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Jenny Gilbert

digistorytelling [licensed for non-commercial use only] / Digital Story Examples - 0 views

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    list of some good examples from the course I did
Jenny Gilbert

Portfolio - 0 views

  • Welcome to the Google Sites version of my e-portfolio. I am exploring the capabilities of using this system to maintain electronic portfolios as part of my research on implementation of online electronic portfolio systems. Of all the systems that I have tried, this Google Site as my presentation portfolio, with my own domain name, with my Blogger blog as my reflective journal, is my favorite example, and the one that I will continue to update.
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    "Welcome to the Google Sites version of my e-portfolio. I am exploring the capabilities of using this system to maintain electronic portfolios as part of my research on implementation of online electronic portfolio systems. Of all the systems that I have tried, this Google Site as my presentation portfolio, with my own domain name, with my Blogger blog as my reflective journal, is my favorite example, and the one that I will continue to update. "
Jenny Gilbert

How media manipulates visual information - 0 views

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    fabulous example of how a simple cropping can portray completely different messages to the reader
Jenny Gilbert

Require Analogy Examples to Test Learning - 0 views

  • What is an analogy? The definition of analogy is an expression of similarity between two unlike things. Usually the comparison involves two or more comparison points. In real life, analogies are used to explain and teach. Their most common uses are to Explain something unknown in terms of something known. Explain something unfamiliar in terms of something familiar. Explain something unseen in terms of something seen. An analogy usually does more than describe the appearance of something; it explains how something works. Analogies usually oversimplify to give an frame of reference in which detail may be understood.
Jenny Gilbert

Emmanuel on xfactor - 0 views

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    Emmanuel was a baby born in a war zone. His is physically disabled. Here he sings 'Imagine' on the x-factor. It is very humbling and provides an example of responding to conflict for students - both from the point of view of emmanuel, his mother, the audience and the judges. This performance provides a good discussion starter, Tissues may be required.
Jenny Gilbert

Community | Edublogs - education blogs for teachers, students and institutions - 0 views

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    Click on english and find resources and examples of how other teachers are using blogs in their classrooms.
Jenny Gilbert

6+1 Trait® Writing | Education Northwest - 0 views

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    defines and gives examples of this model for teaching and assessing writing
Jenny Gilbert

Induction Activities: Some good examples using video … - eLearning Blog Dont ... - 0 views

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    A couple of fun things - for warm ups or period 7 friday:)
Jenny Gilbert

Two weeks worth of Poetry Lessons - 18 different styles to explore - Literacy... - 0 views

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    a PowerPoint of what our students will be doing in writing for the next fortnight to explore poetry. This presentation contains explanations and examples of each of the 18 major styles of poetry and also Poetry assessment rubric for your students to use to assist them in writing their own poetry. You can either download the entire presentation or just use the slideshare presentation below. Enjoy
Jenny Gilbert

Connect, Create, Collaborate by Pip Cleaves | Bits and Pieces Place - 0 views

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    "Connect, Collaborate,Create, is the brilliant brain child of Pip Cleaves. Pip is the Hunter/Central Coast Regional Strategy Support Officer - DER for the DET based at the Adamstown Office. I am very fortunate to be part of the Hunter/Central Coast region. She has promised that this website will have new things added as she finds them. She has assigned icons to each web2 . There are also PDF examples of how each tool can be used. Brilliant!"
Jenny Gilbert

Web 2.0 Storytelling: Emergence of a New Genre (EDUCAUSE Review) | EDUCAUSE - 0 views

  • To claim that there is now such a thing as “Web 2.0 storytelling” invites risks. For one, some media reports suggest that this type of storytelling could be either hype or a danger. In addition, trying to pin down such a moving target can result in creating terminology that becomes obsolete in short order. Moreover, claiming that storytelling is happening online and is developing in interesting ways contradicts some current assertions about a decline in reading.Accepting these risks, we suggest there is most certainly a new form of expression that is compelling to educators. Starting from our definitions, we should expect Web 2.0 storytelling to consist of Web 2.0 practices.
  • Lonelygirl15 (http://www.lonelygirl15.com/), which started as a series of short videos on YouTube, grew to include a large number of comments, blog posts, wiki pages, parody videos, response videos, and a body of criticism. In each of these cases, the relative ease of creating web content enabled social connections around and to story materials.
  • Web 2.0 narratives can follow that timeline, and podcasts in particular must do so. But they can also link in multiple directions. Consider the possibilities facing a reader (or a viewer or a listener) who approaches Postmodern Sass. One timeline follows blog posts in chronological order. Another follows comments to a single post. A third follows links between posts, such as when the author refers to an earlier situation or references an old joke. Web 2.0 creators have many options about the paths to set before their users. Web 2.0 storytelling can be fully hypertextual in its multilinearity.
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  • laying for Keeps (http://www.playingforkeepsnovel.com/) includes blog posts (with comments), podcasts (each blogged, with those posts commentable), PDF downloads, a MySpace page, and additional blog posts from various content contributors, with these posts housed at their own locations.
  • his sort of content repurposing, redesign, and republication can open up problems of version or content control, yet in return, it offers the possible harvesting of the storytelling energies of the creative world.
  • The Twitter content form (140-character microstories) permits stories to be told in serialized portions spread over time.
  • Even more varied forms include movie trailer recuts, in which the story creator edits clips from a well-known Hollywood movie to make a preview that tells a different story.
  • Web 2.0 storytelling is a rapidly evolving genre, developing as new platforms emerge and moving in pace with the creativity of the human mind. We anticipate that new storytelling forms will emerge from today’s tools for microblogging, social networking, web-based presentations, and microblog-like videos
  • For rich-media content creation, Web 2.0 tools have lowered the barriers by moving the process of (expensive) desktop video-editing software to (free) web-based applications17 and at the same time ostensibly moving the focus from using the tool to telling the story with the tool.
  • o be included, the tools had to be free, completely web-based, and able to produce a final product that could be viewed via a link and/or could be embedded into another site. Currently, The Fifty Tools website (http://cogdogroo.wikispaces.com/StoryTools) features examples of stories created in fifty-seven tools, and the number is likely, as new tools continue to emerge, to top seventy soon.
  • Should Web 2.0 storytelling be considered for educational purposes as well? After all, not every art form needs to be used in academia. We believe that the answer is “yes” and that Web 2.0 storytelling offers two main applications for colleges and universities: as composition platform and as curricular object.
  • Some projects can be Web 2.0 stories, while others integrate Web 2.0 storytelling practices.
  • A single course blog, for instance, tells the class “story.”
  • At a different—perhaps meta—level, the boundaries of Web 2.0 stories are not necessarily clear. A story's boundaries are clear when it is self-contained, say in a DVD or XBox360 game. But can we know for sure that all the followers of a story's Twitter feed, for example, are people who are not involved directly in the project? Turning this question around, how do we know that we've taken the right measure of just how far a story goes, when we could be missing one character's blog or a setting description carefully maintained by the author on Wikipedia?
  • For now, perhaps the best approach for educators is simply to give Web 2.0 storytelling a try and see what happens. We invite you to jump down the rabbit hole
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    excellent and detailed doc exploring and defining web2.0 storytelling and what that actually means
Jenny Gilbert

k12learning20 - 4-blog2 - 0 views

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    a blogging assessment task - a good example.
Jenny Gilbert

Jeff Kinney @Web English Teacher - 0 views

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    The link has lessons and the entire text of diary of a wimpy kid online - this could be a good starting point for moving into online reading texts and the dirary itself is a great example of journal writing for Year 7 students. 
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