The older industry experts insisted that nothing much had changed. They encouraged artists to network with other bands to find gigs, sell CD’s out of thier trunks or, “do what ever it takes to generate a buzz”. You can’t get more vague than that.
The progressives represented new media applications, widgets and digital services that promised to help artists develop direct to fan relationships. They somehow forgot to mention that you would be required to pay for their service or use their branded widgets in order to create, market, promote, and distribute YOUR music to the world.
In the good old days, when there weren’t any computers programs, some of the greatest artists succeeded by telling their story in a unique way.
Loiterers Should Be Arrested.
The CMJ Music Marathon ended last week but the lessons learned have just begun. Kevin English, blogger at eleetmusic.com took some time to talk about the lessons that he took away with him from the many panelists. His conclusion; there is no concrete answer to surviving in todays music industry. Old school pundits stressed the importance of networking and buzz generation by any means possible while New Media progressives represented new media applications, widgets and digital services that promised to strengthen direct to fan relationships. It wasn't until the Sudanese rapper Emmanual Jai took to the stage that he realized industry survival was about constantly adapting, bending the industry to specifically cater to your needs. Figure out what your number one need is right now as an indie artist and exploit that need. Kevin's short but enlightening read this morning brings me to the idea of a (wait for it, wait for it) digital manager. Not loading up all of your tracks on myspace, but actually hiring a manager to surf the web all day and submit your music to opportunities world wide. Has anyone tried something like this yet? let me know how it works, and what you have been doing to try to adapt.
As someone dies, someone else is born. I'm sure by now you've heard the big news. Aerosmith is now looking for a new lead singer. 50 years later, Steven Tyler, lead singer of Aerosmith has decided to pursue a solo career. The announcement follows an interview that the band's frontman, Steven Tyler, gave to a British music magazine in which he said he was interested in "working on the brand of myself - Brand Tyler." If you've always wanted to be a part of the legendary rock group now might be your chance. I have no clue on how the band is preparing to fill the lead singer gap, but in todays media centric world, i'm betting either world wide auditions or a reality show. All i'm saying is be prepared, thats all.
reduce our overhead and use social strategies, on and offline to create direct to fan relationships, we can only improve upon what has been done for the last 50 years.
Applying the Record Label Model to the Indie Artist
You may already be familiar with the online world of myspace music and facebook pages, and the offiline world of shows and radio play, but as George Howard puts it "Err too far online, you fail. Too far offline, you fail". In order to be successful today you need to achieve the perfect balance between online and offline marketing. Eleetmusic's Kevin English outlines how to use the four R's (Radio, Road, Reviews and Retail) of the "Not so new record label model" to capture the audience statistically proven to be more receptive to trying to new things. College students.
At one time every major director in the world was in the league of new directors. They were no better than you are now. One day you will be among them, but only if you get the ball rolling now
A new study has found that the the fall of an item's popularity mirrors its rise to popularity, so items that become popular faster also die out faster. Kyle Bylin, Accosciate Editor for hypebot.com has taken that study one step further by relating the new find to the marketing strategy of record labels. It could be said that the Record Labels are killing itself to live, what a weird paradox.
MJ Nayon Feat Khujle Sei Dhon Bangla New Hit Song Cover 2016
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Song title: MJ Nayon Feat Khujle Sei Dhon Bangla New Hit Song Cover 2016
Singer: Al mamun & MJ Nayon
Music Compose : MJ Nayon
D.O.P: Astah Media
Music Direction & Mixing: MJ Nayon
Lyrics & Tune: Fakir Sahabuddin
Original singer: Fakir Sahabuddin
Movie: Haoyar Pakhi
Radio is starting to have an uphill battle with digital media. The car radio as we know it is losing its monopoly, and this could mean big news for internet radio stations, iPods and hard drives. The new wave seems like its how many itunes playlists can you get in? Radio used to be an 18 billion dollar monopoly, but predictions have it only sitting at 8 billion by 2006.
Grooveshark is a music streaming service that is accessed through your browser, and is driven by users who upload their record collections. Currently Universal has initiated legal action against the service for failing to pay royalties, which is bad news for the shark. The good news comes to indie musicians looking to capitalize on increased exposure. Since it is a free service to access indie bands can upload their music to the service in hopes of extending their fan base. Users who wish to purchase your music can also be referred to Amazon or Itunes. In 2010 have your music in more places.
You just made a new CD, your goal get it into as many itunes playlists as possible.
Getting into digital playlists such as itunes could be the same as getting your newly released CD into Walmart (and other retailers). The AirStream now gives you a comfortable way to access your iTunes music library from all the way up stairs in your cramped corner office. If this is the source component of the future then digital music just made a new friend.
Avid, creator of Protools and Sibelius 6 software gave top honors to Pro Tools 8 in the DAW (Digital Audio Workstation) category, for quality and quantity, and top honors to Sibelius 6 for its tools and support. Has anyone been using the new Pro Tools 8? I know they say quality is better than quantity but what happens if you have both? (but does pro tools 8 really have both?)
Labels - 0, Songwriters - 1
In a historic deal between labels and songwriters the national music publishers association has come away with a major win in an agreement that will see labels forking out the monies from "pending and unmatched accounts" that are set up in cases where a publisher has not been located by a record label, or an ownership dispute over a song. This is good news for the industry because publishers and labels are finally beginning to see eye to eye.
A time bomb embedded in legislation from that era, the U.S. Copyright Act of 1976
The Copyright Act includes two sets of rules for how this works. If an artist or author sold a copyright before 1978 (Section 304), they or their heirs can take it back 56 years later. If the artist or author sold the copyright during or after 1978 (Section 203), they can terminate that grant after 35 years.
The first is to continue to claim that albums are compilations
re-record sound recordings in order to create new sound recording copyrights, which would reset the countdown clock at 35 years for copyright grant termination
Tick Tock, The Copyright Act of 1976 is About to Expire.
It's always entertaining to me to watch the money traps that the labels set for artists, back before information was freely available, EXPLODE! Welp, that's exactly what's about to go down. The Copyright Act states that an artist or author who sold a copyright before 1978 can take it back 56 years later and If it was sold during or after 1978 they can take it back 35 years later. Assuming a correct and prompt filing of paper work, the record labels could lose sound recording copyrights they bought in 1978 starting in 2013. How does this affect you? If the labels don't wanna lose the contents of their entire library you can make a for sure bet that the new copyright law will be negotiated in your favor. Higher royalties anyone?
Welcome to Access4Artists, the only web site you need to find local bands anywhere quickly, and even interact with your new favorite artists in our online communities that bring the music to you 24 hours a day, 7 days a week.
"How can i make music when i'm expected to spend all my time on Twitter and Facebook? " - Great music is where it all begins and ends, but in between the path to success is always changing. Facebook, Twitter, iTunes, heck..SongPlacements are all just new aged tools on the path to success.
indie-music-news 101 has deduced that there is Human emotions in music, thanks guys i would have never guessed. The article did go on to reveal a little something that may have come as a surprise to the rest of us however, did you know that the Taliban banned music in their band (Too many great opportunities to say banned), hit the jump if you want to find out a little more about the history of music by professors in cognitive science and ethnomusicologists.
Are you a digital performer? K, dumb question, I know you make digital music, but are you using MOTUs digital performer to help create it? If you are then this course containing over 3 hours of interactive video covering all major aspects of audio and midi recording, editing, mixing and mastering using the MOTU Digital Performer 7 is for you. visit www.digitalmusicdoctor.com if your interested in this course.
I'm sure you've been hit with a barrage of goal setting blogs and news clippings since the ball dropped for 2010. I know i have, but nothing really struck a chord like the HAPPY HEALTHY WEALTHY game. READ MORE to find out how you can play.