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Potential Artist Revenue Streams David Sherbow music business visionary has a good outline of ALL POTENTIAL ARTIST REVENUE STREAMS. The list covers publishing, digital sales, merchandise, live performances, sponsorships, endorsements, fan clubs, and the list goes on. It'd be great if this list could actually link to articles that explain how to work the revenue of each stream. Hopefully we'll see this in Potential Rev Streams list 2.0.

1. The best approach is slow and cautious. Right now, we are in the jungle. In the jungle, you don't rush blindly ahead. You dip a toe in the sand, and see if you sink. We have no hope of predicting which of these services might catch on. We need to move slowly, with very short-term agreements and see what works and what fails. And we need to be sure not to undermine our other business partners while we do that. Which leads to… 2. We should support our allies and punish our enemies. Rob McDaniels for InGrooves estimates that it takes 150-200 streams of one song to equal the royalty income on a single download. Right now, our industry still relies on the sale of physical product (believe it or not, it's still the primary source of revenue) and on digital downloads. Perhaps streaming is the future. Perhaps not. But we would be very unwise to cut ridiculously low-cost rates to a business model that obviously threatens both physical retailers and iTunes. Let's take care of the people paying our bills. At the same time, we should continue to press ahead with legal efforts against things like Pirate Bay- efforts that are finally starting to show some results. 3. We need to recognize that "bundling" and ad-revenue sharing is a marriage, and it works both ways. If we bundle the cost of music access into the cost of a mobile phone or the sale of a computer, we're now not only in the music business, we're in the electronics business. Any economic factors that hurt the sales of phones and computers will now hurt us as well. 4. Most of all, we need transparency in the negotiations and setting of rates, so that everyone in the music community understands what they're being paid and how it's being calculated.

If you ever had a project that required sound effects, you could either wait for it to start raining or your baby to start crying and then whip out your tape recorder. Or you can visit Songle. Songle is a massive database of sound effects, that you can use to help give your song writing projects that little bit of extra.

4 popular sites where you can get sounds and loops, to enhance image and make your productions much more professional and entertaining. Flas

Your Friendly Neighborhood Myspace Myspace is back. Ever since they dropped the ball on their no-money making music service, myspace music, they've been at listeners throats with all the advertising they can throw at us. First there was that annoying thing that started happening when trying to get a decent session out of an artists myspace player. I vivdly remember a picture of ugly lil wayne popping up everytime i tried to enjoy a couple songs in succession. Now there's word of experimentation with audio ads that must play before users can listen to free streaming music. Isn't myspace bogged down enough with bad user html and full page million dollar advertising slots? I guess my biggest worry is that more ads will just decrease the number of listeners trying to get an enjoyable experience from my myspace player.

The Greatful Dead knew a thing or two about business. "A group of stoners who somehow got more things right than the suits running the record industry, radio and even some high powered new media businesses." Some great business lessons that could be learned from this group are sprinkled through an article on indisdemusicmedia comparing their biz model to that of the Radio Industry's. Some of these points should be laser sketched into your brain (if you simply can't remember). According to the Atlantic Magazine article your fans are key to your ultimate success. But not all your fans. As with every musician you have different levels of fans, cater to only your most loyalist fans because their the ones that are going to purchase your music. Get a team together consisting of the band the road crew and and other organization members and periodically rotate the final decision makers. Your not the only one with good ideas on how to run things. Give it away until they buy it. Some things in life are uncontrollable (death, natural disasters and file sharing fall into this category) Don't try to fight against it. Rather embrace it and exploit it for your own benefit. The greatful dead exemplified this by not having an hernia upon the realization that their fans were taping their shows. Instead they used it to increase demand and drive the sales of other revenue streams. The same way that humanity doesn't fight against death but instead uses it to make the quality of life better the same way a musician should approach the death of the CD. Just because the CD has to die, doesn't mean that your career has to go to.

Grooveshark is a music streaming service that is accessed through your browser, and is driven by users who upload their record collections. Currently Universal has initiated legal action against the service for failing to pay royalties, which is bad news for the shark. The good news comes to indie musicians looking to capitalize on increased exposure. Since it is a free service to access indie bands can upload their music to the service in hopes of extending their fan base. Users who wish to purchase your music can also be referred to Amazon or Itunes. In 2010 have your music in more places.

Country Music Hall of Famer Carl Smith Passed Away Master honky-tonk stylist Carl Smith, the dashing "Country Gentleman" who was among the most successful Nashville-based artists of the 1950s, died Saturday, Jan. 16 at his home in Franklin. The Country Music Hall of Famer was 82. Radio exposure on WSM and on the Opry helped Mr. Smith to gain notoriety, as did his tours with Hank Williams and others he will be missed.

Money owed that noone knowed. Are you a member of SoundExchange? Actually, let me rephrase, do you have songs on myspace? If you do then head over to SoundExchange and grab yourself a free membership. SoundExchange is a non-profit performance rights organization that collects statutory royalties from satellite radio (such as SIRIUS XM), internet radio and other streaming platforms. Myspace recently teamed up with SoundExchange to help identify the more than 25,000 major, indie and unsigned artists who are registered with myspace but not with SoundExchange. Collectively there's $14 mill in royalties sitting in a SoundExchange bank account, waiting to be paid to you.

could apple be creating some form of radio experience that allows users access to any song you want, whenever you want it, from wherever you are using whatever device you choose? could we be headed towards the mass distribution of streaming music services and Internet-delivered radio?