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My initial concerns about the current show were its sort of lack of perspective. The strength of a curated show comes from the choice and arrangement of the works, and I worried that with a crowdsourced show like this, it would be hard to form a central thesis. What makes each of these games influential and how will those qualities come together to paint a moving picture of games as an art medium? I wasn’t sure this list particularly answered those questions.

They’ve avoided directly addressing the question of why are video games art, and instead danced around it, showing a number of wonderful games and explaining why each great. Despite this success though, I feel that the show was still damaged by the crowdsourced curation approach. While I agree that the player is a major component of games (as Abe Stein recently posted to his blog, “A game not played is no game at all”), the argument that because games are played by the public they should be publicly curated doesn’t necessarily follow for me, especially when the resultant list is so muddled.

Despite Chris’ apparent love for the games, the show doesn’t feel as strongly curated as it could have been, overly heavy in some places, and completely missing in others, and I think that is a result of the crowdsourcing. Although I’m sure Chris has a fantastic perspective that will tie this all together beautifully and the resulting show will be enjoyable and successful, I wish that he had just selected a strong list of games on his own and been confident with his picks.

"The First Amendment does not disable government from helping parents make such a choice here -- a choice not to have their children buy extremely violent, interactive games," he wrote. At issue is how far constitutional protections of free speech and expression, as well as due process, can be applied to youngsters.

Justice Clarence Thomas also dissented, saying the law's requirement of having parents purchase the games for their underage children was reasonable. "The freedom of speech as originally understood, does not include a right to speak to minors, without going through the minors' parents or guardians," he said.

The motion picture industry has its own self-monitoring ratings system, imposed decades ago after complaints that some films were too explicit for the general audience in what was seen and heard. The gaming industry says its ratings system roughly follows the same self-imposed guidelines, and ratings are clearly labeled on the packaging.

"Prison bosses made more money forcing inmates to play games than they do forcing people to do manual labour," Liu told the Guardian. "There were 300 prisoners forced to play games. We worked 12-hour shifts in the camp. I heard them say they could earn 5,000-6,000rmb [£470-570] a day. We didn't see any of the money. The computers were never turned off."

"If I couldn't complete my work quota, they would punish me physically. They would make me stand with my hands raised in the air and after I returned to my dormitory they would beat me with plastic pipes. We kept playing until we could barely see things," he said.

"gold farming", the practice of building up credits and online value through the monotonous repetition of basic tasks in online games such as World of Warcraft. The trade in virtual assets is very real, and outside the control of the games' makers. Millions of gamers around the world are prepared to pay real money for such online credits, which they can use to progress in the online games.The trading of virtual currencies in multiplayer games has become so rampant in China that it is increasingly difficult to regulate. In April, the Sichuan provincial government in central China launched a court case against a gamer who stole credits online worth about 3000rmb.

Few devices know more personal details about people than the smartphones in their pockets: phone numbers, current location, often the owner's real name—even a unique ID number that can never be changed or turned off.

An examination of 101 popular smartphone "apps"—games and other software applications for iPhone and Android phones—showed that 56 transmitted the phone's unique device ID to other companies without users' awareness or consent. Forty-seven apps transmitted the phone's location in some way. Five sent age, gender and other personal details to outsiders.

The findings reveal the intrusive effort by online-tracking companies to gather personal data about people in order to flesh out detailed dossiers on them.

history of voting math comes mainly in two chunks: the period of the French Revolution, when some members of France’s Academy of Sciences tried to deduce a rational way of conducting elections, and the nineteen-fifties onward, when economists and game theorists set out to show that this was impossible

The first mathematical account of vote-splitting was given by Jean-Charles de Borda, a French mathematician and a naval hero of the American Revolutionary War. Borda concocted examples in which one knows the order in which each voter would rank the candidates in an election, and then showed how easily the will of the majority could be frustrated in an ordinary vote. Borda’s main suggestion was to require voters to rank candidates, rather than just choose one favorite, so that a winner could be calculated by counting points awarded according to the rankings. The key idea was to find a way of taking lower preferences, as well as first preferences, into account.Unfortunately, this method may fail to elect the majority’s favorite—it could, in theory, elect someone who was nobody’s favorite. It is also easy to manipulate by strategic voting.

If the candidate who is your second preference is a strong challenger to your first preference, you may be able to help your favorite by putting the challenger last. Borda’s response was to say that his system was intended only for honest men.

A computer has beaten a human at shogi, otherwise known as Japanese chess, for the first time.

computers have been beating humans at western chess for years, and when IBM's Deep Blue beat Gary Kasparov in 1997, it was greeted in some quarters as if computers were about to overthrow humanity. That hasn't happened yet, but after all, western chess is a relatively simple game, with only about 10123 possible games existing that can be played out. Shogi is a bit more complex, though, offering about 10224 possible games.

Japan's national broadcaster, NHK, reported that Akara "aggressively pursued Shimizu from the beginning". It's the first time a computer has beaten a professional human player.

As a verbal artifact, farmed content exhibits neither style nor substance.

The insultingly vacuous and frankly bizarre prose of the content farms — it seems ripped from Wikipedia and translated from the Romanian — cheapens all online information.

These prose-widgets are not hammered out by robots, surprisingly. But they are written by writers who work like robots. As recent accounts of life in these words-are-money mills make clear, some content-farm writers have deadlines as frequently as every 25 minutes. Others are expected to turn around reported pieces, containing interviews with several experts, in an hour. Some compose, edit, format and publish 10 articles in a single shift. Many with decades of experience in journalism work 70-hour weeks for salaries of $40,000 with no vacation time. The content farms have taken journalism hackwork to a whole new level.

Although the atmosphere at the Troxy was very genial, and Žižek generally enthusiastic about WikiLeaks (as he was in the London Review of Books article he published about it), there was a distinct tension between the rather standard Enlightenment rhetoric employed by Assange (more facts, a more complete historical record, better educated journalists)  and the significantly more radical conclusions the philosopher was drawing. This is why - whilst it should no doubt be read in a similar light as Žižek’s own remarks on his position during the conversation (I feel now like that Stalinist commentator: the leader has spoken, I provide the deeper meaning) - the ventured analogy nevertheless contains a kernel of truth beyond its bombast: defining the emancipatory significance of phenomena should not be left to the actors alone.

in response to Goodman's initial question on the significance of the Iraq war logs, Assange primarily emphasized the concrete revelations WikiLeaks had provided. He mentioned the 400.000 cables leaked, 15.000 previously unreported deaths revealed, a video of an American helicopter mowing down civilians, and so on. In contrast, Žižek went far enough to say that even if WikiLeaks had not revealed a single new thing, it should be considered game-changing. Why? Because of the very way it functions. For the philosopher, our democracies not only have rules regarding what can be revealed, but also rules which regulate the transgression of those first rules (the independent press, NGOs, etc). The contention then is that WikiLeaks operates outside both these sets of rules, and that there is the source of its power.

the reply was firmly anchored in the key trope Žižek has championed since his first major work in English: that ideology in today's "post-ideological" world is not dead, but rather more powerful than ever - alive not so much on the level of knowledge but in the ways it structures social reality itself.

Most of the undergraduates who will take ‘Postmodern Fictions’ this year will have been born in 1985 or after, and all but one of the module’s primary texts were written before their lifetime. Far from being ‘contemporary’, these texts were published in another world, before the students were born: The French Lieutenant’s Woman, Nights at the Circus, If on a Winter’s Night a Traveller, Do Androids Dream of Electric Sheep? (and Blade Runner), White Noise: this is Mum and Dad’s culture. Some of the texts (‘The Library of Babel’) were written even before their parents were born. Replace this cache with other postmodern stalwarts – Beloved, Flaubert’s Parrot, Waterland, The Crying of Lot 49, Pale Fire, Slaughterhouse 5, Lanark, Neuromancer, anything by B.S. Johnson – and the same applies. It’s all about as contemporary as The Smiths, as hip as shoulder pads, as happening as Betamax video recorders. These are texts which are just coming to grips with the existence of rock music and television; they mostly do not dream even of the possibility of the technology and communications media – mobile phones, email, the internet, computers in every house powerful enough to put a man on the moon – which today’s undergraduates take for granted.

somewhere in the late 1990s or early 2000s, the emergence of new technologies re-structured, violently and forever, the nature of the author, the reader and the text, and the relationships between them.

Postmodernism, like modernism and romanticism before it, fetishised [ie placed supreme importance on] the author, even when the author chose to indict or pretended to abolish him or herself. But the culture we have now fetishises the recipient of the text to the degree that they become a partial or whole author of it. Optimists may see this as the democratisation of culture; pessimists will point to the excruciating banality and vacuity of the cultural products thereby generated (at least so far).

The Turk was a hoax, although he was incorrect about the workings of the trick. Rather than a man hidden inside the wooden body, the seemingly exposed innards of the cabinet did not extend all the way back. A hidden grandmaster slid around when the cabinet doors were opened and closed. The concealed grandmaster controlled The Turk’s movements and followed the game’s action through a clever arrangement of magnets and strings.

A recent editorial in the New York Times by Nicholas Wade raises some interesting points about the nature of basic science research – primarily that its’ risky.

As I have pointed out about the medical literature, researcher John Ioaniddis has explained why most published studies turn out in retrospect to be wrong. The same is true of most basic science research – and the underlying reason is the same. The world is complex, and most of our guesses about how it might work turn out to be either flat-out wrong, incomplete, or superficial. And so most of our probing and prodding of the natural world, looking for the path to the actual answer, turn out to miss the target.

research costs considerable resources of time, space, money, opportunity, and people-hours. There may also be some risk involved (such as to subjects in the clinical trial). Further, negative studies are actually valuable (more so than terrible pictures). They still teach us something about the world – they teach us what is not true. At the very least this narrows the field of possibilities. But the analogy holds in so far as the goal of scientific research is to improve our understanding of the world and to provide practical applications that make our lives better. Wade writes mostly about how we fund research, and this relates to our objectives. Most of the corporate research money is interested in the latter – practical (and profitable) applications. If this is your goal, than basic science research is a bad bet. Most investments will be losers, and for most companies this will not be offset by the big payoffs of the rare winners. So many companies will allow others to do the basic science (government, universities, start up companies) then raid the winners by using their resources to buy them out, and then bring them the final steps to a marketable application. There is nothing wrong or unethical about this. It’s a good business model.

Over the last three years, 35 researchers contributed to the Media Piracy Project, released last week by the Social Science Research Council. Their mission was to examine media piracy in emerging economies, which account for most of the world's population, and to find out just how and why piracy operates in places like Russia, Mexico, and India.

Their conclusion is not that citizens of such piratical societies are somehow morally deficient or opposed to paying for content. Instead, they write that “high prices for media goods, low incomes, and cheap digital technologies are the main ingredients of global media piracy. If piracy is ubiquitous in most parts of the world, it is because these conditions are ubiquitous.”

When legitimate CDs, DVDs, and computer software are five to ten times higher (relative to local incomes) than they are in the US and Europe, simply ratcheting up copyright enforcement won't do enough to fix the problem. In the view of the report's authors, the only real solution is the creation of local companies that “actively compete on price and services for local customers” as they sell movies, music, and more.

“There is absolutely no empiric evidence that shows that anyone actually uses the accounts produced by public bodies to make any decision. There is no group of principals analogous to investors. There are many lists of potential users of the accounts. The Treasury, CIPFA (the UK public sector accounting body) and others have said that users might include the public, taxpayers, regulators and oversight bodies. I would be prepared to put up a reward for anyone who could prove to me that any of these people have ever made a decision based on the financial reports of a public body. If there are no users of the information then there is no point in making the reports better. If there are no users more technically correct reports do nothing to improve the understanding of public finances. In effect all that better reports do is legitimise the role of professional accountants in the accountability process.

raw data – and the ability to interrogate that – should instead be made available because (quoting Anthony Hopwood): “Those with the power to determine what enters into organisational accounts have the means to articulate and diffuse their values and concerns, and subsequently to monitor, observe and regulate the actions of those that are now accounted for.”

Data is not just some opaque term; something for geeks: it’s information: the raw material we deal in as journalists. Knowledge. Power. The site of a struggle for control. And considering it’s a site that journalists have always fought over, it’s surprisingly placid as we enter one of the most important ages in the history of information control.

ost disclosure statements are not designed to be read; they are designed to be clicked on. But some companies actually want their customers to read and understand the statements. They don’t want customers who might sue, and, just in case, they want to be able to prove that the customers did understand the risks. So the leaders in disclosure statements right now tend to be financial and health-care companies – and also space-travel and extreme-sports vendors. They sincerely want to let their customers know what they are getting into, because a regretful customer is a vengeful one. That means making disclosure statements readable. I would suggest turning them into a quiz. The user would not simply click a single button, but would have to select the right button for each question. For example: What are my chances of dying in space? A) 5% B) 30% C) 1-4% (the correct answer, based on experience so far; current spacecraft are believed to be safer.) Now imagine: Who can see my data? A) I can. B) XYZ Corporation. C) XYZ Corporation’s marketing partners. (Click here to see the list.) D) XYZ Corporation’s affiliates and anyone it chooses. As the customer picks answers, she gets a good idea of what is going on. In fact, if you're a marketer, why not dispense with a single right answer and let the consumer specify what she wants to have happen with her data (and corresponding privileges/access rights if necessary)? That’s much more useful than vague policy statements. Suddenly, the disclosure statement becomes a consumer application that adds value to the vendor-consumer relationship.

And show the data themselves rather than a description.

this is all very easy if you are the site with which the user communicates directly; it is more difficult if you are in the background, a third party collecting information surreptitiously. But that practice should be stopped, anyway.

MIDDLE SCHOOL students are champion time-wasters. And the personal computer may be the ultimate time-wasting appliance.

there is an automatic inclination to think of the machine in its most idealized form, as the Great Equalizer. In developing countries, computers are outfitted with grand educational hopes, like those that animate the One Laptop Per Child initiative, which was examined in this space in April.

Economists are trying to measure a home computer’s educational impact on schoolchildren in low-income households. Taking widely varying routes, they are arriving at similar conclusions: little or no educational benefit is found. Worse, computers seem to have further separated children in low-income households, whose test scores often decline after the machine arrives, from their more privileged counterparts.