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Barrett Huddleston

An Illustrated Guide to Writing Scenes and Stories - 0 views

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    The first thing I wanted to show you is this image, which is about how you decide what the story is in the first place. Basically, I thought it would be useful to take some very dramatic job that a character has - in this case, a dragon slayer- and demonstrate how it is that the average day of a dragon slayer is no different than the average day of an insurance salesman, in terms of not necessarily being of any interest to a reader.
Barrett Huddleston

Shakespeareances.com: The Respect Needed to Adapt Shakespeare - 0 views

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    " But why does mere revision make so many Shakespeare fans so uncomfortable? Some people don't like any alterations to Shakespeare's text nor even presenting them in anything other than their historical settings. To me, such an ultrapurist approach can lead to what I somewhat derisively call "museum piece Shakespeare"-though, I must say, I do enjoy visiting and spending hours in museums, and among my favorite stagings of Shakespeare are text-centric, historically costumed productions. But even these are cut for length. Furthermore, to varying degrees, each could be called an "adaptation" because any time an actor picks up a Shakespearean role, he or she is adapting it for that production, and sometimes adapting it from performance to performance, depending on the theater and audience."
Barrett Huddleston

The WWW Virtual Library for Theatre and Drama - 0 views

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    This is a free service for playwrights and play readers.
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