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Weiye Loh

In Singapore, some thoughts are not All Right « Yawning Bread on Wordpress - 0 views

  • If you think R21 is the strictest classification a movie in Singapore can receive, think again. The Oscar-nominated drama The Kids Are All Right has been rated R21 and has also had an additional condition imposed on it. The Board of Film Censors (BFC) says that it can only be released on one print. This is likely to be the first time an R21 film will be screened under such a condition outside of a film festival.
  • Further down the news article, it was explained that the Board of Film Censors issued a letter earlier this week to the film’s distributor, Festive Films: It stated: ‘The majority of the members [of the Committee of Appeal] agreed with the board that the film normalises a homosexual family unit and has exceeded the film classification guidelines which states that ‘Films that promote or normalise a homosexual lifestyle cannot be allowed’.’ In addition, the committee said the fact that the film is allowed for release in Singapore at all was already a concession. It said: ‘Imposing a condition of one-print serves as a signal to the public at large that such alternative lifestyles should not be encouraged.’ – ibid
  • Firstly, can/should the civil service create additional rules at whim? Secondly, why is the idea of two gay persons raising a family considered something to be defended against?
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  • s it a proper mission of the State to demand that its citizens not think these thoughts? Is it the proper use of State power to deny or severely limit access to such ideas? It is all the more ridiculous when this film The Kids Are All Right has been nominated for four Oscars this year — for Best Picture, Best Original Screenplay, Best Actress and Best Supporting Actor. Much of the world is talking about the film and the issues it raises, and the Singapore government is determined to make up our minds about the matter and give Singaporeans as little opportunity as possible to see the film for ourselves. All the while, the propaganda goes on: We are a world-class global city.
  • The root problem, as I have argued many times before, is the failure of our government to respect the constitution, which mandates freedom of expression. Instead, their guiding policy is to allow majoritarian views to ride roughshod over other points of view. Worse yet, sometimes it is even arguable whether the view being defended has majority support, since in the matter of film classification, the government appoints its own nominees as the “public”  consultation body. How do we know whether they represent the public?
  • As the press report above indicates, the government is waving, in this instance, the film classification guidelines because somewhere there is the clause that ‘Films that promote or normalise a homosexual lifestyle cannot be allowed’, words that the government itself penned. The exact words, not that I agree with them, in the current Guidelines are: Films should not promote or normalise a homosexual lifestyle. However, nonexploitative and non-explicit depictions of sexual activity between two persons of the same gender may be considered for R21. – http://www.mda.gov.sg/Documents/PDF/FilmClassificationGuidelines_Final2010.pdf, accessed 17 Feb 2011.
  • By the example of the treatment of this film, we now shine new light on the censorship impulse:  gay sex can be suggested in non-explicit ways in film, but gay people living ordinary, respectable lives, doing non-sexual things, (e.g. raising a family and looking after children) cannot. It really boils down to reinforcing a policy that has been in effect for a long time, and which I have found extremely insulting: Gay people can be depicted as deviants that come to tragic ends, but any positive portrayal must be cut out.
  • You would also notice that nowhere in this episode is reference made to the 2009/2010 Censorship Review Committee’s Report. This Committee I have already lambasted as timid and unprincipled. Yet, its (gutless) words are these: It is also not surprising that the CRC received many submissions calling for a lighter hand in the classification of films and plays which contain homosexual themes.  Homosexuality and other nontraditional lifestyles remain contentious issues for Singapore. While the MDA’s content regulators have to calibrate their decisions on ratings according to the majority, the CRC agrees that minority interests should also be considered and that a flexible and contextual approach should be taken for content depicting homosexuality. At the same time, clear and specific audience advisories should accompany the ratings so that the content issues will warn away those who think they may be offended by such content. – http://www.crc2009.sg/images/pdf/CRC%202010%20Report%20%28website%29.pdf, accessed 17 Feb 2011, para 24.
  • The government, in its Response to the CRC’s Report, said 63. Recommendation: A flexible and contextual approach for homosexual content should be adopted. Govt’s response: Agree. The current practice is already sufficiently flexible. Industry and artists must also be prepared to be more explicit in advising consumers on homosexual content. – http://www.crc2009.sg/images/pdf/Govt%27s%20Response%20to%20CRC%20Recommendations.pdf, accessed 17 Feb 2011.
  • And what do the civil servants do? They tighten up. They seize up like frigid vaginas and assholes at the very introduction of an Other. These civil servants create a new rule that limits the classified film to just one copy. They violate their own name and mission — “Film Classification” — by doing more than classification, branching into distribution limitation. To serve whose agenda?
Weiye Loh

Unique Perspective on Pornography - 13 views

"These women will have forever have to live with the social stigma of being a "porn star" and whatever negativity that is associated with that concept. " The patriarchal ideology is the underlying...

pornography debate abcnews face-off

Weiye Loh

TODAYonline | Commentary | Trust us, we're academics ... or should you? - 0 views

  • the 2011 Edelman Trust Barometer, published by research firm StrategyOne, which surveyed 5,075 "informed publics" in 23 countries on their trust in business, government, institutions and individuals. One of the questions asked of respondents was: "If you heard information about a company from one of these people, how credible would that information be?". Of the eight groups of individuals - academic/expert, technical expert in company, financial/industry analyst, CEO, non-governmental organisation representative, government official, person like myself, and regular employee - academic/expert came out tops with a score of 70 per cent, followed by technical expert at 64 per cent.
  • the film on the global financial crisis Inside Job, which won the 2011 Academy Award for best documentary. One of the documentary's themes is the role a number of renowned academics, particularly academic economists, played in the global crisis. It highlighted potentially serious conflicts of interests related to significant compensation derived by these academics serving on boards of financial services firms and advising such firms.
  • Often, these academics also played key roles in shaping government policies relating to deregulation - most appear allergic to regulation of the financial services industry. The documentary argued that these academics from Ivy League universities had basically become advocates for financial services firms, which blinded them to firms' excesses. It noted that few academic economists saw the financial crisis coming, and suggested this might be because they were too busy making money from the industry.
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  • It is difficult to say if the "failure" of the academics was due to an unstinting belief in free markets or conflicts of interest. Parts of the movie did appear to be trying too hard to prove the point. However, the threat posed by academics earning consulting fees that dwarf their academic compensation, and which might therefore impair their independence, is a real one.
  • One of the worst was the Ivy League university economics professor engaged by the Icelandic Chamber of Commerce to co-author a report on the Icelandic financial system. He concluded that the system was sound even though there were numerous warning signs. When he was asked how he arrived at his conclusions, he said he had talked to people and were misled by them. One wonders how much of his conclusions were actually based on rigorous analysis.
  • it is troubling if academics merely become mouthpieces for vested interests. The impression one gets from watching the movie certainly does not fit with the high level of trust in academics shown by the Edelman Trust Barometer.
  • As an academic, I have often been told that I can be independent and objective - that I should have no axe to grind and no wheels to grease. However, I worry about an erosion of trust in academics. This may be especially true in certain disciplines like business (which is mine, incidentally).
  • too many business school professors were serving on US corporate boards and have lost their willingness to be critical about unethical business practices. In corporate scandals such as Enron and Satyam, academics from top business schools have not particularly covered themselves in glory.
  • It is more and more common for universities - in the US and here - to invite business people to serve on their boards.
  • universities and academics may lose their independence and objectivity in commenting on business issues critically, for fear of offending those who ultimately have an oversight role over the varsity's senior management.
  • Universities might also have business leaders serving on boards as potential donors, which would also confuse the role of board members and lead to conflicts of interest. In the Satyam scandal in India, the founder of Satyam sat on the board of the Indian School of Business, while the Dean of the Indian School of Business sat on Satyam's board. Satyam also made a significant donation to the Indian School of Business.
  • Universities are increasingly dependent on funding from industry and wealthy individuals as well as other sources, sometimes even dubious ones. The recent scandal at the London School of Economics involving its affiliation with Libya is an example.
  • It is important for universities to have robust gift policies as part of the risk management to protect their reputation, which can be easily tainted if a donation comes from a questionable source. It is especially important that donations do not cause universities to be captured by vested interests.
  • From time to time, people in industry ask me if I have been pressured by the university to tone down on my outspokenness on corporate governance issues. Thankfully, while there have been instances where varsity colleagues and friends in industry have conveyed messages from others to "tone down", I have felt relatively free to express my views. Of course, were I trying to earn more money from external consulting, I guess I would be less vocal.
  • I do worry about the loss of independence and, therefore, trust in academics and academic institutions if we are not careful about it.
Weiye Loh

California ban on sale of 'violent' video games to children rejected - CNN.com - 0 views

  • "The First Amendment does not disable government from helping parents make such a choice here -- a choice not to have their children buy extremely violent, interactive games," he wrote. At issue is how far constitutional protections of free speech and expression, as well as due process, can be applied to youngsters.
  • Justice Clarence Thomas also dissented, saying the law's requirement of having parents purchase the games for their underage children was reasonable. "The freedom of speech as originally understood, does not include a right to speak to minors, without going through the minors' parents or guardians," he said.
  • The motion picture industry has its own self-monitoring ratings system, imposed decades ago after complaints that some films were too explicit for the general audience in what was seen and heard. The gaming industry says its ratings system roughly follows the same self-imposed guidelines, and ratings are clearly labeled on the packaging.
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  • Efforts in at least eight other states to restrict gaming content have been rejected by various courts. Video game makers have the support of various free-speech, entertainment, and media organizations. Nine states also agree, noting California's law has good intentions but would compel law enforcement to become "culture critics" and "distract from the task of policing actual violence." But 11 other states back California, saying they have enjoyed a traditional regulatory power over commerce aimed at protecting children, including such goods as alcohol and cigarettes.
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    The Supreme Court has struck down a California law that would have banned selling "violent" video games to children, a case balancing free speech rights with consumer protection. The 7-2 ruling Monday is a victory for video game makers and sellers, who said the ban -- which had yet to go into effect -- would extend too far. They say the existing nationwide, industry-imposed, voluntary rating system is an adequate screen for parents to judge the appropriateness of computer game content. The state says it has a legal obligation to protect children from graphic interactive images when the industry has failed to do so.
Weiye Loh

North Korea's cinema of dreams - 101 East - Al Jazeera English - 0 views

  • North Korean leader Kim Jong-Il's love of film is well-documented, but few outsiders know that he is revered as a genius of cinema by his own people.

    Now, this groundbreaking film opens a window inside the world's most secretive country and an elite academy, where young actors are hand-picked to serve a massive propaganda machine.

Weiye Loh

Greening the screen » Scienceline - 0 views

  • But not all documentaries take such a novel approach. Randy Olson, a marine biologist-turned-filmmaker at the University of Southern California, is a harsh critic of what he sees as a very literal-minded, information-heavy approach within the environmental film genre. Well-intentioned environmental documentary filmmakers are just “making their same, boring, linear, one-dimensional explorations of issues,” said Olson. “The public’s not buying it.”
  • The problem may run deeper than audience tallies — after all, An Inconvenient Truth currently ranks as the sixth-highest grossing documentary in the United States. However, a 2010 study by social psychologist Jessica Nolan found that while the film increased viewers’ concern about global warming, that concern didn’t translate into any substantial action a month later.
  • To move a larger audience to action, Olson advocates a shift from the literal-minded world of documentary into the imaginative world of narrative.
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  • One organization using this approach is the Science and Entertainment Exchange, a program of the National Academy of Sciences. The Exchange puts writers, producers, and directors in touch with scientists and engineers who can answer specific questions or just brainstorm ideas. For example, writers for the TV show Fringe changed their original plot point of mind control through hypnosis to magnetic manipulation of brain waves after speaking with a neuroscientist at the Salk Institute for Biological Studies in La Jolla, California.
  • Hollywood, Health and Society (HHS), a program of the Centers for Disease Control and Prevention, takes a similar approach by providing free resources to the entertainment industry. HHS connects writers and producers — from prime time dramas like Law and Order and House to daytime soap operas – with experts who can provide accurate health information for their scripts.
  • HHS Director Sandra Buffington admits that environmental issues, especially climate change, pose particular challenges for communicators because at first glance, they are not as immediately relevant as personal health issues. However, she believes that by focusing on real, human stories — climate refugees displaced by rising water levels, farmers unable to grow food because of drought, children sick because of outbreaks of malaria — the issues of the planet will crystallize into something tangible. All scientists need to do is provide the information, and the professional creative storytellers will do the rest, she says.
  • Olson also takes a cue from television. He points to the rise of reality TV shows as a clear indication of where the general public interest lies. If environmentalists want to capture that interest, Olson thinks they need to start experimenting with these innovative types of unscripted forms. “That’s where the cutting edge exists,” he said.
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    For environmentalists trying to use entertainment to shape broad public attitudes and behaviors, nothing could be more important than understanding how to reach these hard-to-get people. Something that will speak to them, something that will change their minds, and most importantly, something that will incite them to action. A documentary might not be that something.
Inosha Wickrama

ethical porn? - 50 views

I've seen that video recently. Anyway, some points i need to make. 1. different countries have different ages of consent. Does that mean children mature faster in some countries and not in other...

pornography

Weiye Loh

Cash-Strapped Scientists Turn to Public Crowd-Funding | The Utopianist - Think Bigger - 0 views

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    These websites started primarily as a way to provide funding for creative projects involving film, music and other art mediums. Scientists using crowd funding is a relatively new phenomenon. Here's how The New York Times described it: "As research budgets tighten at universities and federal financing agencies, a new crop of Web-savvy scientists is hoping the wisdom - and generosity - of the crowds will come to the rescue." "Most crowd funding platforms thrive on transparency and a healthy dose of self-promotion but lack the safeguards and expert assessment of a traditional review process. Instead, money talks: the public decides which projects are worth pursuing by fully financing them."
Weiye Loh

Land Destroyer: Alternative Economics - 0 views

  • Peer to peer file sharing (P2P) has made media distribution free and has become the bane of media monopolies. P2P file sharing means digital files can be copied and distributed at no cost. CD's, DVD's, and other older forms of holding media are no longer necessary, nor is the cost involved in making them or distributing them along a traditional logistical supply chain. Disc burners, however, allow users the ability to create their own physical copies at a fraction of the cost of buying the media from the stores. Supply and demand is turned on its head as the more popular a certain file becomes via demand, the more of it that is available for sharing, and the easier it is to obtain. Supply and demand increase in tandem towards a lower "price" of obtaining the said file.Consumers demand more as price decreases. Producersnaturally want to produce more of something as priceincreases. Somewhere in between consumers and producers meet at the market price or "marketequilibrium."P2P technology eliminates material scarcity, thus the more afile is in demand, the more people end up downloading it, andthe easier it is for others to find it and download it. Considerthe implications this would have if technology made physicalobjects as easy to "share" as information is now.
  • In the end, it is not government regulations, legal contrivances, or licenses that govern information, but rather the free market mechanism commonly referred to as Adam Smith's self regulating "Invisible Hand of the Market." In other words, people selfishly seeking accurate information for their own benefit encourage producers to provide the best possible information to meet their demand. While this is not possible in a monopoly, particularly the corporate media monopoly of the "left/right paradigm" of false choice, it is inevitable in the field of real competition that now exists online due to information technology.
  • Compounding the establishment's troubles are cheaper cameras and cheaper, more capable software for 3D graphics, editing, mixing, and other post production tasks, allowing for the creation of an alternative publishing, audio and video industry. "Underground" counter-corporate music and film has been around for a long time but through the combination of technology and the zealous corporate lawyers disenfranchising a whole new generation that now seeks an alternative, it is truly coming of age.
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  • With a growing community of people determined to become collaborative producers rather than fit into the producer/consumer paradigm, and 3D files for physical objects already being shared like movies and music, the implications are profound. Products, and the manufacturing technology used to make them will continue to drop in price, become easier to make for individuals rather than large corporations, just as media is now shifting into the hands of the common people. And like the shift of information, industry will move from the elite and their agenda of preserving their power, to the end of empowering the people.
  • In a future alternative economy where everyone is a collaborative designer, producer, and manufacturer instead of passive consumers and when problems like "global climate change," "overpopulation," and "fuel crises" cross our path, we will counter them with technical solutions, not political indulgences like carbon taxes, and not draconian decrees like "one-child policies."
  • We will become the literal architects of our own future in this "personal manufacturing" revolution. While these technologies may still appear primitive, or somewhat "useless" or "impractical" we must remember where our personal computers stood on the eve of the dawning of the information age and how quickly they changed our lives. And while many of us may be unaware of this unfolding revolution, you can bet the globalists, power brokers, and all those that stand to lose from it not only see it but are already actively fighting against it.Understandably it takes some technical know-how to jump into the personal manufacturing revolution. In part 2 of "Alternative Economics" we will explore real world "low-tech" solutions to becoming self-sufficient, local, and rediscover the empowerment granted by doing so.
Weiye Loh

Geeks at the Beach: 10 Summer Reads About Technology and Your Life - Technology - The C... - 0 views

  • we're so excited about checking e-mail and Facebook that we're neglecting face-to-face relationships, but that it's not too late to make some "corrections" to our high-tech habits. It's time to turn off the BlackBerry for a few minutes and set some ground rules for blending cyberspace with personal space.
  • examples such as Wikipedia and a ride-sharing Web site as proof that "the harnessing of our cognitive surplus allows people to behave in increasingly generous, public, and social ways."
  • the transformative potential of the Internet, as more people use their free time in active, collaborative projects rather than watching television.
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  • Mr. Vaidhyanathan, a professor of media studies and law at the University of Virginia and frequent contributor to The Chronicle Review, reminds readers that they aren't consumers of Google's offerings. Rather, their use of Google's services is the product it sells to advertisers. Both books look at the continuing evolution of the Google Books settlement as a key test of how far the company's reach could extend and a sign of how the perception of Google has changed from that of scrappy upstart with a clever motto, "Don't be evil," to global behemoth accused by some of being just that.
  • Is the Internet on its way to getting monopolized? That question underlies Tim Wu's The Master Switch. The eccentric Columbia Law School professor—he's known to dress up as a blue bear at the annual Burning Man festival—recounts how ruthless companies consolidated their power over earlier information industries like the telephone, radio, and film. So which tech giant seems likely to grab control of the net?
  • it feels like we're perpetually on the verge of a tipping point, when e-books will overtake print books as a source of revenue for publishers. John B. Thompson, a sociologist at the University of Cambridge, analyzes the inner workings of the contemporary trade-publishing industry. (He did the same for scholarly publishing in an earlier work, Books in the Digital Age.) Mr. Thompson examines the roles played by agents, editors, and authors as well as differences among small, medium, and large publishing operations, and he probes under the surface of the great digital shift. We're too hung up on the form of the book, he argues: "A revolution has taken place in publishing, but it is a revolution in the process rather than a revolution in the product."
  • technology is actually doing far more to bolster authoritarian regimes than to overturn them, writes Evgeny Morozov in this sharp reality check on the media-fueled notion that information is making everybody free. Mr. Morozov, a visiting scholar at Stanford University, points out that the Iranian government posted "most wanted" pictures of protesters on the Web, leading to several arrests. The Muslim Brotherhood blogs actively in Egypt. And China pays people to make pro-authority statements on the Internet, paying a few cents for each endorsement. The Twitter revolution, in this book, is "overblown and completely unsubstantiated rhetoric."
  • Internet is rewiring our brains and short-circuiting our ability to think. And that has big consequences for teaching, he told The Chronicle last year: "The assumption that the more media, the more messaging, the more social networking you can bring in will lead to better educational outcomes is not only dubious but in many cases is probably just wrong."
YongTeck Lee

Illegal downloaders may face ban from internet - 5 views

http://news.yahoo.com/s/ap/20090825/ap_on_re_eu/eu_britain_downloading UK may block repeated offenders who illegally download and share copyright films and music could find their internet access ...

piracy internet Intellectual property

started by YongTeck Lee on 25 Aug 09 no follow-up yet
Weiye Loh

When Insurers Put Profits Before People - NYTimes.com - 0 views

  • Late in 2007
  • A 17-year-old girl named Nataline Sarkisyan was in desperate need of a transplant after receiving aggressive treatment that cured her recurrent leukemia but caused her liver to fail. Without a new organ, she would die in a matter of a days; with one, she had a 65 percent chance of surviving. Her doctors placed her on the liver transplant waiting list.
  • She was critically ill, as close to death as one could possibly be while technically still alive, and her fate was inextricably linked to another’s. Somewhere, someone with a compatible organ had to die in time for Nataline to live.
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  • But even when the perfect liver became available a few days after she was put on the list, doctors could not operate. What made Nataline different from most transplant patients, and what eventually brought her case to the attention of much of the country, was that her survival did not depend on the availability of an organ or her clinicians or even the quality of care she received. It rested on her health insurance company.
  • Cigna had denied the initial request to cover the costs of the liver transplant. And the insurer persisted in its refusal, claiming that the treatment was “experimental” and unproven, and despite numerous pleas from Nataline’s physicians to the contrary.
  • But as relatives and friends organized campaigns to draw public attention to Nataline’s plight, the insurance conglomerate found itself embroiled in a public relations nightmare, one that could jeopardize its very existence. The company reversed its decision. But the change came too late. Nataline died just a few hours after Cigna authorized the transplant.
  • Mr. Potter was the head of corporate communications at two major insurers, first at Humana and then at Cigna. Now Mr. Potter has written a fascinating book that details the methods he and his colleagues used to manipulate public opinion
  • Mr. Potter goes on to describe the myth-making he did, interspersing descriptions of front groups, paid spies and jiggered studies with a deft retelling of the convoluted (and usually eye-glazing) history of health care insurance policies.
  • We learn that executives at Cigna worried that Nataline’s situation would only add fire to the growing public discontent with a health care system anchored by private insurance. As the case drew more national attention, the threat of a legislative overhaul that would ban for-profit insurers became real, and Mr. Potter found himself working on the biggest P.R. campaign of his career.
  • Cigna hired a large international law firm and a P.R. firm already well known to them from previous work aimed at discrediting Michael Moore and his film “Sicko.” Together with Cigna, these outside firms waged a campaign that would eventually include the aggressive placement of articles with friendly “third party” reporters, editors and producers who would “disabuse the media, politicians and the public of the notion that Nataline would have gotten the transplant if she had lived in Canada or France or England or any other developed country.” A “spy” was dispatched to Nataline’s funeral; and when the Sarkisyan family filed a lawsuit against the insurer, a team of lawyers was assigned to keep track of actions and comments by the family’s lawyer.
  • In the end, however, Nataline’s death proved to be the final straw for Mr. Potter. “It became clearer to me than ever that I was part of an industry that would do whatever it took to perpetuate its extraordinarily profitable existence,” he writes. “I had sold my soul.” He left corporate public relations for good less than six months after her death.
  • “I don’t mean to imply that all people who work for health insurance companies are greedier or more evil than other Americans,” he writes. “In fact, many of them feel — and justifiably so — that they are helping millions of people get they care they need.” The real problem, he says, lies in the fact that the United States “has entrusted one of the most important societal functions, providing health care, to private health insurance companies.” Therefore, the top executives of these companies become beholden not to the patients they have pledged to cover, but to the shareholders who hold them responsible for the bottom line.
Weiye Loh

Not Evil Just Wrong - The explosive new documentary exposing the dangers of global warm... - 0 views

  •  
    Something I received in my email - from American Family Association, an extreme conservative Christian network. The new documentary is basically a response to Al Gore's "An Inconvenient Truth", to (counter-)claim that the global warming "Industry" is causing alarmism and tax increases. From what I see, it's a highly capitalist-driven film. The online premiere will be on 18th Oct, 8pm est. Not directly related. But still interesting I guess. =)
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