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Ed Webb

Berlin Film Festival: Middle East cinema takes the stage amid criticism of event | Midd... - 0 views

  • For a Middle Eastern film-maker at Berlin, premiering a project outside competition or a special gala can be a major gamble: judging by the scant number of reviews Middle Eastern films have received during the past few years, most get overlooked in the media rush to cover the major titles. But contrary to recent years, and perhaps in a sign of changes come, the Middle Eastern selection at the 69th Berlinale is particularly intriguing, featuring experimental films, political allegories, documentaries and one rediscovered classic.
  • The most politically outspoken Turkish filmmaker working today, Alper rose to fame with his political allegories, Beyond the Hill (2012) and Frenzy (2015), which explored how the state uses different forms of fear tactics to force its citizens into submission. He then courted controversy with his public support for the Gezi protests of 2013 and his subsequent signing of the 2016 petition that called for the release of the academics who were rounded up for denouncing the Erdogan regime for its attacks on the Kurds. His actions, he insisted in several interviews, excluded him from state funding, pushing him to seek private investments for his latest endeavour (it is a Turkish-German-Dutch-Greek co-production). How far his new drama can push his critical political agenda remains to be seen.
  • Veteran Lebanese auteur Ghassan Salhab was last seen at the Berlinale in 2015 with his highly acclaimed narrative feature, The Valley. This year he returns to the Forum – which leans towards experimental film – with An Open Rose, an essayistic collage that uses the letters of Polish-German Marxist theorist and short-lived revolutionary leader, Rosa Luxemburg, from her time in prison to examine the militarisation of the Middle East in the 20th century.
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  • the biggest discovery of this year’s edition from the Middle East could very well be Sudan, the new Arab cinema on the block making its major international festival debut with two documentaries by first-time filmmakers: Marwa Zein’s Forum contender, Khartoum Offside; and Suhaib Gasmelbari’s Panorama pick, Talking About Trees.
  • Iran has had a modest presence during the recent past at Berlin – and this year is no different, with only a single feature representing the once powerhouse cinema across all sections. Deviating from the country’s signature social realism, newcomer Suzan Iravanian is attracting buzz for her Forum curio, Leakage, a supernatural mystery about a fifty-something middle-class woman who starts leaking oil from her body after her husband disappears.
  • Mostafa Derkaoui’s forgotten 1974 classic, About Some Meaningless Event, a docudrama about a group of filmmakers asking passersby in Casablanca about their expectations for Moroccan cinema, only to shift their focus to a resentful worker who accidentally kills his superior.  An investigation of the role of cinema and art in society, this militant effort - which was primarily funded by the sale of paintings of a number of contemporary painters – was banned in Morocco and virtually disappeared, until a negative print was discovered in the Spanish film archive, Filmoteca de Catalunya, in 2016 and subsequently restored.
Ed Webb

Hip Hop Finds Its Groove in North Africa | Newlines Magazine - 0 views

  • Pop music in the region today truly represents the Westernization of classical Arabic music defined by traditional elements of improvisation (where songs often last as long as an hour), instruments native to the region like the oud, and maqam, which is a system of melodies and pitches native to Arabic music. Classical Arabic artists like Oum Kulthum and Asmahan thrived on this style and are considered icons of Arabic music because of their ability to evoke emotion through their artistry.But in conjunction with colonization, Arabic music began to shift from its classical roots with the Cairo Congress of Arab Music in 1932, organized by King Fuad of Egypt. This symposium brought together renowned composers and ethnomusicologists from the Middle East, North Africa, and Europe who created a set of proposals for the modernization and standardization of Arabic music, one of which was the incorporation of European instruments into Arabic ensembles because “such instruments possessed tremendously varied, expressive means and depictive powers.”The other notable event that pushed this modernization further was the introduction of the phonograph to the region. Phonographs could only play songs for a limited duration, making the traditional improvisation and hour-long running times of classical Arabic music nearly impossible.The final nail in the coffin was the burgeoning film industry in the 1950s and 1960s, particularly in Egypt, the cultural epicenter for creative output in the Middle East and North Africa. Movies were heavily Westernized at the time, forcing directors and producers to modify accompanying music to incorporate Western-style elements in their instruments and duration.
  • a new movement is rising in North Africa.Rappers and emcees from the region are boldly approaching hip-hop and the larger Arab music landscape by exploring taboo themes and proactively deconstructing societal markers of North African identity. They are experimenting with beat production and dialect as they go about creating a space for their music and for these conversations to be held in a public domain. This is not a knock on the Levantine or Khaleeji rap scenes; there are many artists who are doing this currently. But North African emcees are using their lyrical flows and melodic rhythms to grapple with the essential question of identity. The music sounds fresh and breathes new life into the pop-dominant Arabic music scene.
  • A vast majority of North African rappers primarily use their regional Arabic dialects and French in their music. But many artists, specifically North African artists based in Europe, also use Spanish, Dutch, and English on their albums. A few artists will even use all four languages in one song.
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  • Many emcees, more so than their Levantine or Khaleeji counterparts, utilize Afropop and Afro-fusion rhythms in their music as a nod to their home continent.
  • Dialect and slang are important in rap, Boubaker stressed, because “it is a question of using a popular spoken language in constant evolution and which incorporates foreign influences.”
  • French colonial policy in Algeria, she explained, aimed to violently prevent and suppress the teaching of Indigenous languages like Tamazight. France intentionally stoked tensions between Indigenous Imazighen and ethnic Arabs by implementing unjust laws seeking to tear at the societal fabric of the country and destroy Algerian identity.France implemented similar policies in other North African countries as well, actively working to create sectarian tensions that led to ethnic and linguistic divides that, in turn, led to brutal, violent conflicts and suppression of Indigenous culture.
  • Afrobeats is a fusion of hip-hop, dancehall, soca, and other Black genres that can be identified by its use of African drums and a 3/2 time signature — different from a Western 4/4 time signature — that gives the genre its trademark dance tempo
  • For North African artists, use of these rhythms can be traced back to Black North Africans and Indigenous communities who are descendants of the slave trade. Boubaker shared that the different genres, namely gnawa in Morocco, diwan in Algeria, and stambali in Tunisia, are the result of a distinct weaving between the musicalities of North Africa, sub-Saharan Africa, and Black Sufi tradition that can lead to a state of trance.
  • The stambali genre, Boubaker elaborated, is sung in a language derived from a mixture of Tunisian Arabic and the Houassa language spoken by the Hausas, a people of the Sahel, mainly in northern Nigeria and southern Niger who were part of the slave trade to Tunisia.
  • “Moroccan artists, early on, primarily referenced Malcolm X as a way to make the connection between race, Blackness, and Islam in the U.S. and embraced their own African identity through their music,” Almeida said. “The African theme has been going on for a while now.”
  • While Moroccan and Egyptian emcees found early opportunities, Tunisian and in particular Algerian artists did not have that initial access.
  • In Algeria, however, while the rap scene was up and coming, Almeida said the government actively worked to shut it down, which, she said, “really crushed everything.”That now looks different, with Algerian rappers even drawing influences from raï music and sampling prominent Algerian artists in their music.
  • Algerian artists of the 1990s and up to the present day are now primarily recording their music in France, Spain, and other European countries to then broadcast back to Algeria and the rest of North Africa. This is a subtle but noticeable diversion away from seeking opportunities in the traditional Middle East/North Africa hubs of music and culture such as Cairo, Beirut, and Baghdad.
  • “We just have to go back to our history, and we need to start loving ourselves and we need to recognize who we truly are because we’re not Arabs. 100% being Egyptian and being Moroccan is straight up being African and straight up being proud. And this is why I never have any issue representing mahraganat in my music because this is Egyptian music. I’m proud of my double cultures. I’m proud of my continent, and I really want to showcase it everywhere.”
  • North African rappers today are using hip-hop to express what it means to be who they are in the context of their country, their continent, and their lived experiences. And while there is a deep and painful colonial history associated with this music, the artistic yield has been profound not just for the region but the world.
Ed Webb

The Death of the Palestinian Cause Has Been Greatly Exaggerated | Newlines Magazine - 0 views

  • For the last 10 years, Western (and even Arab) pundits have repeatedly questioned the place of Palestine in the pan-Arab psyche. They surmised that the Arab Spring had refocused Arab minds on their problems at home. They assumed that battling tyrannical regimes and their security apparatuses, reforming corrupt polities and decrepit health care and education systems, combating terrorism and religious extremism, whittling back the power of the military, and overcoming economic challenges like corruption and unemployment would take precedence over an unsolved and apparently unsolvable cause.
  • reforming the Arab world’s political systems and the security and patronage networks that keep them in power and allow them to dominate their populations appears to be just as arduous a task as resolving the Israeli-Palestinian conflict
  • The difference now is not that Arab populaces have abandoned Palestine. Western and regional observers say the muted outrage over affronts like American support for the annexation of the Golan Heights or recognition of Jerusalem as Israel’s capital, or even the Abraham Accords and the subsequent sycophantic embrace of Israel in the Gulf is an indicator of Arab public opinion, that it signals a loss of interest in the cause.It is not. Arabs are of course not of a single mind on any particular issue, nor is it possible to gauge public opinion under tyrannical regimes. But it is indicative of the fact that these authoritarians no longer see the pan-Arab Palestinian cause and supporting it as vital to their survival. They have discovered that inward-looking, nationalistic pride is the key to enduring in perpetuity. It is the final step in the dismantling of pan-Arabism as a political force, one that will shape the region’s fortunes and its states’ alliances in the years and decades to come.
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  • Nowhere is this shift in attitude more abjectly transparent than in the Gulf states’ media outlets, which hew closely to the state line and even go beyond it in an attempt to out-hawk official policy, which by comparison appears reasonable and measured.
  • an obvious and transparent outgrowth of the Gulf states’ normalization deals with Israel, though it is curious to me why they feel the need to amplify Israel’s narrative of the conflict if they did not think public opinion was already on the side of normalization
  • Jordan violently suppressed demonstrators protesting the attacks on Gaza, who apparently did not receive the memo that 27 years should have been enough time to accept Israel’s position on the conflict. In Egypt, despite its testy relationship with Hamas and its participation in the blockade of Gaza, it is still political and social suicide to publicly embrace normalization as a concept.
  • There was great presumption and folly in the grandiose naming of a convenient political deal between unelected monarchs and a premier accused of bribery and corruption, which was brokered by an American president who paid hush money to a porn star, after the patriarch of the prophets of Israel and Islam.
  • few Arab leaders have ever actually done anything for the Palestinians beyond rhetorical support for the cause, but they were happy to use the prospect of Palestine to keep their populations in check. The late former President Hafez al-Assad imposed a multi-decade state of emergency and mobilization to justify his tyrannical hold over Syria while awaiting the mother of all battles with the enemy, all without firing a single shot across the border since 1973. The leader of the beating heart of Arabism intervened in Lebanon’s civil war and had no qualms massacring pan-Arab nationalists and their Palestinian allies, or to recruit his Amal militia allies to starve Palestinian refugee camps in Lebanon. His son and successor, President Bashar al-Assad, negotiated with Israel via intermediaries, ready to sell out his allies in Iran and Hezbollah, even as he declared his fealty to the resistance.
  • The Gulf states have long had backchannels and secret dealings with the Israelis and developed a penchant for Israeli digital surveillance tools. Egypt needed Israel to destroy extremist militants in Sinai. And Morocco, Oman, and Qatar all had different levels of diplomatic ties.
  • We don’t know broadly whether a majority of Arabs care about Palestine or not, though every indicator points to the fact that they still do
  • Riyadh’s media outlets have taken on a prominent role in expressing public sympathy for Israel and its positions
  • In Saudi Arabia, a monumental shift is underway to neuter the power of the clerical establishment in favor of a more nationalistic vision of progress that gives primacy to Saudi identity. According to Mohammed bin Salman, the crown prince, in a recent interview, this identity derives from religious heritage but also from cultural and historic traditions. MBS has defanged the hated Committee for the Promotion of Virtue and Prevention of Vice, introduced social reforms that dismantle some of the restrictions on women, detained numerous clerics who criticized his policies, both foreign and domestic, and has been elevated by his surrogates into an almost messianic figure sent to renew the faith and empower Saudi identity through KPI-infused economic progress initiatives like Vision 2030. He has also, of course, arrested those who sought to pursue activism and reform and those who criticized the pace and manner of his revolution.
  • where nationalist pride is intermingled with the quality of life and performance metrics of a technocratic capitalist state, albeit one where the reins are held by only a handful of families
Ed Webb

Syria's Twitter spambots | Jillian C York | Comment is free | guardian.co.uk - 1 views

  • In Morocco, Syria, Bahrain and Iran, pro-revolution users of the site have found themselves locked in a battle of the hashtags as Twitter accounts with a pro-government message are quickly created to counter the prevailing narrative
  • Another set of accounts, however, managed to inundate the #Syria tag. Using a Bahraini company, EGHNA, bots are sending messages – sometimes several a minute – using various Syria-related search terms.Under the heading "Success stories", the EGNHA website says:"LovelySyria is using EGHNA Media Server to promote interesting photography about Syria using their Twitter accounts. EGHNA Media Server helped LovelySyria get attention to the beauty of Syria, and build a community of people who love the country and admire its beauty. Some of their network members started translating photo descriptions and rebroadcasting them to give the Syrian beauty more exposure.LovelySyria is using their own installation of EGHNA Ad Center to generate the Twitter messages, their current schedule is two messages every five minutes."Other accounts, such as @SyriaBeauty, @DNNUpdates and @SyLeague, perform similar functions. Their messages are sometimes political, sometimes not, but all were created recently and all serve the purpose of diverting attention from the Syrian protests.
  • although Twitter shies away from moderating content and removing users, the search functionality favours users with a complete username, profile and photograph, and users who automate their tweets can be removed from search.
Ed Webb

The Arab world's (uneven) progress - 0 views

  • Five years ago, the United Nations published the Arab Human Development Report on Building a Knowledge Society. That widely read – and highly controversial – report found a "knowledge deficit" that threatens human development, economic growth, and the future potential of Arab societies. This week the Brookings Institution published a new study, in Arabic, that evaluates what has and has not changed since 2003.
  • Access to education has expanded markedly over the past five years
  • Arabs are embracing new technologies, such as the Internet and mobile phones.
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  • Other regions are progressing even faster, leaving the Arab world behind
  • intraregional trade increased, but it is still half the level of Asia
  • the quality of education does not meet global standards. Students perform poorly on international tests in math and science. Universities inadequately prepare graduates for jobs. Literacy rates are low: 83 percent in Syria, 59 percent in Yemen, and 56 percent in Morocco.
  • Arab economies still rely too much on natural resources, imported technology, and low-skill microenterprises
  • 35 percent of the population under the age of 15
  • thriving Arab societies bear the promise of less political instability, less anger and despair, and less animosity toward the West. Such societies would export fewer security threats in form of terrorism, economic disruption, and war.
Ed Webb

Journalism is Not a Crime » More info on Phillip Rizk from KABOBfest - 0 views

shared by Ed Webb on 08 Feb 09 - Cached
  • On her blog, a friend of mine recently lambasted Egyptians for their failure to take to the streets like people in Turkey, Morocco, France and dozens of other countries. While I don’t feel the same way she does, I feel her frustration. What is happening to Philip Rizk is just a reminder of the harsh realties of life in Egypt. There is no way Mubarak and his people can maintain their alliances without a crushing iron fist - state of emergency.
    • Ed Webb
       
      The virtual public sphere clashes with the physical, state-controlled public sphere.
  • I’m curious to see how much media coverage this whole story will receive… So far, very few news outlets have picked it up.
Ed Webb

Press release archive: About NPG - 0 views

  • Nature Middle East launches today at www.nature.com/naturemiddleeast. The new website from Nature Publishing Group (NPG) showcases scientific and medical research from the Arabic-speaking Middle East region and is continuously updated with articles in English and Arabic. The King Abdullah International Medical Research Center (KAIMRC), at King Saud Bin Abdulaziz University for Health Sciences (KSAU-HS), Saudi Arabia, is sponsoring Nature Middle East.
  • "We are proud to be launching Nature Middle East, which reflects our growing commitment to a region with a proud scientific history and a promising future," comments David Swinbanks, Publishing Director for NPG. "We believe this launch is particularly timely, as nations from across the region increase their investment in science and medical research facilities and programmes. Nature Middle East will be the place to keep in touch with these exciting new developments."
  • Algeria, Bahrain, Egypt, Iraq, Jordan, Kuwait, Lebanon, Libya, Morocco, Oman, Palestinian territories, Qatar, Saudi Arabia, Sudan, Syria, Tunisia, United Arab Emirates, and Yemen
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  • Nature Middle East Editor Mohammed Yahia has been actively promoting science in the Middle East region for a number of years. Prior to joining Nature Middle East, Mohammed was the MENA region coordinator for the website SciDev.Net and has worked as a reporter, editor, and consultant.
  • following the launch of Nature India in February 2008 and Nature China in 2007
Ed Webb

ONI Releases 2009 Middle East & North Africa Research | OpenNet Initiative - 0 views

  • While not all countries in the Middle East and North Africa filter the Internet, censorship across the region is on the rise, and the scope and depth of filtering are increasing. Testing has revealed political filtering to be the common denominator across the region; however, social filtering is on the rise.
  • Based on ONI testing results, Algeria, Egypt, Iraq, Lebanon, and the West Bank do not currently filter any material; however, none of those are without regulations.
  • Bahrain, Iran, Syria and Tunisia have the strictest political filtering practices in the region.
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  • Although increased filtering is the rule and unblocking the exception, there are a few instances of the latter since our last report. Syria has restored access to Arabic-language Wikipedia, Morocco has lifted a ban on a number of pro-Western Sahara independence Web sites, and Libya has begun to allow access to previously banned political sites. Additionally, Sudanese filtering of sites containing LGBT, dating, and health-related content has lessened since the last round of ONI testing.
  • Iran is among the strictest filtering regimes in the world, pervasively filtering political and social content, as well as Internet tools and proxies, and substantially filtering content related to conflict and security.
  • In the Middle East and North Africa, the filtering of social media and social networking sites has become relatively commonplace. For example, YouTube and Facebook are currently filtered Syria and Tunisia, and Orkut and Flickr are blocked in Iran and the UAE. Iran also filters a local social networking site, Balatarin.com, and the UAE and Saudi Arabia filter certain YouTube videos, though not the entire site.
  • Blocking Web sites in a local language is approximately twice as likely as blocking sites only available in English or other international languages.
Amira AlTahawi

المغرب ومصر: من حق الناس أن تفطر في رمضان | Radio Netherlands Worldwide - 0 views

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    "الهدف من هذا النشاط الميداني الرمزي هو الاحتجاج ضد الفصل 222 من القانون الجنائي المغربي الذي يجرم الإفطار العلني في رمضان و التعبير عن حق المفطرين في الوجود.
Ed Webb

The West should focus on North Africa - 0 views

  • This week, Algeria's president, Abdelaziz Bouteflika, will compete for a third term in office. Unlike in 2004, Mr. Bouteflika will run virtually uncontested. The opposition is boycotting because, according to two-time presidential contender Said Saadi, the elections are a "nihilistic folly." Indeed, Bouteflika is only able to run because he engineered a constitutional amendment abolishing term limits.
  • Disturbingly, the Algerian experience appears to be echoing across North Africa. In Tunisia, where elections are slated for the fall, President Zine El Abidine Ben Ali's political style remains highly authoritarian. The US State Department 2008 Human Rights Report, for example, expressed dismay at the "severe restrictions on freedoms of speech, press, assembly, and association" reflected in Mr. Ben Ali's approval ratings. Even in Morocco, where King Mohammad VI has some popular legitimacy, record lows in voter turnouts in 2007 suggest increased apathy and disillusionment with the voting process.
  • While the departure of Ben Ali and Bouteflika may not be imminent, in the absence of legitimate institutions, successors will enter their offices with even less credibility and historical legitimacy, potentially fueling further disaffection.
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  • In these countries, the US must take concrete measures to promote human rights and reform. In conjunction with European partners, a far more detailed and extensive program of scholarships, technical expertise assistance, civic education, English language programs, and other development programs should be offered to Tunisia and Algeria. Such efforts must be teamed with further impetus on economic regional cooperation and forward movement on the Western Sahara conflict. It is now time for a policy that takes into account the region's stability issues and makes all of North Africa into a development partner, rather than a potential time bomb, and ensures that having an election season actually means something.
Tom Trewinnard

On U.S Middle East Policy and Amateurism | TPMCafe - 0 views

  • This was not a good week for the Obama administration's Middle East peace efforts. Speaking alongside Israeli Prime Minister Netanyahu in Jerusalem last Saturday, Secretary Clinton seemed to be praising the distinctively partial limitations that Israel was willing to implement on settlement non-expansion. During the following days in Morocco and Cairo, she walked those remarks back, but the damage had been done.
  • On the positive side, I think the administration folks are themselves aware that this is not going swimmingly. The overall administration scorecard on Middle East peace is slipping into the red.
  • My own preference would have been for option two, and indeed, the administration could reasonably be perceived to have laid the ground deftly for such a pivot. Unfortunately, they went for option three, and it all came crashing down around their feet this week.
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  • The Obama team is perfectly capable of charting a course from a bad week to a game-changing success, but more of the same won't get them there.
Ed Webb

Looking backwards at Muslims in Spain - Al Jazeera English - 0 views

  • El Principe is a curious mix between a US terrorism series like "24" and a steamy Mexican or Brazilian telenovela. The series is entertaining, until one realises that this show is actually shaping public perceptions of Islam and Spain's Muslims, and that the six million Spanish viewers who tune in every Tuesday night take the show quite seriously.
  • Viewers don't see it as a comical, distorted depiction of North Africa, but as a reliable source of information on Islamic culture and Muslim family life. In reality, El Principe is evidence of just how backwards Spain's discourse on diversity and immigration is.
  • If the aim of the series was to show that being Spanish and Muslim is not a contradiction, El Principe has not been successful. The Muslim men are in effect cultural monsters. With his Armani suits and Caribbean accent, Farouk tries to portray a domineering Muslim patriarch - even ordering his sister Fatima to obey him instead of the police. This ultra-macho character, we find out, is actually sterile, yet instead of seeing a doctor, he blames his wife Leila for their infertility.
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  • It often seems that the clean-shaven Morey was sent to Spain's North African colony not to investigate corruption, but to liberate its Muslim women from tradition and patriarchy; to show them that their freedom lies not in allegiance to family, but in loyalty to the Spanish state (ie the modernity that Morey represents). But, of course, Morey's romance with Fatima recycles the most vulgar, racist fantasies that white men have of Arab women. In one episode, Fatima spends five long minutes disrobing for Capitan Morey, her veil falling to the floor in slow motion.
  • "The series doesn't address any of these policy issues and makes it seem that the problems in El Principe are all because of our culture and religion - as always." 
  • Of course, this hyper-nationalist turns out to be a jihadist and a double agent. The message to Spanish viewers is clear: even your most patriotic Muslim neighbour might be a terrorist. This is irresponsible. El Principe is perpetuating injurious stereotypes of Spanish Muslims at a time when the PP government is passing draconian security laws targeting minorities in Spain.
  • The history of Muslims in Ceuta is rarely represented in Spanish media. There are streets named after colonial leaders like Enrique El Navegante - who killed thousands of us - but little about our contributions. And when a series finally talks about us, we're moros and terroristas
Ed Webb

Journalist's phone hacked by new 'invisible' technique: All he had to do was visit one ... - 0 views

  • The white iPhone with chipped paint that Moroccan journalist Omar Radi used to stay in contact with his sources also allowed his government to spy on him.They could read every email, text and website visited; listen to every phone call and watch every video conference; download calendar entries, monitor GPS coordinates, and even turn on the camera and microphone to see and hear where the phone was at any moment.
  • Forensic evidence gathered by Amnesty International on Radi’s phone shows that it was infected by “network injection,” a fully automated method where an attacker intercepts a cellular signal when it makes a request to visit a website. In milliseconds, the web browser is diverted to a malicious site and spyware code is downloaded that allows remote access to everything on the phone. The browser then redirects to the intended website and the user is none the wiser.
  • “The Moroccan authorities are buying every possible and imaginable surveillance and espionage product. They want to know everything.”
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  • While Amnesty could not definitively state that the Moroccan authorities were behind the attack, the group was able to use forensic evidence to conclude this was very likely the case.
  • The spyware they found — commonly known as “Pegasus” — can be traced back to the Israeli cyber surveillance company, NSO Group.
  • Radi is an investigative journalist who co-founded the local news site Le Desk, a partner with the Star in the International Consortium of Investigative Journalists. He specializes in the connections between politicians and business people as well as social movements and human rights. In other words, he’s a thorn in the government’s side and a prime target for surveillance, hacking and harassment.
  • NSO Group, which was valued at $1 billion USD last year, sells surveillance software to governments and law enforcement agencies intended to combat terrorism. Over the last several years, however, reports from around the world have implicated NSO Group’s spyware in the targeting of journalists and human rights activists.
  • A recent report by The Citizen Lab at the University of Toronto’s Munk School identified 13 journalists, including a reporter for the New York Times, targeted by Pegasus software employed by the Mexican and Saudi Arabian governments.
  • what makes Radi’s case unique is that he was infected last September, only three days after the Israeli company issued a policy that vowed the company would cut off clients if they were found to misuse the surveillance technology to target journalists and human rights activists
  • Amnesty’s new report notes that the NSO server used to hack Monjib and El Bouchattaoui was shut down shortly after the previous report was made public. Shortly afterward, a new server that operated in the same manner was set up and used to hack Radi’s phone, the report said.
  • This month, an article on the Moroccan news website Chouftv reported that Radi was part of a group of journalists organizing a support campaign for an imprisoned colleague. Radi says the article contained details taken from conversations he had on the encrypted apps Signal and WhatsApp, and he suspects government intelligence officers leaked the information gleaned from his phone.“It’s a way of saying: ‘You are being watched,’ ” he said.Radi’s sources have grown more reluctant to talk as it has become evident that journalists’ phones are being tapped.
Ed Webb

Arabpop: Metamorphosing Italian anti-Arabism into a creative media marvel - 0 views

  • Arabpop the magazine found a home in the Neapolitan indie publishing house Tamu — the Italian South has always been more ready to embrace its Arab culture, often being mocked by right-wing Italian politicians and their supporters, who openly dream about dividing Italy into North and South and often refer to the South as ‘Africa’, ‘Morocco’ or something along those lines.
  • While the team of editors is fully Italian, some contributing journalists are Italians with an Arab background while most of the writers are Arabs.
  • while there is a wealth of academic texts to be found, little is written about Arab culture that is suitable for the general public
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  • By curating and translating the work of contemporary Arab poets, writers, visual artists and journalists based around a specific theme, Arabpop aims to fill a gap in accessibility to Arab stories specifically catering to people who are interested in what goes on in the Arab world beyond the daily headlines.
  • While it’s merely a coincidence that Arabpop came out almost exactly 20 years after 9/11, Comito does refer to the extreme rise in anti-Arab and anti-Muslim sentiment that manifested itself since then, both in politics and society. “I say this at every presentation: a large part of the problem is the media, which in the last 20 years since the attack on the Twin Towers have unleashed a terrifying anti-Islam and anti-Arab country propaganda.”
  • Other highlights include an excerpt from the 2016 book Paolo by celebrated Egyptian writer Youssef Rakha, which is so thoughtfully translated that you wish everyone could read Arabic translated into Italian – the cadence, the poetry of the mundane, the flow of the story shows how perfectly the two languages sway together when approached with a passion for language and culture and attention for detail.
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