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Inspiring Teachers - Monthly Columns -Differentiation of Instruction Part 1 - classroom... - 0 views

  • It is teaching towards each student's strengths, and allowing their weaknesses to develop into future strong points.
  • Quite frankly, the course of action begins with the very basics of how you run your classroom. Begin the year by getting a grasp of the strengths and weaknesses of your students through the use of the available data, like benchmark testing results, standardized test scores, pre-tests, student inventories, portfolios, guidance folders, and/or classroom grades from the previous year; although those important items are just the beginning of your learning process. They give results and information, but they do not tell you how the student got there.
  • a responsive classroom that differentiates is one where the teacher prides him or herself on getting to know the students as individuals. From my own experience, once you tap into that resource, you can more easily find ways to connect with everyone in the classroom.
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  • so use the idea of getting to know your students as a place to incorporate writing. When given a topic they can personally relate to, students usually write much more than they would ever tell you verbally. Sentence starters work well. Journal prompts are a terrific asset.
  • A teacher who makes an effort to value and learn about students on a more personal level, will gain the respect of the students and will begin on the journey of lesson planning for the whole group. It is not a "waste of time" to spend important moments on this "getting-to-know-you" task. The better you understand your students, the easier it is to get them to learn.
  • If students work together toward a common goal, then communication and organization improves. Plus, students feel supported, and they know they can go to other members of the class for guidance.
  • Facilitating an environment where a struggling student can approach a gifted student to request assistance, provides students with the chance to succeed in safe surroundings and at their own pace.
  • Although some teachers would disagree with me, I use self-assessment often
  • students are self-monitoring as well, and more often than not, they are pleased with their progress.
  • They feel good about themselves because they can see the learning in concrete form.
  • All students, from resource to gifted, need to "work up."
  • Using rubrics, checklists, and clearly written instructions, which are provided in advance, are a way to begin in helping all students learn to desire achievement
  • Diversity in the classroom is a given; our job is to figure out how to get students to want to learn the material on their own, at a pace that is good for them.
  • Teachers differentiate through their CONTENT.
  • What are the procedures/activities/steps which are followed so that students create their final outcome? This middle part is called the PROCESS. The final outcome is the PRODUCT. The product is most often the assessment vehicle by which students demonstrate what they have learned.
  • When students are offered choices in the process area, you enable them to discover different skills and competencies.
  • it means one plan with three options or sections.
  • Activities related to the same learning outcome are prepared with different stages of difficulty, each stage addressing higher levels of thinking and/or different learning styles.
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    there are 3 more parts to this.
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Academics- rubrics - 0 views

  • Rubrics provide clear criteria for evaluating a product or performance on a continuum of quality.  Rubrics are not simply checklists with point distributions or lists of requirements.  Well designed rubrics have the following in common: 1. They are task specific: The more specific a rubric is to a particular task, the more useful it is to the students and the teacher.  The descriptors associated with the criteria should reference specific requirements of the assigned task and clearly describe the quality of work at each level on the rubric. The rubrics to the left are all posted as Word documents so that teachers can tailor them to a particular task. 2. They are accompanied by exemplars: The levels of quality described in the rubric need to be illustrated with models or exemplars.  These anchor papers help both the students and the teacher to see and understand what quality work looks like as it is described in the rubric.  These models or exemplars can come from past student work or the teacher can create a model to share with the class. 3.  They are used throughout the instructional process: The criteria used to evaluate student work should be shared as the task is introduced to help students begin with the end in mind.  Rubrics and models should also be referenced while the task is being completed to help students revise their work.  They should also be used after the task is complete, not only to evaluate the product or performance, but also to engage students in reflection on the work they have produced. Ideally, students should be involved in the process of generating rubrics through the careful analysis of exemplars; by studying the models, students draw inferences about the criteria that are important to a successful product and then describe different levels of performance for each criterion.

Teaching Reading theory and links - 4 views

started by Jenny Gilbert on 31 Jan 09 no follow-up yet
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Web 2.0 Storytelling: Emergence of a New Genre (EDUCAUSE Review) | EDUCAUSE - 0 views

  • To claim that there is now such a thing as “Web 2.0 storytelling” invites risks. For one, some media reports suggest that this type of storytelling could be either hype or a danger. In addition, trying to pin down such a moving target can result in creating terminology that becomes obsolete in short order. Moreover, claiming that storytelling is happening online and is developing in interesting ways contradicts some current assertions about a decline in reading.Accepting these risks, we suggest there is most certainly a new form of expression that is compelling to educators. Starting from our definitions, we should expect Web 2.0 storytelling to consist of Web 2.0 practices.
  • Lonelygirl15 (http://www.lonelygirl15.com/), which started as a series of short videos on YouTube, grew to include a large number of comments, blog posts, wiki pages, parody videos, response videos, and a body of criticism. In each of these cases, the relative ease of creating web content enabled social connections around and to story materials.
  • Web 2.0 narratives can follow that timeline, and podcasts in particular must do so. But they can also link in multiple directions. Consider the possibilities facing a reader (or a viewer or a listener) who approaches Postmodern Sass. One timeline follows blog posts in chronological order. Another follows comments to a single post. A third follows links between posts, such as when the author refers to an earlier situation or references an old joke. Web 2.0 creators have many options about the paths to set before their users. Web 2.0 storytelling can be fully hypertextual in its multilinearity.
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  • laying for Keeps (http://www.playingforkeepsnovel.com/) includes blog posts (with comments), podcasts (each blogged, with those posts commentable), PDF downloads, a MySpace page, and additional blog posts from various content contributors, with these posts housed at their own locations.
  • his sort of content repurposing, redesign, and republication can open up problems of version or content control, yet in return, it offers the possible harvesting of the storytelling energies of the creative world.
  • The Twitter content form (140-character microstories) permits stories to be told in serialized portions spread over time.
  • Even more varied forms include movie trailer recuts, in which the story creator edits clips from a well-known Hollywood movie to make a preview that tells a different story.
  • Web 2.0 storytelling is a rapidly evolving genre, developing as new platforms emerge and moving in pace with the creativity of the human mind. We anticipate that new storytelling forms will emerge from today’s tools for microblogging, social networking, web-based presentations, and microblog-like videos
  • For rich-media content creation, Web 2.0 tools have lowered the barriers by moving the process of (expensive) desktop video-editing software to (free) web-based applications17 and at the same time ostensibly moving the focus from using the tool to telling the story with the tool.
  • o be included, the tools had to be free, completely web-based, and able to produce a final product that could be viewed via a link and/or could be embedded into another site. Currently, The Fifty Tools website (http://cogdogroo.wikispaces.com/StoryTools) features examples of stories created in fifty-seven tools, and the number is likely, as new tools continue to emerge, to top seventy soon.
  • Should Web 2.0 storytelling be considered for educational purposes as well? After all, not every art form needs to be used in academia. We believe that the answer is “yes” and that Web 2.0 storytelling offers two main applications for colleges and universities: as composition platform and as curricular object.
  • Some projects can be Web 2.0 stories, while others integrate Web 2.0 storytelling practices.
  • A single course blog, for instance, tells the class “story.”
  • At a different—perhaps meta—level, the boundaries of Web 2.0 stories are not necessarily clear. A story's boundaries are clear when it is self-contained, say in a DVD or XBox360 game. But can we know for sure that all the followers of a story's Twitter feed, for example, are people who are not involved directly in the project? Turning this question around, how do we know that we've taken the right measure of just how far a story goes, when we could be missing one character's blog or a setting description carefully maintained by the author on Wikipedia?
  • For now, perhaps the best approach for educators is simply to give Web 2.0 storytelling a try and see what happens. We invite you to jump down the rabbit hole
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    excellent and detailed doc exploring and defining web2.0 storytelling and what that actually means
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The Romantic poets | Books | guardian.co.uk - 0 views

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    "The Romantic poets This week, in the Guardian and the Observer, every day's paper comes with a free pamphlet on one of the great Romantics poets, from John Keats through to William Blake. As well as a selection of the poets' finest works, each pamphlet contains excerpts from their personal correspondence and a foreword from a modern-day admirer, with Christopher Hitchens championing Percy Bysshe Shelley, Margaret Drabble on William Wordsworth and Don Paterson writing in praise of Robert Burns. On the website, you can listen to readings of the featured poet's poems, join our daily discussions of their seminal works with the books blog's poet-in-residence, Carol Rumens, and download this week's books podcast, in which literary editor Claire Armitstead talks to Andrew Motion and the series editor, Nicholas Wroe, about the Romantics' legacy. If you missed out on any of the booklets, click here to buy copies from the readers offers department "
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WritingFix: prompts, lessons, and resources for writing classrooms - 0 views

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    Writing Fix (online resource) Here's an interesting free resource for anyone involved in teaching or learning writing skills. This site has been put together by the writers, teachers and students of the Northern Nevada Writing Project to support the development of writing skills with the Six Trait Model. The site hosts an extensive collection of lessons, activities and other resources. (The Writing Fix is one of 190 web sites sponsored by the National Writing Project in the US.) Featured prominently at the Writing Fix are two separate "prompt generators". One is called the "Interactive Instant Plot Creator". You press separate buttons to bring up random suggestions for setting, character, and conflict. To go along with this idea generator, there is a downloadable "pre-writing worksheet" as well as a "rough draft worksheet". The other generator is called the "Random Prompt Generator for Writers". This second prompt generator consists of 470 prompts, each of which begins with a question that is followed by a suggested writing task.
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Reading between the lines - 0 views

  • 'In other words,'' says Dr Sue Thomson, of the Australian Council for Educational Research, ''larger proportions of students can be described as 'strong performers' in the digital medium than in the print medium.''
  • If anything, what the new technologies will do is provide more opportunities to engage with long-form texts. The distribution mechanism will allow greater access. If you wanted to read almost anything on anything, I can almost guarantee there'll be 5000 words that someone's written about it somewhere, that you can get your hands on in an instant.'
  • ''Everybody's either on a Kindle, emailing, texting, reading the news on their iPads. The digital revolution is not destroying reading. It's changing the shape, the form, the context and maybe how we do it, but I don't think it's diminishing it.''
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  • But does access to more material make us more ''literate''? ''I actually think the evidence shows that most of our children are more literate, if you think of the definition 'literacy' as hugely more complex than it was 30 or 40 years ago and the different sorts of literacies that everyone has to have,'' says Ewing
  • ''At one point of time, if you could sign your name you were 'literate' - and then it was actually a very good measure. Later, if you could do a, say, primary school level of schooling, that was considered to be literacy. Today, I'd say, it's being able to interact with and participate in contemporary society, and in most workplaces these days that takes in having some element of computer literacy.''
  • BUT many worry that screen-based reading is already changing the way we read for the worse, playing to what has been called the Google generation, people with short attention spans who are prone to distraction and turn into ''skimmers''
  • ''Wide reading, particularly wide reading out of school, has a direct correlation with academic success.''
  • nd amid all the gloom and doomsaying, it seems we're still doing plenty of that.
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    Are kids not reading - or is it that the nature of reading has changed - great article
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The Curious Incident of the Dog in the Night-time - Resources - TES Connect - 0 views

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    During reading activities on Mark Haddon's novel. Activities intended for KS3. Post 16 students will find much of interest in the interview extract with Mark Haddon, in which he discusses the swearing in the novel. From the English and Media Centre's CD ROM pack on the novel.
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Resource: In Search of the Novel - 0 views

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    Discover creative strategies for bringing novels to life for middle and high school students with this workshop, featuring the words and works of 10 novelists, including Charles Dickens, Mary Shelley, J. K. Rowling, and Toni Morrison. Within the framework of real classroom practice, the workshop offers interviews with contemporary authors, literary critics, teachers, and students, as well as film clips from adaptations of the novels featured. In Search of the Novel poses basic questions that can help you examine the genre from multiple perspectives and bring it to life for your students.
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Portfolio - 0 views

  • Welcome to the Google Sites version of my e-portfolio. I am exploring the capabilities of using this system to maintain electronic portfolios as part of my research on implementation of online electronic portfolio systems. Of all the systems that I have tried, this Google Site as my presentation portfolio, with my own domain name, with my Blogger blog as my reflective journal, is my favorite example, and the one that I will continue to update.
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    "Welcome to the Google Sites version of my e-portfolio. I am exploring the capabilities of using this system to maintain electronic portfolios as part of my research on implementation of online electronic portfolio systems. Of all the systems that I have tried, this Google Site as my presentation portfolio, with my own domain name, with my Blogger blog as my reflective journal, is my favorite example, and the one that I will continue to update. "
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Introduction - 1 views

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    This resource pack explores the first meeting of Romeo and Juliet. The notion of "love at first sight" is discussed; the scene is set in context and students move on to looking in detail at the religious imagery used by Romeo and Juliet in Act 1, Scene 5. The sonnet form is then introduced. Students investigate Shakespeare's use of this form at this point and then progress to identifying other sonnets in the play.
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Google Books - 0 views

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    Weekly World news takes off modern society, lifestyles, fears and the media - even a browse of the front pages is funny. In the classroom - we could use something of these to have students consider how tho tell if the media is presenting them the truth - and some of those headlines are fabulous for studying word play
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Connect, Create, Collaborate by Pip Cleaves | Bits and Pieces Place - 0 views

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    "Connect, Collaborate,Create, is the brilliant brain child of Pip Cleaves. Pip is the Hunter/Central Coast Regional Strategy Support Officer - DER for the DET based at the Adamstown Office. I am very fortunate to be part of the Hunter/Central Coast region. She has promised that this website will have new things added as she finds them. She has assigned icons to each web2 . There are also PDF examples of how each tool can be used. Brilliant!"
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The Boy in the Striped Pajamas - 0 views

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    "How should one react to a book that ostensibly seeks to inform while it so blatantly distorts? If it is meant as a way of understanding what actually happened -- and indeed for many students it will be the definitive and perhaps only Holocaust account to which they will be exposed -- how will its inaccuracies affect the way in which readers will remain oblivious to the most important moral message we are to discover in the holocaust's aftermath?"
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Primary Documents - 0 views

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    Primary documentation gives you exact information from the people or groups involved, even though some of this may still be interpreted by others. With an inclination to the writing process for recording information and the relative youth of the country since European settlement, we often have access to a surprising range and depth of primary documentation. Regrettably, because of their oral tradition, much of the Indigenous history before European arrival has been lost. hey are at undergraduate level and listed in alphabetical groupings for ease of access. Some information may be useful at a higher level.
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SparkNotes: Romeo and Juliet: Plot Overview - 0 views

  • I n the streets of Verona another brawl breaks out between the servants of the feuding noble families of Capulet and Montague. Benvolio, a Montague, tries to stop the fighting, but is himself embroiled when the rash Capulet, Tybalt, arrives on the scene. After citizens outraged by the constant violence beat back the warring factions, Prince Escalus, the ruler of Verona, attempts to prevent any further conflicts between the families by decre
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    sparknotes R and J summary
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I AM A LIAR!: Let the Deception Begin! - 0 views

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    this is an excellent little tactic to remind students to be critical thinkers - but I think i would go about it differently - i would hate to blow their trust in the teacher. Perhaps to do such a presentation then direct question them on the validity of the content within the same lesson would be better. I would hate to have them wlking around feeling totally duped for days.
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Presentations in the High School English Classroom - 0 views

  • through images and the research of the storyteller.
  • Because of timing instead of 20 slides 20 seconds a slide. We went with 15 slides x 20 seconds for an even 5 minute presentation.
  • Class time was used to teach about creative commons pictures, creating compelling presentation, research skills, a clear thesis statement and answering the "so what" factor as the presentation related to the book. In other words class time was used to teach skills and context of the presentation.
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  • (Love it!)
  • (Love it!)
  • (Love it!)
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    an article on the success of using PechaKucha style for presentations
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oz-Teachernet - Bridge to Terabithia - 0 views

  • The Rap Points will be based around the themes: RP 1 - 22nd Oct. (Read Chapters 1-2) Striving to be your best. RP 2 - 29th Oct. (Read Chapters 3-4) Being different. RP 3 - 5th Nov. (Read Chapters 5-7) Bullies. Pay backs etc. (Perhaps an art based activity.) RP 4 - 12 Nov. (Read Chapters 8-10) Friendship. Family. RP 5 - 18 Nov. (Read Chapters 11-13) The Bridge to Terabithia. Wrap up - 26 Nov. (Final emails farewelling this BR.)
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    The Rap Points will be based around the themes: RP 1 - 22nd Oct. (Read Chapters 1-2) Striving to be your best. RP 2 - 29th Oct. (Read Chapters 3-4) Being different. RP 3 - 5th Nov. (Read Chapters 5-7) Bullies. Pay backs etc. (Perhaps an art based activity.) RP 4 - 12 Nov. (Read Chapters 8-10) Friendship. Family. RP 5 - 18 Nov. (Read Chapters 11-13) The Bridge to Terabithia. Wrap up - 26 Nov. (Final emails farewelling this BR.)
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Emmanuel on xfactor - 0 views

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    Emmanuel was a baby born in a war zone. His is physically disabled. Here he sings 'Imagine' on the x-factor. It is very humbling and provides an example of responding to conflict for students - both from the point of view of emmanuel, his mother, the audience and the judges. This performance provides a good discussion starter, Tissues may be required.
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