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Oliver Ding

Collaborative Projects - 0 views

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    Collaborative, online projects are one of the most exciting ways to motivate students. Get students involved with posting project on the web, emailing other students or experts, discussing issures on threaded discussion, and many more creative ways. There are thousands of projects to join or cre...
Oliver Ding

Design Observer - 0 views

  • In its Standards of Professional Practice the AIGA makes this unequivocal statement regarding authorship, “When not the sole author of a design, it is incumbent upon a professional designer to clearly identify his or her specific responsibilities or involvement with the design. Examples of such work may not be used for publicity, display or portfolio samples without clear identification of precise areas of authorship.” Unfortunately, this dictum has not led to consistency in the way graphic design is credited in magazines, books, websites, or contests and doesn't address the problem of unattributed work.
  • The AIGA's stance speaks to what has traditionally been the major issue in graphic design attribution — in such collaborative work why does a single designer end up getting the credit?
  • What about young designers who put work done at a well-known studio on their personal portfolio site? What about big studios that use a monolithic studio credit for the work done by individual employees? And (as in the Sundance Channel example) what about work that goes completely uncredited?
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  • On the other hand designers now have seemingly limitless opportunities to promote themselves. On a portfolio site, a blog post or a Facebook page, designers are free to make their own assertions about their contribution to a given project. This was not the case when the only opportunities for recognition were only a handful of contests and publications each year. Now every designer has their own "catalog" site and design work circulates in a fairly unregulated way even within the design press.
  • In films, for example, credit is acknowledged once and for all and in detail at the end of a film. There is a great deal of horse-trading, arguing, and appeasement regarding the credits for any film project, but by opening night everything’s printed on film, the modern equivalent of being set in stone.
  • Film credits have been instrumental in codifying the labor hierarchy in the film industry, institutionalizing a shared vocabulary of job titles and responsibilities. No such standard has evolved in design — for example the term Art Director means something vastly different in an in-house design department than it does at an advertising agency.
  • Rather than wade into such ambiguous waters, it is easier to simply not credit anyone. Many large design studios have reached a similar conclusion and simply credit any work done at the studio to the studio entity. Frequently the mainstream press simply leaves works of design unattributed as if they were produced out of thin air.
  • Part of the problem is that attribution only becomes an issue after a work has become enduring or “important” and by that time it’s hard to recreate exactly how it came about.
  • In fact, the vast majority of graphic design is still done by unknown designers for unknown clients. It is a testament to the increasing influence of design that people care at all who animated a network interstitial or laid out a signage system. Perhaps this enhanced profile has made an unrealistic expectation that designers should get credit at all in a field with a blurry notion of authorship. Or perhaps the proliferation of design media channels simply offers more opportunities for half-truths and situational ethics when it comes to giving credit (and taking it).
  • Great post. It is a never ending battle to try to make sure that everyone who had some influence on a project be name-checked, and it is the right thing to do to give credit where credit is due, and we try very hard to do so. I recently scoured my records to try to credit a photographer for a project we worked on over 10 years ago. It was the one and only time our office ever worked with this person, and for the life of me I can not remember her name. I feel terrible about it, but there it is, I tried but came up short. If and when I come up with the photographers name I will certainly try to rectify the situation.As for work you're not especially proud of, I love the Alan Smithee idea. Posted by: Mark Kaufman on 05.20.08 at 01:20
Oliver Ding

ASIS Education Programs: Education for Information Architecture Poject - 0 views

  • Education Programs Information Science Education Committee Education for Information Architecture Project Introduction The ASIS&T Information Science Education Committee is conducting a project on education for information architecture. The first phase of the project, in which the committee is currently engaged, is to gather information about existing courses and programs and to make this information available at the committee web site. The information gathered thus far is below.  Information architecture programs and courses  This listing is based on a search of the Web in March 2003 and on responses to an email survey posted on asis-l and JESSE listservs. The initial goal of the project is to identify programs and courses rather than to evaluate them or gather in-depth information.  At this point, the listing is limited to U.S. and Canadian institutions. We invite any institutions with either IA degree programs and/or courses in IA or with significant IA components to send information to the ASIS&T Information Science Education Committee for inclusion in this listing. Please send responses (and any corrections of additions) to Dietmar Wolfram (dwolfram@uwm.edu).
Oliver Ding

Seoul 2026 - 0 views

  • Gourd Bottle Tower matrix + Honeycomb Matrix
Oliver Ding

The LinkedIn Blog: The Engineering component | LinkedIn Company Profiles - 0 views

  • Company Profiles are literally profiles for companies. From an engineering perspective, we started with a relatively simple prototype of recent promotions and hires, iterated and created static pages for several companies. We then launched our company standardization project, played with massive amounts of statistical data, improved our search engine, added analytical data platform, ran a whole bunch of SQL scripts and implemented several designs of a page - Phew!
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    This is cool!
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