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Jude John

What's so Original in Academic Research? - 26 views

Thanks for your comments. I may have appeared to be contradictory, but what I really meant was that ownership of IP should not be a motivating factor to innovate. I realise that in our capitalistic...

Jody Poh

Subtitles, Lip Synching and Covers on YouTube - 13 views

I think that companies concerned over this issue due to the loss of potential income constitutes egoism. They mainly want to defend their interests without considering the beneficial impact of the ...

copyright youtube parody

Inosha Wickrama

Pirate Bay Victory - 11 views

http://www.telegraph.co.uk/technology/news/4686584/Pirate-Bay-victory-after-illegal-file-sharing-charges-dropped.html Summary: The Pirate Bay, the biggest file-sharing internet site which was accu...

Weiye Loh

Your Move: The Maze of Free Will - Opinionator Blog - NYTimes.com - 0 views

  • According to the Basic Argument, it makes no difference whether determinism is true or false. We can’t be ultimately morally responsible either way.
  • It may be that we stand condemned by Nietzsche: The causa sui is the best self-contradiction that has been conceived so far. It is a sort of rape and perversion of logic. But the extravagant pride of man has managed to entangle itself profoundly and frightfully with just this nonsense. The desire for “freedom of the will” in the superlative metaphysical sense, which still holds sway, unfortunately, in the minds of the half-educated; the desire to bear the entire and ultimate responsibility for one’s actions oneself, and to absolve God, the world, ancestors, chance, and society involves nothing less than to be precisely this causa sui and, with more than Baron Münchhausen’s audacity, to pull oneself up into existence by the hair, out of the swamps of nothingness … (“Beyond Good and Evil,” 1886).
  • the novelist Ian McEwan, who wrote to me: “I see no necessary disjunction disjunction between having no free will (those arguments seem watertight) and assuming moral responsibility for myself. The point is ownership. I own my past, my beginnings, my perceptions. And just as I will make myself responsible if my dog or child bites someone, or my car rolls backwards down a hill and causes damage, so I take on full accountability for the little ship of my being, even if I do not have control of its course. It is this sense of being the possessor of a consciousness that makes us feel responsible for it.”
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  • Choice, free or coerced, is neither a sufficient nor a necessary condition for responsibility.
  • All that is required to be responsible for an event is to be in the causal chain leading to an event.
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    July 22, 2010, 4:15 PM Your Move: The Maze of Free Will By GALEN STRAWSON
Weiye Loh

'The Social Network': A Review Of Aaron Sorkin's Film About Facebook And Mark Zuckerber... - 0 views

  • What is important in Zuckerberg’s story is not that he’s a boy genius. He plainly is, but many are. It’s not that he’s a socially clumsy (relative to the Harvard elite) boy genius. Every one of them is. And it’s not that he invented an amazing product through hard work and insight that millions love. The history of American entrepreneurism is just that history, told with different technologies at different times and places.
  • what’s important here is that Zuckerberg’s genius could be embraced by half-a-billion people within six years of its first being launched, without (and here is the critical bit) asking permission of anyone. The real story is not the invention. It is the platform that makes the invention sing. Zuckerberg didn’t invent that platform. He was a hacker (a term of praise) who built for it. And as much as Zuckerberg deserves endless respect from every decent soul for his success, the real hero in this story doesn’t even get a credit. It’s something Sorkin doesn’t even notice.
  • Zuckerberg faced no such barrier. For less than $1,000, he could get his idea onto the Internet. He needed no permission from the network provider. He needed no clearance from Harvard to offer it to Harvard students. Neither with Yale, or Princeton, or Stanford. Nor with every other community he invited in. Because the platform of the Internet is open and free, or in the language of the day, because it is a “neutral network,” a billion Mark Zuckerbergs have the opportunity to invent for the platform. And though there are crucial partners who are essential to bring the product to market, the cost of proving viability on this platform has dropped dramatically. You don’t even have to possess Zuckerberg’s technical genius to develop your own idea for the Internet today.
    • Weiye Loh
       
      What a shallow techno-utopianist view...
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  • that is tragedy because just at the moment when we celebrate the product of these two wonders—Zuckerberg and the Internet—working together, policymakers are conspiring ferociously with old world powers to remove the conditions for this success. As “network neutrality” gets bargained away—to add insult to injury, by an administration that was elected with the promise to defend it—the opportunities for the Zuckerbergs of tomorrow will shrink. And as they do, we will return more to the world where success depends upon permission. And privilege. And insiders. And where fewer turn their souls to inventing the next great idea.
  • Zuckerberg is a rightful hero of our time. I want my kids to admire him. To his credit, Sorkin gives him the only lines of true insight in the film: In response to the twins’ lawsuit, he asks, does “a guy who makes a really good chair owe money to anyone who ever made a chair?” And to his partner who signed away his ownership in Facebook: “You’re gonna blame me because you were the business head of the company and you made a bad business deal with your own company?” Friends who know Zuckerberg say such insight is common. No doubt his handlers are panicked that the film will tarnish the brand. He should listen less to these handlers. As I looked around at the packed theater of teens and twenty-somethings, there was no doubt who was in the right, however geeky and clumsy and sad. That generation will judge this new world. If, that is, we allow that new world to continue to flourish.
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Weiye Loh

Justin Bieber Swears Off YouTube For Facebook, Unwittingly Steps In Copyright Minefield... - 0 views

  • Internet pop sensation Justin Bieber went to upload the music video of his new song called “Pray” to his personal YouTube site. He was in for a rude surprise: YouTube automatically blocked his video upload on “copyright grounds” that the video contained content from Universal Music Group (UMG), parent company to Bieber’s record label, Island Def Jam records.
  • “yo youtube…how u gonna block my own song?!?!?!” wrote an outraged Bieber on his Twitter account. In another Twitter update, he wrote, “dear youtube…we started this journey and now u r cheatin on me with this vevo chica…i see how it is…i will be over here with facebook [sic].” (Vevo is the music video website responsible for Bieber’s official YouTube syndication, and is a joint venture between music giants Sony Music Entertainment, UMG and Abu Dhabi Media.)
  • YouTube wrote back to Bieber on its Twitter account, “sorry about the upload pain around ‘Pray’. That’s between you and your label but we love you [both] so let’s figure this out!”
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  • Frustrated with the Google-owned video site, Bieber instead uploaded his video using Facebook’s video app onto his Facebook page. “no one keeps my music from my fans. nobody,” he wrote on Twitter.
  • There’s a level of irony to the situation. Bieber got his start on YouTube, where home videos of him on his account singing covers of hip-hop songs
  • You would think if anyone deserved to be able to upload his own music videos to YouTube, it would be Bieber. So why couldn’t he? The answer lies in the complicated legalities behind copyright law and new media. It comes down to the question: who owns the video? In Bieber’s case, the answer depends on who you ask.
  • According to the YouTube website where Bieber’s upload was blocked, it appears that UMG has ownership. YouTube has a Content ID copyright protection system in place. Content ID automatically detects whether new content being uploaded to the website infringes on any copyrighted material in YouTube’s vast video database, using video and audio recognition techniques. The rights-holder can preselect what YouTube should do to the video in response: A) block it outright, B) monetize it by overlaying an ad on the video or C) do nothing, but be able to track the video’s viewership.
  • And why was Bieber able to upload his video to Facebook with no problems? Facebook also says it has a copyright protection scheme in place. But if it has a similar Content ID system to YouTube, it doesn’t have the same amount of video content that YouTube does, meaning a given uploaded video to the social network is less likely to automatically ring warning bells.
Weiye Loh

Freakonomics » What the Google Books Battle Really Means - 0 views

  • Google Books allows users to search a massive database of books — Google has digitized more than 15 million, and its ambition is to eventually reach all the books ever printed.  Google does not allow access to copyrighted books unless it has an agreement with a book’s publisher. Instead, users receive a list of books that include their search term.  Click on a book, and Google shows as much as its publisher has authorized, or, if there is no agreement with the publisher, Google shows only a few lines of text containing the relevant terms.
  • Google Books also provides — for the first time — access to millions of what are called  “orphan works.”  These are books that are out of print, but remain under copyright.  Google Books makes orphan works searchable too.  And that turns out to be extremely important.
  • The orphan problem arises because most books go out of print very quickly. A few copies may be available in used book stores or filed away in library stacks.  But for most purposes, these books might as well not exist.  Copyright, on the other hand, lasts a very long time — currently, the life of the author plus 70 years.  So for millions of books that are out of print and remain under copyright, would-be users — i.e., anyone who wishes to re-print the book, or to use it in a derivative work — must seek permission.
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  • The problem is that owners are often hard to find.  This is especially true as the decades pass.  Owners die, and copyright passes to heirs.  But there is no reliable record of copyright ownership.  As a result, it is often impossible to find anyone to ask for permission. By opening up this treasure trove of orphan works, Google Books may make a truly major contribution to nearly every field of writing imaginable.
  • The Authors Guild and the Association of American Publishers sued Google, arguing that by scanning copyrighted books into their database, and by distributing snippets from them, Google violated their copyrights.  Google disagreed, arguing that its copying was fair use.  But before the issues could be determined by a court, the parties settled. The settlement was, characteristically for Google, a masterstroke of creativity.  In return for modest payments to Guild and AAP members, Google obtained copyright immunity for its Google Books project.  But the settlement sought to do more — Google would be free to include orphan works in its database — even though the authors of these works, by definition, were not represented in the settlement negotiations.  Royalties would be directed to the owners of orphan works if they later surfaced.
  • The federal judge overseeing the dispute, however, rejected this settlement, in part because he didn’t like that it required authors to “opt-out” of it rather than “opt-in.”
  • A better option is for Congress to step in.  Legislation has been pending in Congress for several years that would ease the orphan works problem.  If passed, it would allow those who have made a reasonable search to use that work. And if the owner later surfaces, the user need only pay a reasonable license fee.  So under these revised rules, Google Books could include orphan works, and be assured that it would be liable only for the fair value of a license — exactly the type of compensation that they envisioned in the settlement.   And, importantly, firms other than Google –perhaps public libraries — could do so as well.
  • however, the orphan works legislation has been bottled up in Congress, due mostly to the objections of commercial photographers, who fear that the special difficulties of finding owners of visual works will deprive them of fair compensation.
Weiye Loh

Turning Privacy "Threats" Into Opportunities - Esther Dyson - Project Syndicate - 0 views

  • ost disclosure statements are not designed to be read; they are designed to be clicked on. But some companies actually want their customers to read and understand the statements. They don’t want customers who might sue, and, just in case, they want to be able to prove that the customers did understand the risks. So the leaders in disclosure statements right now tend to be financial and health-care companies – and also space-travel and extreme-sports vendors. They sincerely want to let their customers know what they are getting into, because a regretful customer is a vengeful one. That means making disclosure statements readable. I would suggest turning them into a quiz. The user would not simply click a single button, but would have to select the right button for each question. For example: What are my chances of dying in space? A) 5% B) 30% C) 1-4% (the correct answer, based on experience so far; current spacecraft are believed to be safer.) Now imagine: Who can see my data? A) I can. B) XYZ Corporation. C) XYZ Corporation’s marketing partners. (Click here to see the list.) D) XYZ Corporation’s affiliates and anyone it chooses. As the customer picks answers, she gets a good idea of what is going on. In fact, if you're a marketer, why not dispense with a single right answer and let the consumer specify what she wants to have happen with her data (and corresponding privileges/access rights if necessary)? That’s much more useful than vague policy statements. Suddenly, the disclosure statement becomes a consumer application that adds value to the vendor-consumer relationship.
  • And show the data themselves rather than a description.
  • this is all very easy if you are the site with which the user communicates directly; it is more difficult if you are in the background, a third party collecting information surreptitiously. But that practice should be stopped, anyway.
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  • just as they have with Facebook, users will become more familiar with the idea of setting their own privacy preferences and managing their own data. Smart vendors will learn from Facebook; the rest will lose out to competitors. Visualizing the user's information and providing an intelligible interface is an opportunity for competitive advantage.
  • I see this happening already with a number of companies, including some with which I am involved. For example, in its research surveys, 23andMe asks people questions such as how often they have headaches or whether they have ever been exposed to pesticides, and lets them see (in percentages) how other 23andMe users answer the question. This kind of information is fascinating to most people. TripIt lets you compare and match your own travel plans with those of friends. Earndit lets you compete with others to exercise more and win points and prizes.
  • Consumers increasingly expect to be able to see themselves both as individuals and in context. They will feel more comfortable about sharing data if they feel confident that they know what is shared and what is not. The online world will feel like a well-lighted place with shops, newsstands, and the like, where you can see other people and they can see you. Right now, it more often feels like lurking in a spooky alley with a surveillance camera overlooking the scene.
  • Of course, there will be “useful” data that an individual might not want to share – say, how much alcohol they buy, which diseases they have, or certain of their online searches. They will know how to keep such information discreet, just as they might close the curtains to get undressed in their hotel room after enjoying the view from the balcony. Yes, living online takes a little more thought than living offline. But it is not quite as complex once Internet-based services provide the right tools – and once awareness and control of one’s own data become a habit.
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    companies see consumer data as something that they can use to target ads or offers, or perhaps that they can sell to third parties, but not as something that consumers themselves might want. Of course, this is not an entirely new idea, but most pundits on both sides - privacy advocates and marketers - don't realize that rather than protecting consumers or hiding from them, companies should be bringing them into the game. I believe that successful companies will turn personal data into an asset by giving it back to their customers in an enhanced form. I am not sure exactly how this will happen, but current players will either join this revolution or lose out.
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