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anonymous

Taylor & Francis Online :: A Less Toxic Feminism: Can the Internet Solve the Age Old Question of How to Put Intersectional Theory into Practice? - Feminist Media Studies - Volume 14, Issue 3 - 0 views

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    I couldn't follow the link Justin, but I'm in Thailand and the internet here has a mind of its own. The title "A Less Toxic Feminism" -- really makes me want to read this. I'll Google!
morganaletarg

Homosexuality at the Online Hogwarts: Harry Potter Slash Fanfiction - 1 views

  • rites observes that the majority of YA novels about gay and lesbian teens "are very Foucaultian in their tendency to privilege the discourse of homosexuality over the physical sexual acts of gay men, defining homosexuality more rhetorically than physically" (102-03).
    • morganaletarg
       
      reasons no one has ever actually enjoyed an LGBT YA book
  • Star Trek is widely considered to be the first "modern" fandom, and the majority of studies of participatory media fandom begin their history with Trek fans. However, activities that could be called "fannish" go back much further, and include eighteenthcentury unauthorized sequels of works such as Gulliver's Travels, the aforementioned Sherlock Holmes pastiches, and the entire body of literary and folk "retellings." See Brewer, Pflieger, Derecho, and Stasi.
    • morganaletarg
       
      sources on history of fandom
  • According to Francesca Coppa, the Internet enabled "an increasingly customizable fannish experience" (54). As a result, "[a]rguably, this may be fandom's postmodern moment, where the rules are 'there ain't no rules' and traditions are made to be broken" (57).
  • ...6 more annotations...
  • One avenue that has yet to be explored, with specific regard to adolescent fans, is the potential to encounter and experiment with alternative modes of sexual discourse, particularly queer discourse.
  • how do depictions of adolescent sexuality in Potter fanfiction differ from those of published literature for adolescents?
  • "adolescent literature is as often an ideological tool used to curb teenagers' libido as it is some sort of depiction of what adolescents' sexuality actually is"
  • Slash, like other forms of fanfiction in the modern era, initially circulated by way of self-published zines. Because of the controversial nature of the stories, slash was available only to those who knew the right people in order to be put on mailing lists, and who had the financial resources to order zines and attend conventions-in other words, adults.
  • [S]lash is not so much queer in the act as it is queer in the space . . . . Slash is a sandbox where women come to be strange and unusual, or to do strange and unusual things, or to play with strange and unusual sand. The women may be queer or not, strange or not, unusual or not. The many different acts and behaviors of slash may be queer or not, strange or not, unusual or not. The queerness may be sexualized or it may not, and what is sexual for one woman may not be for another. The space is simply that: a space, where women can be strange and unusual and/or do strange and unusual things.8
  • Harry's discovery of his wizard nature is akin to a coming-out narrative-he escapes from a literal closet, and his relatives' horrified reactions bear a striking resemblance to the language of homophobia, especially in the way they hurl about words like "abnormality" (Chamber 2) as weapons. Thus, one can, from the perspective of the Muggle realm, read the entire wizarding world in terms of Julad's "queer space."
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    representation, history, fanwork does what published works don't
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    Your commentary provides a nice selection of pieces for readers. You model the best of Diigo work here! : ) (Even though I found this in a file cabinet -- of sorts!) YA novels are "Foucoultian" ?? Really? I've never read a YA book featuring homosexuality, but much media represents gay behaviors from heterosexual framework. Even Orange..New Black -- I think, anyway. Agree about fanwork doing what published works don't.
cairnskc

Preoccupations - Women and the Double Standard of Office Behavior - NYTimes.com - 0 views

  • As one woman put it, “Even in this day and age, a guy barks out an order and he is treated like someone who is in charge and a leader. But when a woman communicates in the exact same way, she’s immediately labeled assertive, dominating, aggressive and overbearing.”
  • you’d think that women could finally relax and stop worrying about how they are being perceived at the office.
  • double standard
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  • Translation? Pushy women are less likely to be hired.
  • But as long as the stereotypes remain all-powerful and are perpetuated by men and women alike, it’s necessary to navigate them.
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    How are double standards enforced online?
Kathleen Hancock

Save The Whales - Adopt A Whale - 0 views

  • Proceeds from the sale of merchandise will help support Save The Whales' educational programs.
  • Through Save The Whales' symbolic adoption program you will learn about orcas (killer whales) in the wild and in captivity.
  • Proceeds from the kits support Save The Whales education and outreach programs to schools, Whales On Wheels (WOW™)
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    proceeds from the online Adopt-a-Whale program
perezmv

HowStuffWorks "How Pandora Radio Works" - 0 views

  • Pandora has no concept of genre, user connections or ratings. It doesn't care what other people who like Gomez also like. When you create a radio station on Pandora, it uses a pretty radical approach to delivering your personalized selections: Having analyzed the musical structures present in the songs you like, it plays other songs that possess similar musical traits
  • Pandora relies on a Music Genome that consists of 400 musical attributes covering the qualities of melody, harmony, rhythm, form, composition and lyrics. It's a project that began in January 2000 and took 30 experts in music theory five years to complete. The Genome is based on an intricate analysis by actual humans (about 20 to 30 minutes per four-minute song) of the music of 10,000 artists from the past 100 years. The analysis of new music continues every day since Pandora's online launch in August 2005. As of May 2006, the Genome's music library contains 400,000 analyzed songs from 20,000 contemporary artists. You won't find Latin or classical yet: Pandora is in the process of developing a specialized Latin music Genome and is still deep in thought about how to approach the world of classical composition.
wstrahan

Pink Floyd: Pandora's Internet radio royalty ripoff - 0 views

  • The latest example is how Pandora is pushing for a special law in Congress to slash musicians' royalties – and the tactics they are using to trick artists into supporting this unfair cut in pay.
  • We hope that many online and mobile music services can give fans and artists the music they want, when they want it, at price points that work. But those same services should fairly pay the artists and creators who make the music at the core of their businesses.
  • Nearly 90% of the artists who get a check for digital play receive less than $5,000 a year. They cannot afford the 85% pay cut Pandora asked Congress to impose on the music community.
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  • Last year, we joined over 130 other bands and artists to oppose Pandora's campaign to cut the royalties paid for digital radio spins.
  • We've heard Pandora complain it pays too much in royalties to make a profit. (Of course, we also watched Pandora raise $235 million in its IPO and double its listeners in the last two years.) But a business that exists to deliver music can't really complain that its biggest cost is music.
  • Netflix pays more for movies than Pandora pays for music, but they aren't running to Congress for a bailout.
  • Everyone deserves the right to be paid a fair market rate for their work, regardless of what their work entails.
Will Sullivan

Does the Internet Make You Dumber? - WSJ - 2 views

  • Ms. Greenfield concluded that "every medium develops some cognitive skills at the expense of others." Our growing use of screen-based media, she said, has strengthened visual-spatial intelligence, which can improve the ability to do jobs that involve keeping track of lots of simultaneous signals, like air traffic control. But that has been accompanied by "new weaknesses in higher-order cognitive processes," including "abstract vocabulary, mindfulness, reflection, inductive problem solving, critical thinking, and imagination." We're becoming, in a word, shallower.
    • Will Sullivan
       
      This is similar to Engelbart's comments in his essay about Whorfian theories. How does the use of digital media affect our minds?
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    A growing body of scientific evidence suggests that the Internet, with its constant distractions and interruptions, is turning us into scattered and superficial thinkers, says Nicholas Carr.
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    A growing body of scientific evidence suggests that the Internet, with its constant distractions and interruptions, is turning us into scattered and superficial thinkers, says Nicholas Carr.
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    I need to know if you find anyone else besides Nicolas Carr who is saying this!! : /
wstrahan

Streaming revenues turn the tide against digital pirates - FT.com - 0 views

  • Spotify, the subscription streaming service, has more than 6m subscribers. In video, Netflix, boosted by original productions such as House of Cards , has more than 36m subscribers. Amazon, Google and now Apple, with iTunes Radio, are bringing streaming to a much wider audience
  • This is – at last – translating into meaningful income. The Recording Industry Association of America calculates that revenues from services including Spotify, Pandora and YouTube went from 3 per cent of industry revenues in 2007 to 15 per cent, or more than $1bn, in 2012.
  • Apple’s strategy has pleased some music companies because its streaming service also encourages downloads. But many content owners still believe that streaming cannibalises download and DVD revenues
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  • What is lost from many calculations is the fact that the urge to own may be weaker in the age of streaming, but so is the urge to steal
  • Traffic to peer-to-peer file-sharing and torrent sites is declining where legal alternatives are offered
  • . Netflix’s Ted Sarandos said in May: “When we launch in a territory, the BitTorrent traffic drops as the Netflix traffic grows.”
  • In an analysis of the Dutch market, Will Page, an economist working for Spotify, found that releases by Rihanna and Taylor Swift that were held off Spotify sold just one legal copy for each BitTorrent download, while hits from One Direction and Robbie Williams that were instantly available for streaming sold four copies. “The legitimate market is beginning to outshine the illegitimate market,” says Cary Sherman, the RIAA’s chairman.
  • High rates of piracy for hits such as Game of Thrones in markets such as Australia show that consumers still look to illegal sources if content is not available legally in all parts of the world the minute that US consumers get it.
  • No one is ready to declare victory against the pirates, but the tide is starting to turn against them. The Napster generation is growing up – and behind it is an iTunes, Netflix or Spotify generation that has higher expectations of online content, but is more willing to pay.
perezmv

How Do Companies Make Any Money in Digital? - 0 views

  • The entire infrastructure of the ad industry has been re-architected, and redeployed.  The critical change is that the infrastructure is now open across the entire "stack" of technologies, and pretty much every major platform is open and extensible. This means that new companies can innovate on specific problems without having to build out their own copy of the stack.  They can build the pieces they care about, the pieces that add specific value and utility for specific purposes – e.g. New Monetization Models for Publishers and Brand Advertisers, New Ad Formats, New Ad Inventory Types, New Impression Standards, New Innovation across Mobile, Video and Social, and so on.
  • targeting systems
normonique

How Unified Communications (UC) Has Become an Inseparable Part of Enterprise Mobility? « Finoit Technologies - 0 views

  • Mobility
  • as played significant role in popularizing Unified communications
    • normonique
       
      I haven't intentionally considered mobility being the cause for the unified connection of communication and technology.
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  • The UC phenomenon has led to enhanced business dynamics and is perhaps a valuable asset for mobile workers who depend heavily on their mobile devices to fulfil their business goals or those of their employers,
  • Evidently, the future of unified communications and collaboration seems to be uber bright. The below stats endorse this ubiquitous fact even further.
  • Offices will be replaced by virtual workplace, with mobile devices taking over the realms from desktop computers and desk
    • normonique
       
      The text note a powerful point of the connection of mobility, technology, and communication.  I believe it answer my question of whether technology will be inseparable in the future.  Yes it will because where there is work there is mobility,  technology keeps workers mobile without interfering with the communication needed in the workplace
  • Real-time collaboration tools and instant messaging will leave the email culture far behind, enabling the next generation workers to operate more efficiently.
  • raditional IMs will get a further refurbishing with increased capabilities that could accommodate more business processes ahead of traditional click-to-call facilitie
  • Provider of UC solutions will ensure open standards and more interoperability to their services, thereby eliminating boundaries across business silos
  • Online corporate meetings will be heavily influenced by gaming technologies and 3-D virtual world, giving way to fresh meeting models, and putting a hold on the age old calendar based conference calls.
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    The site answer my question of technology and communication being inseparable in the future. It will not be inseparable because people are very mobile, while on the go they still have the power to communicate through technology. 
braxtondn

The Good, the Bad, and the Unexpected Consequences of Selfie Obsession | TeenVogue.com - 0 views

  • "The cult of the selfie celebrates regular people," says Pamela Rutledge, Ph.D., faculty director of the media psychology program at the Massachusetts School of Professional Psychology.
    • braxtondn
       
      This is a main reason why selfies could help become the solution to boosting self-image
  • "There are many more photographs available now of real people than models." And posting selfies is an empowering act for another reason: It allows you to control your image online.
    • braxtondn
       
      Maybe this will allow for ANTM to post more selfies of models instead of professional pictures
  • But let's be real: The most common selfie is the one where you look cute, partially because it's a quick way to get positive comments about your appearance. "If I feel pretty, I take one," says Maryland native Paris, 23. "When other people Like it, it's a mini boost of confidence.
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  • Psychologist Jill Weber, Ph.D., says there's a danger that your self-esteem may start to be tied to the comments and Likes you get when you post a selfie, and they aren't based on who you are—they're based on what you look like. On one hand, seeking validation is totally normal
    • braxtondn
       
      Pros of posting selfies
  • But according to Dr. Weber, there's more to it than that. "In my experience, girls who repeatedly post selfies struggle with low self-esteem," she says
marikejp

Why Are We Still on Facebook? : The New Yorker - 0 views

  • While the reasons for joining and using Facebook were not entirely homogenous, one factor kept emerging as the strongest motivation for use: the desire to keep in touch with friends.
  • it’s not just the connection itself that matters. It’s easy enough to support someone in private but far harder to voice that same support publicly—and the public support is a much stronger sign of actual support
  • Not only are we affirming our connections in a way that sends a strong public signal, we are doing it with a lot of people at once. “We’re being allowed to essentially scale up and maintain our social networks and connections,” Gosling said. “That’s one of the reasons people become so obsessed with it—and freaked out by it.”
  • ...1 more annotation...
  • why people decide to leave Facebook. They have found three broad themes: people see Facebook as pointless and unnecessary, they see it as a problematic distraction, and they are worried about privacy.
Kathleen Hancock

Information, Community, and Action: How Nonprofit Organizations Use Social Media* - Lovejoy - 2012 - Journal of Computer-Mediated Communication - Wiley Online Library - 0 views

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    Nonprofit organizations and social media
Kathleen Hancock

Trust but verify? Voluntary regulation programs in the nonprofit sector - Prakash - 2010 - Regulation & Governance - Wiley Online Library - 0 views

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    Nonprofits information and volunteers
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