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Stephen Hull

When Repetition Isn't the Best Practice Strategy: Effects of Blocked and Ra...: EBSCOhost - 0 views

  • There were no performance differences between groups at the end of three practice sessions. However, 24 hours after completing practice, random group participants were able to play significantly faster than blocked group participants without sacrificing accuracy.
  • The contextual interference hypothesis predicted that the blocked group would perform better at acquisition but that the random group would perform better at retention. Results of this study provide partial support for the second half of this hypothesis
  • Structured practice, which involves using a planned sequence of practice activities, has been found to be beneficial for students of all ages
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  • Results of this study demonstrate that repetitive practice may not always be the most effective strategy for beginning musicians. Teachers could structure class instruction using random orders, rather than relying exclusively on repetitive drill, and teach students how to structure their home practice in this way
  • Many descriptive studies have shown that beginners make very limited use of self-regulated practice strategies (Austin & Berg, 2006; Hallam, 2001; McPherson & Renwick, 2001; Pitts, Davidson, & McPherson, 2000). Therefore, it would be critical for teachers to help students make this application at home.
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    Is it better to practice the same small section until perfected before moving on to the next? Or is it better to vary the order of items practiced?
lalario

(28) How to practice effectively...for just about anything - Annie Bosler and Don Green... - 0 views

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    This short video explains how the brain reacts to practice and repetition of activities. It reviews the neural pathways and the process that the brain goes through when something is being learned. An interesting fact mentioned in this video is that a study proved that the performance level of mentally envisioning practicing an activity and actually performing the activity produces similar results.
patiencetez

Free music composition and notation software | MuseScore - 0 views

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    MuseScore3 is full-featured, open-source music notation software. This software is installed directly on a computer, and has compatible versions for PC, Mac, and Linux operating systems. There is no online or "cloud" version of this software. Although MuseScore is free, it is a professional music notation alternative to Finale and Sibelius and is capable of producing high-quality musical scores in a variety of formats. MuseScore also has full capability to produce audio playback, export to audio, and generate MIDI files.
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    MuseScore is a free music notation program that is easy to use and can produce easy to read, high quality sheet music for your ensembles. The interface is similar to other notation programs that you need to pay for. I have been using MuseScore to create etudes and warmups for my ensemble classes.
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    MuseScore is a music composition and notation software used to write/notate music. It requires the user to download and install the application on their system. This application is easily accessible and is free of charge. It is a software that is updated almost every month to make the features better. Muse Score has an easy to use interface and is a good tool to use in class for children to write down their simple compositions. Students are able to play back their compositions to their classmates, print them out, and/or even share them online. While using MuseScore, students learn many different musical concepts like dynamics, timbre, form, texture, structure, melody, repetition, phrasing, rhythm, tone, to mention but a few. MuseScore enhances the musicianship of students.
Stephen Hull

Play It Again And Again, Sam : Shots - Health News : NPR - 0 views

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    I am constantly challenging my students to look for patterns in music. I didn't realize that there was actual research behind it.
Stephen Hull

Effective Practice: An Investigation of Observed Practice Behaviors, Self-R...: EBSCOhost - 0 views

  • Although it exists in the larger context of music practice in general, the concept of deliberate practice requires sustained concentration and effort and is therefore somewhat distinct from unstructured activities engaged in for the sake of playing for fun.
  • Deliberate practice encompasses effortful, goal-directed, and intentionally structured activities.
  • When taken together, the findings suggest that those who took a more strategic approach toward practicing (e.g., breaking parts down and putting them back into context, identifying difficult spots) also achieved the highest performance scores.
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  • Although several lines of research (e.g., deliberate practice, mental practice, modeling, self-regulation) have begun to show links between general practicing approaches and achievement, relatively little is known about which specific behaviors are most effective in eliciting performance gains. Information regarding which behaviors are beneficial to school-age musicians is especially needed, given their often limited formal training and the scarcity of studies with this population. The purpose of this study was to examine relationships among observed practice behaviors, self-reported practice habits, and the performance achievement of high school wind players.
  • In general, the results of this study have shown that the quality of practicing that takes place may be more crucial to improvement than the quantity of time spent playing.
  • The results also have practical implications for music educators. Although the findings cannot be considered causal, the correlations between performance achievement and the behaviors repeat section, slowing, whole-part-whole, and skipping directly to or just before critical musical sections of the étude indicate that these may be particularly useful strategies for making improvement.
  • It may be that those who were more accustomed to practicing with specific musical or technical goals in mind were able to practice more effectively during the study
  • This suggests that teachers should guide students toward practicing with musical and/or technical goals in mind.
  • This could be done by assigning specific musical passages to students or by asking students to practice applying specific musical concepts (dynamic contrasts, vibrato, expressive tempo manipulation, etc.) to various pieces when working alone.
  • This suggests students may need to be trained to distinguish between efficient and inefficient practicing.
  • For example, teachers could demonstrate characteristics of inefficient practicing, such as repetition of errors and physical and/or mental fatigue, and warn students to guard against them. Conversely, teachers could also highlight characteristics of efficient practice, such as focusing on problematic passages and taking appropriate amounts of rest.
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    Well structured practice is the key to improvement
kate_socha

Musicians and Injuries - 0 views

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    This is a collection of resources for musicians coping with repetitive use injuries. It includes a "to-do" list and a guide to related books on the subject.
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    This website provides links to websites about different injuries and syndromes musicians can suffer from. It also explains how to avoid these injuries and provides an extensive list of recommended books for prevention and instrument technique.  
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