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Egyptian television series that aired during the peak Ramadan season this year dramatically decreased by half from previous production volumes. Production restrictions and censorship in the most populous Arab country are on the rise, tough circumstances for the entertainment industry, exacerbated by a military-linked production company’s recent monopoly of soap operas. The move also raises concerns about whether a similar fate might be in the works for the film industry.

In late 2018, a memo circulated to industry professionals by state affiliate Egyptian Media Company (EMC) laid out a set of regulations making it virtually impossible for almost any production company asides from EMC sub arm Synergy Production to produce soap operas in the 2019 Ramadan season

“We have to understand why Synergy is gaining this much control…it’s also very clear that some series [this year] have an almost didactic direction, promoting particular ideas such as improving the image of police officers. Mandating which themes are to be discussed and which won’t be is not censorship, its indoctrination,” Aly Mourad, the CEO of Al Shorouk for Media Productions, tells Open Democracy. “I don’t think we’ve heard of this level of censorship since the time of [Former President] Nasser; it’s like we are going back 60 years in time.”

For three weeks Sisi’s image has been trashed by an insider turned whistleblower whose videos from self-exile in Spain have gripped and paralysed Egypt in turn. 

Mohamed Ali is, by his own admission, no hero. One of only 10 contractors the army uses, he is corrupt. He also only left Egypt with his family and fortune because his bills had not been paid. Ali is no human rights campaigner. 

Egypt’s new folk hero likes fast cars, acting, film producing, real estate developing.

CPJ's 10 most censored countries Eritrea North Korea Turkmenistan Saudi Arabia China Vietnam Iran Equatorial Guinea Belarus Cuba

"The internet was supposed to make censorship obsolete, but that hasn't happened," Joel Simon, CPJ executive director, said in a statement. "Many of the world's most censored countries are highly wired, with active online communities. These governments combine old-style brutality with new technology, often purchased from Western companies, to stifle dissent and control the media,"

As governments around the world struggle to stave the spread of the disease they are understandably harnessing the power of technology. We must ensure this is done with respect for human rights and civil liberties and that we don’t weave a surveillance apparatus that can’t be undone.

These technologies are being deployed quickly and, it appears, without human rights impact assessments, sufficient privacy controls, or adequate restrictions on their use outside of the current context.

there’s an dearth of information about who has access to the data, how long it can be maintained, what sort of privacy rights people in the databases have, what types of restrictions are in place to ensure the data is only used as intended to combat the spread of the virus, and what could be done with the technology afterwards. If there is one thing we know from technological solutions, once a capacity is built it can be used for many purposes beyond that for which it was intended.

In a virtual library found in Minecraft -— a game where users can build virtual worlds out of blocks and create their own storylines — users can access the work of journalists who have been killed, jailed or exiled by governments, including articles by Saudi journalist Jamal Khashoggi. The project, launched by Reporters Without Borders, design collective Blockworks, advertising agency DDB Germany and production company MediaMonks, gives users access to articles banned in five countries that rank poorly on the nongovernmental organization's World Press Freedom Index: Egypt, Mexico, Russia, Saudi Arabia and Vietnam.

Work in the library, launched Thursday to mark the World Day Against Cyber Censorship, is available in English and the original language in which the texts were written.

"Young people grow up without being able to form their own opinions. By using Minecraft, the world's most popular computer game, as a medium, we give them access to independent information,"

A Saudi preacher with more than 2 million Twitter followers has been banned from tweeting by a court that convicted him of jeopardizing public order.The cleric, previously accused of links to the banned Muslim Brotherhood, was also fined SR100,000 ($27,000)

convicted the preacher of spreading content on Twitter that “could jeopardize public order and provoke public opinion.”

Al-Qarni has often been criticized in the local press and on social media for his radical views about scholars who disagree with his interpretation of religion.

Reporters Without Borders (RSF) is worried about the way Egyptian media outlets are being taken over by businessmen linked to the government and intelligence services. The regime’s domination of the media continues to grow and is even affecting pro-government media.

Al Hayat was quietly taken over at the end of August. The new owner’s identity has not yet been officially announced but several Egyptian media outlets have reported that it was acquired by Falcon, a successful Egyptian security company whose CEO is a former senior military intelligence officer and a former head of the radio and TV regulatory agency.

the financial pressure came shortly after Al Wafd’s representatives in parliament expressed their opposition to the government’s controversial plan to hand over two strategic islands, Tiran and Sanafir, to Saudi Arabia

ACOR Photo Archive’s material is a unique collection due to the diversity of subjects it includes. It currently provides a representative record of Jordan’s archeological and social history spanning from 1955 to the early 2000s. Photos soon-to-be-digitized will feature subjects from the 1970s onwards in Syria, Yemen, Iraq, Saudi Arabia, Lebanon, Palestine, and Iran. Its historic photos of important sites are free to use and could be mobilized to support research proposals and grant applications.

The ACOR’s archival images are valuable as records of change for both archaeological-cultural heritage sites (more than two-hundred are represented in Jordan alone), as well as daily life in the Middle East over the past seventy years. Indeed, this record of change means that the archive has the potential to impact future heritage preservation projects across the region. They allow visual comparison with the past, thereby illustrating recent damage and helping experts and local communities decide how sites should be managed in the future.

NYU Abu Dhabi’s archive has an extensive collection of historic photos featured on its Instagram page (widening its popular appeal through more tongue-in-cheek posts). Darat al-Funun, an art gallery housed in Amman’s fashionable Jabal al-Webdeih district, also hosts an exhaustive online archive of video and images relating to the gallery’s exhibitions. It also features artist talks and musical performances over its almost thirty-year history. On a smaller scale, there are commendable efforts at documenting the modern visual heritage of the region, such as the Sultan-al-Qassemi-managed Instagram dedicated to highlighting the architectural heritage of the Emirate of Sharjah in the UAE. (You can check out ACOR’s instagram here.)

For the last 10 years, Western (and even Arab) pundits have repeatedly questioned the place of Palestine in the pan-Arab psyche. They surmised that the Arab Spring had refocused Arab minds on their problems at home. They assumed that battling tyrannical regimes and their security apparatuses, reforming corrupt polities and decrepit health care and education systems, combating terrorism and religious extremism, whittling back the power of the military, and overcoming economic challenges like corruption and unemployment would take precedence over an unsolved and apparently unsolvable cause.

reforming the Arab world’s political systems and the security and patronage networks that keep them in power and allow them to dominate their populations appears to be just as arduous a task as resolving the Israeli-Palestinian conflict

The difference now is not that Arab populaces have abandoned Palestine. Western and regional observers say the muted outrage over affronts like American support for the annexation of the Golan Heights or recognition of Jerusalem as Israel’s capital, or even the Abraham Accords and the subsequent sycophantic embrace of Israel in the Gulf is an indicator of Arab public opinion, that it signals a loss of interest in the cause.It is not. Arabs are of course not of a single mind on any particular issue, nor is it possible to gauge public opinion under tyrannical regimes. But it is indicative of the fact that these authoritarians no longer see the pan-Arab Palestinian cause and supporting it as vital to their survival. They have discovered that inward-looking, nationalistic pride is the key to enduring in perpetuity. It is the final step in the dismantling of pan-Arabism as a political force, one that will shape the region’s fortunes and its states’ alliances in the years and decades to come.

The Committee to Protect Journalists today condemned the Turkish air strike on a civilian convoy that killed journalist Saad Ahmed and injured at least four other reporters.

According to a report by the London-based Syrian Observatory for Human Rights, five other civilians were killed in the strike.

Assad’s government has been responsible for the deaths of numerous journalists by torture, missile strikes, and targeted assassinations, according to CPJ reporting. Turkey is the world’s worst jailer of journalists, according to CPJ’s 2018 prison census.

the Iraqi National Communications and Media Commission shut down or gave warnings to 17 media institutions for covering the protests in Iraq. The offices of Al-Arabiya, Al-Hadath, Dijlah TV, Al-Rasheed TV, NRT, Al-Sharqiya TV, Al-Fallujah TV, Houna Baghdad and Al-Hurra were closed, while Al-Sumariya, Asia Network Television, Rudaw Media Network, Sky News Arabia and Ur Television were warned to change how they cover the demonstrations.

On Nov. 17, a mortar shell hit Iraq Art Co. in Karrada in the center of Baghdad.

Iraq Art Co. is a local production business that offers television services to several satellite channels such as the BBC, Al-Araby TV (owned by the Palestinian politician Azmi Bechara) and other channels. Al-Araby Al-Jadeed, which is affiliated with Al-Araby TV, said, “The missile was targeting the Al-Araby TV office in Baghdad.”

With a combined total of 14 journalists killed, Latin America is now as deadly for journalists as the Middle East., with all of its wars.

more journalists (59%) are now being killed in countries at peace than in war zones. At the same time, there has been a 2% increase in journalists being deliberately murdered or targeted.

Worldwide, a total of 389 journalists are currently in prison in connection with their work, 12% more than last year. Nearly half of these journalists are being held by three countries: China, Egypt and Saudi Arabia.

The white iPhone with chipped paint that Moroccan journalist Omar Radi used to stay in contact with his sources also allowed his government to spy on him.They could read every email, text and website visited; listen to every phone call and watch every video conference; download calendar entries, monitor GPS coordinates, and even turn on the camera and microphone to see and hear where the phone was at any moment.

Forensic evidence gathered by Amnesty International on Radi’s phone shows that it was infected by “network injection,” a fully automated method where an attacker intercepts a cellular signal when it makes a request to visit a website. In milliseconds, the web browser is diverted to a malicious site and spyware code is downloaded that allows remote access to everything on the phone. The browser then redirects to the intended website and the user is none the wiser.

“The Moroccan authorities are buying every possible and imaginable surveillance and espionage product. They want to know everything.”

The End (El-Nehaya), the Egyptian dystopian science fiction thriller series, has captured the imagination of audiences throughout the Arab world this Ramadan TV season. It is ranked the third most popular series this season, and has generated a lot of discussion in social media about its futuristic technology and debt to Hollywood science fiction and dystopian films.The End was also lumped into the debate over normalisation in this year’s Ramadanic TV programming and was attacked by the Israeli Foreign Ministry for its anti-normalisation stance. The End is premised on the fictional idea that the Arab world would become a superpower and that Israel would be destroyed less than a century into its establishment — that is, in less than thirty years. In its place, Al-Quds conglomerate will be created and will be under total Arab control.

Some contrasted the daring futuristic scenario with the utter impotence of the Arab world today, to offer any viable solution to the Palestinian struggle for freedom and the ongoing Nakba. Others thought it was enough that the series managed to provoke and infuriate Israel.

The series does not only substitute one form of domination in Al-Quds conglomerate for another. More importantly, the Palestinians are completely erased from Al-Quds conglomerate itself.

Badani is part of a network of at least 19 fake personas that has spent the past year placing more than 90 opinion pieces in 46 different publications. The articles heaped praise on the United Arab Emirates and advocated for a tougher approach to Qatar, Turkey, Iran and its proxy groups in Iraq and Lebanon. 

“This vast influence operation highlights the ease with which malicious actors can exploit the identity of real people, dupe international news outlets, and have propaganda of unknown provenance legitimized through reputable media,” Marc Owen Jones, an assistant professor at Hamad Bin Khalifa University in Qatar who first noticed suspicious posts by members of the network, told The Daily Beast. “It’s not just fake news we need to be wary of, but fake journalists.”

placed articles critical of Qatar and supportive of tougher sanctions on Iran in conservative North American outlets like Human Events and conservative writer Andy Ngo’s The Post Millennial, as well as Israeli and Middle Eastern newspapers like The Jerusalem Post and Al Arabiya, and Asian newspapers like the South China Morning Post.

About 100 Egyptian nationals living in Qatar have been asked by Doha authorities to leave the country within a few weeks time, according to an Egyptian opposition figure based abroad who spoke to Mada Masr on condition of anonymity.  The move by Qatar comes after Egypt requested that the figures — all of whom are affiliated with Islamist groups — be delivered to Egyptian authorities, said the source.

Qatar has given the Egyptian nationals notice to leave the country amid a diplomatic rapprochement between Doha and Cairo that has blossomed over the past year. 

Helping bridge the distance between Doha and Cairo are the increasingly strained relations between the current Egyptian administration and its long-standing Gulf backers in the UAE and Saudi Arabia, as well as a number of economic investment opportunities, with potential for Egypt’s need for foreign direct investment to soothe its distressed balance of payments to align with Qatari interest in a number of key strategic economic sectors, including agriculture and telecommunications. 

With little investment the UAE, and in particular Dubai, stands to gain if, as expected, supporters opt to stay in the tourism hotspot instead of tiny Gulf neighbour Qatar during the November-December tournament.

Dubai's more permissive environment - including a wider availability of alcohol - could entice fans

Budget airline flydubai will run at least 30 return flights a day to Doha, just an hour away, part of a daily airlift of 160 shuttle services from cities in the resource-rich Gulf.