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A news organization’s climate journalism should be as all-pervasive as the consequences of the climate crisis itself are. It should be completely normal to have a paragraph on climate impacts in, let’s say, a sports story or a story about company earnings.

There is not a single area of journalism that will not be transformed either directly by climate impacts or by humanity's efforts to mitigate climate change or adapt to it.

First, free climate journalism from its organizational silo and make it all-pervasive. Second, localize it and bring it into the here and now as much as possible. Third, put it into context.

Architecture has been part of that work. The unspoken assumption was that houses should fit together along alleys and streets, that no private house should be so ostentatious as to stand higher than the mosque or the church, and that the city should be a compact and unified place, built with local materials according to a shared vocabulary of forms. Thick walls of stone created interiors that would be cool in summer and warm in winter with the minimum use of energy. The souk was conceived as a public place, embellished appropriately so as to represent the heart of the city, the place where the free trade of goods expressed the free mingling of the communities.

The old souk of Aleppo, tragically destroyed in the current Syrian conflict, was a perfect example of this, the delicate and life-affirming center of a city that has been in continuous habitation for a longer time than any other. That city rose to eminence as the final station on the Silk Road, the place where treasures were unloaded from the backs of camels coming from Mesopotamia onto the carts that would take them to the Mediterranean ports. The fate of this city, which has, in the 21st century, faced destruction for the first time in 5,000 years, is a fitting emblem of what is happening to the Middle East today.

it is not only civil conflict that has threatened the ancient cities of the Middle East. Long before the current crisis there arrived new ways of building, which showed scant respect for the old experience of settlement and disregarded the unwritten law of the Arab city that no building should reach higher than the mosque, it being the first need of the visitor to spy out the minaret, and so to find the place of prayer. These new ways of building came, like so much else, from the West, first through colonial administration and then through foreign “advisors,” often taking advantage of the insecure land-law of the region, introduced by the Ottoman land code of 1858. By the time France had been granted the mandate to govern Syria in 1923, modernist building types, the mania for roads and motorized “circulation,” the idea that cities should be disaggregated into “zones”—residential, commercial, industrial, and so on—and the obsession with hygiene had all made their destructive mark on the urban fabric

The End (El-Nehaya), the Egyptian dystopian science fiction thriller series, has captured the imagination of audiences throughout the Arab world this Ramadan TV season. It is ranked the third most popular series this season, and has generated a lot of discussion in social media about its futuristic technology and debt to Hollywood science fiction and dystopian films.The End was also lumped into the debate over normalisation in this year’s Ramadanic TV programming and was attacked by the Israeli Foreign Ministry for its anti-normalisation stance. The End is premised on the fictional idea that the Arab world would become a superpower and that Israel would be destroyed less than a century into its establishment — that is, in less than thirty years. In its place, Al-Quds conglomerate will be created and will be under total Arab control.

Some contrasted the daring futuristic scenario with the utter impotence of the Arab world today, to offer any viable solution to the Palestinian struggle for freedom and the ongoing Nakba. Others thought it was enough that the series managed to provoke and infuriate Israel.

The series does not only substitute one form of domination in Al-Quds conglomerate for another. More importantly, the Palestinians are completely erased from Al-Quds conglomerate itself.

If he can improve the foreign relations, then the possible outcomes could be the removal or the reduction of sanctions. This leads to more investment opportunities that will result in more employment opportunities and improve those industries currently operating at a very limited level. Foreign policy is the first priority for this administration. Cultural and political progress is the next step. It is natural that Rouhani is putting all his effort and energy into solving this issue. However, the ministers, especially the minister of culture and Islamic guidance, have also tried to improve things. For example, through the Press Supervisory Board, they have issued licenses for several publications, although they were unsuccessful in obtaining a license for the two newspapers Neshat and Ham-Mihan and other political publications with ties to the Reformist movement. They have also tried to obtain the license that would allow both the Islamic Iran Participation Front [one of the main Reformist political groups] and the Mujahedeen of the Islamic Revolution Organization, to once again operate as legal parties in the country. Basically, the administration is slowly trying to achieve its political and cultural objectives. However, what was promised to people before the elections was much greater than what is actually happening. The promises made were greater and people’s demands are also more substantial than what the administration has managed to achieve in the past six months.

Rouhani needs to lean on people and civil organizations more than anything else, especially given the fact that during the previous elections, he was not associated with any party or organization himself. He became the only possible choice for the Reformists so they supported him and right now, he continues to have their support. However, if he disappoints them, they might become neutral or even start opposing him. The totalitarian movement that wants to take over the government starts by creating problems for Rouhani and his administration, and then when the time is ripe, they will strike the fatal blow.

After the events of the year 2009, the group that suffered the most, officially and unofficially, were the journalists working inside Iran. For a while, we had the highest number of imprisoned journalists and bloggers. Even now, some of our notable journalists are imprisoned or have lost their jobs and many more have left the country or have decided to suspend their activities. Some of those who left the country started working for the foreign media. This is why the Ministry of Intelligence and the security organizations are putting a lot of pressure on the families of these journalists, hoping to prevent them from working outside Iran. Inside Iran, with much effort, the journalists have tried to keep journalism alive and recently we have had some progress. Of course, we are yet to return to what was called “Tehran Spring” in the first two years of Khatami’s presidency; in fact, we might never return to it. These pressures have forced our journalists to work on an international level, to establish themselves in the social networks, and also to learn and practice citizen journalism. It is true that citizen journalism is different from professional journalism, but at the end, they are both trying to reflect what is happening in society and expose what needs to be exposed so that the totalitarian movement cannot do as it wills without any opposition

Both extreme metal and hardcore rap have long featured dissonant, even jarring music that is often marked in equal measure by the sophistication of and difficulty in listening to it. Lyrically, the grittiness, anger and themes such as poverty, unemployment, police brutality, and lack of life opportunities—were at the heart of American hip hop culture before it wase taken over by bling. Similarly, extreme metal’s focus on war, corruption, and chaos played a major role in the genre’s increasing popularity with young people across the Middle East and North Africa in the last twenty years.

During the last twenty years in which both heavy metal and hiphop have developed in the Arab and larger Muslim majority worlds, the closed nature of the political spheres in the region helped encourage these scenes to become sites of subcultural and even countercultural production. The music they have produced is the very antithesis of the far more popular, hyper-commercialized and corporatized (or “Rotana-ized”) Arab pop, whose European and American predecessors Adorno so thoroughly despised. They also stand in opposition to the largely depoliticized and musically unchallenging religious pop of stars like Sami Yusuf and Ali Gohar, who as Walter Armbrust points out, tend not merely to leave unchallenged and even reinforce patriarchal values, but offer aesthetic endorsement of the existing system through the themes and locations of their videos

whether Adorno would accept it or not, the self-reflexivity and willingness to critique society by its own referents that have characterized the best exemplars of extreme metal and political hip-hop are legitimate heirs of the tradition of critical engagement that have defined Adorno's oeuvre and that of his Frankfurt School colleagues. While critics have long labeled both metal and rap as juvenile, hedonistic, and even nihilistic forms of music, this interpretation is far off the mark when it comes to the more political forms of both genres. They function not merely as the CNN—or in the case of the Arab world, al-Jazeera—of the streets, but as their oped page as well, both educating their audience about political and social realities in their societies and the possibility of creating more positive futures

it was not the opposition of "fundamentalists" that kept rai music (not just Khaled's) off of Algerian state radio. It was rather the Algerian (secular) regime's cultural policies. The state promoted classical Arabic culture and language and denied Algeria's multi-cultural nature. Expressive culture in Arabic dialect or Berber was therefore mostly excluded from the state-controlled media. Rai is sung in the distinctive colloquial Arabic of Wahran, which is not only very different from "classical" or literary Arabic but is also full of borrowings from Spanish, French and Berber. This official national-cultural politics, which was particularly severe during the regime of Houari Boumediene (1965-1978), began to loosen during Chadly Benjadid's regime (1979-1992). In his 1998 autobiography, "Derrière la sourire," Khaled recounts how he managed to break the official embargo in the early 1980s. He was invited to appear on a television show in Algiers, which he knew couldn't be censored because it was to be broadcast live. Khaled was warned ahead of time: no vulgarities, no sex. So he sang three songs: the first, about the Prophet Muhammad; the second, a "poetic" song, one that was artistically acceptable; and the third, about alcohol and women.

Khaled, and other rai stars, came to play at this festival due to the efforts of the "liberal" wing of the Algerian regime -- and particularly to Lieutenant-Colonel Hosni Snoussi, director of the state-supported arts and culture organization, Office Riadh el Feth in Algiers, who had taken Cheb Khaled under his wing. The regime's liberal wing became interested in promoting rai in the wake of a spate of unrest that erupted during the early 1980s. Most notably, the 1980 riots in Tizi Ouzou, Kabylia (the "Berber Spring"); the 1985 riots in Algiers, which broke out following rumors that housing being built for the poor would be allocated to state bureaucrats; and the 1986 student riots in Constantine that resulted in the deaths of four protesters and spread to other cities. Young Algerians played a leading role in all these protests. The liberal wing of the regime determined that, to deter further unrest, the state should focus on promoting the interests of youth and on developing the market economy. Rai was very popular with Algerian youth, and so the "liberals" determined that promoting it was to be an important element of these reform efforts. It was changes in state policy toward rai, pushed by Snoussi, that got Khaled and other rai stars onto the stage in Algiers in 1985.

The French government had a stake in trying to control and channel the energies of the rai scene.

any time reality doesn't match your expectations, it means that marketing was involved

Earlier this year, Messi signed a deal with the kingdom to promote tourism there as it reportedly mulls a candidacy to host the 2030 World Cup. The terms and length of the deal were not made public, but The Athletic reported Messi may be receiving as much as $30 million per year. A potential Saudi Arabian bid would pit the country against Argentina’s own proposal to host the tournament together with Chile, Uruguay, and Paraguay.

Embracing international sports icons is just one way that Gulf countries have worked in recent years to boost their international influence. Qatar sits on the world’s third-largest natural gas reserves and has found itself in a powerful position in the age of energy supply strains. Since the start of the World Cup just two weeks ago, Qatar has signed a 15-year deal with Germany to supply it with natural gas, and the United States—whose largest military base in the Middle East is already near Doha—greenlit a $1 billion arms sale to the country. Washington considers Qatar a major non-NATO ally critical to stability in the Persian Gulf and beyond.

when Brazil hosted the World Cup in 2014, FIFA successfully pressured the country to change its legislation to permit alcohol sales in stadiums. But Qatar was able to impose its own laws on FIFA, in this case prohibiting alcohol sales to regular fans in the stands (though alcohol is freely available to VIP guests in luxury suites). It was one sign of the varying degrees of power held by recent World Cup host nations

five years in and with little progress in sight, cracks are appearing in Crown Prince Mohammed bin Salman’s flagship project to diversify the oil-driven Saudi economy. Neom’s former employees raised concerns that bringing the giga-project out of the realm of science fiction might never happen. Architecture experts have called it “insane.” Sources inside the royal circle no longer shy away from lashing out at MBS’ ever-changing ideas, “mood swings,” “terrible tempers” and fear-based leadership.

“The general concern is this will turn out like for the Shah of Iran, developing schemes that become incredibly detached from reality and no one will tell him to refocus,” a source familiar with the dynamics of Saudi Arabia’s royal family told me, on condition of anonymity

the risk of the Crown Prince ending up in an echo chamber cemented by yes-men. Power consolidation under MBS is unprecedented in Saudi Arabia’s recent history, moving the kingdom’s system from “one of consensus within the family to one-man rule.”

“We’re not kidding ourselves that the registry will overnight result in sort of a massive governance regime on fossil fuels,” she said. “But it sheds a light on where fossil fuel production is happening to investors and other actors to hold their governments to account.”

Thousands of Sharif University alumni power Iran’s most sensitive industries, including nuclear energy and aerospace. One of supreme leader Ayatollah Ali Khamenei’s closest advisors has taught there for decades. But as demonstrations erupt across Iran — first sparked by the death in September of 22-year-old Mahsa Amini in the custody of the country’s morality police — the scientific powerhouse known as “Iran’s M.I.T.” has emerged as an unexpected hub for protest, fueling Iran’s biggest antigovernment movement in over a decade.

Across the country and despite a violent crackdown, Iranians have taken to the streets, venting their outrage over social repression, economic despair and global isolation — crises that have clipped the ambitions of Iran’s young and educated generation.

“They are demanding the end of the Islamic Republic.”

Iraq as the fifth-most-vulnerable country to climate change. Temperatures have increased by 1.8 degrees Celsius (3.2 degrees Fahrenheit) in three decades, according to Berkeley Earth, well above the global average, and in the summers, the mercury now regularly hits 50 Celsius (122 Fahrenheit)

burning crops and desiccating marshes

12 percent of residents were newcomers who had settled in Basra over the past decade, mostly because of water scarcity and a lack of economic opportunities. The number is even higher in other southern Iraqi cities, such as Shatrah and Amarah.

Iran’s foreign minister said that his country is ready to work with the International Atomic Energy Agency (IAEA) to resolve questions about uranium found at three undeclared sites, as long as the agency addresses these questions “technically,” rather than politically

Once there is agreement on a return to the nuclear deal, known formally as the Joint Comprehensive Plan of Action (JCPOA), Iran will be ready to grant access to the IAEA “beyond safeguards,” Amir-Abdollahian said.

“We are not afraid of having face-to-face talks with the United States, but we should feel that it is going to be a game changer, that there is going to be some kind of gain for us.”  “If the Americans are serious, and they are willing to show their willingness and desire to get back to the JCPOA, these [indirect] messages will suffice."