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Last month marked six years since the start of the Syrian war, which has forced millions of people to flee their homes in one of the largest humanitarian crises in modern history. Perhaps the artist who has most visibly used his work to draw attention to the conflict is Ai Weiwei, whose political activism has earned him a reputation as China’s foremost creative dissident. Ai has made works focused on the refugee crisis for years, but lately his projects have taken on a greater sense of urgency. His newest exhibit, Law of the Journey, was recently unveiled at the National Gallery in Prague and features a massive inflatable lifeboat with 258 faceless, rubber figures on board—evoking the treacherous journey some refugees make to Europe.

Last month marked six years since the start of the Syrian war, which has forced millions of people to flee their homes in one of the largest humanitarian crises in modern history. Perhaps the artist who has most visibly used his work to draw attention to the conflict is Ai Weiwei, whose political activism has earned him a reputation as China’s foremost creative dissident. Ai has made works focused on the refugee crisis for years, but lately his projects have taken on a greater sense of urgency. His newest exhibit, Law of the Journey, was recently unveiled at the National Gallery in Prague and features a massive inflatable lifeboat with 258 faceless, rubber figures on board—evoking the treacherous journey some refugees make to Europe. Earlier this week, the Public Art Fund announced Ai would build more than 100 fence-themed installations in New York across multiple boroughs, asking the city’s inhabitants to reflect on the ideas of barriers, nationhood, and security.

WHEN representatives from the United States and other countries gathered in Evian, France, in 1938 to discuss the Jewish refugee crisis caused by the Nazis, they exuded sympathy for Jews — and excuses about why they couldn’t admit them. Unto the breach stepped a 33-year-old woman from Massachusetts named Martha Sharp.

"A student found a handbag with €14,000 and handed it over to police. The owner is happy. We say excellent and thank you," it said.The family, who live in a refugee centre, are likely to receive a reward for their honesty, say German media

On 13 May 1939, more than 900 Jews fled Germany aboard a luxury cruise liner, the SS St Louis. They hoped to reach Cuba and then travel to the US - but were turned away in Havana and forced to return to Europe, where more than 250 were killed by the Nazis.

realness in hip-hop has a slippery definition, related to the everyday sense of the word but not synonymous with it. 

Artists of all kinds feel obliged to establish authenticity. Bob Dylan was a refugee from middle-class Minnesota, but his gnomic responses to interview questions allowed him to brand himself as a rambling countercultural troubadour. Jean-Michel Basquiat’s reputation as a formerly homeless autodidact helped endear him to gallerists who prized edginess. But the problem of authenticity was particularly acute in early hip-hop, which had a dual mandate—fictional in some ways, journalistic in others. “Rap is CNN for black people,” Chuck D is often alleged to have said. What he actually said was, “Rap is black America’s TV station. It gives a whole perspective of what exists and what black life is all about.”

A few years ago it was revealed that Ross had actually been a correctional officer. No one seemed to mind. If a Jew wrote “White Christmas” and a prep-school graduate wrote “Scarface,” why shouldn’t a former cop make the best narco-trafficking anthems of his generation?

More than two decades before Brittany Maynard’s public advocacy for death with dignity inspired lawmakers in Washington, D.C., and at least 16 states to introduce legislation authorizing the medical practice of aid in dying for the terminally ill, Senator Frank Roberts of Oregon sponsored one of the nation’s first death-with-dignity bills.

Nuremberg is not alone in dealing anew with its Nazi heritage. The entire country has been swept into a debate this year about the release of a new edition of “Mein Kampf,” the first time Hitler’s book has been published in Germany in 70 years. Both clashes come as Germany faces the reemergence of xenophobia that has flared as the country sits at the center of Europe’s refugee crisis. Some worry that both the book and the buildings, if renovated, will become rallying points for today’s neo-Nazis. 

The debates in Germany highlight a fundamental question that many countries in the world struggle with: What do you do with symbols of a past that many people today find abhorrent?In the United States, fights over the display of the Confederate flag in public places surface almost weekly. Ukraine is systematically removing statues of Vladimir Lenin and other totems of the country’s Soviet past. In Spain, where authorities in Madrid are renaming streets that commemorate Francisco Franco, divisions simmer over demands to remove the late dictator’s body from the vast monument named  Valley of the Fallen that glorifies his reign.The Rising Sun flag – a controversial symbol of Japan’s imperial history – is still used by the country’s Maritime Self-Defense Force, much to the anger of Japan’s neighbors. Britain has been embroiled in a controversy over whether to remove a statue of Cecil Rhodes – for whom the prestigious Rhodes scholarship is named – from a college at Oxford University because of critics’ concerns about his ties to Southern Africa’s colonial and racist past. The university says it will stay right where it is.

Yet in few places do historical symbols evoke more sensitivity than in Germany. 

How big do the numbers have to be for insensitivity to begin? Not very, it turns out.

Consider the recent death of the Syrian child Aylan Kurdi when his family braved the choppy seas off the coast of Turkey. The image of Aylan lying face down on the beach captivated the world’s attention and even, in short order, resulted in refugee policy changes in countries as far away as the United States. But 14 Syrian children drowned in the Aegean Sea the next day. Did you notice? Did you care?