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A new artwork painted by artist Banksy on the treatment of people in the Calais camp known as the Jungle has been removed from a site in Knightsbridge, London opposite the French Embassy. Before its removal, Google decided to preserve it digitally for its Cultural Institute Project and Street View to allow other people to see the work.

Translation, however, is an example of a field where this approach fails horribly, because words cannot be reduced to their dictionary definitions, and because languages tend to have as many exceptions as they have rules. More often than not, a system like this is liable to translate “minister of agriculture” as “priest of farming.” Still, for math and chess it worked great, and the proponents of symbolic A.I. took it for granted that no activities signaled “general intelligence” better than math and chess.

It’s never been so easy to pretend to know so much without actually knowing anything. We pick topical, relevant bits from Facebook, Twitter or emailed news alerts, and then regurgitate them.

Who decides what we know, what opinions we see, what ideas we are repurposing as our own observations? Algorithms, apparently, as Google, Facebook, Twitter and the rest of the social media postindustrial complex rely on these complicated mathematical tools to determine what we are actually reading and seeing and buying.Continue reading the main story Continue reading the main story AdvertisementWe have outsourced our opinions to this loop of data that will allow us to hold steady at a dinner party, though while you and I are ostensibly talking about “The Grand Budapest Hotel,” what we are actually doing, since neither of us has seen it, is comparing social media feeds.

More than two decades before Brittany Maynard’s public advocacy for death with dignity inspired lawmakers in Washington, D.C., and at least 16 states to introduce legislation authorizing the medical practice of aid in dying for the terminally ill, Senator Frank Roberts of Oregon sponsored one of the nation’s first death-with-dignity bills.

People often have vicious thoughts. Sometimes they share them on Google. Do these thoughts matter?Yes. Using weekly data from 2004 to 2013, we found a direct correlation between anti-Muslim searches and anti-Muslim hate crimes.

After a law went into effect last summer banning obscenities in public performances, the playwright and director Ivan Vyrypaev excised the curse words from one of his plays, “The Drunks,” for its Russian debut at the prestigious Moscow Art Theater. Some actors played the new version straight, he said, while others winked to make clear what was cut.

The malleable nature of facts is a particular preoccupation in one field of philosophy. “Social constructivism” argues that there are simply no objective facts. Instead, every “fact” we believe is a reflection of our socially constructed values, and how we choose to perceive the world. This is not a new theory, and develops many of its ideas from Karl Marx and Friedrich Nietzsche, who examined shifting human values from a historical perspective in the 19th century. But the current political debate offers a vivid demonstration of these ideas. Jesse Prinz, a philosophy professor at City University of New York, explains that facts are always subjective. Even something as foundational as the periodic table. “When you look closely, you realize that it could have been organized very differently. It could be ordered by atomic weight, rather than atomic number, it could include isotopes, it could exclude elements that don’t exist in nature, and so on,” he says. “The way we classify things is always a function of both mind and world.”

“News of Boston public schools’ decision to go with the Peters projection has gone viral over the past week, and my teeth have not stopped itching,” Jonathan Crowe writes on his blog, The Map Room. “It is incredibly short-sighted and narrow-minded to say it should be one or the other,” says Mark Monmonier, author of Rhumb Lines and Map Wars: A Social History of the Mercator Projection. Even Ronald Grim, curator of the Norman B. Leventhal Map Center at the Boston Public Library, had concerns: “In my mind, both the Mercator and the Peters are controversial projections,” he says in a phone interview. “But we were not asked to be part of the decision.” Choosing between map projections is a necessarily difficult task. The Earth is resolutely three-dimensional, and any attempts to smooth it out are going to add a certain amount of warping. It’s a balancing act: the more accurate you make the continents’ relative area, the more you have to distort their shapes, and vice versa. The art of cartography lies in choosing to privilege one or another of these accuracies—or finding a sweet spot between them that serves your particular purpose.