion as to whether the Ten Commandments of the Bible were inspired by commands in the Book of the Dead.
  • Specifically, there is a section known as the Papyrus of Ani, in which a person entering the underworld gives a negative confession - statements are made as to what the individual has not done, such as committing murder or stealing property.
  • However, the Papyrus of Ani contains a laundry list of over one hundred such negative confessions - and while about seven of them could be loosely interpreted as inspirational to the Ten Commandments, it's really hard to say that the Biblical commandments were copied from Egyptian religion
  • What is more likely is that people in that area of the world found the same behaviors to be offensive to the gods, no matter which religion they might be following.
Javier E

J.G.A. Pocock, Historian Who Argued for Historical Context, Dies at 99 - The New York T... - 0 views

www.nytimes.com/...jga-pocock-dead.html

historian linguistic constraints context

shared by Javier E on 21 Dec 23 - No Cached
  • J.G.A. Pocock, who brought new perspectives to historical scholarship by arguing that the first step in understanding events of the past is to identify their linguistic and intellectual context
  • Among the most important were “The Ancient Constitution and the Feudal Law: A Study of English Historical Thought in the Seventeenth Century” (1957), “The Machiavellian Moment: Florentine Political Thought and the Atlantic Republican Tradition” (1975) and, most notably, “Barbarism and Religion,” a six-volume study of the life and times of Edward Gibbon,
  • Professor Pocock, Quentin Skinner and other like-minded scholars, known collectively as the Cambridge School, came to prominence in the late 1960s with a fresh approach to the study of political thought, characterized by an emphasis on context and an unwillingness to assume that all ideas and problems were viewed in the past as they would be viewed today.
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  • “Pocock rejected the idea that politics or philosophy addressed the same problems over time — what justice meant for Aristotle did not mean the same for Hobbes or for Rousseau,”
  • “So explaining what political ideas meant in theory and in practice became the historian’s task.”
  • The Cambridge School attracted devotees across the world in departments of politics, history, philosophy, literature and language — scholars who were admonished to set aside any modern-day assumptions and prejudices they might hold when delving into the past.
  • “Readers, Christian or non-believing, who may find themselves involved in analyses of thought they consider obsolete or false, are asked to remember that they are studying the history of a time when such thinking was offered and read seriously,” he wrote.
  • Professor Pocock’s first book, “The Ancient Constitution and the Feudal Law,” made clear that he would not be a conventional historian. The book asked how people in the 17th century viewed their past, and he wasn’t satisfied with drawing on the go-to philosopher of the period, John Locke. As Colin Kidd wrote in The London Review of Books in 2008, the book “drove a bypass around Locke” and “concentrated instead on a set of debates among such obscure antiquaries as William Petyt, James Tyrrell, William Atwood and Robert Brady.”
  • “The Machiavellian Moment” cemented Professor Pocock’s reputation among historians, and it continued to grow from there. The first volume of “Barbarism and Religion” came out in 1999, when Professor Pocock was in his mid-70s. Volume 6 appeared in 2015. He also edited or co-edited “The Political Works of James Harrington” (1977), “Edmund Burke: Reflections on the Revolution in France” (1987) and “The Varieties of British Political Thought, 1500-1800” (1993), among other books.
  • “Pocock’s central contention,” the Oxford historian Keith Thomas wrote in The New York Review of Books in 1986, “is that a work of political thought can only be understood if the reader is aware of the contemporary linguistic constraints to which its author was subject, for these constraints prescribed both his subject matter and the way in which that subject matter was conceptualized.”
  • its application to the history of political ideas forms a great contrast to the assumptions of the 1950s, when it was widely thought that the close reading of a text by an analytic philosopher was sufficient to establish its meaning, even though the philosopher was quite innocent of any knowledge of the period in which the text was written or of the linguistic traditions within which its author operated.”
  • “Historians need to understand that the history of discourse is not a simple linear sequence in which new patterns overcome and replace the old,” he wrote in 1988 in a preface to a reissue of “Politics, Language and Time,” a 1971 essay collection, “but a complex dialogue in which these patterns persist in transforming one another.”
Javier E

Sheryl Sandberg and the Crackling Hellfire of Corporate America - The Atlantic - 0 views

www.theatlantic.com/...661291

corporate facebook opportunism culture

shared by Javier E on 19 Jun 22 - No Cached
  • In publishing, there are some books that are too big to fail. Very early on you get the message that this is a Major and Very Important Book. In 2013, that book was Sheryl Sandberg’s Lean In: Women, Work, and the Will to Lead, which sold more than 1.5 million copies in its first year.
  • The book was about how women can make it to the top. It was a sort of “work-life balance” category buster, because she was telling women to pretty much forget about the “life” part.
  • when I looked through the galley, the whole thing was so manufactured and B-school-ish that I just wanted to put my head on the keyboard and have a little nap.
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  • Almost immediately I saw that its main problem wasn’t the children. This was a book about how women in corporate America could—and should—strive to get the most money and the most power. But where should they seek such power? In the crackling hellfire of C-suite America.
  • During her 14 years at the company, she’s done so much damage to our society that we may never recover. The simple truth is that you cannot simultaneously dedicate yourself to making untold fortunes for a giant corporation and to championing a social good.
  • Amy’s a bitch, but an honest bitch,” one man said about her. If I ever write one of these books, I’ll call it A Few Honest Bitches, and explain that if we can get the right kind of women inside these places, we might be able to burn them down.
  • Why were the progressive worlds of publishing and journalism embracing this junk as some kind of giant step toward equality? It will surely go down in history as one of white feminism’s greatest achievements.
  • Sandberg invoked the name Goldman Sachs multiple times—in a good way. Mind you, this book was published five years after that despicable outfit played a major role in almost bankrupting the country.
  • There we were: suckers, lambs to the slaughter. It didn’t even occur to us that all of that information wasn’t “safe.” We didn’t want it to be safe! We wanted our long-lost friends from Brownie Troop 347 to be able to find us! When we realized what we’d done, it was already too late.
  • “We made mistakes and I own them,” Sandberg eventually said about the Cambridge Analytica scandal. “They are on me.” The impression was of radical transparency, a Harry Truman of the C-suite: The buck stops here.
  • But according to The New York Times, the buck was about to embark on an Oh, the Places You’ll Go! journey to the bottom of the Earth.
  • Huge corporations are never, ever on the side of the people. You can’t take your eyes off of them for a second, because any time you look away, they’ll do terrible things
  • Today’s young people have been forced to learn that old lesson, because they are the inheritors of 40 years of corporate greed, private equity’s smash and grab, bank deregulation, and the collusion of the very rich and the U.S. government to squeeze every penny it can from the middle class and move it into the counting houses of billionaires. They know the game isn’t rigged against them; they know the game was lost long before they were born.
  • Corporations are now faced with labor shortages, and there are rumblings from the owner class about the demise of the great American work ethic. But corporations are the ones who killed it
  • Young people today know that work is not your life; it’s how you pay for your life. It’s an exchange of money for labor, and they are not interested in devoting a jot of extra energy to jobs that pay minimum wage and offer no health insurance or savings plan, for employers who show no loyalty to their workers.
  • I’ve heard a number of young people lately say they won’t have children because of the climate crisis. That’s a tremendous sacrifice and a principled position
  • A Pew Research Center survey from November found that 44 percent of adults without kids say that they probably won’t have any, up from 37 percent in 2018, the last time Pew asked the question
  • here’s the thing. Ask any older person when the happiest time in their life was, and they will always, always say it was when their children were young.
  • There is no greater joy in this life than having a baby. Here is a person who has been uniquely designed to love you. And here is Goldman Sachs.
Javier E

The Patriot: How Mark Milley Held the Line - The Atlantic - 0 views

www.theatlantic.com/...675375

patriot military civilian relations culture politics trump crisis

shared by Javier E on 24 Sep 23 - No Cached
  • In The Divider, Peter Baker and Susan Glasser write that Milley believed that Trump was “shameful,” and “complicit” in the January 6 attack. They also reported that Milley feared that Trump’s “ ‘Hitler-like’ embrace of the big lie about the election would prompt the president to seek out a ‘Reichstag moment.’ ”
  • A plain reading of the record shows that in the chaotic period before and after the 2020 election, Milley did as much as, or more than, any other American to defend the constitutional order, to prevent the military from being deployed against the American people, and to forestall the eruption of wars with America’s nuclear-armed adversaries
  • Along the way, Milley deflected Trump’s exhortations to have the U.S. military ignore, and even on occasion commit, war crimes
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  • In the American system, it is the voters, the courts, and Congress that are meant to serve as checks on a president’s behavior, not the generals. Civilians provide direction, funding, and oversight; the military then follows lawful orders.
  • “As chairman, you swear to support and defend the Constitution of the United States, but what if the commander in chief is undermining the Constitution?” McMaster said to me.
  • “General Milley has done an extraordinary job under the most extraordinary of circumstances,” Gates said. “I’ve worked for eight presidents, and not even Lyndon Johnson or Richard Nixon in their angriest moments would have considered doing or saying some of the things that were said between the election and January 6.
  • Trump called Gallagher a hero and said he didn’t understand why he was being punished.“Because he slit the throat of a wounded prisoner,” Milley said.“The guy was going to die anyway,” Trump said.
  • Milley answered, “Mr. President, we have military ethics and laws about what happens in battle. We can’t do that kind of thing. It’s a war crime.” Trump answered that he didn’t understand “the big deal.” He went on, “You guys”—meaning combat soldiers—“are all just killers. What’s the difference?”
  • There’s a little bit of a ‘There but for the grace of God go I’ feeling in all of this. What happened to Gallagher can happen to many human beings.” Milley told me about a book given to him by a friend, Aviv Kochavi, a former chief of staff of the Israel Defense Forces. The book, by an American academic named Christopher Browning, is called Ordinary Men: Reserve Police Battalion 101 and the Final Solution in Poland.
  • “It’s a great book,” Milley said. “It’s about these average police officers from Hamburg who get drafted, become a police battalion that follows the Wehrmacht into Poland, and wind up slaughtering Jews and committing genocide. They just devolve into barbaric acts. It’s about moral degradation.”
  • During Milley’s time in the Trump administration, the disagreements and misunderstandings between the Pentagon and the White House all seemed to follow the same pattern: The president—who was incapable of understanding or unwilling to understand the aspirations and rules that guide the military—would continually try to politicize an apolitical institution.
  • The image of a general in combat fatigues walking with a president who has a well-known affection for the Insurrection Act—the 1807 law that allows presidents to deploy the military to put down domestic riots and rebellions—caused consternation and anger across the senior-officer ranks, and among retired military leaders.
  • According to Esper, Trump desperately wanted a violent response to the protesters, asking, “Can’t you just shoot them? Just shoot them in the legs or something?” When I raised this with Milley, he explained, somewhat obliquely, how he would manage the president’s eruptions.“It was a rhetorical question,” Milley explained. “ ‘Can’t you just shoot them in the legs?’ ”“He never actually ordered you to shoot anyone in the legs?” I asked.“Right. This could be interpreted many, many different ways,” he said.
  • Milley and others around Trump used different methods to handle the unstable president. “You can judge my success or failure on this, but I always tried to use persuasion with the president, not undermine or go around him or slow-roll,” Milley told me. “I would present my argument to him. The president makes decisions, and if the president ordered us to do X, Y, or Z and it was legal, we would do it. If it’s not legal, it’s my job to say it’s illegal, and here’s why it’s illegal. I would emphasize cost and risk of the various courses of action. My job, then and now, is to let the president know what the course of action could be, let them know what the cost is, what the risks and benefits are. And then make a recommendation. That’s what I’ve done under both presidents.”
  • He went on to say, “President Trump never ordered me to tell the military to do something illegal. He never did that. I think that’s an important point.”
  • For his part, General Chiarelli concluded that his friend had simply been in the wrong place at the wrong time. Quoting Peter Feaver, an academic expert on civil-military relations, Chiarelli said, “You have to judge Mark like you judge Olympic divers—by the difficulty of the dive.”
  • That summer, Milley visited Chiarelli in Washington State and, over breakfast, described what he thought was coming next. “It was unbelievable. This is August 2, and he laid out in specific detail what his concerns were between August and Inauguration Day. He identified one of his biggest concerns as January 6,” the day the Senate was to meet to certify the election. “It was almost like a crystal ball.”
  • Chiarelli said that Milley told him it was possible, based on his observations of the president and his advisers, that they would not accept an Election Day loss. Specifically, Milley worried that Trump would trigger a war—an “October surprise”­—to create chaotic conditions in the lead-up to the election. Chiarelli mentioned the continuous skirmishes inside the White House between those who were seeking to attack Iran, ostensibly over its nuclear program, and those, like Milley, who could not justify a large-scale preemptive strike.
  • In the crucial period after his road-to-Damascus conversion, Milley set several goals for himself: keep the U.S. out of reckless, unnecessary wars overseas; maintain the military’s integrity, and his own; and prevent the administration from using the military against the American people. He told uniformed and civilian officials that the military would play no part in any attempt by Trump to illegally remain in office.
  • The desire on the part of Trump and his loyalists to utilize the Insurrection Act was unabating. Stephen Miller, the Trump adviser whom Milley is said to have called “Rasputin,” was vociferous on this point. Less than a week after George Floyd was murdered, Miller told Trump in an Oval Office meeting, “Mr. President, they are burning America down. Antifa, Black Lives Matter—they’re burning it down. You have an insurrection on your hands. Barbarians are at the gate.”
  • According to Woodward and Costa in Peril, Milley responded, “Shut the fuck up, Steve.” Then he turned to Trump. “Mr. President, they are not burning it down.”
  • In the weeks before the election, Milley was a dervish of activity. He spent much of his time talking with American allies and adversaries, all worried about the stability of the United States. In what would become his most discussed move, first reported by Woodward and Costa, he called Chinese General Li Zuocheng, his People’s Liberation Army counterpart, on October 30, after receiving intelligence that China believed Trump was going to order an attack
  • “General Li, I want to assure you that the American government is stable and everything is going to be okay,” Milley said, according to Peril. “We are not going to attack or conduct any kinetic operations against you. General Li, you and I have known each other for now five years. If we’re going to attack, I’m going to call you ahead of time. It’s not going to be a surprise … If there was a war or some kind of kinetic action between the United States and China, there’s going to be a buildup, just like there has been always in history.”
  • Milley later told the Senate Armed Services Committee that this call, and a second one two days after the January 6 insurrection, represented an attempt to “deconflict military actions, manage crisis, and prevent war between great powers that are armed with the world’s most deadliest weapons.”
  • Milley also spoke with lawmakers and media figures in the days leading up to the election, promising that the military would play no role in its outcome. In a call on the Saturday before Election Day, Milley told news anchors including George Stephan­opoulos, Lester Holt, and Norah O’Donnell that the military’s role was to protect democracy, not undermine it.
  • “The context was ‘We know how fraught things are, and we have a sense of what might happen, and we’re not going to let Trump do it,’ ” Stephanopoulos told me. “He was saying that the military was there to serve the country, and it was clear by implication that the military was not going to be part of a coup.” It seemed, Stephanopoulos said, that Milley was “desperately trying not to politicize the military.
  • “The motto of the United States Army for over 200 years, since 14 June 1775 … has been ‘This we will defend,’ ” Milley said. “And the ‘this’ refers to the Constitution and to protect the liberty of the American people. You see, we are unique among armies. We are unique among militaries. We do not take an oath to a king or queen, a tyrant or dictator. We do not take an oath to an individual. No, we do not take an oath to a country, a tribe, or religion. We take an oath to the Constitution … We will never turn our back on our duty to protect and defend the idea that is America, the Constitution of the United States, against all enemies, foreign and domestic.”
  • He closed with words from Thomas Paine: “These are times that try men’s souls. And the summer soldier and the sunshine Patriot will in this crisis shrink from the service of their country. But he who stands by it deserves the love of man and woman. For tyranny, like hell, is not easily conquered.”
  • “World War II ended with the establishment of the rules-based international order. People often ridicule it—they call it ‘globalism’ and so on—but in fact, in my view, World War II was fought in order to establish a better peace,” Milley told me. “We the Americans are the primary authors of the basic rules of the road—and these rules are under stress, and they’re fraying at the edges. That’s why Ukraine is so important. President Putin has made a mockery of those rules. He’s making a mockery of everything. He has assaulted the very first principle of the United Nations, which is that you can’t tolerate wars of aggression and you can’t allow large countries to attack small countries by military means. He is making a direct frontal assault on the rules that were written in 1945.”
  • “It is incumbent upon all of us in positions of leadership to do the very best to maintain a sense of global stability,” Milley told me. “If we don’t, we’re going to pay the butcher’s bill. It will be horrific, worse than World War I, worse than World War II.”
  • If Trump is reelected president, there will be no Espers or Milleys in his administration. Nor will there be any officials of the stature and independence of John Kelly, H. R. McMaster, or James Mattis. Trump and his allies have already threatened officials they see as disloyal with imprisonment, and there is little reason to imagine that he would not attempt to carry out his threats.
Javier E

Ta-Nehisi Coates's 'Letter to My Son' - The Atlantic - 0 views

www.theatlantic.com/...397619

race racism American dream American idea youth slavery white supremacy history culture

shared by Javier E on 08 Jul 15 - No Cached
  • The question is not whether Lincoln truly meant “government of the people” but what our country has, throughout its history, taken the political term “people” to actually mean. In 1863 it did not mean your mother or your grandmother, and it did not mean you and me.
  • When the journalist asked me about my body, it was like she was asking me to awaken her from the most gorgeous dream. I have seen that dream all my life. It is perfect houses with nice lawns. It is Memorial Day cookouts, block associations, and driveways. The Dream is tree houses and the Cub Scouts. And for so long I have wanted to escape into the Dream, to fold my country over my head like a blanket. But this has never been an option, because the Dream rests on our backs, the bedding made from our bodies.
  • you know now, if you did not before, that the police departments of your country have been endowed with the authority to destroy your body. It does not matter if the destruction is the result of an unfortunate overreaction. It does not matter if it originates in a misunderstanding. It does not matter if the destruction springs from a foolish policy
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  • To be black in the Baltimore of my youth was to be naked before the elements of the world, before all the guns, fists, knives, crack, rape, and disease. The law did not protect us. And now, in your time, the law has become an excuse for stopping and frisking you, which is to say, for furthering the assault on your body
  • There is nothing uniquely evil in these destroyers or even in this moment. The destroyers are merely men enforcing the whims of our country, correctly interpreting its heritage and legacy. This legacy aspires to the shackling of black bodies
  • It is hard to face this. But all our phrasing—race relations, racial chasm, racial justice, racial profiling, white privilege, even white supremacy—serves to obscure that racism is a visceral experience, that it dislodges brains, blocks airways, rips muscle, extracts organs, cracks bones, breaks teeth
  • ou must never look away from this. You must always remember that the sociology, the history, the economics, the graphs, the charts, the regressions all land, with great violence, upon the body.
  • And should one live in such a body? What should be our aim beyond meager survival of constant, generational, ongoing battery and assault? I have asked this question all my life.
  • The question is unanswerable, which is not to say futile. The greatest reward of this constant interrogation, of confrontation with the brutality of my country, is that it has freed me from ghosts and myths.
  • I was afraid long before you, and in this I was unoriginal. When I was your age the only people I knew were black, and all of them were powerfully, adamantly, dangerously afraid. It was always right in front of me. The fear was there in the extravagant boys of my West Baltimore neighborhood
  • The fear lived on in their practiced bop, their slouching denim, their big T- shirts, the calculated angle of their baseball caps, a catalog of behaviors and garments enlisted to inspire the belief that these boys were in firm possession of everything they desired.
  • But a society that protects some people through a safety net of schools, government-backed home loans, and ancestral wealth but can only protect you with the club of criminal justice has either failed at enforcing its good intentions or has succeeded at something much darker.
  • still and all I knew that we were something, that we were a tribe—on one hand, invented, and on the other, no less real. The reality was out there on the Yard, on the first warm day of spring when it seemed that every sector, borough, affiliation, county, and corner of the broad diaspora had sent a delegate to the great world party
  • I remember being amazed that death could so easily rise up from the nothing of a boyish afternoon, billow up like fog. I knew that West Baltimore, where I lived; that the north side of Philadelphia, where my cousins lived; that the South Side of Chicago, where friends of my father lived, comprised a world apart. Somewhere out there beyond the firmament, past the asteroid belt, there were other worlds where children did not regularly fear for their bodies
  • I came to understand that my country was a galaxy, and this galaxy stretched from the pandemonium of West Baltimore to the happy hunting grounds of Mr. Belvedere. I obsessed over the distance between that other sector of space and my own. I knew that my portion of the American galaxy, where bodies were enslaved by a tenacious gravity, was black and that the other, liberated portion was not. I knew that some inscrutable energy preserved the breach. I felt, but did not yet understand, the relation between that other world and me. And I felt in this a cosmic injustice, a profound cruelty, which infused an abiding, irrepressible desire to unshackle my body and achieve the velocity of escape.
  • Before I could escape, I had to survive, and this could only mean a clash with the streets, by which I mean not just physical blocks, nor simply the people packed into them, but the array of lethal puzzles and strange perils which seem to rise up from the asphalt itself. The streets transform every ordinary day into a series of trick questions, and every incorrect answer risks a beat-down, a shooting, or a pregnancy. No one survives unscathed
  • When I was your age, fully one-third of my brain was concerned with who I was walking to school with, our precise number, the manner of our walk, the number of times I smiled, who or what I smiled at, who offered a pound and who did not—all of which is to say that I practiced the culture of the streets, a culture concerned chiefly with securing the body.
  • Why were only our heroes nonviolent? Back then all I could do was measure these freedom-lovers by what I knew. Which is to say, I measured them against children pulling out in the 7-Eleven parking lot, against parents wielding extension cords, and the threatening intonations of armed black gangs saying, “Yeah, nigger, what’s up now?” I judged them against the country I knew, which had acquired the land through murder and tamed it under slavery, against the country whose armies fanned out across the world to extend their dominion. The world, the real one, was civilization secured and ruled by savage means. How could the schools valorize men and women whose values society actively scorned? How could they send us out into the streets of Baltimore, knowing all that they were, and then speak of nonviolence?
  • the beauty of the black body was never celebrated in movies, in television, or in the textbooks I’d seen as a child. Everyone of any import, from Jesus to George Washington, was white. This was why your grandparents banned Tarzan and the Lone Ranger and toys with white faces from the house. They were rebelling against the history books that spoke of black people only as sentimental “firsts”—first black four-star general, first black congressman, first black mayor—always presented in the bemused manner of a category of Trivial Pursuit.
  • erious history was the West, and the West was white. This was all distilled for me in a quote I once read, from the novelist Saul Bellow. I can’t remember where I read it, or when—only that I was already at Howard. “Who is the Tolstoy of the Zulus?,” Bellow quipped
  • this view of things was connected to the fear that passed through the generations, to the sense of dispossession. We were black, beyond the visible spectrum, beyond civilization. Our history was inferior because we were inferior, which is to say our bodies were inferior. And our inferior bodies could not possibly be accorded the same respect as those that built the West. Would it not be better, then, if our bodies were civilized, improved, and put to some legitimate Christian use?
  • now I looked back on my need for a trophy case, on the desire to live by the standards of Saul Bellow, and I felt that this need was not an escape but fear again—fear that “they,” the alleged authors and heirs of the universe, were right. And this fear ran so deep that we accepted their standards of civilization and humanity.
  • “Tolstoy is the Tolstoy of the Zulus,” wrote Wiley. “Unless you find a profit in fencing off universal properties of mankind into exclusive tribal ownership.” And there it was. I had accepted Bellow’s premise. In fact, Bellow was no closer to Tolstoy than I was to Nzinga. And if I were closer it would be because I chose to be, not because of destiny written in DNA. My great error was not that I had accepted someone else’s dream but that I had accepted the fact of dreams, the need for escape, and the invention of racecraft.
  • The destroyers will rarely be held accountable. Mostly they will receive pensions.
  • I could see now that that world was more than a photonegative of that of the people who believe they are white. “White America” is a syndicate arrayed to protect its exclusive power to dominate and control our bodies. Sometimes this power is direct (lynching), and sometimes it is insidious (redlining). But however it appears, the power of domination and exclusion is central to the belief in being white, and without it, “white people” would cease to exist for want of reasons
  • here will surely always be people with straight hair and blue eyes, as there have been for all history. But some of these straight-haired people with blue eyes have been “black,” and this points to the great difference between their world and ours. We did not choose our fences. They were imposed on us by Virginia planters obsessed with enslaving as many Americans as possible. Now I saw that we had made something down here, in slavery, in Jim Crow, in ghettoes. At The Mecca I saw how we had taken their one-drop rule and flipped it. They made us into a race. We made ourselves into a people.
  • Think of all the embraces, all the private jokes, customs, greetings, names, dreams, all the shared knowledge and capacity of a black family injected into that vessel of flesh and bone. And think of how that vessel was taken, shattered on the concrete, and all its holy contents, all that had gone into each of them, was sent flowing back to the earth. It is terrible to truly see our particular beauty, Samori, because then you see the scope of the loss. But you must push even further. You must see that this loss is mandated by the history of your country, by the Dream of living white.
  • I don’t know if you remember how the film we saw at the Petersburg Battlefield ended as though the fall of the Confederacy were the onset of a tragedy, not jubilee. I doubt you remember the man on our tour dressed in the gray wool of the Confederacy, or how every visitor seemed most interested in flanking maneuvers, hardtack, smoothbore rifles, grapeshot, and ironclads, but virtually no one was interested in what all of this engineering, invention, and design had been marshaled to achieve. You were only 10 years old. But even then I knew that I must trouble you, and this meant taking you into rooms where people would insult your intelligence, where thieves would try to enlist you in your own robbery and disguise their burning and looting as Christian charity. But robbery is what this is, what it always was.
  • American reunion was built on a comfortable narrative that made enslavement into benevolence, white knights of body snatchers, and the mass slaughter of the war into a kind of sport in which one could conclude that both sides conducted their affairs with courage, honor, and élan. This lie of the Civil War is the lie of innocence, is the Dream.
  • I, like every kid I knew, loved The Dukes of Hazzard. But I would have done well to think more about why two outlaws, driving a car named the General Lee, must necessarily be portrayed as “just some good ole boys, never meanin’ no harm”—a mantra for the Dreamers if there ever was one. But what one “means” is neither important nor relevant. It is not necessary that you believe that the officer who choked Eric Garner set out that day to destroy a body. All you need to understand is that the officer carries with him the power of the American state and the weight of an American legacy, and they necessitate that of the bodies destroyed every year, some wild and disproportionate number of them will be black.
  • Here is what I would like for you to know: In America, it is traditional to destroy the black body—it is heritage. Enslavement was not merely the antiseptic borrowing of labor—it is not so easy to get a human being to commit their body against its own elemental interest. And so enslavement must be casual wrath and random manglings, the gashing of heads and brains blown out over the river as the body seeks to escape. It must be rape so regular as to be industrial. There is no uplifting way to say this.
  • It had to be blood. It had to be the thrashing of kitchen hands for the crime of churning butter at a leisurely clip. It had to be some woman “chear’d ... with thirty lashes a Saturday last and as many more a Tuesday again.” It could only be the employment of carriage whips, tongs, iron pokers, handsaws, stones, paperweights, or whatever might be handy to break the black body, the black family, the black community, the black nation. The bodies were pulverized into stock and marked with insurance. And the bodies were an aspiration, lucrative as Indian land, a veranda, a beautiful wife, or a summer home in the mountains. For the men who needed to believe themselves white, the bodies were the key to a social club, and the right to break the bodies was the mark of civilization.
  • “The two great divisions of society are not the rich and poor, but white and black,” said the great South Carolina senator John C. Calhoun. “And all the former, the poor as well as the rich, belong to the upper class, and are respected and treated as equals.” And there it is—the right to break the black body as the meaning of their sacred equality. And that right has always given them meaning, has always meant that there was someone down in the valley because a mountain is not a mountain if there is nothing below.
  • There is no them without you, and without the right to break you they must necessarily fall from the mountain, lose their divinity, and tumble out of the Dream. And then they would have to determine how to build their suburbs on something other than human bones, how to angle their jails toward something other than a human stockyard, how to erect a democracy independent of cannibalism. I would like to tell you that such a day approaches when the people who believe themselves to be white renounce this demon religion and begin to think of themselves as human. But I can see no real promise of such a day. We are captured, brother, surrounded by the majoritarian bandits of America. And this has happened here, in our only home, and the terrible truth is that we cannot will ourselves to an escape on our own.
  • I think now of the old rule that held that should a boy be set upon in someone else’s chancy hood, his friends must stand with him, and they must all take their beating together. I now know that within this edict lay the key to all living. None of us were promised to end the fight on our feet, fists raised to the sky. We could not control our enemies’ number, strength, or weaponry. Sometimes you just caught a bad one. But whether you fought or ran, you did it together, because that is the part that was in our control. What we must never do is willingly hand over our own bodies or the bodies of our friends. That was the wisdom: We knew we did not lay down the direction of the street, but despite that, we could—and must—fashion the way of our walk. And that is the deeper meaning of your name—that the struggle, in and of itself, has meaning.
  • I have raised you to respect every human being as singular, and you must extend that same respect into the past. Slavery is not an indefinable mass of flesh. It is a particular, specific enslaved woman, whose mind is as active as your own, whose range of feeling is as vast as your own; who prefers the way the light falls in one particular spot in the woods, who enjoys fishing where the water eddies in a nearby stream, who loves her mother in her own complicated way, thinks her sister talks too loud, has a favorite cousin, a favorite season, who excels at dressmaking and knows, inside herself, that she is as intelligent and capable as anyone. “Slavery” is this same woman born in a world that loudly proclaims its love of freedom and inscribes this love in its essential texts, a world in which these same professors hold this woman a slave, hold her mother a slave, her father a slave, her daughter a slave, and when this woman peers back into the generations all she sees is the enslaved. She can hope for more. She can imagine some future for her grandchildren. But when she dies, the world—which is really the only world she can ever know—ends. For this woman, enslavement is not a parable. It is damnation. It is the never-ending night. And the length of that night is most of our history. Never forget that we were enslaved in this country longer than we have been free. Never forget that for 250 years black people were born into chains—whole generations followed by more generations who knew nothing but chains.
  • You must resist the common urge toward the comforting narrative of divine law, toward fairy tales that imply some irrepressible justice. The enslaved were not bricks in your road, and their lives were not chapters in your redemptive history. They were people turned to fuel for the American machine. Enslavement was not destined to end, and it is wrong to claim our present circumstance—no matter how improved—as the redemption for the lives of people who never asked for the posthumous, untouchable glory of dying for their children. Our triumphs can never redeem this. Perhaps our triumphs are not even the point. Perhaps struggle is all we have
  • I am not a cynic. I love you, and I love the world, and I love it more with every new inch I discover. But you are a black boy, and you must be responsible for your body in a way that other boys cannot know. Indeed, you must be responsible for the worst actions of other black bodies, which, somehow, will always be assigned to you. And you must be responsible for the bodies of the powerful—the policeman who cracks you with a nightstick will quickly find his excuse in your furtive movements. You have to make your peace with the chaos, but you cannot lie.
  • “I could have you arrested,” he said. Which is to say: “One of your son’s earliest memories will be watching the men who sodomized Abner Louima and choked Anthony Baez cuff, club, tase, and break you.” I had forgotten the rules, an error as dangerous on the Upper West Side of Manhattan as on the West Side of Baltimore. One must be without error out here. Walk in single file. Work quietly. Pack an extra No. 2 pencil. Make no mistakes.
  • the price of error is higher for you than it is for your countrymen, and so that America might justify itself, the story of a black body’s destruction must always begin with his or her error, real or imagined—with Eric Garner’s anger, with Trayvon Martin’s mythical words (“You are gonna die tonight”), with Sean Bell’s mistake of running with the wrong crowd, with me standing too close to the small-eyed boy pulling out.
  • You are called to struggle, not because it assures you victory but because it assures you an honorable and sane life
  • I am sorry that I cannot save you—but not that sorry. Part of me thinks that your very vulnerability brings you closer to the meaning of life, just as for others, the quest to believe oneself white divides them from it. The fact is that despite their dreams, their lives are also not inviolable. When their own vulnerability becomes real—when the police decide that tactics intended for the ghetto should enjoy wider usage, when their armed society shoots down their children, when nature sends hurricanes against their cities—they are shocked by the rages of logic and the natural world in a way that those of us who were born and bred to understand cause and effect can never be.
  • I would not have you live like them. You have been cast into a race in which the wind is always at your face and the hounds are always at your heels. And to varying degrees this is true of all life. The difference is that you do not have the privilege of living in ignorance of this essential fact.
  • I never wanted you to be twice as good as them, so much as I have always wanted you to attack every day of your brief bright life determined to struggle. The people who must believe they are white can never be your measuring stick. I would not have you descend into your own dream. I would have you be a conscious citizen of this terrible and beautiful world.
Javier E

Economic history - What was the Great Divergence? | Free exchange | The Economist - 0 views

www.economist.com/...what-was-the-great-divergence

Great Divergence divergence boom capitalism industrialization west european history success culture politics geography economics economic

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  • by the 19th century, things were rather different. Western Europe and parts of North America had become fabulously wealthy. Almost everywhere else was horribly poor. Economic historians refer to this as the “Great Divergence”
  • the question of what caused the divergence
  • Max Weber, a German sociologist, thought he had the question nailed. In his book “The Protestant Ethic and the Spirit of Capitalism”, published in 1905, Weber argued that religious factors were crucial for spurring European economic growth. Weber's view centred on Calvinism—a branch of Protestantism—and argued that it encouraged Europeans to be thrifty, rational, and concerned with material gain. Such values did not exist outside Europe where, according to Weber, material wealth was not revered and entrepreneurship was seen as subversive.
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  • Thomas Sowell, at Stanford University, points to the British as responsible for no less than the invention of freedom. In Mr Sowell’s view, the British were a shining light of economic development, which other countries gradually learnt to imitate. (Fascinating new research explores a similar theory: that learning best practices from others is essential to growth and becomes harder the greater the cultural distance from economic leaders.)
  • According to James Blaut, an American historian, the year 1492—when Christopher Columbus landed in America and set off centuries of European colonialism—“represents the breakpoint between two fundamentally different evolutionary epochs”. From 1492 onwards, Europe pulled in raw materials, currency and labour, and deliberately held back the rest of the world.
  • Jared Diamond, at the University of California, Los Angeles, suggests that environmental factors played a crucial role in the European take-off. Mr Diamond argues that Europe was uniquely endowed with domesticable plants and animals. Its population was also more immune to diseases. These factors led to higher productivity and, crucially, higher population density. The upshot? The development of institutions such as cities, bureaucracies and literate classes, which contributed to economic growth.
  • The development of "open science" in the 16th century helped with the spread of economically useful ideas
  • Another theory suggests that the Glorious Revolution in Britain of the 1680s, which reduced the power of the monarch, was a crucial stepping-stone in the country’s economic development. After the revolution, people became less worried that their profits would be summarily seized by the Crown, as they had been in the past. And so they became keener to work hard. This theory is at the heart of the book "Why Nations Fail", by economist Daron Acemoglu and professor of government James Robinson.
  • the causes of the Great Divergence are “overdetermined”. Many different factors intertwined to create European dominance—and no single factor would have been enough on its own. This conclusion might seem like a typical academic fudge. But the point is that the Great Divergence was not simply caused by European culture. Rather, it emerged because a business-friendly, open and innovative economy was created—mostly by accident.
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