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Recently, a psychiatric study on first episodes of psychosis made front-page news. People seemed quite surprised by the finding: that lower doses of psychotropic drugs, when combined with individual psychotherapy, family education and a focus on social adaptation, resulted in decreased symptoms and increased wellness.

Recently, a psychiatric study on first episodes of psychosis made front-page news. People seemed quite surprised by the finding: that lower doses of psychotropic drugs, when combined with individual psychotherapy, family education and a focus on social adaptation, resulted in decreased symptoms and increased wellness. But the real surprise — and disappointment — was that this was considered so surprising.

But the real surprise — and disappointment — was that this was considered so surprising.

And so it’s not entirely surprising that minority students in Yale’s Silliman College were upset that their master, Nicholas Christakis, and his wife, Erika, the associate master, defended the rights of students to wear offensive costumes at a Halloween party, while counselling those bothered by such behavior to “look away.”

some of the tensions of the liberal-arts college’s role: namely, that they are not just heady intellectual spaces but also domestic spaces, where young people live in close contact and negotiate emotionally intricate issues, including racial hostility, sexual violence, and more. The whole point of the residential system—as distinct from Yale’s classrooms—is to be a safe space, or at least this is what Yale itself implies.

The ‘‘-phobic’’ suffix has emerged as the activist’s most trusted term of art for pinning prejudice on an opponent. There’s ‘‘xenophobic,’’ ‘‘homophobic,’’ ‘‘Islamophobic,’’ ‘‘transphobic,’’ ‘‘fatphobic’’ and ‘‘whorephobic’’: Any blowhard who spews bigotry against a marginalized group — or any journalist who pens an article perceived as insufficiently sensitive — risks being called out for an irrational anxiety over one Other or another. When did this particular diagnosis become such a powerful weapon in the identity wars?

Last week, Marvel launched a new Avengers movie, “Age of Ultron,” and this month it’s launching a new comic book, “A-Force.” Ultron is a robot with artificial intelligence who believes that the only way to achieve peace on earth is to exterminate the human race. The A-Force is a race of lady Avengers, led by She-Hulk, who come from a “feminist paradise,” but I don’t know what that could possibly mean, because they all look like porn stars.

There are generally two, radically different ways to relate to the world: objective and subjective. Objectivity is an orientation towards reality based on abstracting away, in various degrees, from subjective experience, and from individual points of view. A subjective orientation, on the other hand, is based on an attunement to the inner experience of feeling, sensing, thinking and valuing that unfolds in our day-to-day living. This distinction has been brought into contemporary philosophical discourse most notably by Thomas Nagel, in a number of his essays, most famously in “What Is It Like to Be a Bat?”The spectacular success of science in the past 300 years has raised hopes that it also holds the key to guiding human beings towards a good life. Psychology and neuroscience has become a main source of life advice in the popular media. But philosophers have long held reservations about this scientific orientation to how to live life. The 18th century Scottish philosopher David Hume, for instance, famously pointed out, no amount of fact can legislate value, moral or otherwise. You cannot derive ought from is. But there is another, in some way more radical concern, expressed in Western philosophy most forcefully by Kierkegaard, and in literature by Dostoyevsky — two religiously inspired thinkers — namely that our experience of life matters in ineffable ways that no objective understanding of the world can capture.

Lifetime readers know that reading literature can be transformative, but they can’t prove it. If they tried, they would have to buck the metric prejudice, the American notion that assertions unsupported with statistics are virtually meaningless. What they know about literature and its effects is literally and spiritually immeasurable. They would have to buck common marketplace wisdom, too: in an economy demanding “skill sets”—defined narrowly as technical and business skills—that deep-reading stuff won’t get you anywhere.

‘“What if?” is a waste of time’ went the headline to the Cambridge historian Richard Evans’ piece in The Guardian last year. Surveying the many instances of public counterfactual discourse in the anniversary commemorations of the First World War, Evans wrote: ‘This kind of fantasising is now all the rage, and threatens to overwhelm our perceptions of what really happened in the past, pushing aside our attempts to explain it in favour of a futile and misguided attempt to decide whether the decisions taken in August 1914 were right or wrong.’

But hold on a minute.

If well-done counterfactuals can help us think them through, shouldn’t we allow what-ifs some space at the history table?

women” in 2013, Park Yu-ha wrote that she felt “a bit fearful” of how it might be received. After all, she said, it challenged “the common knowledge” about the wartime sex slaves.But even she was not prepared for the severity of the backlash.In February, a South Korean court ordered Ms. Park’s book, “Comfort Women of the Empire,” redacted in 34 sections where it found her guilty of defaming former comfort women with false facts. Ms. Park is also on trial on the criminal charge of defaming the aging women, widely accepted here as an inviolable symbol of Korea’s suffering under colonial rule by Japan and its need for historical justice, and she is being sued for defamation by some of the women themselves.

Melissa McCracken grew up with a neurological condition that means she processes songs as colors—a gift that translates into paintings inspired by her favorite musicians.

GAZA — Very little of Abu Shadi Shenbari’s family home remains in Beit Hanoun, in the northern Gaza Strip. Only a concrete bathroom wall was left standing when Israeli forces flattened the neighborhood near the border with Israel during the war with Hamas last summer.Though Mr. Shenbari had all but abandoned that last panel of erect concrete, in recent days he began building a wood and wire-mesh fort with a flimsy nylon roof to protect the bombed-out bathroom wall, which is now home to a 10-foot-tall depiction of a kitten.The spray-painted mural was created by the elusive British graffiti artist Banksy, who slipped in and out of Gaza in February, leaving his mark on three slabs of rubble left from Israel’s 50-day fight with Hamas, the Islamic group that controls Gaza.

A new artwork painted by artist Banksy on the treatment of people in the Calais camp known as the Jungle has been removed from a site in Knightsbridge, London opposite the French Embassy. Before its removal, Google decided to preserve it digitally for its Cultural Institute Project and Street View to allow other people to see the work.

Artist Amalia Ulman created an online persona and recorded it on Instagram to ask questions about gender online. Cadence Kinsey asks what her project tells us about our own social media identities. facebook Twitter reddit WhatsApp Google + Email