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Isabelle Jones

Réseau européen des associations de professeurs de langues | REAL - 0 views

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    European languages associations that are part of REAL
Lauren Rosen

150 herramientas gratuitas para crear materiales didácticos on line - 5 views

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    Generador de operaciones matemáticas para resolver en línea (Fran Macías). Genera sumas y restas (con y sin llevar), multiplicaciones
Andrew Jeppesen

Skype in the classroom (beta) | Skype Education - 10 views

  • Meet new people, discover new cultures and connect with classes from around the world, all without leaving the classroom.
Barbara Lindsey

News: The Web of Babel - Inside Higher Ed - 1 views

  • Some adventurous professors have used Twitter as a teaching tool for at least a few years. At a presentation at Educause in 2009, W. Gardner Campbell, director of the academy of teaching and learning at Baylor University, extolled the virtues of allowing students to pose questions to the professor and each other — an important part of the thinking and learning process — without having to raise their hands to do so immediately and aloud. And in November, a group of professors published a scientific paper suggesting that bringing Twitter into the learning process might boost student engagement and performance.
  • But while Lomicka and her tech-forward peers are not advocating that every college go the way of Chapel Hill, they are finding out that some relatively novel teaching technologies that are used by academics of all stripes, such as Twitter and iTunes U, are particularly useful for teaching languages.
  • At Emory University, language instructional content is far and away the biggest export of its public repository on iTunes U, where visitors from around the world have downloaded more than 10 million files since Emory opened the site in 2007.
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  • Language content makes up about 95 percent of the downloads from the Emory iTunes U site.
  • the most popular content is audio and video files that were originally developed not for a general audience, but by professors as supplements to college-level coursework,
  • Because language demonstrations often require audio and sometimes video components (e.g., tutorials on how to write in a character-based alphabet), and students often like to practice while on the move, iTunes is in many ways an ideal vehicle for language-based instructional content.
  • what we do offer is an online supplement that enhances what happens both in the classroom and in foreign study in the culture — and it is always there as a resource for our students, because it’s online.”
anonymous

A List of some of the best Music websites + download, listen, search and share songs fo... - 13 views

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    Today i am introducing to you a set of the best music sharing web tools. All these tools are free and easy to use. They can allow you to listen and share music with your friends through a real time listening. Educators can use these tools to educationally share and study songs with their students as well.
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    Thank you, very usefull link.
Pamela Arraras

Foreign Language Teaching Wiki - Culture - 1 views

  • The main exposure students had to the culture of the target language was through controlled interaction with native speakers in the classroom.
  • Language & culture are more naturally integrated in this approach. Culture instruction is connected to grammar instruction. Its main goal is to teach students how to use the target language when communicating in a cultural context
  • the following are other common approaches to teaching culture: (from Omaggio) The Frankenstein Approach: A taco from here, a flamenco dancer from there, a gaucho from here, a bullfight from there. The 4-F Approach: Folk dances, festivals, fairs and food. The Tour Guide Approach: The identification of monuments, rivers and cities. The "By-the-Way" Approach: Sporadic lectures or bits of behavior selected indiscriminately to emphasize sharp differences.
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  • focusing a little more on similarities, instead of the differences, between cultures
  • Latorre believes that focusing on differences instead of on the similarities contributes to people misunderstanding other cultures, often thinking that the foreign cultures are "exotic," perhaps more exotic than they actually are. What Latorre suggests that any teacher of any foreign language should do is focus on the “true differential, the language [itself], rather than enlarging beyond proportion attitudes and activities which are either regional, outdated, or downright non-existent” (672).
  • one of the most important factors for success in learning a foreign language is the need for students to get involved in the learning process. The use of materials based on internet technologies offers many innovative ways of getting students involved in the process of learning a language. Students can get to know the target culture by means of interacting directly with native speakers via on-line communication, with mail exchanges or chatrooms.
  • From her point of view, it is crucial that the students can learn not only the language but also the diversity of the target culture. That is why, according to her, internet resources, such as newspapers and magazines, have a great importance, since they provide students with authentic and current information that can help them understand the target culture. Reading on-line newspapers makes students aware of current social phenomena.
  • According to Lee, recent studies have proved that internet resources can help students improve their language skills in a similar way to full immersion or study abroad, although are based basically on written communication. Besides, this use of on-line resources are more beneficial to students at the advanced level because they require a high level of language proficiency to read, comprehend, and respond to cultural readings, for example, newspapers.
  • The most important part of Stern's research involves his 3-level framework of foreign culture pedagogy: teaching social sciences, applying theory/research, and their practical applications in the classroom. In the 1990s, Stern's cultural/communication mix evolved from describing sociocultural contexts of second language/foreign language to contexts of competence in second culture acquisition (not just language acquisition). This is the first time that cultural pedagogy and social sciences had been paired.
  • In H.H. Stern's breakthrough 1983 study "Fundamental concepts of language Teaching," there are concepts of day-to-day culture and customs that should be used in the classroom. Stern uses a four component model including a 'cultural syllabus' for culture teaching.
  • Foreign language (FL) teachers should make culture more of a central role in the class FL teachers should throw out teaching culture in terms of isolated facts FL teachers should have an awareness of the past on the present within any culture without focusing too much on the past FL teachers should be aware of cognitive and affective influences on the students FL teachers should engage students as active participants FL teachers should teach culture in such a way that students can be cross-cultural here and abroad Given that the teacher’s assumptions about how language and lang learning affect how he or she teaches lang and culture, the approach should aim for communicative competence (that is, real communication)
  • Tang discussed the use of performance-based theory developed by Walker (2000) who suggests that culture could be better taught if done through simulated social interactions in the classroom, for example hosting a guest or accepting a gift. This serves to create a “default memory” within the student's mind that will help him perform in the target culture without drawing conclusions or using as a reference his own base culture which could lead to misunderstandings.
  • Tang also discourages the pure instruction of behavioral culture in the classroom and says that to perform effectively in a target culture one must not only be able to master it linguistically, be familiar with its artifacts, norms and rituals but also with the meaning system, or the hidden significance underlying these. This is why she believes that Walker's performance-based theory can only work properly if the true meaning system underlying the simulated situations and interations created in the classroom are internalized by the students.
  • the Three P's, into three separate categories: cultural perspectives, cultural products, and cultural practices. Cultural perspectives are the values, beliefs, attitudes, and assumptions shared within a culture. Cultural products are things such as literature, music, art, or even utensils such as chopsticks; tangible items that are linked to a certain culture. Cultural practices are the acceptable behavioral patterns, forms of discourse, and rites of passage within a specific culture.
  • the goals are that students "demonstrate an understanding of the relationship between the practices and perspectives of the culture studied," which means that we should encourage the students to understand why other cultures do what they do and what the members of that culture think about the reasons behind what they do. In addition, the students should come to an understanding of "the relationship between the products and perspectives of the culture studied." This means that we should enlighten the students on what members of other cultures do and what these peoples' own opinions are about what they do. Moreover, culture should be starting point for all classroom education. In keeping with the 5 C's, culture is used to make comparisons and connections about communities and in doing so students can have meaningful communication within those communties.
  • According to Omaggio: Culture is complex and elusive and is difficult to include in linear instructional formats. Culture requires time that many teachers feel that do not have. Teachers avoid culture because of their own perceived lack of knowledge. Culture often requires both teacher and learner to move beyond their level of comfort when confronted with deeper, sometimes controversial issues. When teaching languages that are spoken in many different countries, e.g., Spanish, where are the cultural boundaries? Balancing Big C with Little C.
  • Strategies, techniques, and tools for teaching culture in the classroom
Claude Almansi

Theatre of sleep - an anthology of literary dreams by Guido Almansi and Claud... - 0 views

    • Claude Almansi
       
      Inded. I'm marking them with these Diigo notes, and will be very grateful if others do the same.
  • I probably left many mistakes
    • Claude Almansi
       
      Indeed. I am marking them with these Diigo comments, and will be very grateful if others do the same.
  • in cross-references, the inner link to the cross-referenced text has been added
    • Claude Almansi
       
      rephrase more clearly
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  • And he enjoyed the possibility to write and rewrite and re-rewrite with it.
    • Claude Almansi
       
      Rephrase?
  • is given
    • Claude Almansi
       
      is given. (add the period)
  • LEncyclopédie
    • Claude Almansi
       
      L'Encyclopédie
  • copyright q:)
    • Claude Almansi
       
      copyright ©
  • copyright Ç
  • die disturbing
  • bc die only
  • at die table
  • what arc their causes
  • Dreams arc what we know nothing about
  • but we arc at liberty
  • We arc giving
  • arc formless little black lumps
  • But the what problem
  • the world turns half away/ Through
  • writes the American poet Elizabeth Bishop in a poem included in this anthology
  • What does this translation entai]
  • just like the interpretations by Freud orjung
  • the ear of man hadi not seen
  • skin, eves, ears, nose, tongue
  • We said that a dream could bc a descent
  • Of course dreams of flying can also bc symbolic
  • which could bc due to the continuous curving
  • bc th4 his own or society's
  • to bc crushed mashed and mushed
  • another example would bc the mine
  • in Zola's Genrmina
  • In Dante's Hell
  • 0.1 Electronic version
  • the dream "1"
  • Hervey SaintDenis
  • what kind of symbols would they bc
  • I fortuned on a day to goc thither,
  • to make mv market there
  • as'it often
  • by the decree of the Provinciall judge-.
  • 0Omy friend Aristomenus
  • we might bc merry and laugh
  • Bt I becing in such extremity
  • being an old man atid one
  • whieh she useth in a certaine hole i ' n her house
  • yea rather with great fcare
  • But I wanted to sec
  • But I not willing to sec
  • to sec how of Aristomenus I
  • snafl
  • And whfle I lay on the ground
  • I peeped under the bed to sec
  • I shall bc forsaken
  • and hadi seene all our doings
  • Behold, I sec Socrates is sound
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    This is an "0.1" version because electronic texts are far easier to amend than printed books, and so they must be. And this version will need to be: on the one hand, scanning and OCRing (see Formal Features below) is a stupendous possibility, but it is not totally reliable, and even if I proof-read the electronic text, I probably left many mistakes. On the other hand, I hope to be able in future to reinsert some of the texts under copyright for which I haven't obtained yet a renewal of the permissions given for the print edition (see Copyright and Content below). However, the deadline of the Google Book Search Settlement for asking Google to pull out their own, inacceptable, electronic version made it imperative to publish this one quickly.
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    This electronic version of "Theatre of Sleep - Dreams in Literature " is multilingual, because it uses the original texts when they were in the public domain and the translation was copyrighted. It was made by scanning and OCRing the book, which left many mistakes even if I proofread the result of the OCR (Optical Character Recognition). I am correcting them in the Diigo comments, and would be very grateful to others who would do the same.
James OReilly

ScienceDirect - Current Biology : Cultural Confusions Show that Facial Expressions Are ... - 0 views

  • Central to all human interaction is the mutual understanding of emotions
  • achieved primarily by a set of biologically rooted social signals evolved for this purpose—facial expressions of emotion
  • Rather than distributing their fixations evenly across the face as Westerners do, Eastern observers persistently fixate the eye region
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  • Our results question the universality of human facial expressions of emotion, highlighting their true complexity, with critical consequences for cross-cultural communication and globalization.
Amy Kelly-Graham

My eBay All selling - 0 views

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    Differentiated Instruction in the Foreign language classroom
anonymous

Shakespeare Had Roses All Wrong : NPR - 0 views

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    Neat article on the insights into language, linguistics, and how our language shapes our world
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