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"Once you present OER to faculty, there's a real affinity and alignment of OER with faculty values. Jeff was surprised more about the potential of OER than he had thought going in. Unlike other technology-based subjects of BSRG studies, there is almost no suspicion of OER. Everything else BSRG has measured has had strong minority views from faculty against the topic (online learning in particular), with incredible resentment detected. This resistance or resentment is just not there with OER. It is interesting for OER, with no organized marketing plan per se, to have no natural barriers from faculty perceptions"

"In 1998, a National Science Foundation report made a remark that begins to hit the mark a little closer: "It is important to understand how individuals assess their own knowledge of these subjects. For many purposes … it is the individual's self-assessment of his or her knowledge that will either encourage or discourage a given behavior." This starts to tear down the wall of judging people based on how "well-informed" or "attentive" they are (terms that permeate these statistics reports) to science, and instead places more significance on an individual's assessment of themselves. To go further, I'd argue that "knowledge" isn't as telltale of a measurement as "experience"."

Maxine Greene (1995) writes:

"The role of the imagination is not to resolve, not to point the way, not to improve.  It is to awaken, to disclose the ordinarily unseen, unheard, and unexpected" (p. 28)

In this age of constant information and busy lives, it's difficult to get teachers and parents to read large amounts of research, or to understand the importance of boycotts, resolutions or petitions. The information we wish to share regarding the ill purpose and effects of corporate ownership of education must be expressed using all of the senses, in our bodied actions-instantaneously and with the emotion it warrants. As Nick Sousanis considers, we have to remember that conception (i.e as what we believe, what we think of as "real") largely comes through our perception (i.e what we see with our eyes and how we construct meaning).

Greene writes that through the "art of knowing"-"The experience and knowledge gained  by this way of knowing opens new modalities for us in the lived world; it brings us in touch with our primordial landscapes, our original acts of perceiving" (p. 149).

We need to redesign the social landscape with new images, new stories, new ways of understanding what corporate reform "is" and how it works.  What we need is action-creative action collectively inspired in local communities and through national organizing-to UNFLATTEN our worlds.

"Sometimes a mistake is so embarrassing, it cycles all the away around the shame circle and becomes kind of awesome. Today's case in point: Kyrzbekistan, a country accidentally invented by a New York Times piece that meant to reference the Central Asian nation Kyrgyzstan."

"Hi, my name is Nikolaj Cyon and I am an artist from Sweden who has worked with precolonial Africa as a theme in my art for over a year. I have, as a mind experiment, made a map of what Africa could have looked like in the mid 19th century if Europe had never  become a colonizing world power. In order to do this I have tried to construct an alternative historical time-line in which Europe was much harder struck by the plague in the 1350's and never recovered. Therefore  African nations would have gotten the opportunity to flourish unhindered. "

"People are caught up in a focus on STEM"-science, technology, engineering and math-"but the piece they don't understand is that all of those fields rely on clear, good writing, and we're not getting that," says Elyse Eidman-Aadahl, executive director of the National Writing Project, a nonprofit think tank at the University of California, Berkeley.

So here's an idea for a fresh meme: #GoodWritingIsSexy.

"We live in an age when all manner of scientific knowledge-from climate change to vaccinations-faces furious opposition. Some even have doubts about the moon landing."

Beautiful, informative, multimodal composition.