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"Plants are the most abundant life form visible to us. Despite their ubiquitous presence, most of the times we still fail to notice them. The botanists James Wandersee and Elizabeth Schussler call it "plant blindness, an extremely prevalent condition characterized by the inability to see or notice the plants in one's immediate environment. Mathew Hall, author of Plants as Persons, argues that our neglect towards plant life is partly influenced by the drive in Western thought towards separation, exclusion, and hierarchy. Our bias towards animals, or zoochauvinism-in particular toward large mammals with forward facing eyes-has been shown to have negative implications on funding towards plant conservation. Plants are as threatened as mammals according to Kew's global assessment of the status of plant life known to science. Curriculum reforms to increase plant representation and engaging students in active learning and contact with local flora are some of the suggested measures to counter our plant blindness."

"For an exhibition at the Hessel Museum of Art, the artist wired five groups of corn plants to five music devices, forming a biofeedback system. Control signals were generated by measuring the electrical resistance of the plants' vegetable tissue, which in turn activated the MIDI synthesizers. Viewers were encouraged to interact with and touch the plants, which affected the sounds being played. The audience and cornfield were not just participants but actors, acting together-in concert-to produce the work."

"Today a growing group of sonic artists engage with plants as collaborators in their processes and creations. The duo Feral Practice invites audience members to sound walks in forests to reflect on ecological and social issues in the vicinity of trees. Sound artist Mileece senses signals from plants to develop sound-generating algorithms that she combines with field recordings to design immersive sound installations, a technology akin to the one used by Tosca Terán to detect activity in mycorrhizal systems which she converts into musical notes. Cristina Ochoa and Eduardo Vindiola read signalling activity in beets and modulate their rhythmic patterns to perform with them. Leslie Garcia studies plant communication to design prosthetic devices that simulate an abstract voice for plants through a process of biofeedback."

"An installation at the Brooklyn Botanic Garden ponders the sounds made by plants. Visitors to the Brooklyn Botanic Garden can hear a version of the songs these corn plants have to sing. Credit Marcos Brindicci/Reuters Image"

"It has long been known that some plants can respond to sound. But why would a plant evolve the ability to hear? Now researchers are reporting that one reason may be to defend itself against predators."

"If you're like me, you've managed to kill even the hardiest of indoor plants (yes, despite a doctorate in plant biology). But imagine a world where your plants actually told you exactly when they needed watering. This thought, as it turns out, may not be so silly after all."

"Icelandic composer/cellist/choral arranger Hildur Guðnadóttir's was brought onto the show's production team in hopes of creating a score haunting enough to make viewers really feel the danger behind the spring 1986 catastrophe.... she used field recordings captured at a now-decommissioned power plant in Lithuania (where the series was filmed) to build the show's eerie and ominous soundtrack."

"CalArts opens its Digital Arts and Technology Expo, and one project is continuing to pique our interest in bio-orchestras. "Cultivating Frequencies," a collaboration among music technologist Colin Honigman and designers Sean Chen, Marc Dubui, and Wen Han, is turning a garden into a generative music machine, including a interactive element that turns the individual plants into-touch sensitive instruments."

TELEPRESENCE WIND by David Bowen - This installation consists of a series of 42 x/y tilting devices connected to thin dried plant stalks installed in the gallery and a dried plant stalk connected to an accelerometer installed outdoors. When the wind blows, it causes the stalk outside to sway. The accelerometer detects this movement transmitting it in real-time to the grouping of devices in the gallery. Therefore the stalks in the gallery space move in real-time and in unison based on the movement of the wind outside.

"Microphones capture ultrasonic crackles from plants that are water-deprived or injured."

"The Music of the Plants project, created by a spiritual eco-community, investigates how humans can live more consciously and harmoniously with the natural environment."

"One scientist is definitely listening."

"Did you know deep, resonant sound can be heard inside trees, among the roots of plants, in shifting soils, in streambeds, rivers, and even in mud-and that the sounds of the subway and airplanes can be heard in the soils of our local parks? From May 14, 2022 - May 2023, experience the sounds of Prospect Park in a new immersive way with artist Nikki Lindt's the Underground Sound Project, a Soundwalk."

"Touch reorients us to the fundamental condition of being - to the inevitability of others, human and nonhuman. In touching, we are most vulnerable because we are always also being touched back. The analogy that Merleau-Ponty uses in his posthumously published work, The Visible and the Invisible (1964), is this: when my one hand touches the other, which one is doing the touching, and which one is being touched? We have eyelids; we can pinch our noses and shut our ears; but there are no natural skin-covers. We cannot turn off our sense of touch. To be a human in the world is to be tactile, to always be touching and touched with every single pore of our bodies. Advertisement "

When a plant reacts to a butterfly larvae feeding on its leaves, it releases chemical substances, or compounds. The characteristics of these compounds have been analyzed in collaboration with the Ecological Chemistry Research Group at the Royal Institute of Technology in Stockholm, and then transposed into amplitude and intensity of sinus tones, recorded at EMS (Electroacoustic Music in Sweden), Stockholm. Thus these beautiful graphic score and soundtrack by Swedish artist Christine Ödlund are direct transpositions of "the plant's life, struggle and death"."

"Christine Ödlund - graphic scores inspired by plant chemistry."

"Conserve the sound« is an online museum for vanishing and endangered sounds. The sound of a dial telephone, a walkman, a analog typewriter, a pay phone, a 56k modem, a nuclear power plant or even a cell phone keypad are partially already gone or are about to disappear from our daily life. Accompanying the archive people are interviewed and give an insight in to the world of disappearing sounds."

"We are a nomadic multispecies collectivity experimenting in the intersection between art and science. We embrace hybridized practices among different disciplines and living organisms, open knowledge and precarity as a challenge.Our current lines of research are based in the use of sound to understand the bioelectrical activity of different bacterial consortiums, plants, slime molds and humans using DIY and custom-made sets of hardware we call ontological machines. "

"'The Underground Sound Project' is a public art installation in Prospect Park, Brooklyn. It can be experienced remotely online at theundergroundsoundproject.com The work explores and reveals the world of underground sound that can be heard under our feet. Did you know deep, resonant sound can be heard inside trees? Among the roots of plants, in shifting soils, in streambeds, rivers, oceans, and even in mud?"