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Everyone stands in a circle, including the teacher. The teacher cups his/her hands and says, "I'm holding something amazing in my hands. It's magic putty. I can use it to make any kind of toy that I want. For example…"

Equally comfortable playing romantic leads and action heroes, he has never been quite a force in theatre. This is partly a matter of choice. He has prioritised screen roles over stage opportunities. The last time he acted on stage was in 2009 in a popular West End production of Richard Greenberg's three-hander Three Days of Rain. In the mean time he has been taking a while to shake off the halo of urgent youth. He has tended to play callow characters more sinned against than sinning - the closest he's come to anything like villainy is as Idi Amin's morally compromised medic.

Here are two videos that I've probably watched a couple dozen times each. They're both of the title song from the current Broadway production of Anything Goes.

The Amazing Individual Event. The Amazing Audition. The Amazing Monologue. This is your Guide to being amazing in two minutes or less.

"Gene Wilder sat down with Robert Osborne at 92Y on June 12 for a rare public appearance. He spoke about his disdain for the Willy Wonka remake, working with Richard Pryor and Mel Brooks, Gilda Radner, Young Frankenstein, and more. "

Williamstheatre presents THE CRUCIBLE by Arthur Miller. Directed by Omar Sangare. Once emblematic of political persecution in the 1950s, THE CRUCIBLE is an allegory that resonates wherever sanctimony is used as a weapon of oppression and intolerance. In this canonical American drama set during the seventeenth-century Salem witch trials, Arthur Miller explores human cruelty and the manipulations, accusations, and dishonesty that afflict a paranoid community looking for scapegoats.

The Stage Manager's monologue at the start of the 1989 Lincoln Center Theater production of Our Town, starring Spalding Gray as the stage manager. For more infomation visit www.mastervision.com.

As part of the Playworks Program here at the International Thespian festival, students have the opportunity to audition and rehearse one of the plays being workshopped. The audition day was very intense. We sat through auditions from 9:00 am straight through to 12:45 and then we have half an hour to cast the roles between five plays. Students were put in groups and performed in scenes from the individual plays with monologues, duets or trios. Over the course of the morning, we say 185 students and that doesn't count the students we saw twice who were called back. By 11 am we were starting to feel the time crunch. Call backs were discouraged, repeat reads had to be culled down, we had to see the groups and move on if we were ever going to make sure every students got their moment.

In this lesson, students discuss the meaning of clowns and explore the themes of spontaneity and laughter as well as vulnerability. Guided classroom discussions help students to explore misconceptions about clowns as well as how the clown could be a "master of failure." Reflective writing prompts are also included for students to demonstrate their understanding of the story.

The Big Book started with the Scouts-L Skits FAQ, and a few other small compilations of skits. People have sent me individual skits and groups of skits. My sincere thanks to Merl Whitebook, the most prolific contributor to this volume. My thanks also to Hans Hussman, Bob Jenkins, the US Scouting Service Project, the Australian Scouting Association, and a cast of other characters.

Rachel McAdams Audition with Ryan Gosling reading lines off-screen for The Notebook.

Blank Scene Samples

Improv Encyclopedia is the largest collection or resources for improvization theater on the web. Here you will find tons of stuff related to improvization theatre, also known as 'improv' or 'impro'.

Welcome to learnimprov.com. This site is devoted to the art of improvisational comedy theatre. Learnimprov.com contains the most detailed and approachable collection of improv comedy structures on the web. Improv comedy structures are one of the key tools used to create improvisational comedy theatre. From games to warm-ups they are detailed here. It is unlikely that you will be able to learn improv comedy from the Internet. Improv comedy requires hours of rehearsal, coaching and dedication to the craft. This collection of improv structures is designed to help you along your path. Whether you are a recreational improviser, or a professional you can join the thousands of improvisers from around the world that have used this resource to make our world a funnier and more improvier place. Learnimprov.com is divided into two distinct parts: structures and tools.

Housch-ma-Housch is one of the funniest and most talented comedians in the world. His one man show is the result of many years of work. He delights the audience with a performance combining miming, clowing and magic. This comedian is an absolute multi-talent and palette of his roles is almost limitless.