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The remix culture; How the folk process works in the 21st century - 0 views

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    Article from John Egenes at Otago Uni on remix culture. "The internet and our digital convergence are rapidly transforming long-held views regarding the traditional relationship between performer and audience ("creator" / "consumer"). This change is giving a new voice to the audience, literally bringing them into the mix. With unprecedented access to the creative process, and with an audience for their creations, consumers of music are also its producers, and are reshaping concepts of creativity, individuality, and intellectual property. This paper examines fundamental shifts in the way the "Folk Process" works within this context. Remix culture, once a bastion of beat-driven dance mashups, is expanding to include all styles of music, film, theatre and art. I will argue that its long-term significance lies in the notion that it blurs lines between the traditionally separate roles of creator and consumer, and challenges long-held concepts of intellectual property and copyright. Over the protests of many traditional folk musicians and devotees, folk music is entering this new digital arena, where the Folk Process is changing from gradual to immediate, from slow to rapid, adapting to fit the new digital paradigm."
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TPP A Dead Duck For Parallel Importing... | Stuff.co.nz - 1 views

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    Mike ''MOD'' O'Donnell from TradeMe on why the TPP is bad for copyright and bad for consumers.
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From Paywalls and Attention Walls to Data Disclosure Walls and Survey Walls «... - 0 views

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    The consumer as product - data gathering and reporting by services such as Google & Facebook.
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Swiss Government Declares Downloading for Personal Use Legal | WebProNews - 0 views

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    The government of Switzerland has issued a statement declaring that it will not take action to alter current copyright laws allowing the downloading of music and movies for personal use. The statement is the result of a lengthy study conducted by the Swiss government into the impact of so-called "piracy" on the entertainment industry. Despite the industry's claims that downloading undermines their business, this study shows that the effect of unauthorized downloading on the industry's bottom line is negligible. One key finding of the study is that downloaders spend as much if not more to acquire content legally as those who do not download. Researchers found no change in amount of disposable income spent on music and movies, despite the fact that roughly one third of Swiss people engage in some form of downloading. The government concluded, then, that no change to the current legal structure was necessary, and urged the entertainment industry to grow and adapt with the changes in technology and in consumer habits, rather than trying to suppress progress.
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Digital Portfolios in the Age of the Read/Write Web (EDUCAUSE Review) | EDUCAUSE.edu - 1 views

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    "Key Takeaways Education built around digital portfolios not only ties together various student-generated artifacts into a coherent whole but also creates an environment in which technology use has a clearly identified purpose. Hundreds of services provide free hosting and website creation tools and are ideal platforms for digital portfolios because they can support just about any type of digital content. Turning consumers of knowledge into producers of knowledge transforms learning into an active experience."
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The Web Is Dead. Long Live the Internet | Magazine - 2 views

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    This article is worth reading. An interesting thought piece (two actually) on the move away from the open web to closed systems running across the internet that control the devices we use, the delivery mechanisms and the content we consume (read Apple).
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CES: NZ start-up takes out consumer electronics innovation award in Vegas | Griffin's G... - 1 views

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    "It was great to see New Zealand start-up Swiftpoint honoured at the CES show here in Vegas for the novel design of its pint-sized finger-controlled computer mouse."
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20+ Essential Tools and Applications For Bloggers - 0 views

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    Blogging can be quite a process. First you may have to do some research, then put your thoughts together, and of course add any necessary screenshots and images. Let's not forget the optimization part (SEO, keywords, etc) and sharing your content on the Web so that others will read it and hopefully share it. With all of these steps involved, blogging can be quite time-consuming and many bloggers get burnt out rather quickly doing these things on a daily basis.
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Brian Lamb's "The Urgency of Open Education" - 0 views

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    via Downes: Brian Lamb's presentation is smooth, polished and informed. Culture, he says, is something that historically we have participated in by creating and not merely consuming. And we are returning to those days, where we can create content for ourselves that we used to pay for and merely consume. Indeed, for any content company, placing a barrier - such as price - between the content and readers is a fatal mistake. Culture is something that is ours - it's not simply the creation of the best, it's an act that is a part of being there (like the million people who have photographed Barack Obama). And when each person records his or her own presence, we can create something larger than life, something real. Knowing that you are making a significant contribution to public discourse is motivation to create and contribute. There's this and a lot more in this presentation.
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Libraries and the changing role of creators and consumers - 0 views

  • For the past two years, Catherine Mitchell, Director, Publishing, California Digital Library, has been involved in an effort to coordinate the services of the library and University Press in order to better support and manage the University of California’s scholarly output. The goal of the initiative—the University as Publisher—is to help the university reclaim its core intellectual asset (i.e., the knowledge it produces) and assert itself more powerfully in the marketplace of scholarly communication. In the process, the university shores up its values, and its value. “Despite the daunting complexity of the task, universities must take responsibility for managing their own scholarly output or risk losing control of that core intellectual capital,” she says. “If we don’t, someone else will. And it won’t be pretty. We’re talking about our institutions’ major asset. “If we miss the boat on this, we hand off opportunities to partner with our faculty around issues of intellectual property, curation and preservation standards, and transformative models of scholarly communication. We simply become the ‘buyer.’ And, we risk getting locked into untenable licensing agreements in order to gain or regain access to the very research that our own faculty are producing.”
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    Article on trends in publishing and why the university library needs to become a publisher.
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eLearn: Best Practices - Online Course Design from a Communities-of-Practice Perspective - 0 views

    • Nigel Robertson
       
      Great summary of the stages of engagement that learners pass through, including th eemotional aspects.
  • The adult learners we work with face a difficult conundrum: Their social world is constrained by the technologies they know how to use and vice versa: The technologies they know how to use are limited by their social world. For many people, a solo exploration of the online world can be arduous, insecure, and time-consuming.
  • HEURISTICS—What Participants Experience
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