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“Red lines remain that cannot be crossed. In the old days Mubarak was the red line. Today, it is the ruling military council or SCAF,” says journalist Khaled Dawoud who works for state-sponsored Al Ahram.

the interim military government issued directives for any media coverage of the military to be sent to the Armed Forces Morale Affairs Department for review before broadcast or publication. Broadcasters and editors working for Egyptian state-owned and independent media continue to complain about heavy censorship of their work, and in recent months several have resigned in protest.

soon the editors slid back to their old habits, repeating the mistakes of the past. During violent clashes at Maspero in October, Rasha Magdy, a state TV newscaster urged the public to defend the military against attacks by Coptic protesters. Magdy’s plea earned her the wrath of the public and she was accused of inciting violence against the protesters.

Knesset member Ksenia Svetlova, a member of Shaffir’s party, raised the gauntlet March 2 by filing a sexual harassment complaint against Channel 20 and the show with the Council for Cable and Satellite TV. Svetlova claims that Segal and the members of the panel violated a clause in the law that defines sexual harassment as a degrading or derogatory comment made because of the subject’s gender or sexuality. It will be interesting to see how the council handles Svetlova’s complaint, especially when dealing with freedom of expression and satire.

Segal is refusing to apologize. He will simply admit that it was a stupid and tasteless joke. During a bellicose interview with Army Radio on March 3, Segal shifted the debate to the political arena, turning it into an argument between right and left. He said, among other things, that the left-wing media was being hypocritical. He has no reason to apologize, he claimed, just as the popular satirical TV show "Eretz Nehederet" ("A Wonderful Land") was not asked to apologize for the sexual connotations of their jokes about right-wing ministers such as Ayelet Shaked (HaBayit HaYehudi) and Tzipi Hotoveli (Likud). When asked about why he was doing his satire on a news show, especially on one devoted to Jewish heritage, Segal responded that he does not make a firm distinction between current events, lighter news and humor. Toward the end of his interview, he said, “Personally, I feel bad that she was hurt. If only she would have left it as a personal insult, instead of bringing in sexual harassment. … But this is an attempt to silence Channel 20.”

Careful, stopping is recurrent. This is typically the warning you see at the back of a school bus that is bound to stop intermittently, but in Youssef’s case, it’s a pun on the possibility of censorship on the uncompromised content of the show

CBC, alongside Egypt’s contested media practice, would quickly become one of the main subjects of Youssef’s satire in his comeback.  The episode, aired this time on MBC Masr, was full-on general satire of the condition of censorship Youssef and others face. It was also mocking prevalent and flawed media practices that do more subservience than relaying truths. The show started with Youssef hesitantly presenting the script of the new season to the channel, as the disgruntled channel manager tries to convince him to shift to something else - presenting a show on women, for example, and essentially “eating bread”, an Arabic expression denoting the need to toe the line in order to survive. “I don’t like dialectics. I don’t like dialectics!” is the channel’s response, which resonates with a broader headline on today’s Egypt, where little criticism to the ruling authority is tolerated.

Youssef responds in his interview published on February 2 by the German Deutshe Welle by saying, “It’s important that people hear a different view. People can’t keep hearing the same thing all the time. That’s why there has to be some political mobility. I understand there is some fear… it’s hard to talk with logic then. But then imagine humor!”