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markfrankel18

The prisoner's dilemma, in real life - 0 views

  • The prisoner's dilemma, in real life  SARAH PAVIS  ·  AUG 08 2013 You might have hear of the prisoner's dilemma, a classic example in game theory showing why individuals might not cooperate. But what you probably don't know is the name comes from a thought experiment. No one had ever actually tested it on real prisoners. Until now
erickjhonkdkk21

Buy Yelp Reviews - Real, Legit, Genuine and Elite | Sticky - 0 views

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    Buy yelp reviews from us and get all reviews from real elite user profiles. All elite profiles are real and active. Also, all elite users are real citizen
markfrankel18

Iggy Azalea and Realness in Hip-Hop - 4 views

  • realness in hip-hop has a slippery definition, related to the everyday sense of the word but not synonymous with it. 
  • Artists of all kinds feel obliged to establish authenticity. Bob Dylan was a refugee from middle-class Minnesota, but his gnomic responses to interview questions allowed him to brand himself as a rambling countercultural troubadour. Jean-Michel Basquiat’s reputation as a formerly homeless autodidact helped endear him to gallerists who prized edginess. But the problem of authenticity was particularly acute in early hip-hop, which had a dual mandate—fictional in some ways, journalistic in others. “Rap is CNN for black people,” Chuck D is often alleged to have said. What he actually said was, “Rap is black America’s TV station. It gives a whole perspective of what exists and what black life is all about.”
  • A few years ago it was revealed that Ross had actually been a correctional officer. No one seemed to mind. If a Jew wrote “White Christmas” and a prep-school graduate wrote “Scarface,” why shouldn’t a former cop make the best narco-trafficking anthems of his generation?
Lawrence Hrubes

Reading With Imagination - NYTimes.com - 2 views

  • Fiction, which I believe suffers most from modern readership, is by definition not factual. It may be about the real world and it may try to illuminate some facts about the real world or how real people behave in it or, as is so often the case in modern literature, it may also be about the impossibility of portraying any such reality since the very nature of art is artifice. Primarily, however, fiction (and biography, essay, history, memoir only perhaps to a lesser degree) is a creative act, an act of the author’s imagination and likewise, ideally, it should be read with imagination.
markfrankel18

What Elvish, Klingon, and Dothraki Reveal about Real Language & the Essence of Human Co... - 1 views

  • Language, Darwin believed, was not a conscious invention but a phenomenon “slowly and unconsciously developed by many steps.” But what makes a language a language? In this short animation from TED Ed, linguist John McWhorter, author of the indispensable The Power of Babel: A Natural History of Language (public library), explores the fascinating world of fantasy constructed languages — known as conlangs — from Game of Thrones’ Dothraki to Avatar’s Na’vi to Star Trek’s Klingon to Lord of the Rings’ Elvish. Though fictional, these conlangs reveal a great deal about the fundamentals of real human communication and help us understand the essential components of a successful language — extensive vocabulary, consistent grammar rules but peppered with exceptions, and just the right amount of room for messiness and evolution.
markfrankel18

The case for considering robots people - Quartz - 0 views

  • “If we are dealing with robots like they are real people, the law should recognize that those interactions are like our interactions with real people,” Weaver writes. “In some cases, that will require recognizing that the robots are insurable entities like real people or corporations and that a robot’s liability is self-contained.” + Here’s the problem: If we don’t define robots as entities with certain legal rights and obligations, we will have a very difficult time using them effectively. And the tool that we have for assigning those things is legal personhood.
markfrankel18

4 | The Golden Ratio: Design's Biggest Myth | Co.Design | business + design - 0 views

  • The golden ratio's aesthetic bona fides are an urban legend, a myth, a design unicorn. Many designers don't use it, and if they do, they vastly discount its importance. There's also no science to really back it up.
  • "Strictly speaking, it's impossible for anything in the real-world to fall into the golden ratio, because it's an irrational number," says Keith Devlin, a professor of mathematics at Stanford University.
  • You Don't Really Prefer The Golden Ratio In the real world, people don't necessarily prefer the golden ratio.
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  • "We're creatures who are genetically programmed to see patterns and to seek meaning," he says. It's not in our DNA to be comfortable with arbitrary things like aesthetics, so we try to back them up with our often limited grasp of math. But most people don't really understand math, or how even a simple formula like the golden ratio applies to complex system, so we can't error-check ourselves.
Lawrence Hrubes

Airy Hill Studio | My studio practice through the lens of the sketchbook - 0 views

  • Airy Hill Studio My studio practice through the lens of the sketchbook
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    Cory Wanamaker is a professional artist and sometimes-international-school teacher, part of the ISP community for several years (2012-2015+). This is his blog on process... and many aspects of the real work of being an artist.
markfrankel18

Elizabeth Loftus: The fiction of memory | Video on TED.com - 0 views

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    "Psychologist Elizabeth Loftus studies memories. More precisely, she studies false memories, when people either remember things that didn't happen or remember them differently from the way they really were. It's more common than you might think, and Loftus shares some startling stories and statistics, and raises some important ethical questions we should all remember to consider. Memory-manipulation expert Elizabeth Loftus explains how our memories might not be what they seem -- and how implanted memories can have real-life repercussions."
Lawrence Hrubes

The Real Lesson of the Stanford Prison Experiment - The New Yorker - 0 views

  • On the morning of August 17, 1971, nine young men in the Palo Alto area received visits from local police officers. While their neighbors looked on, the men were arrested for violating Penal Codes 211 and 459 (armed robbery and burglary), searched, handcuffed, and led into the rear of a waiting police car. The cars took them to a Palo Alto police station, where the men were booked, fingerprinted, moved to a holding cell, and blindfolded. Finally, they were transported to the Stanford County Prison—also known as the Stanford University psychology department.
  • And yet the lessons of the Stanford Prison Experiment aren’t so clear-cut. From the beginning, the study has been haunted by ambiguity. Even as it suggests that ordinary people harbor ugly potentialities, it also testifies to the way our circumstances shape our behavior. Was the study about our individual fallibility, or about broken institutions? Were its findings about prisons, specifically, or about life in general? What did the Stanford Prison Experiment really show?
markfrankel18

The Real Miracle of Acupuncture: That Anyone Still Believes In It | Big Think - 0 views

  • It is often alleged that acupuncture is an ancient medical practice that has been refined and revered for thousands of years. In reality acupuncture is indeed an ancient medical practice, but it has in fact been in decline for thousands of years. In 1822 it was actually banned from the Imperial Medical Academy by Emperor Dao Guang. It wasn’t until 1966 that it was revived by Chairman Mao Zedong, but even he didn’t actually believe in it.
  • “Almost all trials of alternative medicines seem to end up with the conclusion that more research is needed. After more than 3,000 trials, that is dubious. ... Since it has proved impossible to find consistent evidence after more than 3,000 trials, it is time to give up.” — David Colquhoun
markfrankel18

Why don't our brains explode at movie cuts? - Jeff Zacks - Aeon - 1 views

  • Throughout evolutionary history, we never saw anything like a montage. So why do we hardly notice the cuts in movies?
  • Simply put, visual perception is much jerkier than we realise. First, we blink. Blinks happen every couple of seconds, and when they do we are blind for a couple of tenths of a second. Second, we move our eyes. Want to have a little fun? Take a close-up selfie video of your eyeball while you watch a minute’s worth of a movie on your computer or TV.
  • Between blinks and saccades, we are functionally blind about a third of our waking life.
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  • Worse yet, even when your eyes are open, they are recording a lot less of the world than you realise.
  • There is, however, one situation in which stitching a new view in with the previous one is a bad idea: when the new view represents a transition from one event to another.
  • That makes good evolutionary sense, doesn’t it? If your memory conflicts with what is in front of your eyeballs, the chances are it is your memory that is at fault. So, most of the time your brain is stitching together a succession of views into a coherent event model, and it can handle cuts the same way it handles disruptions such as blinks and saccades in the real world.
  • Our brains do a lot of work to fill in the gaps, which can produce some pretty striking – and entertaining – errors of perception and memory.
  • So now I think we have a story about why our heads don’t explode when we watch movies. It’s not that we have learned how to deal with cuts. It’s certainly not that our brains have evolved biologically to deal with film – the timescale is way too short. Instead, film cuts work because they exploit the ways in which our visual systems evolved to work in the real world.
Lawrence Hrubes

Adapting Real-Life Events Like Klinghoffer's Death - NYTimes.com - 0 views

  • As far as I could tell, there were no protesters in the vicinity of Lincoln Center on Nov. 15 before a Saturday matinee, the final performance of “The Death of Klinghoffer” at the Metropolitan Opera. This was a big change from the opening night of the Met’s season in September and the premiere of the “Klinghoffer” production last month, when hundreds of angry demonstrators gathered to denounce this opera by the composer John Adams and the librettist Alice Goodman as an anti-Semitic work that dared to humanize terrorists. Of course, Saturday is the Jewish Sabbath. But the only sign I saw being held outside the Met at the sold-out matinee said, “I need a ticket!” in big red letters.This was also to have been the day of a live HD simulcast of “Klinghoffer.” But Peter Gelb, the Met’s general manager, canceled the broadcast, bowing to pressure from the Anti-Defamation League, whose leaders were concerned about the work’s gaining international exposure at a time of a rise in anti-Semitic actions.
markfrankel18

Climate buffoons' real motives: 5 reasons they still spout debunked garbage - Salon.com - 1 views

  • The most simplistic of climate deniers are those who looked out their windows this winter, saw that it was snowing, and reasoned that global warming therefore can’t be real. This speaks to a basic confusion of the difference between weather and climate. (If you’d like a much more thorough debunking of weather-based climate change denial, read this.)It’s also a classic example of confirmation bias: Deniers get giddy when it snows because it appears to confirm their belief that Earth isn’t really getting warmer. To understand why that doesn’t make sense, one need only look at the average global temperatures. Yes, it was very cold in parts of the U.S., but zoom out and it becomes clear that last month, overall, was the fourth-warmest January in recorded history.In some cases, it could be a fear of science that is driving this type of thinking.
  • A misunderstanding of what scientists take as “proof” may also be responsible for this confusion.
Lawrence Hrubes

BBC - Culture - The greatest mistranslations ever - 0 views

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    "Life on Mars When Italian astronomer Giovanni Virginio Schiaparelli began mapping Mars in 1877, he inadvertently sparked an entire science-fiction oeuvre. The director of Milan's Brera Observatory dubbed dark and light areas on the planet's surface 'seas' and 'continents' - labelling what he thought were channels with the Italian word 'canali'. Unfortunately, his peers translated that as 'canals', launching a theory that they had been created by intelligent lifeforms on Mars. Convinced that the canals were real, US astronomer Percival Lowell mapped hundreds of them between 1894 and 1895. Over the following two decades he published three books on Mars with illustrations showing what he thought were artificial structures built to carry water by a brilliant race of engineers. One writer influenced by Lowell's theories published his own book about intelligent Martians. In The War of the Worlds, which first appeared in serialised form in 1897, H G Wells described an invasion of Earth by deadly Martians and spawned a sci-fi subgenre. A Princess of Mars, a novel by Edgar Rice Burroughs published in 1911, also features a dying Martian civilisation, using Schiaparelli's names for features on the planet. While the water-carrying artificial trenches were a product of language and a feverish imagination, astronomers now agree that there aren't any channels on the surface of Mars. According to Nasa, "The network of crisscrossing lines covering the surface of Mars was only a product of the human tendency to see patterns, even when patterns do not exist. When looking at a faint group of dark smudges, the eye tends to connect them with straight lines." "
markfrankel18

Twitter histories of events are vanishing - Salon.com - 1 views

  • Nowadays, we’re very good at telling history in real time. Live-tweeting, livestreaming, Instagraming, link sharing, instant commenting — everyday lives and major events are recorded and narrated from every angle as they happen. A new study has found, however, that these minutes-old histories may not be built to last.
  • As the Technology Review reported:A significant proportion of the websites that this social media [around the Arab Spring] points to has disappeared. And the same pattern occurs for other culturally significant events, such as the the H1N1 virus outbreak, Michael Jackson’s death and the Syrian uprising. In other words, our history, as recorded by social media, is slowly leaking away.
  • So it seems that social media sites like Twitter do not remain as fecund a resource over time as they do in real time. But no historian has ever worked on the assumption that all, or even most, information about an event is preserved, let alone even recorded. Not even Twitter has changed that.
Lawrence Hrubes

BBC News - Does money make you mean? - 0 views

  • He's here to illustrate one of his more provocative experiments - who is more likely to stop for pedestrians, the rich or the poor?
  • "None of the drivers of the least expensive cars broke the law, while close to 50% of our most expensive car drivers broke the law," he says.
  • After nearly a decade researching this field, Piff has come to the controversial conclusion that being wealthy, rather than transforming you into a benevolent benefactor, can actually be rather bad for your moral fibre.
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  • Psychology is a discipline fraught with difficulties. In real-world studies there are always confounding factors - does the person crossing the road step out more confidently in front of a cheaper car? Is the driver really wealthy or has he borrowed his uncle's BMW? Data from population surveys is hard to decipher. There's no way to tease apart cause and effect, and subjects who turn up to take part in lab studies give responses that may or may not bear any relation to real life. It's only when studies employing different methods repeatedly point in the same direction that the results are deemed significant.
Nastia Ilina

Are Elvish, Klingon, Dorthraki and Na'vi Real Languages? - 2 views

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    A short TED-ed lesson on conlangs - constructed languages. Questions the nature and definition of language, subsequently exploring the development of Elvish by J.R.R. Tolkien.
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