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Grammy winning music producer Lillywhite is providing music professionals the opportunity to gain insight and hear about his career path, and ongoing journey through his long career. The evenings' interview is followed by a question-and-answer period. If your a producer or engineer in NY then this might be worth checking out. It all goes down this evening from 630pm to 830pm and is free to Recording Academy members and $30.00 for everyone else.

Okay so many bands are using protools to record themselves but that doesn't mean that Independent producers should close down shop. Rely on the live scene for some additional income and your studio might be getting more business in the off season than you originally planned for.

As more musicians become producers with the help of their oh so advanced audio software sound quality is actually steadily improving with each update to pro-tools. Pro-tools or no Pro-tools did you know that there is no real correlation between audio quality and music sales. At least this is what this chart is supposed to prove.

Imaginary Studio Performance How do you protect your voice when your studio session is set up to only record voice for the day? Judy Rodman suggests "pretending" that your instrument is still there. Johnny Cash's studio tech used to take the strings out of his guitar and give it to him to hold while singing because the producer noticed that he sang better when attached to his guitar. It all goes back to muscle memory.

The Leveling - Moore's law of Music The leveling is a theory that has been going on since the beginning of mankind. Eventually, as technology becomes cheaper to produce we all are gaining access to the same tools, the barriers that use-to provide advantages to those with the most resources is nearing an end. In the music/creative world, the first moment of leveling occured with the adent of ProTools (Digital Studios), then TuneCore (Digital Distribution) and Social Media (Digital Promotion). Now since everyone has the same ingredients how will your recipe stand out.

Mastering proffesional Adrian Carr of ACMastering recently posted a good article explaining mastering in fairly simple terms for those who are still convinced that "mixing and mastering" is one word. One thing that really helped me to understand mastering back when it was a big question-mark to me, was the differences in the files types each technique used. When mastering a song your are working off of the final exported two-track (that Wav or Aiff file all your hard work went into), whil with mixing you are working with each individual track that you laid individually during your recording, at this point your song is probably still sitting on some virtual sequencer like cubase, garage band or protools. I dunno, it helped me understand it a little more.

Fact #1 - Youtube is the 2nd largest search engine next to Google. Fact #2 - Many people search for music on Youtube and other online video websites. Now that you know these two facts. The renegade producer suggests there is no better reason for you to develop a business strategy which includes online music video distribution. Now what type of videos are we talking about here, not everyone has the money to shoot a MTV style music video let alone a couple. Well the renegadeproducer suggests uploading not just clips of your band but clips of your brand. You can create clips from the audio, backstage, with members of your tribe at shows or even while having breakfast. Having content that can visually engage your fans while your not on the stage can help strengthen the overall brand. Time is obviously a factor, so for this you should check out TubeMogul that group distributes your videos to many video sharing sites at once, but first you gotta create the content.

Okay, so your an independent artist, more power to ya. You write, produce, record and distribute your own tracks, but how well is your music being received. Major record labels have numerous methods to track the performance and popularity of their music. Soundscan, and Billboard are some of those ways. But once the music reaches the consumer thats when the metrics come to a screeching halt. Luckily now as an indie musician you have many ways to track your music, some ways actually rival those of the record labels. You can now monitor your brand, and even statistics such as how much time my audience spends listening to my material, and what songs are shared the most in their network.

Facebook rallies for Abbey Road.

Pre Mastering Last week we saw a lot of interest in our mastering explained article, so this week we thought we would being you the prequel of mastering explained, preparing your songs for the mastering process. These tips are in no way a doit yourself guide for getting your songs to killer quality. Mastering should be done by the master, mixing should be done by the professional, let these tips serve as a guideline for being able to participate in the conversation with whomever you've hired to take your recording to the next level. http://musicproducersforum.wordpress.com/2010/02/03/tips-for-the-mix-to-the-master/#more-693

Music will thrive in 2010 Jomar, blogger for the musicproducersforum recently wrote a rebuttal to CNETS recent article entitled will recorded music survive in 2010. Kudos to Jomar for getting it right. To sell music this year labels will have to see music as more than just a way get money from the customer. With the record labels struggling for a solution i've never seen so many artists recording music, its as if getting signed is an annoyance for the artists of the future. The leveling is almost here, with every artist gaining access to the same tools, theres never been more of a reason to record music. The less expensive it is for an artist to record music the less money an artist has to make to see a profit.

Get Famous enough and Fans could actually be on tour to see you. Matin Contempree is driving this innovative concept with the Rock and Pop tours. The very first tour, 'Good Vibrations Tour of Los Angeles' is kicking off in April (2010). Offered is "the chance to delve behind the music industry: to hear the music live, taste the excitement and experience the iconic locations and famous venues where rock and pop history was created and still lives on". READ MORE

Have you ever heard of the legendary Abby Road Studios? If your not familiar, tons of great albums have come from Abby Roads including albums from Radiohead, Muse and the Zombies Panic At The Disco, grew their own audience by distributing their music through the internet and now you can see some great live recording, as well as some interesting insights and discussions with the band.

A new study has found that the the fall of an item's popularity mirrors its rise to popularity, so items that become popular faster also die out faster. Kyle Bylin, Accosciate Editor for hypebot.com has taken that study one step further by relating the new find to the marketing strategy of record labels. It could be said that the Record Labels are killing itself to live, what a weird paradox.

Interested in getting your music on iTunes? Well how about a 30% discount. Simply visit the Tunecore discount page and use the coupon code: beheard30. via renegadeproducer blog.

What exactly does a music library do. Music libraries are becoming more important to the indie musician as money gets tighter and the demand for indie placements rises. Songplacements.com is now the premier music library in southern California, helping artists land opportunities previously only available to the majors. With that being said, the insider has a great piece on exactly what a music library is and does. Knowing how company's such as Songplacements.com operate empowers you, the independent musician, allowing you to better exploit our services, and hopefully land more placements!