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"The concept of diaspora enjoys a significant currency in contemporary cultural theory. Its descriptive paradigm associates it with the shared experience of displacement, a sense of common origins, and a material or symbolic attachment to the 'original' homeland. This traditional framework overlooks diaspora as a narrative of national desire that enables contestation and disruption of dominant hierarchies and ideologies of nation from within the territorial, political, and cultural boundaries of the nation. It is this neglected aspect of diaspora as a narrative of national identification that is addressed in this paper, which examines the significance of contemporary diaspora cultural politics and formations vis-à-vis the exclusionary hegemonies and workings of the nation-state. In this sense, it seeks to re-orientate diaspora as a conceptual process that brings to the fore the 'routed' dimensions in the national affiliations and longings of marginalized minority communities. Focusing on the postcolonial nation-state of Malaysia and its literary productions, the paper's point of anchorage and discussion, to paraphrase Paul Gilroy, is 'where you're born', rather than 'where you're from'. This shift from a descriptive to a processual approach to diaspora enables more inclusive and emancipatory ways of reading both diaspora and homeland."

This essay attempts to make more pliable three overly rigid claims persistent in the diaspora literature: that diaspora members' imaginations of the homeland are either beautifying/idealizing or unequivocally inimical; that their relations with the host country are inherently distant - they are in it but not of it; and that diasporism and (im)migrant transnationalism constitute two distinct phenomena. It also aims at genderizing the stubbornly genderless study of diasporas. The empirical analysis compares representations of the homeland among turn-of-the-twentieth-century and present-day lower-class Polish migrs in the United States and the United Kingdom, first-wave (1959-61) Cuban refugees in Miami and 1956 Hungarian political refugees dispersed into different west European countries, and contemporary Mexican men and women migrants in the American Southwest. On the basis of these comparative assessments, the author identifies the major circumstances that shape diaspora members' portrayals of the homeland.

This essay attempts to make more pliable three overly rigid claims persistent in the diaspora literature: that diaspora members' imaginations of the homeland are either beautifying/idealizing or unequivocally inimical; that their relations with the host country are inherently distant - they are in it but not of it; and that diasporism and (im)migrant transnationalism constitute two distinct phenomena. It also aims at genderizing the stubbornly genderless study of diasporas. The empirical analysis compares representations of the homeland among turn-of-the-twentieth-century and present-day lower-class Polish migrs in the United States and the United Kingdom, first-wave (1959-61) Cuban refugees in Miami and 1956 Hungarian political refugees dispersed into different west European countries, and contemporary Mexican men and women migrants in the American Southwest. On the basis of these comparative assessments, the author identifies the major circumstances that shape diaspora members' portrayals of the homeland.

"This article explores Tamil diasporic engagement in Toronto, at the turn of the Sri Lankan struggle in 2009, to foreground the contested and transnational character of Canadian multiculturalism. It asks whether Canadian multicultural discourse provides a space for social and political identity-making within the Tamil-Canadian Diaspora. The article then sketches the way multiculturalism informed Tamil-Canadian identity-making amongst young and older Tamil-Canadians prior to these events. It explores how diasporic identity was then crystallized in 2009 through media and political responses within the mainstream and the Diaspora itself. The article argues that security discourses dramatically prefigured the terms of engagement for Tamil-Canadians during the final months of the civil war in Sri Lanka. It concludes by drawing attention to the transformative possibilities of multiculturalism and the way the diasporic lens that this case study uses may contribute to this discussion."

This essay proposes the category of subalternity as a tool to adjudicate between the often conflicting claims of diaspora and indigeneity. Written in the context of two itineraries on the part of the author - one a combined lecture/tourist trip to Ecuador and the second a talk presented at a symposium on indigeneity and postcoloniality in Urbana-Champaign - the essay begins by tracking the various knowledge claims that arise out of the experience of travel. It goes on to record a travel narrative to an indigenous community in Ecuador in which many of the concerns of representation, language and political recognition that colonized communities face are raised. The essay then moves on to a discussion of the risks of unilaterally privileging either the claims of indigeneity or the claims of diaspora.

"Over the past three decades, relations between African emigrants and their home-states have been changing from antagonism to attempts to embrace and structure emigrant behaviors. This transformation in the conception of emigration and citizenship has hardly been interrogated by the growing scholarship on African and global migrations. Three of the most contentious strategies to extend the frontiers of loyalty of otherwise weak African states, namely dual citizenship or dual nationality, the right to vote from overseas, and the right to run for public office by emigrants from foreign locations are explored. Evidence from a wide range of African emigration states suggests that these strategies are neither an embrace of the global trend toward extra-territorialized states and shared citizenship between those at 'home' and others outside the state boundaries, nor are they about national development or diaspora welfare. Instead, they seem to be strategies to tap into emigrant resources to enhance weakened state power. The study interrogates the viability and advisability of emigrant voting and political participation from foreign locations, stressing their tendency to destabilize homeland political power structures, undermine the nurturing of effective diaspora mobilization platforms in both home and host states, and export homeland political practices to diaspora locations."

This paper investigates the pertinent issues of the arguments on human capital depletion, specifically in the context of the more recent literature that seeks to explain the phenomenon in the context of the English speaking Caribbean Community (CARICOM). It further assesses return migration policies of the region in an attempt to ascertain their practicality in redressing skills depletion or accumulation for member states. Clearly, facilitation policies are essential, but there is no documented analysis on their effectiveness, despite the tendency to speak of their usefulness. The main motivation for having return facilitation policies, emerged out of recognition of the potential of the Diaspora and what they can offer for the development of CARICOM nations. There is a tendency for return facilitation policies to favour life cycle re-migrants or retirees with affinity to their homeland, whatever the reason. From observation the all inclusive nature of the return facilitation policy construct does not present a framework for attracting skilled individuals in their productive age. The problem with this is that the retirement age in most member states does not allow for retirees to reenter the workforce to impart knowledge or skills, outside of investment initiatives. This general weakness in return facilitation policy limits what optimally a re-migrant can offer. The counterfactual that return migrants bring with them networks and links from which their home country can benefit is also potentially restricted by the same token.

"This article explores the use of nonstandard English forms and intertextuality in two recent works by Nigerian writers in English living abroad. To date, Chris Abani's Graceland and Uzodinma Iweala's Beasts of No Nation have attracted little critical commentary, far less any academic survey of their language, yet each book is in its own way representative of conflicting treatments of nonstandard varieties of Nigerian English by writers in the diaspora. Beasts of No Nation owes a considerable debt to the linguistic and stylistic experiments Ken Saro-Wiwa made in his novel Sozaboy and Iweala has drawn heavily on this work in his use of a first person narrator and his assignment of a limited, if forcefully expressive, language to his hero. According to Saro-Wiwa, Sozaboy is written in a mixture of Nigerian Pidgin (NP), Standard English (SE) and other forms. Graceland, however, makes selective use of nonstandard forms for reasons closer to those of earlier writers and makes this clear through its author's insertion of intertextual elements. After providing an overview of the background to and characteristic features of NP and Nigerian English this article surveys their use in Nigerian literature and concludes by examining the language of Graceland and Beasts of No Nation through a linguistic comparison of shared episodes and a consideration of thematic similarities in order to place these two novels in a continuum of Nigerian writing in English through their use of language."

This special issue features ethnographies that examine the trajectories of mobile people within particular places, moments and networks of connection. Critiquing the ready equation of cosmopolitanism with experiences of mobility, we examine the encounters of pilgrims, migrants, missionaries or members of a diaspora. Defining cosmopolitanism as a simultaneous rootedness and openness to shared human emotions, experiences and aspirations rather than to a tolerance for cultural difference or a universalist morality, the authors explore the degree to which mobility produces cosmopolitan sociability.

In this paper, the author draws upon an examination of two apparently opposed cyborg locations and technologies to show how, in specific instances, globalization, technology, economics, culture and diasporas intersect. Such intersections produce very specific, situated contexts for productive labor forces to emerge at the interface of technologies 'old' and 'new'. These situated contexts place the individual in relation to market forces and community production logics through which labor and affect are placed in hierarchies of digital globalization. The author does this by looking at how the 'sari' is produced, marketed and worn in two 'cyborg' contexts. One of the cyborg locations this article explores is online, the other is offline. By juxtaposing these 'old' and 'new' contexts of production and marketing a sari the author hopes to allow for issues to be raised that otherwise would be invisible.

"his article examines The Boat as a coherent collection of stories that self-consciously takes up, in "Love and Honor," some central debates in Asian American literary studies: questions of cultural authenticity, authorial ownership, responsible representation of trauma, the selling out of the community by subsequent generations, and what constitutes Asian American literature and/or "ethnic literature." It argues that Le complicates the concept of ethnic literature through the middle stories of the collection by imbricating the ethnic with the cosmopolitan, two concepts that are usually viewed in opposition, to arrive at the idea of "refugee cosmopolitanism" in the final story, "The Boat.""

In this article, I explore how the Simmelian concept of "adventure" can serve as a symbolic category providing a framework for understanding two Chinese Jamaicans' recollections of childhood migration and their attempts to mediate and synthesize the tensions caused by that experience into an overall expression of identity. The Simmelian adventure recognizes that the very process of synthesizing life events draws attention to the disconnections and disruptions-what Simmel defines as "dualities"-that Simmel concludes are characteristic of modern identities. The Chinese Jamaican narratives in this study display the dualities of the adventures as posited by Simmel and as such, reconfirm the understanding of the Caribbean as a site of modernity and recognize both the experiences and contributions of a minority group in this region as being significant for our understanding of modern diasporic identities in general and, more specifically, in the Caribbean.

The presence of Filipinos as corporeal and discursive subjects within both America and Asian America has long been contested. On one hand, the dynamic juridical status of Filipinos in America has ranged from American colonial subjects and American nationals to naturalized and native-born citizens. On the other hand, the presence of Filipinos in America has provided labor in key industries from agriculture to nursing. Filipino America has always been a transnational social formation whose history, economy, and culture reflect the interrelated histories of the Philippines and the United States. This essay explores Filipino American aesthetic practices that engage with the corporeal and discursive production of the "Filipino" in both America and Filipino America. The essay investigates the implications of Filipino American visual art and artists "returning" to the Philippines and argues that a cultural logic of "fictions of return" forms a central part of the production of Filipino America as a transnational sociospatial formation. The first section discusses the production of Filipino America in the context of America's exhibitionary complex. The article proceeds to trace exhibitionary practices in the transnational art project Galleon Trade Arts Exchange. The article then discusses works by Christine Wong Yap, Stephanie Syjuco, Reanne Estrada, and Gina Osterloh to highlight how Filipino American visual art has critically engaged with the multiple contradictions within Filipino and Filipino American experiences. The article ends with a rumination on the relationship between cultural production and desire to return and belong.

"Whether precipitated by political or environmental factors, human displacement can be more fully understood by attending to the ways in which a set of bodily, material, imagined and virtual mobilities and immobilities interact to produce population movement. Very little work, however, has addressed the fertile middle ground between mobilities and forced migration. This article introduces the special issue by setting out the ways in which theories of mobilities can enrich forced migration studies as well as some of the insights into mobilities that forced migration research offers."