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Lawrence Hrubes

After 70 years living as a black woman, Verda Byrd discovered she was white - Home | Ou... - 2 views

  • For almost all her life, Verda Byrd has lived as a black women. She was raised by black parents, married a black man, attended black churches, and even frequented black hair salons. But two years ago, she learned from her adoption papers that she was actually white.  Verda was legally born Jeanette Beagle, daughter to a poor white woman named Daisy Beagle, who struggled to raise several kids in the 1940's.  She was put into a children's home after her biological mother was injured in an accident. A few years later, Jeanette was adopted by a black couple  — and she became Verda.  Although her adopted parents told Verda she wasn't biologically theirs, they never told her that she was white. The discovery prompted Verda to reunite with her biological sisters. Through the reconnection, she learned that her perspective of race was far different from theirs. 
markfrankel18

They Hunt. They Gather. They're Very Good at Talking About Smells. - The New York Times - 0 views

  • What makes one human better at talking about odors than another? Are English speakers flawed smellers, or are the hunter-gatherers of the Malay Peninsula exceptional? Advertisement Continue reading the main story The answer might come down partly to culture, suggests a study published Thursday in Current Biology.
markfrankel18

All the explanations you've heard so far about Laurel vs. Yanny are probably wrong. - 0 views

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    "major celebrities chiming in"
markfrankel18

"Laurel" versus "Yanny" is a timely reminder that all human experience is subjective, m... - 0 views

  • The Dress and Yanny/Laurel blow our collective minds because we’re surprised when other people perceive the world differently than we do. And that suggests we’re still attached to the idea that our version of reality is the correct and only one. Nothing could be further from the truth. “It is a fact of neuroscience that everything we experience is a figment of our imagination,”
Lawrence Hrubes

The Myth of Whiteness in Classical Sculpture | The New Yorker - 1 views

  • if you were looking at an ancient Greek or Roman sculpture up close, some of the pigment “was easy to see, even with the naked eye.” Westerners had been engaged in an act of collective blindness. “It turns out that vision is heavily subjective,” he told me. “You need to transform your eye into an objective tool in order to overcome this powerful imprint”—a tendency to equate whiteness with beauty, taste, and classical ideals, and to see color as alien, sensual, and garish.
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