Group items tagged

Local Contexts is a new forum for applying Traditional Knowledge licenses or labels to materials from Indigenous communities. They work a lot like Creative Commons licenses. There are often different categories of Indigenous knowledge meant only for the community, or only for women, or only for leaders, and these licenses offer a way to label materials accordingly. These labels and licenses are added onto existing copyright, which is often held by the person who made a tangible material rather than the community where the idea comes from (an anthropologist who filmed a traditional ceremony owns the copyright on the film, and the community has no copyright). These TK labels are asking people who come across materials like this to think about how they are using the materials, and to think about whose intellectual property they are. This is a very new initiative, but a really valuable tool. This is part of a different conversation that challenges how we normally talk about copyright and intellectual property.

The pack explains what CC is, how to find CC material and the best way to attribute CC material.

' ... licensing really does go to the heart of what open access means ...'

Open source and Open Access They are quite similar terms and with a common philosophy, give freedom to the user to use the share as he wills material. Interestingly both the open source and open access are four levels: Levels of open source 1 Level 0: Freedom to use the code 2 Level 1: Freedom of study code 3 Level 2: Freedom to study it and / or modify 4 Level 3: Freedom to redistribute (with or without changes) Levels of free access 1 Reuse all or part of the material for their own purposes 2 Sharing work with other 3 Power revise, adapt, change, and / or translate the shared work 4 Mix two or more existing sources and combine them to create something new As you can see they are very similar and can cause confusion, and believe they are the same. The authors are open access, public and / or private who wish to retain their copyright while the free code can be found that there is so much trouble (at least I think). ---------------- Código abierto y Acceso abierto Son términos bastante similares y con una filosofía común, dar libertad al usuario de usar el material compartido como a él le parezca. Curiosamente tanto el código abierto y el libre acceso tienen cuatro niveles: Niveles del código abierto 1. Nivel 0: Libertad de usar el código 2. Nivel 1: Libertad de estudiar el código 3. Nivel 2: Libertad de estudiarlo y/o modificarlo 4. Nivel 3: Libertad para redistribuirlo (con o sin cambios) Niveles del acceso abierto 1. Reusar una parte o toda del material para sus propios fines 2. Compartir el trabajo con otros 3. Poder revisar, adaptar, cambiar, y/o traducir el trabajo compartido 4. Mezclar dos o más fuentes existentes y combinarlos para crear algo nuevo Como se puede apreciar son muy similares y pueden causar confusión, y creer que son lo mismo. En el libre acceso existen autores, instituciones públicas y/o privadas que desean conservar sus derechos de aut

Detailed description and analysis of UBC's Policy 81: Use of Teaching Materials in UBC Credit Courses. Helpful in understanding the challenges of encouraging open education within institutions.

From this article: Many organizations wanting to create educational materials find out during negotiations with authors that most of them are ultimately willing to openly license their materials. However this often requires overcoming their personal fears about OERs. Many authors are unfamiliar with the concept of an open license and open educational resources. Even if they hear about them, Saylor.org found that "chief concerns included the loss of control of materials, commercial reproduction, and loss of traffic/ad revenue" (6). And a chart : Fig. 1. What are most typical arguments you hear against Open Educational Resources? OER community experts survey.

Most of materials available in libraries are copyrighted. On the other hand, it requires copying and digitizing these materials to enable research,...

Note: We ve updated this post multiple times with additional material. Look for the updates below. A story on the German publishing industry web site boersenblatt.net (in German) reports that Netherlands-based Swets (Swets & Zeitlinger Group B.V.) is insolvent and has filed for bankruptcy. We ve reached out the company for comment.

Thanks very much for posting this, did not know about it.

"...we need to recognize you can't kill the instinct the technology produces. We can only criminalize it. We can't stop our kids from using it. We can only drive it underground. We can't make our kids passive again. We can only make them, quote, "pirates." And is that good?" - Larry Lessig This is a great talk about the free use of materials to make something new. The crux of Mr Lessig's argument is that every time a "kid" remixes a song with a video they are committing a criminal act. By doing this the law is making their free expression criminal. He shows three great examples of this starting at 8:29 in the video. He suggests that by using Creative Commons materials, we can avoid being criminals, and by doing this we can break the cartel of the RIAA and others. He uses the example of BMI causing the downfall of ASCAP. You can see this at 4:55 in the video. Here is the quote: "Finally. Before the Internet, the last great terror to rain down on the content industry was a terror created by this technology [Shows a picture of a broadcast radio antenna]. Broadcasting: a new way to spread content, and therefore a new battle over the control of the businesses that would spread content. Now, at that time, the entity, the legal cartel, that controlled the performance rights for most of the music that would be broadcast using these technologies was ASCAP. They had an exclusive license on the most popular content, and they exercised it in a way that tried to demonstrate to the broadcasters who really was in charge. So, between 1931 and 1939, they raised rates by some 448 percent, until the broadcasters finally got together and said, okay, enough of this. And in 1939, a lawyer, Sydney Kaye, started something called Broadcast Music Inc. We know it as BMI. And BMI was much more democratic in the art that it would include within its repertoire, including African American music for the first time in the repertoire. But most important was that BMI took public domain works a

I've saved this because it identifies a facet of open knowledge that is becoming increasingly important - the concept of "open manufacturing". Additive manufacturing - or 3D printing as it is more commonly known - is being used in more industry sectors than ever before. New materials and use cases have led to 3D manufacturing in Health, Entertainment, Automobiles, Fashion, Construction etc. I particularly liked this quote from David Rowan at Wired: "The democratisation of manufacturing will empower anyone with a compelling idea to prototype, make and launch a physical product ay speed and low cost".

Thank you for sharing the resource on library statistics. The site attracted my attention first of all because it is a Scandinavian resource. The material contains lots of useful theoretical and practical material. In the introduction the author states "It contains a number of research papers, but the framework is different. This is collection of texts, tables, graphics and links that are aimed at the people who actually run libraries." Statistics is a useful tool if used correctly and wisely. It may inspire changes and innovations and also measure the importance of changes. Besides, collection and interpretation of statistical data also changes with the course of time. The author has very clearly explained library statistics with good examples. .

I really cannot recommend this resource highly enough. The brainchild and master's thesis of a lawyer-turned-information professional, SIPX is an incredible blend of copyright control centre, digital distribution hub, and online marketplace. With the impending downfall of Access Copyright and its rejection by most Canadian universities, schools have had to quickly learn about copyright and establish good practices and guidelines, but this product provides the safest legal protection while considerably upgrading the dissemination of course readings; it also makes strides that push against the dominance of the traditional textbook market. It has already been adopted by several major American universities, including Stanford (where it was developed; it seems all the greatest open knowledge stuff is coming out of there!) and Notre Dame. Did I mention that it even supports MOOCs? I just found out about this resource while doing a practicum placement for library school, and I can't believe that I'd never heard of it before. It's exactly the kind of integrated library and informational system that needs to happen in academic institutions, and while it's not explicitly modelled on open access, it relies on many of the same values that we've talked about throughout this course. Check it out!

"But it's been over 15 years since the first openly licensed educational materials were published, and major publishers have yet to publish a single textbook based on pre-existing OER. Why?"

"For the past couple of decades, scholarly publishers have been populating their websites and content stores with a wealth of valuable research material. Such efforts have resulted in vast amounts of information online but the quantity of scholarly information is far too great for researchers to simply browse, find, digest and use everything. For this reason there has been an increasing interest amongst publishers in the topic of semantic enrichment, enhancing information with intelligent structure, tagging and vocabularies to improve discoverability of related and relevant resources. "

A curated list of Open Educational Resources for teachers and students interested in accessing quality educational materials made freely available. I would draw your attention to #11 Gooru. Teachers and students can search for or remix collections of K-12 resources searchable by topic or discipline. The stated aim is to personalize learning with freely accessible, high-quality, curated resources.

este es un sitio de material de lectura abierto

"Este es un material educativo autoguiado en línea y abierto sobre conceptos básicos de derechos de autor para bibliotecarios de América Latina, presentado a través de School of Open en P2PU, una comunidad global de voluntarios centrada en proporcionar oportunidades de educación gratuita sobre el significado, la aplicación y el impacto de la "apertura" en la era digital y su beneficio para los esfuerzos creativos, la educación, la investigación, entre otros. School of Open en P2PU es coordinado por Creative Commons y P2PU, una comunidad de aprendizaje entre pares y la plataforma para el desarrollo y realización de cursos en línea gratuitos."

" it is important to note that one of the drivers of OA is the notion that the more content and ideas that are shared, the more likely breakthroughs will materialize; OA is associated with innovation."