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beth gourley

Gutenberg 2.0 | Harvard Magazine May-Jun 2010 - 10 views

  • Her staff offers a complete suite of information services to students and faculty members, spread across four teams. One provides content or access to it in all its manifestations; another manages and curates information relevant to the school’s activities; the third creates Web products that support teaching, research, and publication; and the fourth group is dedicated to student and faculty research and course support. Kennedy sees libraries as belonging to a partnership of shared services that support professors and students. “Faculty don’t come just to libraries [for knowledge services],” she points out. “They consult with experts in academic computing, and they participate in teaching teams to improve pedagogy. We’re all part of the same partnership and we have to figure out how to work better together.”
  • It’s not that we don’t need libraries or librarians,” he continues, “it’s that what we need them for is slightly different. We need them to be guides in this increasingly complex world of information and we need them to convey skills that most kids actually aren’t getting at early ages in their education. I think librarians need to get in front of this mob and call it a parade, to actually help shape it.”
  • Her staff offers a complete suite of information services to students and faculty members, spread across four teams. One provides content or access to it in all its manifestations; another manages and curates information relevant to the school’s activities; the third creates Web products that support teaching, research, and publication; and the fourth group is dedicated to student and faculty research and course support. Kennedy sees libraries as belonging to a partnership of shared services that support professors and students. “Faculty don’t come just to libraries [for knowledge services],” she points out. “They consult with experts in academic computing, and they participate in teaching teams to improve pedagogy. We’re all part of the same partnership and we have to figure out how to work better together.”
    • beth gourley
       
      Good summary of differentiating library services and the need to accommodate staffing. Ultimatley makes for the teaching partnership.
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  • “The digital world of content is going to be overwhelming for librarians for a long time, just because there is so much,” she acknowledges. Therefore, librarians need to teach students not only how to search, but “how to think critically about what they have found…what they are missing… and how to judge their sources.” 
  • But making comparisons between digital and analog libraries on issues of cost or use or preservation is not straightforward. If students want to read a book cover to cover, the printed copy may be deemed superior with respect to “bed, bath and beach,” John Palfrey points out. If they just want to read a few pages for class, or mine the book for scattered references to a single subject, the digital version’s searchability could be more appealing; alternatively, students can request scans of the pages or chapter they want to read as part of a program called “scan and deliver” (in use at the HD and other Harvard libraries) and receive a link to images of the pages via e-mail within four days. 
  • (POD) would allow libraries to change their collection strategies: they could buy and print a physical copy of a book only if a user requested it. When the user was done with the book, it would be shelved. It’s a vision of “doing libraries ‘just in time’ rather than ‘just in case,’” says Palfrey. (At the Harvard Book Store on Massachusetts Avenue, a POD machine dubbed Paige M. Gutenborg is already in use. Find something you like in Google’s database of public-domain books—perhaps one provided by Harvard—and for $8 you can own a copy, printed and bound before your wondering eyes in minutes. Clear Plexiglas allows patrons to watch the process—hot glue, guillotine-like trimming blades, and all—until the book is ejected, like a gumball, from a chute at the bottom.)
  • We’re rethinking the physical spaces to accommodate more of the type of learning that is expected now, the types of assignments that faculty are making, that have two or three students huddled around a computer working together, talking.” 
  • Libraries are also being used as social spaces,
  • In terms of research, students are asking each other for information more now than in the past, when they might have asked a librarian.
  • On the contrary, the whole history of books and communication shows that one medium does not displace another.
  • it’s not just a service organization. I would even go so far as to call it the nervous system of our corporate body.”
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    "This defines a new role for librarians as database experts and teachers, while the library becomes a place for learning about sophisticated search for specialized information." "How do we make information as useful as possible to our community now and over a long period of time?"
milesmorales

What You Have To Know About Homeschooling - 1 views

Homeschooling can be a good way for your children to learn, but if they don't have a good teacher, then your homeschooling efforts will be worthless. A good teacher is one of the most important asp...

started by milesmorales on 14 Aug 14 no follow-up yet
Martha Hickson

Librarydoor: 6 Reading Rules for the Common Core - 17 views

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    The more students read, the better they'll read   So, why limit their reading to a pre-set reading level with limited titles available?  Students need opportunities to read easy books to build fluency  - This is ratified in Appendix A, Page 9,  of the CCSS standards.  We shouldn't have to define what level they should read at -- whether easy or hard -- for independent reading.  Students need experience reading complex text to improve their ability to decode meaning when they encounter difficult material - This is based on the research of Marilyn Jager Rand, PhD. Brown University Students will  shift from easy -->  hard  material if it's on a subject of their interest.  - So let them choose what they want and their innate curiosity will compel them to read and achieve understanding, thus raising their reading ability.  Students need curiosity to inspire reading.  They will either have natural curiosity or stirred up curiosity (stirred up by the educator)  Students need a reason to read that is not about 'assignment' - a quest for knowledge or an answer to find.    
Cathy Oxley

Argument Mapping Tutorials - Austhink - 33 views

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    'By the end of these tutorials... you should have acquired basic skills of argument mapping, and have a deeper understanding of the nature of reasoning and argumentation.'
anonymous

Digital Images Collections Guide | ALA Connect - 0 views

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    "A curated bibliography of quality digital image collections spanning ~85 subjects, including ~950 digital collections, that have been culled primarily from the LibGuides Community, and several subject areas have been further refined by 20 subject liaison librarians at the University of Minnesota - Twin Cities.  To browse by 8 general discipline areas see: https://www.lib.umn.edu/media/imageguide (non-editable).  The goal of the site is to share this work with the visual resources community, hopefully making the resource stronger through participation for others to repurpose."
puzznbuzzus

Is English Language So Popular because of the USA? - 0 views

Americans might tend to inflate the influence of the United States in the history of the spread of English. Before the World Wars, particularly WWII, the US was a bit player on the world stage. The...

english quiz online

started by puzznbuzzus on 17 Feb 17 no follow-up yet
Fran Bullington

Veronica Roth: "But I Read Divergent a YEAR Ago!": Your Guide to Remembering Stuff Befo... - 15 views

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    As with any "artistic decision," there will be consequences, which is that not everyone has a superhuman memory and/or the time to reread Divergent before reading Insurgent. Early readers of Insurgent have understandably had some trouble recalling all the necessary information to really be situated in the world of Insurgent. In order to help with this horrible thing I have done to you, I wrote this GIANT post to remind you of all the characters in Divergent, how you know them, and what happened at the end of Divergent.
Cathy Oxley

Shell social media oil spill a 'coordinated online assassination' - 1 views

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    "Shell's brand has been hijacked in what marketing experts say is a "social media oil spill" and a "coordinated online assassination of the Shell brand". Shell now have the equivalent of a social media oil spill on their hands but one they have no control of. "
Roger Morris

The Easiest Way To Earn From Your Books - 1 views

Being a book author, I already know that I could not easily get rich with this career because it takes time to have my books sold. Good thing that I have learned about Kindle Book Publishing and I ...

started by Roger Morris on 15 Sep 12 no follow-up yet
Judy O'Connell

High School Makerspaces: Q&A with MAKE's Dale Dougherty - 22 views

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    ""By creating makerspaces in an educational context, students can have access to tools and equipment that they might not have otherwise; they can collaborate on projects that are driven by their own interests, and by doing so, develop the capacity and confidence to innovate.""
Cathy Oxley

Literature-Map - The tourist map of literature - 28 views

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    The Literature Map will give you the names of other authors who have books that have similar themes to those of the author you chose. The closer the authors are to each other on the literature map, the more likely it is that you will like both author's books.
Martha Hickson

Google Art Project - 0 views

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    The Art Project is a collaboration between Google and 151 acclaimed art partners from across 40 countries. Using a combination of various Google technologies and expert information provided by our museum partners, we have created a unique online art experience. Users can explore a wide range of artworks at brushstroke level detail, take a virtual tour of a museum and even build their own collections to share. With a team of Googlers working across many product areas we are able to harness the best of Google to power the Art Project experience. Few people will ever be lucky enough to be able to visit every museum or see every work of art they're interested in but now many more can enjoy over 30 000 works of art from sculpture to architecture and drawings and explore over 150 collections from 40 countries, all in one place. We're also lucky at Google to have the technology to make this kind of project a reality.
jenibo

14 Excellent YouTube Math Channels for Teachers and Students ~ Educational Technology a... - 21 views

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    "hese are basically channels where you can have access to a wide variety of math videos and tutorials to help your students with Math. I have included only what I believe are the best Math channels out there. Check out this selection and share with your colleagues."
Allison Burrell

NCTE Orbis Pictus Award for Outstanding Nonfiction for Children - 17 views

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    "The world of children's literature contains a variety of genres, all of which have appeal to the diverse interests of children as well as potential for classroom teaching. In recent years, however, nonfiction or information books have emerged as a very a
jenibo

When Wikipedia Won't Cut It: 25 Online Sources for Reliable, Researched Facts - College... - 65 views

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    "Although Wikipedia is a great place to find information, it's subject to incomplete citations, biased views, and inaccuracies. And when you absolutely have to have undisputable facts, that's just not good enough. Fortunately, there are plenty of alternatives out there that can deliver with high quality accuracy, and we've listed 25 of the best here."
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    this article written in 2008 is a bit old now and some of the 25 online sources mentioned no longer exist and are of questionable quality
Ninja Essays

How to Learn a New Language - 0 views

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    "Our entire world has become like a small village. Everyone is connected with everyone, and you can easily communicate with a business partner, teacher, tutor, or student from another corner of the Earth. You already have the Internet as the best tool of communication, but do you have the skills to develop a strong connection with someone who doesn't speak your language?"
Jennifer Scypinski

From A to Zine: Building a Winning Zine Collection in Your Library - Books / Profession... - 1 views

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    addthis_pub = 'ALAMarketing'; 152 pages6" x 9"SoftcoverISBN-13: 978-0-8389-0886-0Year Published: 2004Libraries eager to serve the underserved teen-to-twenty-year-old market can make the library a cool place to hang out. All it takes are zines, according to the author, young adult librarian Julie Bartel. Zines and alternative press materials provide a unique bridge to appeal to disenfranchised youth, alienated by current collections.For librarians unfamiliar with the territory, or anxious to broaden their collection, veteran zinester Bartel establishes the context, history, and philosophy of zines, then ushers readers through an easy, do-it-yourself guide to creating a zine collection, including both print and electronic zines. While zines have their unique culture, they are also important within broader discussions of intellectual freedom and the Library Bill of Rights.Teen and young adult librarians, high school media specialists, and academic, reference, and adult services librarians will uncover answers to questions aboutthis new and growing literary genre:What is a zine and how does a library zine collection work?What are the pros and cons of having a zine collection in the library?When promoting zines, what appeals to patrons and non-library users alike?What is the best way to catalog and display?Where can libraries get zines and how much do they cost?Bartel shares these lessons and more from a major urban library zine collection, as well as a comprehensive directory of zine resources in this one-stop, one-of-a-kind guide.Table of ContentsFiguresPreface Part I: Philosophy, Arguments, and Background1. Welcome to the World of Zines 2. Zine Culture 101 3. Intellectual Freedom, the Library Bill of Rights, and Zines 4. To Collect or Not to Collect: The Whys and Wherefores 5. The Salt Lake City Public Library Zine Collection Part II: Zine Collections: A Do-It-Yourself Guide6. Getting Started 7. What Do You Do with Them Once You've Got Them
Donna Baumbach

Students, Ownership, & Creativity: 35 Resources | Teacher Reboot Camp - 19 views

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    These tools motivate students to learn, share, and develop presentation and collaboration skills needed in their future careers. Teaching them how to do this now means we are preparing them for their future effectively! Rarely will a student have to fill out a bubble test for their careers, but trust me many will have to prepare presentations, brainstorm ideas, be creative, and collaborate on teams through ICTs.
anonymous

Weighing In: Three Bombs, Two Lips, and a Martini Glass -- NCAC - 0 views

  • why books such as Markus Zusak’s Book Thief and Annika Thor’s Faraway Island, both set during the Holocaust, and Laurie Halse Anderson’s Chains, set during the American Revolution, weren’t given any “educational value.” The editor in chief had no clear answers, but those books have now been awarded “educational value” on Common Sense Media’s site. It is clear to the nine organizations that are working hard to protect children and young adult’s freedom to read that Common Sense Media is a moving target, and their piecemeal response to such questions won’t fix what is at heart a misguided and dangerous concept.
    • anonymous
       
      Wow! I had no idea. I've used the Internet saftey information and videos but didn't know about the book ratings.
  • While Common Sense Media isn’t censoring anything, it is providing a tool for censors. There is already a documented case in the Midwest where a book was removed from a school library based solely on a Common Sense review. Common Sense Media allows users to filter books by “on,” “off,” and “iffy” ratings. And reviewers are instructed to point out anything “controversial.” Such warnings encourage site browsers to take things out of context instead of looking at books as a whole.
    • anonymous
       
      This is a form of censorship.
  • Bombs, lips, and martini glasses! Indeed, let them be a warning. We must be proactive in helping parents understand that rating books is dangerous. Otherwise, more censorship bombs are sure to explode.
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  • If you had asked me a year ago what bombs, lips, and martini glasses have in common, I would have answered, “A fraternity party.” Now I have a different answer. It’s called Common Sense Media. This not-for-profit Web-based organization is in the business of using a “rating” system to review all types of media that target children, but their “ratings” of books are especially disingenuous. They claim that they want to keep parents informed. Informed about what? What their children should read or what they shouldn’t read?
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