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The new experimental study published in Education Next examines the impact on students of attending high-quality theater productions of either Hamlet or A Christmas Carol. The researchers found that viewing the productions leads to enhanced knowledge of the plot, increased vocabulary, greater tolerance and improved ability to read the emotions of others.

Rentals and classifieds for theaters in the US.

" Our most ambitious live show ever! (get the video!) We pulled together a massive team of theater pros at the Brooklyn Academy of Music's Opera House - nearly 50 singers, actors, dancers and musicians. The result? Journalism turned into a Broadway musical (the cast album is here), into opera. Mike Birbiglia, Sasheer Zamata, Stephin Merritt, Josh Hamilton, Lindsay Mendez, Lin-Manuel Miranda and others. "

Improv Encyclopedia is the largest collection or resources for improvization theater on the web. Here you will find tons of stuff related to improvization theatre, also known as 'improv' or 'impro'.

" I recently attended the Theatre Communication Group (TCG) Annual Conference in Dallas, where a major focus of discussion was that very topic. For three days, I listened to panelists, questioned participants, and considered the discussions. I met many bright managers who passionately explained how they are trying to bridge the perceived gap separating potential audiences from their theater companies. I regret to report that no one could offer a concrete definition of the term "audience engagement". "

" But why does mere revision make so many Shakespeare fans so uncomfortable? Some people don't like any alterations to Shakespeare's text nor even presenting them in anything other than their historical settings. To me, such an ultrapurist approach can lead to what I somewhat derisively call "museum piece Shakespeare"-though, I must say, I do enjoy visiting and spending hours in museums, and among my favorite stagings of Shakespeare are text-centric, historically costumed productions. But even these are cut for length. Furthermore, to varying degrees, each could be called an "adaptation" because any time an actor picks up a Shakespearean role, he or she is adapting it for that production, and sometimes adapting it from performance to performance, depending on the theater and audience."

The Stage Manager's monologue at the start of the 1989 Lincoln Center Theater production of Our Town, starring Spalding Gray as the stage manager. For more infomation visit www.mastervision.com.

This collision of real-life tragedy and satirical ambition is much discussed at the Times Square headquarters here of Nickelodeon, a unit of Viacom, mostly because a day of trauma for America is also the birthday of a gentle and singularly optimistic character who, over the next 16 years, would prove eminently capable of soaking up at least a least a little bit of the world's ongoing sadness.

As a person who has had a long stage career as a performer AND a producer/director, I could spend time advising you on all of the things one should do to further their career in theatre. I'm not going to do that. While it may seem like I'm focusing on the negative, it is this humble writers opinion that it's more important to know what NOT to do. A vast majority of actors, singers, dancers, comedians, variety artists, technicians, and stage managers make one or many of these 6 mistakes far too often during their careers, and sometimes unknowingly hurt their chances at booking work. Employers talk to one another, and sometimes one bad reference is all it takes for you to lose the job. And you'll never know why you didn't book it. By avoiding these critical mistakes, you can set yourself apart from all of your contemporaries. While talent and craft is important, the most gifted performer can make themselves completely un-hirable by committing these career sins:

"Ms. Ireland said that she came to feel that instead of doing something about Mr. Shepherd, a company veteran, the Wooster Group was putting the onus on her to stay or quit the play. She remained through the end of the show's run in Britain, a decision that still gnaws at her."

The first thing I wanted to show you is this image, which is about how you decide what the story is in the first place. Basically, I thought it would be useful to take some very dramatic job that a character has - in this case, a dragon slayer- and demonstrate how it is that the average day of a dragon slayer is no different than the average day of an insurance salesman, in terms of not necessarily being of any interest to a reader.

Here are two videos that I've probably watched a couple dozen times each. They're both of the title song from the current Broadway production of Anything Goes.

The Amazing Individual Event. The Amazing Audition. The Amazing Monologue. This is your Guide to being amazing in two minutes or less.

Beginning actors make mistakes. Mostly it's because well, they're beginners! I prefer thinking of them is missteps rather than mistakes - they are things the beginning actor hasn't considered. And it's always a great time to change that! If you're a beginning actor, if you teach beginning actors, review this list and take a step in the right direction. Every misstep provides at least one way to solve the problem.

A film director, like an orchestra conductor, is the lord of his domain, and no director has more power than a director of animated films. He is set free from the rules of the physical universe and the limitations of human actors, and can tell any story his mind can conceive. That's no doubt why Chuck Jones, after creating the characters of the Road Runner and Wile E. Coyote, immediately wrote down the rules of what could and could not happen in their universe. If anything could happen (and it could), the comedy would be lost in anarchy.

"Gene Wilder sat down with Robert Osborne at 92Y on June 12 for a rare public appearance. He spoke about his disdain for the Willy Wonka remake, working with Richard Pryor and Mel Brooks, Gilda Radner, Young Frankenstein, and more. "