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Glasgow’s Dr Campbell Price is British TV’s go-to guy when it comes to ancient Egypt. But the study is riddled with racism and he wants to drag the world of mummies into the 21st century … and he doesn’t care if you call him ‘woke’.

Price is at the forefront of the fight to ‘decolonise’ the study of Ancient Egypt and drag it into the 21st century. He wants the discipline to confront its history of racism and empire, and he’s not shy about apportioning a fair amount of blame on Scotland and its own role in Britain’s colonial adventures.

the study of Ancient Egypt was founded by colonialists from Britain and France in the early 1800s and it still hasn’t shaken off the baggage of the past. There’s a lingering sense that Egyptians are considered unable or incapable of studying their own history without the assistance of white, western academics who are really the people best suited to the discipline. The whiff of racism and a “white saviour narrative” still hangs in the air, he feels.

not necessary for a newspaper to run images of the dead and injured in a manner that seemed blatantly disrespectful and dehumanising

Part of the issue people had with the editorial response was that it seemed to imply that the images were published because the attack in Nairobi was a "special" isolated incident, one that required especially gruesome images to depict "the truth" of what happened. 

Kenyans were neither fooled nor placated. Many others in the Global South agreed, as they, too, had experienced - many times over - how powerful news organisations from the geopolitical West present what happens in their communities and countries in two-dimensional ways, often with little regard for how their words and images would affect those who were depicted

Qatar has not simply spent money to import and train a soccer team: It has also redefined the very idea of citizenship. Like most states in the Persian Gulf, Qatar is a majority-foreigner country. There are only about 300,000 actual Qatari passport holders out of a population of nearly 3 million. Pathways to citizenship are notoriously exclusive, and only 50 new citizenships can be granted per year to those personally approved by the emir of Qatar himself. Yet 10 of the 26 players on Qatar’s national soccer team are naturalized citizens. To comply with FIFA regulations, the entire team consists of Qatari citizens. But these naturalized soccer players are not quite immigrant-origin  national heroes, in the vein of Zinedine Zidane or Zlatan Ibrahimovic. These immigrant players all carry “mission passports”—documents that confer citizenship for the purposes of sports competition

this type of citizenship comes with a built-in expiration date, making these immigrant players’ citizenships temporary as well as second class.

that Qatar has redefined the very nature of citizenship—without fanfare, controversy, and with the sole goal of appeasing FIFA nationality regulations—takes this story of temporary citizen soccer players beyond the realm of Gulf labor exploitation

The recent literature on Putin is correctly in drawing attention to his pro-Soviet imperialistic views: remember, to Putin the collapse of the USSR the biggest geopolitical catastrophe of 20th century. But what exactly this pro-Soviet worldview means is fairly poorly understood. To get a grasp on one needs to check what Putin’s preferred readings are. Putin’s favorites include a bunch of Russian nationalist philosophers of early 20th century – Berdyaev, Solovyev, Ilyin — whom he often quotes in his public speeches. Moreover, recently the Kremlin has specifically assigned Russia’s regional governors to read the works by these philosophers during 2014 winter holidays. The main message of these authors is Russia’s messianic role in world history, preservation and restoration of Russia’s historical borders and Orthodoxy.

another Putin’s favorite that was rumored to be very popular in his close circles a few years ago: “The Third Empire: Russia that Ought to Be” by Michael Yuriev. It’s a utopian fantasy written as a history book from a perspective of a 2054 Latin American narrator. The book describes how 2054 world order was established, and the process has a striking resemblance with contemporary Ukrainian events. It begins with a Recovery period of 2000-12, when the Great Russia starts its resurgence under the rule of Vladimir II the Restorer. Importantly the First Expansion that leads to reunification of significant territory occurs when Eastern and Southern Ukrainian regions rebel against west-organized Orange revolution (supported by western Ukraine). To help the revolting Ukrainians (that want to rejoin Russia) Vladimir II offers to include their Eastern territories into Russia. He then passes a referendum on those territories, and replaces the Russian Federation with the Russian Union (refer to the Custom Union) that also includes Belarus, Prednestrovie, Kazakhstan, Turkmenistan, South Ossetia and Abkhazia

Again, it may sound implausible but that is exactly what the late Harvard political scientist Samuel Huntington predicted in his book “The Clash of Civilizations and the Remaking of World Order“: alignments and wars among various civilizations — Western, Islamic, Chinese, Orthodox/Russian Latin etc. Notice that the Orthodox/Russian unity has already been restored in Russia. In response to the Ukrainian Church’s call to stop the Russian troops, Saturday a representative of Russia’s Orthodox Church suggested that Ukrainians shouldn’t resist the Russian military “peacekeepers.” Their mission – as was pointed out – is “to restore Russia’s historical unity.”

Pop music in the region today truly represents the Westernization of classical Arabic music defined by traditional elements of improvisation (where songs often last as long as an hour), instruments native to the region like the oud, and maqam, which is a system of melodies and pitches native to Arabic music. Classical Arabic artists like Oum Kulthum and Asmahan thrived on this style and are considered icons of Arabic music because of their ability to evoke emotion through their artistry.But in conjunction with colonization, Arabic music began to shift from its classical roots with the Cairo Congress of Arab Music in 1932, organized by King Fuad of Egypt. This symposium brought together renowned composers and ethnomusicologists from the Middle East, North Africa, and Europe who created a set of proposals for the modernization and standardization of Arabic music, one of which was the incorporation of European instruments into Arabic ensembles because “such instruments possessed tremendously varied, expressive means and depictive powers.”The other notable event that pushed this modernization further was the introduction of the phonograph to the region. Phonographs could only play songs for a limited duration, making the traditional improvisation and hour-long running times of classical Arabic music nearly impossible.The final nail in the coffin was the burgeoning film industry in the 1950s and 1960s, particularly in Egypt, the cultural epicenter for creative output in the Middle East and North Africa. Movies were heavily Westernized at the time, forcing directors and producers to modify accompanying music to incorporate Western-style elements in their instruments and duration.

a new movement is rising in North Africa.Rappers and emcees from the region are boldly approaching hip-hop and the larger Arab music landscape by exploring taboo themes and proactively deconstructing societal markers of North African identity. They are experimenting with beat production and dialect as they go about creating a space for their music and for these conversations to be held in a public domain. This is not a knock on the Levantine or Khaleeji rap scenes; there are many artists who are doing this currently. But North African emcees are using their lyrical flows and melodic rhythms to grapple with the essential question of identity. The music sounds fresh and breathes new life into the pop-dominant Arabic music scene.

A vast majority of North African rappers primarily use their regional Arabic dialects and French in their music. But many artists, specifically North African artists based in Europe, also use Spanish, Dutch, and English on their albums. A few artists will even use all four languages in one song.

About half the political prisoners he met in jail told him police had tracked their communications and movements through their cell phones

Stockholm-based Ericsson AB, Creativity Software Ltd. of the U.K. and Dublin-based AdaptiveMobile Security Ltd. marketed or provided gear over the past two years that Iran’s law enforcement or state security agencies would have access to, according to more than 100 documents and interviews with more than two dozen technicians and managers who worked on the systems.

When Iranian security officers needed to locate a target one night in late 2009, one former Ericsson employee says he got an emergency call to come into the office to fix a glitch in an Ericsson positioning center.

We all grew up with the standard formula: journalism plays a crucial role in making western democracies work by providing citizens with the information that enables them to make informed judgments about urgent issues of general interest. Therefore, the fundamental question for those who study the western new media is: Do they in fact do what they are supposed, and claim, to do?

The crucial western capitalist context in which the news media operate in Dutch society and which they fundamentally reflect, is the same as that of British and American societies. Economic and foreign policies in the three countries are much more alike than different. The Netherlands too avowedly promotes ‘free trade’ and ‘the spread of democracy’ to less fortunate countries. In the Netherlands too, neoliberal thinking dominates politics. Journalism in the three countries is also very much alike. The ruling professional ideology is ‘objectivity.’ The media are mostly privately-owned and depend on advertising revenue. In the name of ‘freedom of the press’, the government exercises restraint, taking the position that, as much as possible, the market should decide which publications live and die. But journalists and politicians are caught in a symbiotic relationship and the PR industry exerts a lot of covert influence on journalism. It was American journalist Ben Bagdikian, who claimed in his popular The Media Monopoly , now in its sixth edition, that continuing concentration in the American media industry amounts to a de facto news monopoly. As a result, American news reflects the interests of political and economic elites. Just like in the Netherlands, where media markets are dominated by a few big corporations.

The official version of Dutch media history maintains that the partisan journalism which was prevalent until the 1970s fell far short, because it was intimately tied to political parties. In the 1970s, journalism professionalized and since then it has done more or less what it is supposed to do. But this is a very partial account. Indeed, the partisan media hardly practiced journalism as we like to see it done: acting as the watchdog of democracy. But when journalism shrugged off its political ties, the market filled the vacuum, and far from the market functioning as an ‘engine of freedom,’ to use British scholar James Curran’s words - the market in reality amounted to yet another ‘system of control,’ to cite Curran once again. The commercial media’s primary task is not to provide the population with relevant, independently-gathered information. Their primary task is to deliver readers, viewers and listeners to advertisers. As a consequence, the media in the Netherlands are owned by rich corporations and persons who have a stake in maintaining friendly ties with other corporations and also the government, for access to powerful political sources needs to be kept at all costs. No wonder that the journalistic product reflects the interests of elites. The media are the elite, also in the Netherlands, its reputation of a progressive country regarding ‘cultural’ issues like abortion and the death penalty notwithstanding. Dutch journalism thus remains far from independent, at least, if we take Jurgen Habermas’ definition seriously, whereby a public sphere ‘can only approach autonomy if it is independent from both the state and commercial interests’. 

A friend of Mohamed’s, an unemployed telecommunications engineer named Nabil Selliti, left Douar Hicher to fight in Syria. Oussama Romdhani, who edits the Arab Weekly in Tunis, told me that in the Arab world the most likely radicals are people in technical or scientific fields who lack the kind of humanities education that fosters critical thought. Before Selliti left, Mohamed asked him why he was going off to fight. Selliti replied, “I can’t build anything in this country. But the Islamic State gives us the chance to create, to build bombs, to use technology.” In July, 2013, Selliti blew himself up in a suicide bombing in Iraq.

Tourism, one of Tunisia’s major industries, dropped by nearly fifty per cent after June 26th last year, when, on a beach near the resort town of Sousse, a twenty-three-year-old student and break-dancing enthusiast pulled an automatic weapon out of his umbrella and began shooting foreigners; he spared Tunisian workers, who tried to stop him. The terrorist, who had trained at an Islamic State camp in Libya, killed thirty-eight people, thirty of them British tourists, before being shot dead by police.

“The youth are lost,” Kamal told me. “There’s no justice.” Douar Hicher, he said, “is the key to Tunisia.” He continued, “If you want to stop terrorism, then bring good schools, bring transportation—because the roads are terrible—and bring jobs for young people, so that Douar Hicher becomes like the parts of Tunisia where you Westerners come to have fun.”

Rather than simply serving as crude propaganda for Erdoğan’s regime, Contemporary Turkish and World History aspires to do something more ambitious: embed Turkey’s dominant ideology in a whole new nationalist narrative. Taken in its entirety, the book synthesizes diverse strands of Turkish anti-imperialism to offer an all-too-coherent, which is not to say accurate, account of the last hundred years. It celebrates Atatürk and Erdoğan, a century apart, for their struggles against Western hegemony. It praises Cemal Gürsel and Necmettin Erbakan, on abutting pages, for their efforts to promote Turkish industrial independence. And it explains what the works of both John Steinbeck [Con Şıtaynbek] and 50 Cent [Fifti Sent] have to say about the shortcomings of American society.

Turkey has long had competing strains of anti-Western, anti-Imperialist and anti-American thought. In the foreign policy realm, Erdogan’s embrace of the Mavi Vatan doctrine showed how his right-wing religious nationalism could make common cause with the left-wing Ulusalcı variety.[5] This book represents a similar alliance in the historiographic realm, demonstrating how the 20th century can be rewritten as a consistent quest for a fully independent Turkey.

Ankara is currently being praised for sending indigenously developed drones to Ukraine and simultaneously criticized for holding up Sweden and Finland’s NATO membership. Contemporary Turkish and World History sheds light on the intellectual origins of both these policies

tool in the hands of Arab states

a subversive force was seen in the 1970s, when cassette tapes of preachers denouncing governments for tyranny and corruption spread in Egypt and Iran

Arabic satellite news and entertainment media established by Gulf Arab states

A prolific writer, Heikal penned dozens of books, chronicling events as a witness to history, his legacy linked with his association with Nasser. He was not just a journalist, newspaper editor, and later historian. Heikal was Nasser’s emissary with Western diplomats, a champion of Nasser’s brand of socialism and pan-Arab nationalism. He composed his speeches and ghost wrote Nasser’s political manifesto, The Philosophy of the Revolution. As the president’s alter ego, Heikal’s writings were read for clues to Nasser’s thinking. His influence derived from his proximity to power.

Heikal blurred the line between the role of a journalist and that of a politician. “He introduced a model in Egypt and the Arab world about what your ambitions should be as a journalist. In the West or Europe, you gain your reputation from your independence as a journalist,” explained Dawoud. “When I am the president’s consultant and I attend his close meetings and I write his speeches, there is definitely a lot of information that I would have to keep secret. That goes contrary to my job as a journalist, which is to find as much information as I can.”

The state media wholeheartedly embraced socialism and pan-Arabism, becoming a filter of information and propaganda, instead of the promised transformation of the institution into one that supposedly guides the public and builds society. Critical voices were muted, the military junta was sacrosanct, and Nasser was fortified as a national hero. The failings of the regime were not attributed to the president, but to the reactionary and destructive forces of capitalism and feudalism. Nasser’s personal confidant Muhammad Hassanein Heikal was appointed chairman of the board of al-Ahram, then later of Dar al-Hilal and Akhbar al-Youm publishing houses.

The fledgling TV news channel, under the wing of the state-run Turkish Radio and Television Corporation, is at the forefront of an ambitious effort by Recep Tayyip Erdogan, Turkey’s president, to shape how the country is viewed around the world. With sleek graphics, English-speaking foreign journalists and funded from the deep pockets of the taxpayer, it follows the blueprint of Qatar’s Al Jazeera and Russia’s RT, formerly Russia Today.

“There has [for many years] been a need for a broadcast channel delivering the events to the world from a different perspective, which presents Turkey’s own viewpoint,” says Ibrahim Eren, head of broadcasting for TRT. Ankara’s growing influence, not least in Syria and the migrant crisis, had created the need for a station showing non-Turkish viewers “how we see the world”

foreign journalists whom he views as an extension of western influence over Turkish internal affairs

Now the new Arab democracies may be forced to consider how to balance speech rights with popular demands for blasphemy restrictions. Egypt's Muslim Brotherhood has repeated its call for an international convention against giving offense to religion. Tunisian leaders said the crisis underlined the need for a blasphemy law, of the sort that already exists in countries such as Pakistan. We're told of a cultural divide between the West, with its traditional freedoms, and majority-Muslim countries extraordinarily sensitive to insults to Islam.

A lesson of Al Nas TV is that maybe this divide is not so great after all. The Egyptian station was broadcasting in a manner that Westerners would recognize -- airing a controversy and discussing its implications -- and its staff has reason to hope for Western-style protection of speech.

If Egyptian prosecutors can accuse a filmmaker in the United States of "threatening national unity" or "assaulting Islam," crimes that carry the death penalty, surely they can actually arrest the men in Cairo who propagated the video

Iran’s new Foreign Minister Javad Zarif joined President Hassan Rouhani in tweeting “Happy Rosh Hashanah” greetings Thursday, on the occasion of the Jewish new year’s holiday, setting off a new wave of amazement, and some disbelief, in both the social media and policy universes.

The rare and unusually direct Twitter diplomacy between Iranian leaders and western policy observers “will go down in history,” one Hill staffer, speaking not for attribution, said Thursday, expressing the wider sense of amazement heard from many veteran Iran watchers at the display of tolerance and public diplomacy initiative coming from Tehran. The welcome change in atmospherics has added to hopes for a diplomatic opening created by Rouhani’s election. But it must be accompanied by substantive progress in nuclear negotiations to lead to a broader easing of ties, western analysts and officials said.

undeterred by the overwhelming evidence that such policies are always destined to fail, governments continue to announce plans to block access to X-rated websites, often with large scale public support. In 2011, when many thought the days of Ben Ali-style censorship were coming to an end, a Tunisian court decreed that porn sites would henceforth be banned, as they “contravened the values of Arab Islamic society.” And just a few months before its overthrow, the Islamist government of Muhammad Morsi in Egypt thought nothing of dedicating endless hours to discussing a new $3.7 million anti-porn initiative. Clearly they didn’t think their country had bigger priorities

Put simply, porn is BIG in the Arab world. According to Google AdWords, the 22 Arab states account for over 10% of the world’s searches for “sex”; A total of 55.4 million unique monthly Google “sex” searchers in the 22 (ignoring a further 24 million searches for “sex” transliterated into Arabic) that matches both the United States and India, two countries often cited as world leaders in porn consumption

But how should we interpret these figures? In the West, where the Muslim world is often seen as a place that doesn’t “do” sex, stories that reveal supposedly traditional societies to be hotbeds of depravity gain wide traction in the media as amusing exposes. Religious conservatives in the Arab world meanwhile draw on evidence of a growing porn habit as proof of the “corrupting” influence of Western values, and the need to return to the supposedly pristine morals of the past. For example, the leading Saudi Internet “expert”, Dr Mishal bin Abdullah al-Qadhi, regularly warns that porn sites are part of an insidious Western plot. “The people of the West”, he wrote, in one particularly damning diatribe, “with their corrupt values, reprehensible principles and pernicious sicknesses, are not content to reveal their vices and sins […] to themselves alone, but continuously strive to spread these afflictions and sicknesses to the lands of Islam.”  In reality, both reactions rely on ahistorical ideas about the role of sex in Arab society. Instead, as the writer and academic Shereen El Feki, author of Sex and the Citadel, points out in a discussion with Raseef22, there really is nothing shocking about the revelation that Arabs watch porn. Before the twentieth century and the rise of the modern state, Arab culture had a long tradition of erotic imagery in literature and music. Medieval books such as The Perfumed Garden and the Encyclopaedia of Pleasure may have had a factual purpose, but they were also read for pleasure. “They are meant to arouse,” explains El Feki, “they are pornography. These notions of pornography as some sort of alien entity to Arab culture are completely untrue.”

media watchdogs said the action was more likely taken in response to the station’s programming, which had at times been critical, or satirical, of the Iraqi government. The move by security forces is an ominous sign for the country’s press, which, for the first time in decades had been enjoying relative freedom.

Ziad al Jillily, head of Iraq’s Journalistic Freedom Observatory, said that freedom of speech and journalism were the sole benefit of the U.S.-led invasion of Iraq.

The media here is now freer than Syria’s or Iran’s and less partisan than, say, Lebanon, where most of the media outlets are owned or controlled by politicians of various stripes. Basking in this freedom, both news and entertainment programs regularly push the boundaries. In an Iraqi version of "Punk’d," for example, which aired on Baghdadiya, actors played pranks on celebrities that often involved fake car bombs, checkpoint harassment and live bullets. As the celebrities screamed and fainted on screen, and readers complained, Punk’d Baghdad-style might not have been a good idea. But it did come from a lively, growing culture of media freedom.

By Ayaan Hirsi Ali

There are two ways to interpret the vote.

None of those Western academics, diplomats, and politicians who condemn the Swiss vote to ban the minaret address, let alone dispute, these facts.