"Thousands of species of fireflies all blink in different patterns, not only blinking in rhythms but simultaneously performing specific flight choreographies. The timing and pattern of their flashes are unique to each species. In Bioluminescence, I translated firefly behavior data from Prof. James E. Lloyd's Studies on the Flash Communication Systems of Photinus Fireflies into an orchestral piece. Rhythmic patterns of light and insect movement provide the material for both melodic and rhythmic figures. In biology, bioluminescence is the ability of living things to produce light through biochemical processes. Most bioluminescent organisms are found in the sea. The group of marine bioluminescent organisms includes fish, bacteria, and jellyfish. Some bioluminescent organisms, including fireflies and fungi, are found on land. Bioluminescence is used by creatures to make prey, defend themselves against predators, find mates, as well as for other vital activities. Recent studies show that the number of fireflies is declining. Light pollution from human-generated light disrupts insect courtship behavior because it can only occur in the dark. The artificial extension of daylight into the night disrupts the fireflies' dark-light cycles and thus their biological behavior."

"how Speech AI systems operate from a very limiting set of assumptions about the human voice- are we training it, or is it actually training us?"

"Birds are a way to connect with nature, which is associated with better body and brain health, research shows "

"For this performance, an ensemble of vocalists will interpret Raven Chacon's American Ledger No. 3 (2020), a score devoted to the journalist and anti-lynching campaigner Ida B. Wells. Chacon, an artist, composer, and musician from Fort Defiance, Navajo Nation, often creates compositions in the form of graphic scores, trading traditional notation for visual symbols to be interpreted by performers, whether individually or collectively. In addition to utilizing his scores in performances, Chacon presents them as artworks, calling on viewers to interpret the symbols in much the same way as musicians."

Great collection of printed brochures for Braun hi-fi audio products going back to the 30's

"The Tokyo-born London-based artist navigates the discipline of art, design and music in an effort to activate human relationships with the surrounding environment."

"A Japanese-Korean working with installation, performance and composition, residing in Huddersfield, UK.  Her works sculpt domestic appliances and scrap wastes with invisible energy, especially interested in heat, magnetism and gravity, into kinetic contraptions. Her site-specific works infuse both aural / visual occurrence as one entity, creating ephemeral situations that magnify silence, time and space. Interested in nature of relativity, culture and system, her artistic practice examines architecture, environment, conflict and fluidity. "

"Recorded in its entirety using just a laptop, a pair of headphones and a midi sampler, Indentations is the debut full length album from New York based percussionist and producer Grant Chapman. Indentations draws deeply on Chapman's personal experiences surrounding loss and betrayal. An intimate work reflecting the struggle of dealing with traumatic experiences, the album makes the case for equilibrium following life-altering experiences. ''The album is a meditation on the sheer weight a broken relationship can have on two people. A personification of the stages of grief one feels when growing apart from someone they love, for reasons they can't seem to reckon with or comprehend.'' Working from his East Village apartment, Indentations is a rich amalgam of intricately layered found sounds, almost all of which were found on YouTube, taking in influences that range from ASMR to acapella choral performance. The effect is dizzying in its depth and scope. Chapman has created a boundless emotional musical journey that can feel both deeply intimate and cosmically vast."

"Between 2011 and 2013, thieves committed a rash of burglaries at 12 high schools in the Los Angeles region, stealing tubas from band rooms across the southland. This curious anecdote provides the title for artist Alison O'Daniel's recent film The Tuba Thieves. Although it features re-enactments of the thefts, the film does not focus solely on the incidents; instead, it weaves these scenes together with other loosely related narratives into a patchwork dealing with loss, grief, communication, community, challenging shifts in perspective, and the different ways we experience the world through sound, vision, and touch."

Based in Brooklyn, New York, much of multi-media artist Sari Carel's work focuses on translation from one modality to another. Her projects consider interspecies communication, relationships between people and place, and how the senses inform our perception. Also an environmental activist, Sari is a sharp observer of ecosystems, be they natural or human.

"Japanese artist Kenichi Kanazawa manipulating sand on a steel tabletop."

"framework began broadcasting in june, 2002 on the newly reformed resonance 104.4fm in london. the show now airs on twelve radio stations around the world, with regular new additions to its broadcast family, and streams and podcasts here on its own website. framework is consecrated to field recording and its use in composition, and began broadcasting at a time when a new community of sound artists with a special interest in found sound was developing, a community spread across the globe that, thanks to the internet, was no longer limited to a specific geography. framework sees itself as an outlet for this ever-growing and developing community, a folk-tool in a new folk movement, a community driven exchange point for creators and listeners alike. framework's goal is to present not only the extremely diverse sound environments of our world, but also the extremely diverse work that is being produced by the artists who choose to use these environments as their sonic sources. we hope to ask this question: is 'field recording' a style, or a genre, or is it in fact as uncontrollable and undefinable an instrument or tool as any, that may be interpreted, manipulated, and appropriated by anyone with a microphone and an idea? these works are its definition, and not vice versa. "

"Microphones capture ultrasonic crackles from plants that are water-deprived or injured."

"If you're like me, you've managed to kill even the hardiest of indoor plants (yes, despite a doctorate in plant biology). But imagine a world where your plants actually told you exactly when they needed watering. This thought, as it turns out, may not be so silly after all."

"Film critic Richard Crouse visits a farm in Uxbridge, Ont., where world-renowned Foley artist Andy Malcolm and his team at Footsteps Studios have created sound effects for hundreds of movies and TV series."

"In theoretical physics, 'Bosonic' refers to the original version of 'string theory', developed in the 1960s. Although the initial hypotheses behind Bosonic String Theory have since been expanded and modified, the underlying principle remains intact; that the various properties of matter and force can be a reflection of the ways in which a string vibrates. The oscillating properties of these hypothetical strings determine the properties of particles and all forms of energy. As such, the theory proposes that the entire world may be composed of these infinitely small vibrating 'strings'. Bosonica is a sonic exploration of the concepts behind this theory. The sound material which underpins the work is predominantly sourced from stringed instruments, in particular piano, guitar (acoustic and electric) and cello. At times the original properties of these vibrating strings are very present and recognisable, however the work explores increasing blurring and abstraction, creating new constructions from the original material and presenting to the listener dense and abstract dimensions. Despite this, the untreated instrumental material consistently returns as a reminder that it serves as the building block from which all other material is derived. The use of 5.1 spatialisation magnifies the perceived kinetic energy of material. Small gestural fragments are scattered over the 5.1 array to form accumulative trajectories of sound, and the listener becomes immersed in the dark abstract landscapes generated by the sounds of strings. The work was composed in 2009 in the Electroacoustic Music Studios of the University of Manchester, UK. With thanks to Emilie Girard-Charest (cello) and Camilo Salazar (guitar)."

"Becky Buckle explores the history of artists concealing visuals within the waveforms of their music"

"An exploration of diagetic and asynchronous sound in Arrival (2016, Dir. Dennis Villeneuve), and it's use in conveying structural and stylistic elements of film narrative. Created for a FILM 101 project at Victoria University of Wellington."

"A fossilized ankylosaur voice box reveals that these beasts may have sported a far more sophisticated vocal range than scientists originally thought."