In the vanguard of the Marines, the press corps had already stormed Somailia. Now we will see more of the famailiar pictures of grotesque human degradation, with foreign angels of mercy ministering to starving children, juxtaposed with images of trigger-happy teen-age looters. Such pictures prompted President Bush's military adventure-now they will justify it. The camera can't lie, we are told. But anyone who has watched a Western film crew in an African famine will know just how much effort it takes to compose the "right" image. Photogenic starving children are hard to find, even in Somalia. Somali doctors and nurses have expressed shock at the conduct of film crews in hospitals. They rush through crowded corridors, leaping over stretchers, dashing to film the agony before it passes. They hold bedside vigils to record the moment of death. When the Italian actress Sophia Loren visited Somalia, the paparazzi trampled on children as they scrambled to film her feeding a little girl-three times. This is disaster pornography.

One rainy night eight years ago, in Watertown, Massachusetts, a man was taking his dog for a walk. On the curb, in front of a neighbor's house, he spotted a pile of trash: old mattresses, cardboard boxes, a few broken lamps. Amidst the garbage he caught sight of a battered suitcase. He bent down, turned the case on its side and popped the clasps. He was surprised to discover that the suitcase was full of black-and-white photographs. He was even more astonished by their subject matter: devastated buildings, twisted girders, broken bridges - snapshots from an annihilated city. He quickly closed the case and made his way back home.

1854 brings you a daily dose of photographic news, from the latest gear to the best exhibitions to the best insights on ongoing and upcoming trends in the industry. 1854 is written by the editors of the British Journal of Photography, the world's oldest photography magazine

In 2002, Alec Soth traveled with his wife to Bogotá, Colombia to adopt a baby girl. The baby's birth mother gave the new parents a book filled with letters, pictures and poems for their new daughter. 'I hope that the hardness of the world will not hurt your sensitivity,' she wrote. 'When I think about you I hope that your life is full of beautiful things.' During the two months that the Colombian courts processed their adoption paperwork, Soth set about making his own book for his daughter. Soth recently completed this book, Dog Days Bogotá. On November 9th, an exhibition of this work will debut at Weinstein Gallery in Soth's hometown of Minneapolis, Minnesota. Soth discusses Dog Days Bogotá with his intern, Carrie Thompson, a photography student at the College of Visual Arts in St. Paul, Minnesota.

known for his series THE HYENA & OTHER MEN

10x10™ ('ten by ten') is an interactive exploration of the words and pictures that define the time. The result is an often moving, sometimes shocking, occasionally frivolous, but always fitting snapshot of our world. Every hour, 10x10 collects the 100 words and pictures that matter most on a global scale, and presents them as a single image, taken to encapsulate that moment in time. Over the course of days, months, and years, 10x10 leaves a trail of these hourly statements which, stitched together side by side, form a continuous patchwork tapestry of human life. 10x10 is ever-changing, ever-growing, quietly observing the ways in which we live. It records our wars and crises, our triumphs and tragedies, our mistakes and milestones. When we make history, or at least the headlines, 10x10 takes note and remembers. Each hour is presented as a picture postcard window, composed of 100 different frames, each of which holds the image of a single moment in time. Clicking on a single frame allows us to peer a bit deeper into the story that lies behind the image. In this way, we can dart in and out of the news, understanding both the individual stories and the ways in which they relate to each other. 10x10 runs with no human intervention, autonomously observing what a handful of leading international news sources are saying and showing. 10x10 makes no comment on news media bias, or lack thereof. It has no politics, nor any secret agenda; it simply shows what it finds. With no human editors and no regulation, 10x10 is open and free, raw and fresh, and consequently a unique way of following world events. In 10x10, we respond instinctively to patterns in the grid, visual indicators of relevance. When we see a frequently repeated image, we know it's important. When we see a picture of a movie star next to a picture of dead bodies, we understand the extremes that exist in our world. Scanning a grid of pictures can be more intuitive than reading headlines, for it lets the new

4 unembedded photogprahers in iraq

ohio university's visal journalism group site about life in athens ohio

Declaration of Principles Kevin Sites in the Hot Zone is news reporting for the new millennium - a nexus of backpack journalism, narrative story-telling techniques, and the Internet, designed to reach a global audience hungry for information. Our Mission and Goals To cover every armed conflict* in the world within one year, and in doing so to provide a clear idea of the combatants, victims, causes, and costs of each of these struggles - and their global impact. With honest, thoughtful reporting we'll strive to establish Kevin Sites in the Hot Zone as a forum for information and involvement. Users will not only learn about the scope of world conflict, but will find ways to be part of the solutions- through dialogue, debate, and avenues for action. How We'll Do It We will be aggressive in pursuing the stories that are not getting mainstream coverage and we will put a human face on them. We will not chase headlines nor adhere to pack journalism but vigorously pursue the stories in front of and behind the conflict, the small stories that when strung together illustrate a more complete picture. Veteran war correspondent Kevin Sites will travel solo to these conflict zones, aided by a U.S.-based "mission control" team: Producer Robert Padavick (NBC News, CNN) and Researcher Lisa Liu (Radio Free Asia, International Medical Corps). Using the latest technology, including high-definition digital cameras and satellite modems, Kevin will deliver stories via a five-fingered multimedia platform of text, photography, video, audio, and interactive chat - all available on one website (http://hotzone.yahoo.com).

The Raw File was created to produce and distribute socially reflective media that will provoke discussion. It is our hope that these conversations will intersect the lines of race and class, private and professional. Our content is distributed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License so that anyone may download, copy, exhibit, and distribute it for non-profit, educational purposes. We simply ask you to attribute this work to "www.therawfile.org". The Raw File has no agenda other than to provide a neutral and approachable environment for the documentation and dissemination of information by and about individuals and their communities, an outlet for stories that would otherwise go unheard into history. The Raw File is self-funded and in the process of being registered as a 501(c)(3) nonprofit . The Raw File… Founded by Brenda Ann Kenneally.