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Okay so many bands are using protools to record themselves but that doesn't mean that Independent producers should close down shop. Rely on the live scene for some additional income and your studio might be getting more business in the off season than you originally planned for.

The Leveling - Moore's law of Music The leveling is a theory that has been going on since the beginning of mankind. Eventually, as technology becomes cheaper to produce we all are gaining access to the same tools, the barriers that use-to provide advantages to those with the most resources is nearing an end. In the music/creative world, the first moment of leveling occured with the adent of ProTools (Digital Studios), then TuneCore (Digital Distribution) and Social Media (Digital Promotion). Now since everyone has the same ingredients how will your recipe stand out.

Avid, creator of Protools and Sibelius 6 software gave top honors to Pro Tools 8 in the DAW (Digital Audio Workstation) category, for quality and quantity, and top honors to Sibelius 6 for its tools and support. Has anyone been using the new Pro Tools 8? I know they say quality is better than quantity but what happens if you have both? (but does pro tools 8 really have both?)

Mastering proffesional Adrian Carr of ACMastering recently posted a good article explaining mastering in fairly simple terms for those who are still convinced that "mixing and mastering" is one word. One thing that really helped me to understand mastering back when it was a big question-mark to me, was the differences in the files types each technique used. When mastering a song your are working off of the final exported two-track (that Wav or Aiff file all your hard work went into), whil with mixing you are working with each individual track that you laid individually during your recording, at this point your song is probably still sitting on some virtual sequencer like cubase, garage band or protools. I dunno, it helped me understand it a little more.