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markfrankel18

BBC News - How random is random on your music player? - 0 views

  • "Our brain is an excellent pattern-matching device," said Babar Zafar, a lead developer at Spotify, in an interview for Tech Tent on the BBC World Service. "It will find patterns where there aren't any."
  • "The problem is that, to humans, truly random does not feel random," said Mattias Johansson, a Spotify software engineer, in a response on the question-and-answer site Quora.
Lawrence Hrubes

Problems Too Disgusting to Solve - The New Yorker - 0 views

  • last month, Bill Gates released a video of one of the latest ventures funded by the Bill and Melinda Gates Foundation: the Omniprocessor, a Seattle-based processing plant that burns sewage to make clean drinking water. In the video, Gates raises a glass of water to his lips. Just five minutes ago, the caption explains, that water was human waste. Gates takes a sip. “It’s water,” he says. “Having studied the engineering behind it,” he writes, on the foundation’s blog, “I would happily drink it every day. It’s that safe.”
  • In the first series of studies, the group asked adults in five cities about their backgrounds, their political and personal views, and, most important, their view on the concept of “recycled water.” On average, everyone was uncomfortable with the idea—even when they were told that treated, recycled water is actually safer to drink than unfiltered tap water. That discomfort, Rozin found, was all about disgust. Twenty-six per cent of participants were so disgusted by the idea of toilet-to-tap that they even agreed with the statement, “It is impossible for recycled water to be treated to a high enough quality that I would want to use it.” They didn’t care what the safety data said. Their guts told them that the water would never be drinkable. It’s a phenomenon known as contagion, or, as Rozin describes it, “once in contact, always in contact.” By touching something we find disgusting, a previously neutral or even well-liked item can acquire—permanently—its properties of grossness.
  • eelings of disgust are often immune to rationality. And with good reason: evolutionarily, disgust is an incredibly adaptive, life-saving reaction. We find certain things instinctively gross because they really can harm us. Human secretions pass on disease. Noxious odors signal that your surroundings may be unsafe. If something feels slimy and sludgy, it’s likely a moisture-rich environment where pathogens may proliferate. Disgust is powerful, in short, because it often signals something important. It’s easy, though, to be disgusted by things that aren’t actually dangerous. In a prior study, Rozin found that people were unwilling to drink a favorite beverage into which a “fully sterilized” cockroach had been dipped. Intellectually, they knew that the drink was safe, but they couldn’t get over the hump of disgust. In another experiment, students wouldn’t eat chocolate that had been molded to look like poop: they knew that it was safe—tasty, even—but its appearance was too much to handle. Their response makes no logical sense. When it comes to recycled water, for instance, Rozin points out that, on some level, all water comes from sewage: “Rain is water that used to be in someone’s toilet, and nobody seems to mind.” The problem, he says, has to do with making the hidden visible. “If it’s obvious—take shit water, put it through a filter—then people are upset.”
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  • Disgust has deep psychological roots, emerging early in a child’s development. Infants and young toddlers don’t feel grossed out by anything—diapers, Rozin observes, are there in part to stop a baby “from eating her shit.” In the young mind, curiosity and exploration often overpower any competing instincts. But, at around four years old, there seems to be a profound shift. Suddenly, children won’t touch things that they find appalling. Some substances, especially human excretions of any sort, are seen as gross and untouchable all over the world; others are culturally determined. But, whether universal or culturally-specific, the disgust reactions that we acquire as children stay with us throughout our lives. If anything, they grow stronger—and more consequential—with age.
sleggettisp

25 maps that explain the English language - 1 views

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    English is the language of Shakespeare and the language of Chaucer. It's spoken in dozens of countries around the world, from the United States to a tiny island named Tristan da Cunha. It reflects the influences of centuries of international exchange, including conquest and colonization, from the Vikings through the 21st century.
markfrankel18

Speaking a second language may change how you see the world | Science/AAAS | News - 0 views

  • The results suggest that a second language can play an important unconscious role in framing perception, the authors conclude online this month in Psychological Science. “By having another language, you have an alternative vision of the world,”
Lawrence Hrubes

Video of Apollo Robbins Pickpocketing : The New Yorker - 1 views

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    "In the January 7th issue of the magazine, Adam Green profiles the pickpocket Apollo Robbins. Green writes: "Robbins, who is thirty-eight and lives in Las Vegas, is a peculiar variety-arts hybrid, known in the trade as a theatrical pickpocket. Among his peers, he is widely considered the best in the world at what he does, which is taking things from people's jackets, pants, purses, wrists, fingers, and necks, then returning them in amusing and mind-boggling ways.""
Lawrence Hrubes

Chef Heston Blumenthal's Philosophy: The Fat Duck Restaurant - 1 views

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    "Of course I want to create food that is delicious, but this depends on so much more than simply what's going on in the mouth-context, history, nostalgia, emotion, memory and the interplay of sight, smell, sound and taste all play an important part in our appreciation and enjoyment of food"
Daniel Lamken

Baltimore Riots: The story behind TIME's iconic cover | Flickr Blog - 1 views

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    Useful in review of English 10's study of 'voice' and our upcoming poetry unit, which encourages "the unheard to be heard" (as expressed at the end of this piece). Devin Allen grew up in west Baltimore surrounded by crime, drugs, and murder. Photography offered him not only a means of rediscovering his community's beauty, but also literally saved his life. Still, he never dreamed that one of his photos would land him on the cover of Time magazine.
Philip Drobis

Imitation is what makes us human and creative - Kat McGowan - Aeon - 3 views

  • Throughout human history, innovation – including the technological progress we cherish – has been fuelled and sustained by imitation. Copying is the mighty force that has allowed the human race to move from stone knives to remote-guided drones, from digging sticks to crops that manufacture their own pesticides.
    • Philip Drobis
       
      Imitation is the source for technological advance --by copying others inventions we can add our own potentially benefit to them, thus providing a small contribution to its advancement
  • advances happen largely through tinkering, when somebody recreates a good thing with a minor upgrade that makes it slightly better.
  • When Isaac Newton talked about standing on the shoulders of giants, he should have said that we are dwarves, standing atop a vast heap of dwarves.
    • Philip Drobis
       
      Ties to our ability to observe and remember what we see. That we can then build off of that and improve it
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  • Lots of copying means that many minds get their chance at the problem; imitation ‘makes the contents of brains available to everyone’, writes the developmental psychologist Michael Tomasello in the Cultural Origins of Human Cognition (1999). Tomasello, who is co-director of the Max Planck Institute for Evolutionary Anthropology in Leipzig, calls the combination of imitation and innovation the ‘cultural ratchet’. It is like a mechanical ratchet that permits motion in only one direction – such as winding a watch, or walking through a turnstile. Good ideas push the ratchet forward one notch. Faithful imitation keeps the ratchet from slipping backward, protecting ideas from being forgotten or lost and keeping knowledge alive for the next round of improvement.
    • Philip Drobis
       
      Multiple minds are essentially key as the cumulative opportunities of each individual given a chance at the issue can lead to one finding something prosperous 
  • In the 1930s, a pair of psychologists raised an infant chimp alongside their own baby in an attempt to understand both species better. The chimp raised in this family (and others in other such experiments later in the century) never behaved much like a human. The human child, on the other hand, soon began knuckle-walking, biting, grunting and hooting – just like his new sibling.
    • Philip Drobis
       
      We copy to survive. Only we humans actually have the 'push' or are gullible enough to not realize as the Chimp example above proposes. -Ties to a biological and/or physiological connection in terms of behavior 
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    How we are imitators from childbirth 
Cisco Walker

What if the Universe is a Computer Simulation? - Computerphile - YouTube - 1 views

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    Thoughts and reflections on possible realities like The Matrix (among others) using the model of Conway's Game of Life... simple rules breeding complex outcomes.
markfrankel18

What if historians started taking the 'what if' seri... - 1 views

  • ‘“What if?” is a waste of time’ went the headline to the Cambridge historian Richard Evans’ piece in The Guardian last year. Surveying the many instances of public counterfactual discourse in the anniversary commemorations of the First World War, Evans wrote: ‘This kind of fantasising is now all the rage, and threatens to overwhelm our perceptions of what really happened in the past, pushing aside our attempts to explain it in favour of a futile and misguided attempt to decide whether the decisions taken in August 1914 were right or wrong.’
  • But hold on a minute.
  • If well-done counterfactuals can help us think them through, shouldn’t we allow what-ifs some space at the history table?
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  • What is worse, counterfactual speculations spring naturally from deeply conservative assumptions about what makes history tick. Like bestselling popular histories, counterfactuals usually take as their subjects war, biography or an old-school history of technology that emphasises the importance of the inventor.
  • Women – as individuals, or as a group – almost never appear, and social, cultural, and environmental history are likewise absent. Evans, for his part, thinks this is because complex cultural topics are not easy to understand through the simplifying lens of the ‘what if’.
  • Counterfactuals, if done well, can force a super-meticulous look at the way historians use evidence. And counterfactuals can encourage readers to think about the contingent nature of history – an exercise that can help build empathy and diminish feelings of national, cultural, and racial exceptionalism.
  • Historians who refuse to engage with counterfactuals miss an opportunity to talk about history in a way that makes intuitive sense to non-historians, while introducing theories about evidence, causality and contingency into the mix. The best characteristic of well-done counterfactuals might, in fact, be the way that they make the artfulness inherent in writing history more evident. After all, even the most careful scholar or author employs some kind of selective process in coming up with a narrative, a set of questions or an argument.
markfrankel18

Our Biased Brains - NYTimes.com - 4 views

  • The human brain seems to be wired so that it categorizes people by race in the first one-fifth of a second after seeing a face. Brain scans show that even when people are told to sort people by gender, the brain still groups people by race.
  • White American kids disproportionately judged that the people who were smiling were white and that those who were frowning were Asian. When the experiment was conducted in Taiwan with exactly the same photos, Taiwanese children thought that the faces when smiling were Asian, when frowning were white.
markfrankel18

This Artist with Synesthesia Sees Colors in Music and Paints Your Favorite Songs | Broadly - 2 views

  • Melissa McCracken grew up with a neurological condition that means she processes songs as colors—a gift that translates into paintings inspired by her favorite musicians.
markfrankel18

When Whites Just Don't Get It, Part 6 - The New York Times - 1 views

  • Why do we discriminate? The big factor isn’t overt racism. Rather, it seems to be unconscious bias among whites who believe in equality but act in ways that perpetuate inequality.
  • That’s why it’s so important for whites to engage in these uncomfortable discussions of race, because we are (unintentionally) so much a part of the problem. It’s not that we’re evil, but that we’re human. The challenge is to recognize that unconscious bias afflicts us all — but that we just may be able to overcome it if we face it.
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