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was Bildt's mission to find Al Khalifa on Twitter successful? "Yep," Bildt said. Al Khalifa saw his tweet — Bildt's 1,000th — and got in touch with the Swede, who noted that social media isn't the only way he contacts his peers: "I know which ones are on Twitter."

diplomats are likely to use social media ever more frequently, even in contacting each other, if only to show that they move with the times

When it comes to social networking, Bildt has a strong challenger in Finnish Foreign Minister Alexander Stubb, who has a more casual tone on his Twitter and Facebook accounts and official home page.

El-Daif (The Guest), a new drama written by journalist Ibrahim Eissa and directed by Khalid El-Bagoury that has become both a box office and a critical hit in Egypt, while at the same time attracting controversy.

a heated discussion about religious discourse between the younger and older man. The suitor, who appears to be highly influenced by Islamic fundamentalists, keeps engaging in arguments with Yahia, which are mostly won by the wit of the latter.

El-Daif is set mainly in the house of Yahia, who in many ways echoes the character of writer Eissa, a journalist and intellectual known for his outspoken writings on religion.

In 1992, Mazrui had a proposal: “The French once examined their special relationship to Africa and came up with the concept EURAFRICA as a basis of special cooperation. We in turn should examine the even older special relationship between Africa and the Arab World and call it AFRABIA.”

The project of “Afrabia,” as I interpret, would allow Africans to revisit a long history of the Islamic empire in Africa, its intersecting points with colonial projects subcontracted to Arab and South-Asian masters, as well as a shared history of decolonial struggles and anti-capitalist ambitions. For Arabs, it would mean a much-needed and long-overdue revision of their history, as well as of language and artistic expression that deal with Africa, blackness, and Afro-Arabs in reactionary, racist, and apolitical terms

Arabs, like their western teachers, when discussing anti-black racism and black issues, seem fixated on skin color, ideals of beauty, and visual representations; in a sense they express their own racial anxiety. It is as if anti-black racism has no history, trajectory, or realities beyond the stigma assigned to it, or the rhetoric surrounding it.

Wrongful arrests, an expanding surveillance dragnet, defamation and deep-fake pornography are all actually existing dangers of so-called “artificial intelligence” tools currently on the market. That, and not the imagined potential to wipe out humanity, is the real threat from artificial intelligence.

Beneath the hype from many AI firms, their technology already enables routine discrimination in housing, criminal justice and health care, as well as the spread of hate speech and misinformation in non-English languages. Already, algorithmic management programs subject workers to run-of-the-mill wage theft, and these programs are becoming more prevalent.

Corporate AI labs justify this posturing with pseudoscientific research reports that misdirect regulatory attention to such imaginary scenarios using fear-mongering terminology, such as “existential risk.”

Since Kais Saied's assumption of the Tunisian presidency in 2019, the number of African migrants who have arrived in Tunisia without being stopped or registered has dramatically increased. “Officially, 10,000 irregular migrants have crossed the borders from Libya to Tunisia during the first half of 2022”, M.E., a former UNHCR employee in Medenine revealed. In reality, the numbers are much bigger.

it is believed foreign migrants in Tunisia far exceed a million. 

Since the start of his tenure, Saied has put the army and the police at the behest of his political project. After his referendum on a new constitution, Saied sacked and replaced nine high-ranking police officers. Furthermore, Saied's Interior Minister Taoufik Charfeddine has been appointing his own friends to key positions in the police and the National Guard.

Prior to and throughout the popular uprisings that shook Tunisia and ousted former president Zine el Abidine Ben Ali in January 2011, Tunisian bloggers, cyber-activists and social network users took it upon themselves to take on roles unfilled by state-owned media.

“A blogger today is expected to change the world,”

citizen-journalism

I’d like to argue that Television functions as a distancing technology while social media works in the opposite direction: through transparency of the process of narrative construction, through immediacy of the intermediaries, through removal of censorship over images and stories (television never shows the truly horrific pictures of war), and through person-to-person interactivity, social media news curation creates a sense of visceral and intimate connectivity, in direct contrast to television, which is explicitly constructed to separate the viewer from the events.

the construction of the role of the anchor or the curator, and the role of content filtering.

a very surreal and disorienting experience unless one has been thoroughly conditioned into accepting them as normal. All this positions the anchor between us and the event and signals to the viewer that the event is merely something to be watched, and then you move on.

The social media giant finds itself under countervailing pressures after the uprisings in the Middle East. While it has become one of the primary tools for activists to mobilize protests and share information, Facebook does not want to be seen as picking sides for fear that some countries — like Syria, where it just gained a foothold — would impose restrictions on its use or more closely monitor users, according to some company executives who spoke on the condition of anonymity because they were discussing internal business.

Last week, Senator Richard J. Durbin, Democrat of Illinois, urged Facebook to take “immediate and tangible steps” to help protect democracy and human rights activists who use its services, including addressing concerns about not being able to use pseudonyms. In a letter to Mark Zuckerberg, Facebook’s chief executive, Mr. Durbin said the recent events in Egypt and Tunisia had highlighted the costs and benefits of social tools to democracy and human rights advocates. “I am concerned that the company does not have adequate safeguards in place to protect human rights and avoid being exploited by repressive governments,” he wrote.

This is an incredible challenge and an incredible opportunity for Facebook, Twitter and Google,” said Ethan Zuckerman, a senior researcher at the Berkman Center for Internet and Society at Harvard University, where he works on projects about the use of technology and media in the developing world. “It might be tougher for Facebook than anyone else. Facebook has been ambivalent about the use of their platform by activists.

A prolific writer, Heikal penned dozens of books, chronicling events as a witness to history, his legacy linked with his association with Nasser. He was not just a journalist, newspaper editor, and later historian. Heikal was Nasser’s emissary with Western diplomats, a champion of Nasser’s brand of socialism and pan-Arab nationalism. He composed his speeches and ghost wrote Nasser’s political manifesto, The Philosophy of the Revolution. As the president’s alter ego, Heikal’s writings were read for clues to Nasser’s thinking. His influence derived from his proximity to power.

Heikal blurred the line between the role of a journalist and that of a politician. “He introduced a model in Egypt and the Arab world about what your ambitions should be as a journalist. In the West or Europe, you gain your reputation from your independence as a journalist,” explained Dawoud. “When I am the president’s consultant and I attend his close meetings and I write his speeches, there is definitely a lot of information that I would have to keep secret. That goes contrary to my job as a journalist, which is to find as much information as I can.”

The state media wholeheartedly embraced socialism and pan-Arabism, becoming a filter of information and propaganda, instead of the promised transformation of the institution into one that supposedly guides the public and builds society. Critical voices were muted, the military junta was sacrosanct, and Nasser was fortified as a national hero. The failings of the regime were not attributed to the president, but to the reactionary and destructive forces of capitalism and feudalism. Nasser’s personal confidant Muhammad Hassanein Heikal was appointed chairman of the board of al-Ahram, then later of Dar al-Hilal and Akhbar al-Youm publishing houses.

This film industry has been coined Kannywood, after the city it originated in. According to statistics from the National Film and Video Censors Board, its movies make up about 30 percent of the films produced by the Nigerian-based film industry popularly called Nollywood, which is often portrayed as the third-largest in the world, after Hollywood and Bollywood. Kannywood even has its own TV channel, Africa Magic Hausa, showing Hausa-language movies on satellite TV.

Kannywood treats the viewer to a mishmash of cultural influences. Before the local film industry came into existence in the 1990s, northerners watched Hindi language films from India. The glamour of the Bollywood musicals has rubbed off on the Hausa movies, some of which feature singing and dancing.

Their tone is devoutly Muslim, though, and quite often the very last line of the end credits is "Glory be to God". Many of these movies also denounce the hypocrisy of the ruling classes who preach piousness in public while sinning in private.

The new law, according to the QNA release, will ban any dissemination via electronic means of “incorrect news” that endangers “the safety of the state, or public order or internal or external security.” The law also “stipulates punishment for anyone who exceeds any principles of social values.” The cybercrime legislation would also make illegal the publishing of “news or pictures or audio-video recordings related to the sanctity of the private and family life of individuals, even if they are correct, via libel or slander through the Internet or an IT device.”

Observers are worried because tightened cybercrime legislation in the United Arab Emirates has been used to prosecute dissenting speech seen on Twitter, Facebook and YouTube

Jan Keulen, the former director of the Doha Centre for Media Freedom, said that enacting the law could “impede the development of online journalism.” Keulen told Al-Monitor that Qatar’s new leader, Sheikh Tamim bin Hamad al-Thani — who took over for his father last July — has never mentioned topics such as democracy, elections or press freedom. Meanwhile, Qatar’s news powerhouse Al Jazeera touts these principles throughout the region.

The media world's fetishization of social media has reached idol-worshipping proportions. Media conference agendas are filled with panels devoted to social media and how to use social tools to amplify coverage, but you rarely see one discussing what that coverage should actually be about. As Wadah Khanfar, former Director General of Al Jazeera, told our editors when he visited our newsroom last week, "The lack of contextualization and prioritization in the U.S. media makes it harder to know what the most important story is at any given time."

locked in the Perpetual Now

There's no reason why the notion of the scoop can't be recalibrated to mean not just letting us know 10 seconds before everybody else whom Donald Trump is going to endorse but also giving us more understanding, more clarity, a brighter spotlight on solutions

Both extreme metal and hardcore rap have long featured dissonant, even jarring music that is often marked in equal measure by the sophistication of and difficulty in listening to it. Lyrically, the grittiness, anger and themes such as poverty, unemployment, police brutality, and lack of life opportunities—were at the heart of American hip hop culture before it wase taken over by bling. Similarly, extreme metal’s focus on war, corruption, and chaos played a major role in the genre’s increasing popularity with young people across the Middle East and North Africa in the last twenty years.

During the last twenty years in which both heavy metal and hiphop have developed in the Arab and larger Muslim majority worlds, the closed nature of the political spheres in the region helped encourage these scenes to become sites of subcultural and even countercultural production. The music they have produced is the very antithesis of the far more popular, hyper-commercialized and corporatized (or “Rotana-ized”) Arab pop, whose European and American predecessors Adorno so thoroughly despised. They also stand in opposition to the largely depoliticized and musically unchallenging religious pop of stars like Sami Yusuf and Ali Gohar, who as Walter Armbrust points out, tend not merely to leave unchallenged and even reinforce patriarchal values, but offer aesthetic endorsement of the existing system through the themes and locations of their videos

whether Adorno would accept it or not, the self-reflexivity and willingness to critique society by its own referents that have characterized the best exemplars of extreme metal and political hip-hop are legitimate heirs of the tradition of critical engagement that have defined Adorno's oeuvre and that of his Frankfurt School colleagues. While critics have long labeled both metal and rap as juvenile, hedonistic, and even nihilistic forms of music, this interpretation is far off the mark when it comes to the more political forms of both genres. They function not merely as the CNN—or in the case of the Arab world, al-Jazeera—of the streets, but as their oped page as well, both educating their audience about political and social realities in their societies and the possibility of creating more positive futures

We are ceasing publication for reasons involving fatigue--on a number of fronts. First, there is donor fatigue. Why, donors ask, should we continue to support a Middle East dialogue project that not only has not made peace, but cannot "prove" to our satisfaction--especially at a time of revolution and violence throughout the region--that it has indeed raised the level of civilized discussion? Why fight the Israeli right-wing campaign against European and American state funding and the Palestinian campaign against "normalization"? These last two negative developments also reflect local fatigue. There is no peace process and no prospect of one. Informal "track II" dialogue--bitterlemons might be described as a "virtual" track II--is declining. Here and there, writers from the region who used to favor us with their ideas and articles are now begging off, undoubtedly deterred by the revolutionary rise of intolerant political forces in their countries or neighborhood. Then there is the global economic slowdown. Even countries and philanthropic institutions not suffering from donor fatigue still have to deal with declining budgets for promoting activities like ours. Obviously, the donors have every right to do with their limited funds as they see fit. But they are nearly all tightening their supervision and review procedures to a point where the weight of bureaucracy simply overwhelms efforts to maintain even a totally transparent project like bitterlemons and to solicit additional funds.

discussions are being held with senior journalists and media figures about establishing an authority that would regulate the media and impose administrative and financial penalties on violators

Now the new Arab democracies may be forced to consider how to balance speech rights with popular demands for blasphemy restrictions. Egypt's Muslim Brotherhood has repeated its call for an international convention against giving offense to religion. Tunisian leaders said the crisis underlined the need for a blasphemy law, of the sort that already exists in countries such as Pakistan. We're told of a cultural divide between the West, with its traditional freedoms, and majority-Muslim countries extraordinarily sensitive to insults to Islam.

A lesson of Al Nas TV is that maybe this divide is not so great after all. The Egyptian station was broadcasting in a manner that Westerners would recognize -- airing a controversy and discussing its implications -- and its staff has reason to hope for Western-style protection of speech.

financed by the Saudi government and associated with the conservative Salafist movement