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Torrent etiquette is more than just good manners, it is a tool by which bittorrent sites promote collaboration and organisation between users. Torrent etiquette has many faces, it is frequently a formal mechanism such as seeding ratios needed to stay on site or the instructions of Admin on discussion boards, yet it is also something which users proliferate themselves purely through the course of interaction. Etiquette allows bittorrent communities to solidify user collaboration. There are 1,090,000 results for 'torrent etiquette' on google, this page presents one net user's guide to the subject. That bittorrent has evolved to the point of having a widely understood etiquette says something: strangers need just a very basic framework to be able to come and work together collaboratively. Before, people would download individually, now, with a little guidance a group of people from all over the world, with different intents, schedules and backgrounds can work as a coherent entity, each individual not only gaining his or her needs but contributing to the needs of the group. Aside from some specific information on ratios and multiple accounts, Brooks' advice is very simple, "If someone uploads something you happen to like, click the thanks button. If there's a forum, say hi. If a tracker has a list of requests to fill then see how you can help out." Etiquette provides boundaries to the crowd and by looking closely at its form we see that its is very close to the ethics we live by in day to day life. Thus, we realise the power the internet has in connecting people and concatenating the work of individuals into that of an organisation. References Brookes, T. (2010). Torrent Etiquette: How to avoid getting banned from private trackers . Retrieved 20th March from http://www.makeuseof.com/tag/bittorrent-etiquette-avoid-banned-private-trackers/.

This page, rather than looking mostly at rules like my articles, also addresses etiquette, at least for private torrent trackers. Although some of the etiquette described could be applied to public torrent trackers, it is mostly relevant only to the more exclusive private torrent trackers. Rather than this being a weakness of this page for the subject, it is useful to note that fair use and courtesy by people using BitTorrent is much more likely to happen in smaller communities, and doesn't necessarily apply to BitTorrent as a whole. The collaboration that occurs through BitTorrent becomes more like collaboration when it is governed by these kinds of social interactions between users in the same private community. This page mentions ways which users can help out other individuals, for example by looking at someone's list of requests, or hitting a "thanks" button on someone's torrent. These seem much more specifically collaborative interactions than what occurs through the actual BitTorrent downloading process, where everything is automatic. Overall this is an interesting page, but I would suggest keeping in mind that the etiquette described doesn't apply directly to all BitTorrent activity. Many users going through public torrent trackers likely don't feel any kind of reason to observe any of this etiquette and will share what the protocols of BitTorrent make them share.

Like the many articles that I looked at a few weeks ago, Brookes gives us a brief introduction into how private tracking helps to create mechanisms for interaction and how these websites promote a good social etiquette and overall community for users. He shows a similar opinion to many others in that people do not require much in order to feel part of a community. According to Brookes, the introduction of communities to the bit torrent world, has taken away the more individualistic downloader. Through the private trackers it has seen these collaborative communities sprout up and instead of individuals selfishly downloading for themselves they are now working and contributing for others and are helping the whole group function. His overall belief that the etiquette element of these communities is key and that if they are to function properly, that each person should be willing to help out when required. As I mentioned, many of the other articles that I reviewed, for example Incentives in Bit Torrent Induce Free Riding (2005) written by Jun, S., Ahamad are of a similar opinion that private trackers are improving the communal and collaborative features of bit torrent and have made it something that people are encouraged and enticed to participate in.

Steal this Film is a documentary about bittorrent culture centred around the story of the Swedish torrent tracking website The Pirate Bay. In telling their story, the Pirate Bay members relate quite early on that they are not only a filesharing website but also an organisation for free speech. We see bittorrent organisations as situated within the wider context of media piracy and filesharing networks as clandestine organisations that must be diffuse in order to evade detection by anti p2p groups. The Pirate Bay's struggle against media outlets is elevated to a battle against American cultural hegemony. Within this context Kent's (2011) reading of the swarm as a simulacra of group identity can be seen as a defence - a tactic - as deCerteau (1984) puts it for the weak to re-appropriate the power of the strong. Filesharing is a form of protest. By publicising their struggle, The Pirate Bay build a bridge between physical and virtual communities. The film features spontaneous interviews with people on the street."The internet is too big, you can't fight it, (27mins)" says a girl with blue hair. Is she referring to the network of computers which make up the internet, or the strength of communities which practice filesharing, the linkages and solidarity of people across the world? This footage awakens the reader's conceptions of a link between physical and virtual activities, online collaboration breeds a solidarity between users which can echo beyond the activities of the swarm. We see bittorrent used not solely as a method for obtaining entertainment but as a vehicle for ideological struggle. The faces in the movie are conspicuously youthful and one sees that they collaborate not only in terms of files but also in ideas and viewpoints. We see bittorrent as a tool for worldwide collaboration/change. References Certeau, M. (1984), The Practice of Everyday Life. University of California Press, Berkeley. Kent M (2011), 'Strangers in the Sw

Steal this Film, is a short 30-minute documentary that looks at the social politics and debate about file sharing and the bit torrent client, focusing on Swedish torrent tracking website The Pirate Bay. The documentary outlines how file sharing and copyright is a touchy subject within American laws, and through the documentary we are able to hear differing opinions on who is right and who wrong. The various people that are interviewed who are involved with the Pirate Bay take a 'us against the world' approach and make it clear that technically they aren't doing anything wrong, and through the power of free speech they are making their voice heard. Numerous youths are also interviewed and each seem to be of the copyleft opinion that what they are doing is almost some sort of activism, and believe that these torrent communities are un-able to be stopped. I would also have to agree with this as a 'Pirate' myself and also through the learning that I have undertaken while at university, that this excuse by the Movie/Music industry that they aren't being hurt through piracy is totally utterly false and I think as one of the speakers in the video says "We aren't going to wake up one day and find that all music artists have died because of Piracy". In fact I would go as far to say that because of this cry-baby outlook by these industries that the bit torrent and file-sharing communities have been strengthened because of it.

I was taken aback when I went to download 'Steal This Film' and it popped up as a torrent file in BitTorrent. I suppose I wasn't used to, what I perceived as, 'legitimate' content being provided in the form of a torrent. The film stated, "right now ten million people are using BitTorrent" and indeed, at the time of watching, I was also using BitTorrent. One of the things I found admirable, and also a little surprising, was the resilience of the Pirate Bay founders. Even after being raided and shut down by the authorities, their belief in what they were doing, and their advocacy of free speech, was too strong to just let go. I also found the film interesting in its depiction of the various anti piracy campaigns created by Hollywood film studios juxtaposed with the interviews of young people claiming that the amount of money made by Hollywood is "absurd". Even if crew members and writers are suffering at the hands of film piracy, like the people interviewed, I find it difficult to sympathise with Hollywood's view point when you can safely assume that the largest chunk of proceeds made from any film go to the 'talent' and not those people working so hard behind the scenes. Perhaps Hollywood losing money could be considered a positive outcome, as so many subpar films probably should never have been made in the first place. Perhaps having less money to fund any film on a whim will lead film studios to choose their projects more carefully, resulting in the delivery of quality rather than quantity to film consumers.

Based on a longitudinal study of five torrent hosting sites (Btefnet, e-tree, easytree, piratebay, torrentportal), this scholarly paper is an in-depth examination of cooperation in bittorrent communities. It relates that collaboration is a social activity. This paper is pertinent as it compliments its examination with data collected by its authors. Firstly, it explores the ethic of sharing central to bittorrent community - people who leech (download) files must later seed (upload) them so that they are available to other members of the organisation - relating this reciprocality as the main incentive for torrent users to collaborate (p.111). Comparing the five sites, the paper examines the different tools used to shape how sharing occurs, they find that the most salient of these is seeding ratios. Seeding ratios are used to ensure that users spend a fair amount of time seeding in comparison to the amount they spend leeching. These ratios are publicly viewable, it is as such that the user's contribution to the community is overt and users feel obligated to maintain this in order to preserve good relations within the group. Users in torrent swarms (collection of seeders and leechers linked via a common file) have minimalist identities (Kent 2012), however, they are not completely anonymous, linking their identity with download activity (p.112). In this way users in swarms are still connected to the physical world and individual identity through things like bandwidth speed, which determines how a user interacts with their peers. The paper relates how easytree, a network for bootleg recordings, had to have ratio enforcement emplaced as the site grew and received new users who were not familiar with the sharing culture of offline bootleg traders who had originally populated the network ( pp.114-5). We see that even within the diffuse nature of virtual entities, online collaboration is influenced by (physical and virtual) social factors (p.114).

This is a page from BitTorrent.com's Idea Bank, a messageboard where people can post the ideas they would like to see adopted by BitTorrent's programmers. This page can be used as a text in the way that it demonstrates the user attitudes toward collaboration in bittorrent. The page shows conversation in fourteen posts. Firstly, we see something of the ideology of bittorrent, coming from the culture of Open Source software it actively invites the user's input into development. The conversation is interesting because it presents distinct 'for' and 'against' arguments on the inclusion of a 'thank you pop up'. The context of the page is salient, sitting at number two in popularity on the requests board, one realises that not being able to say thanks to peers is of concern to members of the swarm. The majority of commenters see the 'thank you pop up' as a good thing (nine 'for' comments to four 'against') stating sentiments of altruism, politeness and an intent to strengthen relationships within the bittorrent community. User Jp comments: "The world would certainly be a better place to live in, if only it's people would start to be kind toward those who share. To become more polite is a small step for man and a bigger one for humanity. I will surely pop one up (a thank you window) to the man who will spread the code for a better living." On the other hand the 'against' comments relate statements as to why a 'thank you pop up' is actually harmful to bittorrent community, Jimmy Hendrix posting: " I absolutely.......... absolutely do NOT want a feature to say thanks, chat, or get to know anybody that I'm downloading from. I want to stay as anonymous and impersonal as possible. Viren......you do know that this is still illegal? request/ban viren chocha." While the swarm is by nature anonymous, users do you yearn for a way to extend a warm hand to members they are collaborating with. Whilst the extralegal nature of bitorrent inhibits the devel

This suggestion combined with the much polarised reactions in the comments section is worth looking at and thinking about. Although the majority of the comments are positive and there are a significant amount of votes for this feature, five out of fourteen of the comments are either against it or express that they would not want to use it by bringing up issues like anonymity as well as legal issues. Unlike the interactions within the close social group looked at in the paper "BitTorrents and Family Guy: teenage peer group interactions around a peer-to-peer Internet download community", it seems that some of the users' who made comments about this suggestion do not want to make contact with other BitTorrent users, perhaps because the illegal nature of the exchange makes them feel uncomfortable. Their perspectives suggest that they just want to use BitTorrent for downloading and uploading, and not directly as a kind of community. I think they may have a point, and real life social groups as well as online communities seem to function fine without communication being possible directly within BitTorrent programs. It is interesting to think if file-sharing was less taboo, perhaps it would be more acceptable for social features like this to be directly integrated into the platforms.