Group items tagged

If you want to custom style Gravity Forms, this is a pretty good tutorial and setup.

Long-form interactive experiences... yes, please.

"The personal blog is an important, under-respected art form. While blogs as a medium are basically just the default format for sharing timely information or doing simple publishing online, the personal blog is every bit as important an expressive medium as the novel or the zine or any visual arts medium. As a culture, we don't afford them the same respect, but it's an art form that has meant as much to me, and revealed as many truths to me, as the films I have seen and the books I have read, and I'm so thankful for that."

"But sometimes the reflexive impulse to map the data can make you forget that showing the data in another form might answer other - and sometimes more important - questions. So, when should you use a form other than than a map?"

Assessment, or testing, was still administered, but now it was used as an integral part of the learning process. As a result, when he eventually took his spot on Toyota's production line, Spear was able to assemble his part the first time and every time. In other words, assessment was used both for and of learning. Toyota doesn't have to treat formative and summative assessments as two different things-just as we don't have to do so in education when we move to a truly competency-based system.

"The idea behind Open Lab Hours is simple: create a space for students interested in journalism and technology to gather and work on projects. All are welcome. Some students come with the most basic questions, like "What's the internet?", while more advanced students come to debug projects, or hack on interactive and data stories for student publications. The key has been to create a community for people who want to learn. With a safe space for beginners, rookies and advanced folks to work together, relationships are naturally formed between students with varying skill levels. These relationships help newbies learn while providing more advanced students with the capacity to teach and develop new project ideas."

What we're trying to do with Agora: "The idea behind Open Lab Hours is simple: create a space for students interested in journalism and technology to gather and work on projects. All are welcome. Some students come with the most basic questions, like "What's the internet?", while more advanced students come to debug projects, or hack on interactive and data stories for student publications. The key has been to create a community for people who want to learn. With a safe space for beginners, rookies and advanced folks to work together, relationships are naturally formed between students with varying skill levels. These relationships help newbies learn while providing more advanced students with the capacity to teach and develop new project ideas."

"The Science through Technology Enhanced Play project (STEP) engages 6-8 year old students in a series of playful inquiry activities situated within a Augmented Reality environment. Tested at two schools and across two very different science topics-states of matter and the complex system of honey bee pollination-we have pioneered a new way for young students to engage in scientific inquiry and modeling in developmentally appropriate ways that breaks the mold of one-student-one computer. The big idea of STEP is to engage young children in an activity they are experts at, socio-dramatic play, in such a way that play becomes a form of scientific modeling and collective inquiry."

"At the college where I serve as president, we do evaluate student work; we just use a higher-quality method. Our students receive written evaluations not only on every assignment, but also for every course and learning activity. These evaluations are designed to be formative teaching tools."

Interesting to see how journalists are sometimes leading in presenting serious information in original, creative, engaging ways.

"Very much like the hyphen that Butler and Spivak question, the hyperlink forms new connections, informs unexpected encounters, and formulates narratives and metaphors where none might have existed."

"It's not that my memory improved but, instead, that I started archiving these events and ideas with my phone, as photographs. Now, if I want to research the painter whose portraits I admired at the museum, I don't have to read through page after page of my chicken scratch trying to find her name. When I need the title of a novel someone recommended, I just scroll back to the day we were at the bookstore together. Looking through my photo stream, there is a caption about Thomas Jefferson smuggling seeds from Italy, which I want to research; a picture of a tree I want to identify, which I need to send to my father; the nutritional label from a seasoning that I want to re-create; and a man with a jungle of electrical cords in the coffee shop, whose picture I took because I wanted to write something about how our wireless lives are actually full of wires. Photography has changed not only the way that I make notes but also the way that I write. Like an endless series of prompts, the photographs are a record of half-formed ideas to which I hope to return."

"Although massive open online courses (MOOCs) are seen to be, and are in fact designed to be, stand-alone online courses, their introduction to the higher education landscape has expanded the space of possibilities for blended course designs (those that combine online and face-to-face learning experiences). Instead of replacing courses at higher education institutions, could MOOCs enhance those courses? This paper reports one such exploration, in which a Stanford University Machine Learning MOOC was integrated into a graduate course in machine learning at Vanderbilt University during the Fall 2012 semester. The blended course design, which leveraged a MOOC course and platform for lecturing, grading, and discussion, enabled the Vanderbilt instructor to lead an overload course in a topic much desired by students. The study shows that while students regarded some elements of the course positively, they had concerns about the coupling of online and in-class components of this particular blended course design. Analysis of student and instructor reflections on the course suggests dimensions for characterizing blended course designs that incorporate MOOCs, either in whole or in part. Given the reported challenges in this case study of integrating a MOOC in its entirety in an on-campus course, the paper advocates for more complex forms of blended learning in which course materials are drawn from multiple MOOCs, as well as from other online sources."

Interesting guy to talk to etc. at some point. "In the 17th century, scholar-publishers created the first scientific journals, revolutionising the communication and practice of scholarship. Today, we're at the beginning of a second revolution, as academia slowly awakens to the tranformative potential of the Web.   I'm interested in both pushing this revolution forward, and in studying it as it happens. I'm investigating altmetrics: measuring scholarly impact over the social web instead of through traditional citation. I'm also interested in new publishing practices like scholarly tweeting, overlay journals, alternative peer review forms, and open access. These slides give a good idea of what I've been up to lately; my CV links to other recent publications and talks. "

A form of assessment in which students are asked to perform real-world tasks that demonstrate meaningful application of essential knowledge and skills -- Jon Mueller "...Engaging and worthy problems or questions of importance, in which students must use knowledge to fashion performances effectively and creatively. The tasks are either replicas of or analogous to the kinds of problems faced by adult citizens and consumers or professionals in the field." -- Grant Wiggins -- (Wiggins, 1993, p. 229). "Performance assessments call upon the examinee to demonstrate specific skills and competencies, that is, to apply the skills and knowledge they have mastered." -- Richard J. Stiggins -- (Stiggins, 1987, p. 34).

"It's no accident that many of the most-read New York Times articles of the last few years have been complex takes on serious subjects in a form other than a traditional article: an explainer of the Ebola crisis, a photo essay on aging, a video on ISIS and, from us, the rent-vs.-buy calculator, a graphic on nonemployed men, a map on poverty and an interactive on generational politics."

"A GIF, in many ways, can be an even more effective form of visual communication than emoji because of the movement in an animation that provides a greater range of expression."

"The concept of meta-communication suggests that the form of the communication, its nonverbal elements, begin to define the teacher-student relationship. So what relationship do I want with my students? What kind of first impression am I interested in making through my syllabus?"

What a great resource, and yes, the all important first impression is the syllabus. A good way to look at it.

"bring about these changes in students. Hence it is clear that a statement of objectives in terms of content headings…is not a satisfactory basis for guiding the further development of the curriculum. The most useful form for stating objectives is to express them in terms which identify both the kind of behavior to be developed in the student and the … area of life which this behavior is to operate." pp. 45-7."

The Kress Foundation funded research to help clarify perceptions on digital scholarship and art history! I can only imagine the creative community being equally aghast and confused about earth art, conceptual art and performance art (among others). Wild to think about. We keep marching forward. "The findings reveal disagreements in the art history community about the value of digital research, teaching, and scholarship. Those who believe in the potential of digital art history feel it will open up new avenues of inquiry and scholarship, allow greater access to art historical information, provide broader dissemination of scholarly research, and enhance undergraduate and graduate teaching. Those who are skeptical doubt that new forms of art historical scholarship will emerge from the digital environment. They remain unconvinced that digital art history will offer new research opportunities or that it will allow them to conduct their research in new and different ways."

What we're seeing most recently, and what I'm very excited about, is going from that linear model to a much more non-linear idea. The digital learning experience is becoming really a collection of inter-related learning nuggets, that you might take very different paths through, depending who you are and what your needs are, and how you learn most effectively.

" [This approach] is really not trying to mimic what we would do in the physical world, but starting from an entirely digital form, and really being very thoughtful about what the learning outcomes are that we're trying to achieve, and how can the technology enable us to achieve those outcomes. There are many things that are very different about how you would design learning and work, if you really are doing it from a digital-first standpoint. In trying to do the latter, what are some of the principles you keep coming back to? "