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"Elevator Pitch is inspired by Kim's childhood memories of crowding elevators with her Deaf friends, and shouting so loudly that they could feel the vibrations of each others' voices. Meanwhile, elevators are often known to hearing people as sites of "awkward silence," thus the concept of this installation challenges when and where various people have a voice. Born Deaf herself, Kim approaches Elevator Pitch by investigating how Deaf communities of New Orleans experience a city so deeply defined by music, and by highlighting how Deaf people are vital to this culture of sound. "

"Two recent films about Deaf culture have been lauded by hearing audiences, but set deafness and music at odds in superficial ways."

"A cochlear implant is a medical device surgically placed in the inner ear, which transmits sound signals to the brain and can allow some deaf people to hear again, or hear for the first time. For hearing people, a video of a deaf person experiencing sound may look like a scientific and personal triumph. But for a deaf person, even a cochlear implant user like me, these "feel-good" videos are often a bit tasteless at best, ableist at worst."

"The acoustics of a building are a big concern for architects. But for designers at Gallaudet University in Washington, DC, it's the absence of sound that defines the approach to architecture. Gallaudet is a university dedicated to educating the deaf and hard of hearing, and for the last 3 years, they've re-thought principles of architecture with one question at the forefront: how do deaf people communicate in space? "

"Between 2011 and 2013, thieves committed a rash of burglaries at 12 high schools in the Los Angeles region, stealing tubas from band rooms across the southland. This curious anecdote provides the title for artist Alison O'Daniel's recent film The Tuba Thieves. Although it features re-enactments of the thefts, the film does not focus solely on the incidents; instead, it weaves these scenes together with other loosely related narratives into a patchwork dealing with loss, grief, communication, community, challenging shifts in perspective, and the different ways we experience the world through sound, vision, and touch."

"You know that split-second lag when translating between two languages (however you define them), when meaning starts to slide into a string of unintelligible symbols? That's the space that Christine Sun Kim's artworks occupy. Her drawings use systems of information - from musical scores to infographics to emojis - to question systemic dissonances between Hearing and Deaf cultures. The results straddle the line between semantic wordplay and semiotic breakdown, evidenced in the artist's current solo exhibition titled Trauma, LOL at François Ghebaly, Los Angeles."

"Darius Marder's Oscar-nominated film is less about the Deaf community than about the process of losing a sense inextricably tied to one's identity."

"Though she was born deaf, Christine Sun Kim's favorite medium to work with is sound. We visited her Brooklyn studios and she showed us what she has in store for her Lincoln Reimagine Project. As a Lincoln Reimagine Project honoree, Kim will create a walk-able art installation that employs the attendee as the moving instrument. She showed a small preview of the work at this year's TEDActive in Whistler."

"At the center of the conference is a specially built raised floor that is activated by low-frequency vibration. By sitting, standing, and lying on the floor, hearing and deaf participants are able to experience sound through their bodies. During the conference, presenters use the floor as a vehicle for tactile communication."

A personal essay about hearing loss, disability, the amplification of the sound of one's body, the way that hearing and mishearing leads to metaphor, and the losses and gains of disability as well as normative sensing.

"Visualised and listed sounds I've heard with my cochlear implant from Oct 2016 to Jan 2017."

"O'Daniel has worn hearing aids since she was 3. The ones she has now are digital, and sometimes they give her a heightened sense of sound: A car engine hum becomes earsplitting. Within daily experiences of frustration, and I do a lot of compensating, there's also this kind of radical, heightened attention," O'Daniel said. "And that mix, I find just fascinating. O'Daniel has spent most of her art career focused on recreating those jarring sounds.

"What Do I Hear? was the pilot research project of a multinational collaboration that aimed to explore formative and theoretical questions of accessibility and inclusivity through sensory translation in the presentation and creation of art."

"Video presentation during the international online seminar 'Design as Collective Improvisation' 4-6 November 2021. Presentation on behalf of the team of the collective project 'What Do I Hear?', an initiative of the OtherAbilities http://otherabilities.org/ "

"Without acoustics, archaeology is deaf. Without archaeology, acoustics is blind. - David Lubman"

"But can you actually hear something that does not emit a sound? Certainly, said Chris Plack, a professor of audiology at the Manchester Centre for Audiology and Deafness, who researches acoustic reflexes and auditory processing. "Hearing," as he defines it, does not require external noise; rather, it is "having the experience of a sound.""

"David Bobier is a self-identified hard of hearing media artist with a mental health diagnosis and is the parent of 2 deaf children. His work has been exhibited internationally and has been the focus of prominent touring exhibitions in Ontario and the Atlantic provinces. Bobier has received grants from Canada Council for the Arts, Social Sciences and Humanities Research Council, Grand NCE, Ontario Arts Council and New Brunswick Arts Council. "

"kurimanzutto presents Tarek Atoui's project Organ Within at its cabinet space in New York City. Operating as an open sound laboratory, and instrumentarium, Atoui will debut a new hybrid sculptural object that engages numerous technologies in order to re-envision the spatialization, perception and performativity of the traditional organ. The Organ Within is the result of his ongoing collaboration with instrument-makers Léo Maurel and Vincent Martial, and their research into historical church pipe organs, modular synthesizers, and the sonic experiences of deaf people."

"Reporting the frequency range for hearing in dogs and other species is not a straightforward task - the "how" of determining hearing frequency ranges must first be explained. Testing in animals differs from the method commonly used with humans of voluntarily reporting if a sound is heard."

"I am hard of hearing as well as an electronic music enthusiast. I have always been an observer and I have always seen that my companions' reactions to the music we listen to together are different from mine. I tried with all my might to feel what they felt - with poor results. Which made me sad and irritated. Would I never be able to fully appreciate the aesthetics of sound? Eventually, I began to look more deeply into my experiences."