Skip to main content

Home/ TOK@ISPrague/ Group items tagged character

Rss Feed Group items tagged

Lawrence Hrubes

Full Exposure - The New Yorker - 0 views

  • Female impersonators, midgets, hermaphrodites, tattooed (all over) men, an albino sword swallower, a human pincushion, a Jewish giant: “Characters in a Fairy Tale for Grown Ups” is the way Diane Arbus once described her subjects—“people who appear like metaphors somewhere further out than we do,” she also said, “invented by belief.”
  • She needed to get closer, physically and emotionally. So she asked permission, got to know people, listened to their stories; some relationships went on for years.
  • enrolled in a course with the photographer Lisette Model, who recalled that her main task was urging her nerve-racked student to overcome the fear that photographing her fairy-tale characters was “evil.” In fact, Arbus never entirely lost her qualms about the role she played in other people’s often painfully damaged lives.
markfrankel18

Chipewyan baby name not allowed on N.W.T. birth certificate - North - CBC News - 0 views

  • The symbol in Sahaiʔa's name is the glottal stop, an important one in Chipewyan that signifies both pronunciation and meaning. If it were replaced with a different character, Sahaiʔa's name would both sound and mean something completely different.
  • When Catholique Valpy attempted to register her baby in February of last year, she received a phone call from the Northwest Territories government's vital statistics department, telling her it couldn't support the use of the traditional character.
markfrankel18

Morality is the key to personal identity - Nina Strohminger - Aeon - 4 views

  • We tend to think that our memories determine our identity, but it’s moral character that really makes us who we are
  • Nor can you have formal moral systems without identity. The 18th-century philosopher Thomas Reid observed that the fundaments of justice – rights, duty, responsibility – would be impossible without the ability to ascribe stable identity to persons.
  • Why does our identity detector place so much emphasis on moral capacities? These aren’t our most distinctive features.
Vicki Close

Science Shows Something Surprising About People Who Still Read Fiction - Mic - 0 views

  • Literary fiction enhanced participants' empathy because they had to work harder at fleshing out the characters. The process of trying to understand what those characters are feelings and the motives behind them is the same in our relationships with other people. 
  •  
    Brain research finds that readers of literary fiction demonstrate increased levels of empathy over readers of non-fiction, social media and popular fiction.
Lawrence Hrubes

Angela Duckworth on Passion, Grit and Success - The New York Times - 0 views

  • So why is grit so important?My lab has found that this measure beats the pants off I.Q., SAT scores, physical fitness and a bazillion other measures to help us know in advance which individuals will be successful in some situations.
  • How can parents foster grit in their children?The parenting style that is good for grit is also the parenting style good for most other things: Be really, really demanding, and be very, very supportive. By this I don’t mean material things; I mean emotional support.
markfrankel18

On the Face of It: How We Vote : The New Yorker - 0 views

  • In 2003, the Princeton psychologist Alexander Todorov began to suspect that, except for those people who have hard-core political beliefs, the reasons we vote for particular candidates could have less to do with politics and more to do with basic cognitive processes—in particular, perception. When people are asked about their ideal leader, one of the single most important characteristics that they say they look for is competence—how qualified and capable a candidate is. Todorov wondered whether that judgment was made on the basis of intuitive responses to basic facial features rather than on any deep, rational calculus. It would make sense: in the past, extensive research has shown just how quickly we form impressions of people’s character traits, even before we’ve had a conversation with them. That impression then colors whatever else we learn about them, from their hobbies to, presumably, their political abilities. In other words, when we think that we are making rational political judgments, we could be, in fact, judging someone at least partly based on a fleeting impression of his or her face.
  • Starting that fall, and through the following spring, Todorov showed pairs of portraits to roughly a thousand people, and asked them to rate the competence of each person. Unbeknownst to the test subjects, they were looking at candidates for the House and Senate in 2000, 2002, and 2004. In study after study, participants’ responses to the question of whether someone looked competent predicted actual election outcomes at a rate much higher than chance—from sixty-six to seventy-three per cent of the time. Even looking at the faces for as little as one second, Todorov found, yielded the exact same result: a snap judgment that generally identified the winners and losers.
markfrankel18

Wikipedia China Becomes Front Line for Views on Language and Culture - NYTimes.com - 0 views

  • The Chinese-language version of Wikipedia has become more than an online encyclopedia: it is a battlefield for editors from China, Taiwan and Hong Kong in a region charged with political, ideological and cultural differences.
  • Wikipedia editors, all volunteers, present opposing views on politics, history and traditional Chinese culture — in essence, different versions of China. Compounding the issue are language differences: Mandarin is the official language in mainland China and Taiwan, while the majority in Hong Kong speak Cantonese. But mainland China uses simplified characters, while Taiwan and Hong Kong use traditional script. That has led to articles on otherwise innocuous topics becoming flash points, and has caused controversial entries to be restricted.
Lawrence Hrubes

BBC News - A Point of View: The writer who foresaw the rise of the totalitarian state - 2 views

  • The 19th Century Russian novelist Fyodor Dostoyevsky wrote about characters who justified murder in the name of their ideological beliefs. For this reason, John Gray argues, he's remained relevant ever since, through the rise of the totalitarian states of the 20th Century, to the "war against terror".
Lawrence Hrubes

Why Save a Language? - NYTimes.com - 0 views

  • Certainly, experiments do show that a language can have a fascinating effect on how its speakers think. Russian speakers are on average 124 milliseconds faster than English speakers at identifying when dark blue shades into light blue. A French person is a tad more likely than an Anglophone to imagine a table as having a high voice if it were a cartoon character, because the word is marked as feminine in his language.This is cool stuff. But the question is whether such infinitesimal differences, perceptible only in a laboratory, qualify as worldviews — cultural standpoints or ways of thinking that we consider important. I think the answer is no.
  • Yet because language is so central to being human, to have a language used only with certain other people is a powerful tool for connection and a sense of community. Few would deny, for example, that American Jews who still speak Yiddish in the home are a tighter-knit community, less assimilated into Anglophone American life and less at odds with questions about Jewish identity, than Jews who speak only English.
  • For example, whether or not it says anything about how its speakers think, the fact that there is a language in New Guinea that uses the same word for eat, drink and smoke is remarkable in itself. Another New Guinea language is Yeli Dnye, which not only has 90 sounds to English’s 44, but also has 11 different ways to say “on” depending on whether something is horizontal, vertical, on a point, scattered, attached and more. And there is Berik, where you have to change the verb to indicate what time of day something happened. As with any other feature of the natural world, such variety tests and expands our sense of the possible, of what is “normal.”
markfrankel18

An Argument for Hearing a Work With a Nazi Reference - NYTimes.com - 0 views

  • But the controversy of this most recent example sadly comes as no surprise in an era filled with calls for “trigger warnings,” explicit alerts that the material people are about to read or see — in a classroom or concert hall — might upset them. And the protests of the Metropolitan Opera’s production of John Adams’s “The Death of Klinghoffer” last fall involved the misapprehension that anything and everything expressed in a work of art — even something offensive, such as the anti-Semitic sentiments voiced by the opera’s terrorist characters — receives the endorsement of its creators. The issue in both cases is one of excessive literalism.
Lawrence Hrubes

BBC News - Fifty Shades of Grey boy, 11, causes stir at school - 1 views

  • A boy who dressed as a character from Fifty Shades of Grey was excluded from his school's World Book Day celebrations, according to his mother. Liam Scholes, 11, went to Sale High School as Christian Grey from the explicit novel, wearing a grey suit and carrying cable ties and an eye mask. His mother Nicola Scholes, a teacher, said the Greater Manchester school ruled the costume was "inappropriate" and excluded her son from photographs. The school is unavailable for comment. Ms Scholes said she feels Liam's outfit was actually more appropriate than some of the costumes worn by others. She said it was deemed "appropriate for a teacher to dress up as a serial killer" and "acceptable for kids to dress up as people that kill others" and "come in with [toy] guns".
markfrankel18

We Didn't Eat the Marshmallow. The Marshmallow Ate Us. - NYTimes.com - 4 views

  • The marshmallow study captured the public imagination because it is a funny story, easily told, that appears to reduce the complex social and psychological question of why some people succeed in life to a simple, if ancient, formulation: Character is destiny. Except that in this case, the formulation isn’t coming from the Greek philosopher Heraclitus or from a minister preaching that “patience is a virtue” but from science, that most modern of popular religions.
  • But how our brains work is just one of many factors that drive the choices we make. Just last year, a study by researchers at the University of Rochester called the conclusions of the Stanford experiments into question, showing that some children were more likely to eat the first marshmallow when they had reason to doubt the researcher’s promise to come back with a second one. In the study, published in January 2013 in Cognition under the delectable title “Rational Snacking,” Celeste Kidd, Holly Palmeri and Richard N. Aslin wrote that for a child raised in an unstable environment, “the only guaranteed treats are the ones you have already swallowed,” while a child raised in a more stable environment, in which promises are routinely delivered upon, might be willing to wait a few more minutes, confident that he will get that second treat.
  • Willpower can do only so much for children facing domestic instability, poor physical health or intellectual deficits.
Lawrence Hrubes

China's Tradition of Public Shaming Thrives - NYTimes.com - 0 views

  • From primary school to university, I witnessed countless such public humiliations: for fighting, cheating or petty misdemeanors. Caught committing any of these offenses and you may have to stand before the student body, criticizing your own “moral flaws,” condemning your character defects, showing yourself no mercy, even exaggerating your faults. Only those who have endured it can know the depth of shame one feels.
  • The leading media outlet CCTV has provided a platform for many of the public shamings, which have included those of business people, screenwriters, celebrities, editors and journalists — anyone deemed to be on the wrong side of the Communist Party’s latest self-serving campaign. They speak to us from behind bars, their prisoner status made clear from their uniforms and (sometimes) shaved heads, their serious expressions and tearful faces.
  • Socialist countries tend to emphasize national and collective interest ahead of individual rights and dignity. This has been a constant throughout 66 years of Communist rule in China, but in the past two years the tendency has become increasingly strident. Cases of public shaming show us how in the name of some great cause, individual rights, dignity and privacy can all be sacrificed.
Lawrence Hrubes

BBC - Culture - Selma and American Sniper: Is accuracy important? - 1 views

  • One of the problems is that no narrative feature is going to be able to convey the absolute truth. Characters inevitably get conflated and information omitted.“I think if you have two hours to tell a story, you have to contract things, you have to make your point in ways that a documentary would make them differently,” says David Oyelowo, the British actor who portrays Martin Luther King Jr.
  • “We’re in the service of truth. Sometimes that obliges you to take shortcuts of poetic license. You’re obliged to do it. You can take too many liberties, you have to find a line between it all,” he says.
  • The other film caught up in all the mudslinging this year has been American Sniper, the story of US Navy Seal Chris Kyle, directed by Clint Eastwood. With this picture criticism has largely broken down along political lines, with liberals arguing that the movie glorifies killing, demeans Arabs and omits some less than flattering aspects of Kyle’s life. There has also been an effort by the film’s critics to point out that the Academy shouldn’t be celebrating a film about a soldier who reportedly described killing Iraqis as “fun”.The picture, which has been a huge box office success, has been strongly embraced by many conservatives who view it as a well-crafted and very moving portrait of a troubled but patriotic US soldier.
  • ...1 more annotation...
  • “I think it’s really a bit much to ask a film to 100% reproduce reality on screen when I think the average person in their own lives has a hard time remembering exactly how things happened even [about] lunch with someone a week ago,” says Foundas.
Lawrence Hrubes

Watching Them Turn Off the Rothkos - The New Yorker - 4 views

  • Mainly, I think, the restoration story gets people hooked because it raises ancient and endlessly fascinating philosophy-of-art questions. In this respect, the restored murals are really a new work, a work of conceptual art. To look at them is to have thoughts about the nature of art. When I was a student, I went to a class taught by the art historian Meyer Schapiro. There were lots of people in the room; I think it was supposed to be his last class. (This was at Columbia, where Schapiro had been, as a student and a professor, since 1920.) He devoted the entire opening lecture to forgeries. I couldn’t believe it. I wanted to hear him talk about paintings, not fakes. I didn’t go back.
  • Which shows how clueless I was, even then. Forgery is important because it exposes the ideological character of aesthetic experience. We’re actually not, or not only, or never entirely, responding to an art object via its physical attributes. What we’re seeing is not just what we see. We bring with us a lot of non-sensory values—one of which is authenticity.
  • We’re not absolutists about it. Authenticity is a relative term. Most people don’t undergo mild epistemological queasiness while they’re looking at a conventionally restored Rothko. We look at restored art in museums all the time, and we rarely worry that it’s insufficiently authentic. In the case of the Harvard Rothkos, though, the fact that the faded painting and the faked painting are in front of us at the same time somehow makes for a discordant aesthetic experience. It’s as though, at four o’clock every day, Andy Warhol’s Brillo Boxes turned into the ordinary Brillo cartons of which they were designed to be simulacra. You would no longer be sure what you were looking at.
markfrankel18

Art All Over - The New Yorker - 2 views

  • At what point does a widely shared yen for aesthetic engagement alter the character of that engagement? We’ve reached that point on many days at the Museum of Modern Art, where the crowds experience mainly crowdedness, and the Picassos and Pollocks take on the glazed miens of traumatized warriors. MOMA’s own planned expansion bodes an architecture keyed to crowd management, which explains the logic behind even the cruel demolition of the intimate former American Museum of Folk Art.
1 - 16 of 16
Showing 20 items per page