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When a home is sold, its many secrets can come out of the closet. Brokers, potential buyers and home inspectors step inside properties that may have been completely private for years.

Sometimes, owners hide flaws in the hopes a buyer will miss an expensive problem. Other times, homeowners are caught completely unaware that, say, a family of raccoons has taken up residence in the chimney.

The buyer, who was supposed to put down a large deposit that afternoon, was livid. The seller’s broker tried to assure her that the problem could be easily fixed.

Art & Design Books Film Ideas Music & Performance TV & Radio Food & Drink Blog Return to: Home | Culture | Books The Joy of Secularism: 11 Essays for How We Live Now By George Levine Reviewed by Terry Eagleton - 22 June 2011 82 comments Print version Email a friend Listen RSS Misunderstanding what it means to be secular.

Societies become truly secular not when they dispense with religion but when they are no longer greatly agitated by it. It is when religious faith ceases to be a vital part of the public sphere

Christianity is certainly other-worldly, and so is any reasonably sensitive soul who has been reading the newspapers. The Christian gospel looks to a future transformation of the appalling mess we see around us into a community of justice and friendship, a change so deep-seated and indescribable as to make Lenin look like a Lib Dem.“This [world] is our home," Levine comments. If he really feels at home in this crucifying set-up, one might humbly suggest that he shouldn't. Christians and political radicals certainly don't.

There is a movie I’m looking forward to seeing when it comes to Washington. It seems quite relevant to America today

It’s about what can happen in a democratic society when politicians go too far, when they not only stand mute when hateful words that cross civilized redlines suddenly become part of the public discourse, but, worse, start to wink at and dabble in this hate speech for their advantage.

Later, they all say that they never heard the words, never saw the signs, or claim that their own words were misunderstood. But they heard and they saw and they meant.

A new study says we're really only capable of four "basic" emotions: happy, sad, afraid/surprised, and angry/disgusted.

He found that an article was more likely to become viral the more positive it was.

the emotions of sadness and sorrow light up many of the same regions of the brain as happiness.

I’m a Woody Allen person, not because I disbelieve Dylan—in fact, I believe her. I’m a Woody Allen person because his movies helped shape me, and I can’t unsee them, the way I can’t un-read The Great Gatsby or un-hear “Gimme Shelter.” These are things that informed my sensibilities. All of them are part of me.

As to our opinion about his past, one thing is for sure: He couldn’t care less about it. “Rather than live on in the hearts and mind of the public,” he says in the final lines of the book, “I prefer to live on in my apartment.”Exit laughing.

the scene in Hannah and Her Sisters in which the Woody Allen character, distraught by his realization that there is no God and considering suicide, stumbles into a revival house to find the movie playing. He says in voice-over: The movie was a film that I’d seen many times in my life since I was a kid, and I always loved it. And I’m watching these people up on the screen and I started getting hooked on the film. And I started to feel,  How can you even think of killing yourself? I mean, isn’t it so stupid? I mean, look at all the people up there on the screen. They’re real funny—and what if the worst is true? What if there’s no God and you only go around once and that’s it? Well, you know, don’t you want to be part of the experience? I did.I do.

It may seem strange that a man who co-founded two thriving civil-rights organizations, was an Oscar-nominated screenwriter and a Pulitzer-finalist playwright, wrote a best-selling novel that has remained in print for more than 40 years, and had his play become a successful film 30 years after it was written would consider himself a failure, but Kramer has long been consistent on the point. “I am very cognizant of a great failing on my part,” he told the oral historian Eric Marcus in 1989: “that I did not have the ability to be a leader, that I did not have the ability to deal with my adversaries and still be friends.”

Having perceived himself as a failure, was Kramer proud of his accomplishments? “I feel well used, how’s that?” he said. “I’m proud of my organizations. GMHC is now thriving in a way it didn’t for a bunch of years.

“In the case of ACT UP, which I’m exceedingly proud of having founded, it was based on love and fear. You know, earlier on people said, ‘You’ll scare everybody to death. And I said, ‘Good. ‘Cause you should be afraid, because it’s frightening.’’”

“People like it! People like the bad guy. Because these are all thoughts and feelings that people have inside of them. Look at what gets the ratings just in terms of the news: people are interested in murder, they’re interested in disaster. This is some part of human nature, and it might be a distasteful one, but it doesn’t really help to ignore it.”

His “focus on universal truths,” he believes, is what has allowed him “to build such a massive audience.”

t’s 25 to 34. “Facebook and YouTube don’t give data for audience under 13 so I can’t say for sure 7 to 10 is the fastest growing audience, it just feels like it based on my interactions with people,” he wrote in an email.

Most of his videos incorporate timely narratives about police-calling Karens and Covid-19 hoarders, but in style and tone they are more reminiscent of 1980s after-school specials and the educational short films of the ’50s than other content that’s popular today.

Watching these films appears to be a childhood habit Harry never gave up – and several of the strands of the story he has so publicly told about himself seem to have echoes of these cartoons The original Lion King came out in 1994, shortly after Harry’s tenth birthday, so he was its prime target audience. The film tells the story of a boy prince, Simba, who is haunted by guilt over the death of a parent, detailing his struggles to find a pathway into adulthood – which he accomplishes through a judicious mixture of martial action and emotional sensitivity, becoming heroic in the process. 

So much of Harry’s turmoil is foreshadowed in Disney, it seems. Perhaps even in remaining true to his childhood vision of the world and its realities he is the boy who never grew up – Peter Pan.

It’s not every day that someone stumbles upon a major new strategic thinker during family movie night. But that’s what happened to Michael Chwe, an associate professor of political science at the University of California, Los Angeles, when he sat down with his children some eight years ago to watch “Clueless,” the 1995 romantic comedy based on Jane Austen’s “Emma.”

In 230 diagram-heavy pages, Mr. Chwe argues that Austen isn’t merely fodder for game-theoretical analysis, but an unacknowledged founder of the discipline itself: a kind of Empire-waisted version of the mathematician and cold war thinker John von Neumann, ruthlessly breaking down the stratagems of 18th-century social warfare.

Or, as Mr. Chwe puts it in the book, “Anyone interested in human behavior should read Austen because her research program has results.”

Hollywood always wants it both ways, of course, but this Oscar season is rife with contenders who bank on the authenticity of their films until it’s challenged, and then fall back on the “Hey, it’s just a movie” defense.

“Lincoln,” which had three historical advisers but still managed to make some historical bloopers. Joe Courtney, a Democratic congressman from Connecticut, recently wrote to Steven Spielberg to complain that “Lincoln” falsely showed two of Connecticut’s House members voting “Nay” against the 13th Amendment for the abolition of slavery.

Sitting in a conference room at a hotel near the Massachusetts Institute of Technology here, I slip on large headphones and an Oculus Rift virtual reality headset and wriggle into the straps of a backpack, weighed down with a computer and a battery.

when I stand, I quickly find myself in a featureless all-white room, a kind of Platonic vestibule. On the walls at either end are striking poster-size black-and-white portraits taken by the noted Belgian-Tunisian photographer Karim Ben Khelifa, one showing a young Israeli soldier and another a Palestinian fighter about the same age, whose face is almost completely hidden by a black hood.

Then the portraits disappear, replaced by doors, which open. In walk the two combatants — Abu Khaled, a fighter for the Popular Front for the Liberation of Palestine, and Gilad Peled, an Israeli soldier — seeming, except for a little pixelation and rigid body movement, like flesh-and-blood people who are actually in the room with me.

The latest hack could well spur a new rash of email deletions across the country as millions of people scan their sent mail for anything compromising, humiliating or career-destroying. It adds to the sense that everyone is vulnerable.

“I think more and more people are realizing that there isn’t a thing you can say in an email that isn’t likely to be hackable or discoverable at some later point,”

Washington may be behind other big cities in learning that lesson. Bankers on Wall Street have favored very brief emails since their conversations were splashed across front pages because of lawsuits filed after the financial crisis. In 2010, Goldman Sachs executives used the acronym “LDL,” for “let’s discuss live,” when a conversation turned at all sensitive.

This may explain the shape of our movie monsters: creatures with sharp teeth or snake like appearance.

scary movies don’t actually activate fear responses in the amygdala at all. Instead, it was other parts of the brain that were firing – the visual cortex – the part of the brain responsible for processing visual information, the insular cortex- self awareness, the thalamus -the relay switch between brain hemispheres, and the dorsal-medial prefrontal cortex – the part of the brain associated with planning, attention, and problem solving.

Unfortunately for Aristotle, research has shown the opposite – watching violence actually makes people MORE aggressive.

“Vice is a monster of so frightful mien, / As, to be hated, needs but to be seen,” the poet Alexander Pope wrote, in lines that were once, as they said back in the day, imprinted on the mind of every schoolboy. Pope continued, “Yet seen too oft, familiar with her face, / we first endure, then pity, then embrace.

The three-part process by which the gross becomes the taken for granted has been on matchlessly grim view this past week in the ascent of Donald Trump.

under any label Trump is a declared enemy of the liberal constitutional order of the United States—the order that has made it, in fact, the great and plural country that it already is.

Astra Taylor, a cultural critic and the director of the documentaries Zizek! and Examined Life, challenges the notion that the Internet has brought us into an age of cultural democracy. While some have hailed the medium as a platform for diverse voices and the free exchange of information and ideas, Taylor shows that these assumptions are suspect at best. Instead, she argues, the new cultural order looks much like the old: big voices overshadow small ones, content is sensationalist and powered by advertisements, quality work is underfunded, and corporate giants like Google and Facebook rule. The Internet does offer promising tools, Taylor writes, but a cultural democracy will be born only if we work collaboratively to develop the potential of this powerful resource

Most people don’t realize how little information can be conveyed in a feature film. The transcripts of both of my movies are probably equivalent in length to a Harper’s cover story.

why should Amazon, Apple, Facebook, and Google get a free pass? Why should we expect them to behave any differently over the long term? The tradition of progressive media criticism that came out of the Frankfurt School, not to mention the basic concept of political economy (looking at the way business interests shape the cultural landscape), was nowhere to be seen, and that worried me. It’s not like political economy became irrelevant the second the Internet was invented.

Judith, "barely clothed and fresh from the seduction and slaying of Holofernes, glows in her voluptuousness. Her hair is a dark sky between the golden branches of Assyrian trees, fertility symbols that represent her eroticism. This young, ecstatic, extravagantly made-up woman confronts the viewer through half-closed eyes in what appears to be a reverie of orgasmic rapture," writes Eric Kandel in his new book, The Age of Insight. Wait a minute. Writes who? Eric Kandel, the Nobel-winning neuroscientist who's spent most of his career fixated on the generously sized neurons of sea snails

Kandel goes on to speculate, in a bravura paragraph a few hundred pages later, on the exact neurochemical cognitive circuitry of the painting's viewer:

"At a base level, the aesthetics of the image's luminous gold surface, the soft rendering of the body, and the overall harmonious combination of colors could activate the pleasure circuits, triggering the release of dopamine. If Judith's smooth skin and exposed breast trigger the release of endorphins, oxytocin, and vasopressin, one might feel sexual excitement. The latent violence of Holofernes's decapitated head, as well as Judith's own sadistic gaze and upturned lip, could cause the release of norepinephrine, resulting in increased heart rate and blood pressure and triggering the fight-or-flight response. In contrast, the soft brushwork and repetitive, almost meditative, patterning may stimulate the release of serotonin. As the beholder takes in the image and its multifaceted emotional content, the release of acetylcholine to the hippocampus contributes to the storing of the image in the viewer's memory. What ultimately makes an image like Klimt's 'Judith' so irresistible and dynamic is its complexity, the way it activates a number of distinct and often conflicting emotional signals in the brain and combines them to produce a staggeringly complex and fascinating swirl of emotions."

two differences between workplace performance reviews given to men and women. Across 248 reviews from 28 companies, managers, whether male or female, gave female employees more negative feedback than they gave male employees. Second, 76 percent of the negative feedback given to women included some kind of personality criticism, such as comments that the woman was “abrasive,” “judgmental” or “strident.” Only 2 percent of men’s critical reviews included negative personality comments.

The study speaks to the impossible tightrope women must walk to do their jobs competently and to make tough decisions while simultaneously coming across as nice to everyone, all the time

If a woman wants to do substantive work of any kind, she’s going to be criticized — with comments not just about her work but also about herself. She must develop a way of experiencing criticism that allows her to persevere in the face of it.